Dvvd Accorhotels Arena
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DVVD ACCORHOTELS ARENA PRESS KIT 03 THE ACCORHOTELS ARENA REBIRTH OF AN ICON Ranking as one of the most emblematic structures in the landscape of the capital city, the Palais Omnisports de Paris-Bercy has been reborn under a new light, thanks to the work of the architects from the DVVD agency. Modernized, expanded, upgraded to 21st-century norms and standards, and above all delivered to the public in record time, the new AccorHotels Arena stands out as one of the strong points in the candidature of Paris to host the summer Olympics in 2024. The largest venue for concerts, shows the architectural team of Andrault, and sports events in France, the Parat, Prouvé and Guvan to replace the Palais Omnisports de Paris-Bercy Vel d’Hiv stadium, it rapidly became a (POPB) was opened in February 1984, key venue in the cultural life of Paris. in the 12th arrondissement of the Its blue metallic web structure, its capital. At that time, it formed part sloping lawns and its bold pyramidal of a major urban development project design made a strong imprint upon the for eastern Paris, which was already panorama of the city and captured the exceptionally well-served (thanks to imagination of the public, who thronged the proximity of the Gare de Lyon, the there to attend the performances of RER rapid transit system, the Métro, leading signers or sports stars. From the Right Bank expressway and the funboarding to stock car racing, from Boulevard Périphérique). Designed by Madonna concerts to acrobatic ski-ing, 04 this venue already enjoys a globally unique multi-purpose capability, which has made its reputation. However, after three decades of intensive use, the venue is no longer consistent with the practices and requirements of organizers and spectators in the 21st century. Renovation was therefore needed to bring the venue up to the level of the greatest arenas in the world, whether in terms of the hosting of events, the comfort of users or performances. As Julien Colette, the new General Manager of the facility puts it: “The objective was the rebirth of the Bercy stadium as a modern and innovative arena, highly focused on the quality of the visitor experience for all its audiences”. An ambitious programme, in technical, functional and upgrading terms, was formulated by the DVVD architecture, design & engineering agency, selected in 2011 by a tendering procedure organized by the POPB operating company. This was a salutary intervention, conducted with respect for the history of the existing structure, and delivering fresh impetus and new prospects in the run-up to the 2024 summer Olympics. 06 07 THE REDEVELOPMENT SCHEME WAS TECHNICAL, FUNCTIONAL AND SAFETY- RELATED. WHAT WE HAVE ATTEMPTED Economic and TO DO IS TO GO BEYOND THIS SCHEME BY organizational prowess DELIVERING A SENSITIVE ARCHITECTURE WHICH IS EMBLEMATIC OF ONE OF THE GREATEST ARENAS IN THE WORLD, AND EVEN INFLUENCING URBAN DEVELOPMENT The challenge posed to the DVVD BY OPENING THE BUILDING OUT ONTO THE agency was huge, primarily involving STREET, PROVIDING SPACES AND WALKING the skilful management, with no overrun, of 17 months of works, FACILITIES FOR LOCAL RESIDENTS. divided into two phases. A first phase — Daniel Vaniche of 7 months, for the renovation of the ice rink and the start of works on the main hall, with a 2-month interruption Works supervisors were to operate in works for an interim reopening to zone-by-zone; design analyses were host the BNP Paribas Masters tennis completed to an extreme degree of tournament and some thirty concerts. detail, in order to avoid any change The second phase of 10 months, to be in design in the course of works. executed at a brisk pace, was to involve At the peak period, nearly 1,200 the reconstruction of the concert hall, people were working on-site under the fitting-out of reception rooms, extreme demands in order to ensure dressing rooms, public spaces, sports the on-time official delivery of the facilities, press rooms and show project on 18th October 2015. The production facilities, the reworking of venue has also changed its name: the technical premises and the acoustic Palais Omnisports de Paris-Bercy and thermal treatment of the outer has made way for the AccorHotels shell of the building. All this was to be Arena, following a naming operation done without the slightest adjustment which forms part of the economic to due dates and costs, there being no model for the financing of schemes possibility of an extension to the works with no public subsidy. In this major budget of 110 million euros, and the achievement, praise is due to the Masters tennis tournament being an disparity between the economy of annual event. A just-in-time schedule, resources and the resulting quality of with an extremely precise sequencing spaces and ambiances, unparalleled in of phases, was devised as a result. modern arenas. 08 09 Bringing the arena closer to its public, and opening it up to the city The DVVD agency faced another to meet “under shelter” before the challenge: changing the image of show. The 90 parking places replaced the old POPB, frequently perceived have been recreated in the former as an inward-looking facility, storage spaces, previously reserved substantially unconnected to its for the retractable terraced seating, surroundings, with confusing access which can now be stored in the concert routes and little encouragement for hall, thanks to an ingenious system of public appropriation. By redefining stacking drawers. While the renovated its attachment to the ground, pedestal structure is punctuated by a the architects have created a new number of modifications, including perspective: the interminable granite the VIP entrance, the glass canopy on stairways and the high-level car parks the River Seine side, the walkway on on the Rue de Bercy have made way for the park side, the ice rink entrance and 2,500 m2 concourse, which bridges the the press entrance, the project retains gap between the concert hall and the the strong identity of the building street, and provides an opening onto which, with its metal web structure or the city. Backing onto the existing its sloping lawns, forms a distinctive structure, this lobby space serves as a feature of the Parisian skyline. linking structure, allowing the public 10 WORKING ON SUCH A STRONG AND EMBLEMATIC BUILDING HAS BEEN INTENSE : THE CHALLENGE WAS TO DELIVER SOMETHING NEW WITHOUT CHANGING THE BUILDING’S ORIGINAL NATURE, BRINGING IT INTO THE 21ST CENTURY WHILE RESPECTING ITS ICONIC ARCHITECTURE. WE HAVE ENDEAVOURED TO USE THE SAME SPACE TO ACHIEVE MUCH MORE, COMBINING COMFORT, INNOVATION, FUNCTIONALITY AND ENVIRONMENTAL QUALITY. — Daniel Vaniche 12 13 With its street level opening onto the Rue de Bercy and the Seine, the arena consequently radiates a near-intuitive invitation to discovery. On the interior, a clear view through to the concert new reception areas, constructed hall. These spaces are accessible to the A generous architecture of timber, structural steelwork and public (ticket-holders or otherwise) glass, as if to mark the boundary with for the neighbourhood throughout the day, serving the the existing structure of lawns and new intent of performance venues, concrete, provide spaces for meeting which are endeavouring to transform and conversation, as well as providing themselves into genuine living spaces, beyond the scope of events themselves. Here, the convivial and elegant atmosphere, together with the abundant provision of bars, restaurants or dedicated spaces for commercial partners, inevitably generate the incentive for a return visit. The concourse on the Rue de Bercy, slightly set back from the highway, defines the frontal boundary of a new public space, which fundamentally changes the face of this district and the habits of local residents. Along similar lines, the inclined roof spaces, accessible to all, are becoming a favourite spot for relaxation, reading in the sunshine, talking with friends or even learning to ride a bike. Their gentle incline incorporates a ramp which is accessible to persons with reduced mobility, while a pedestrian overpass connects this new walking space to the Parc de Bercy, creating a continuous link between the Rue de Bercy, the Parc de Bercy and the municipal library via the Simone de Beauvoir footbridge. The AccorHotels Arena has therefore been transformed into a fully-fledged urban interchange, where well-being, ease of access and sociability are just as important as sound quality. 14 1 3 2 4 Simplification enhances functionality 5 The sloping roof outlines are reflected ultra-functional. It reflects the times on the interior of the reception space, perfectly, with its timber cladding and reinforced by false ceilings of timber lath its dynamic and sophisticated signage. construction, the horizontal structure For the entertainment of spectators, of which emphasizes the lines of force this structure is punctuated by fourteen generated by the enclosed space. The themed bars. Here, as in the concourse, concourse is bathed in light, thanks to the tonality and ambiance of the the glazed canopies which reinterpret the premises are delivered by materials: the layout of the metal web structure and, in mineral quality of concrete, the warmth places, frame astonishing views of the of timber, and the brilliance of copper 6 sky and the sloping lawns, which can also and gold. On the Boulevard de Bercy, the be seen from the stairways and escalators special VIP entrance reproduces these leading to the new gallery. The latter, colour schemes, in this case with a ceiling previously a charmless and inconvenient enlivened by a glass canopy, which pedestrian area, is now rational and becomes sculptural in its structural form. 18 19 Before and after flux AFTER RENOVATION BEFORE RENOVATION 20 Achieving more within the same context A further substantial challenge for DVVD lies at the very heart of the arena: whilst remaining within its existing shell structure, the concert hall will nevertheless be required to increase its audience capacity.