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Spring Break in Paris
Spring Break in Paris Friday, March 21st to Sunday, March 30th, 2014 What you’ll do . Friday, March 21st – You’ll depart from Huntsville or Nashville International Airport bound for Europe. Usually there is a stop in one of the major cities of the east coast in order to catch your trans-Atlantic flight to Paris. Saturday, March 22nd – After flying through the night, you’ll land at Charles de Gaulle International Airport. After collecting your luggage and passing through customs, you’ll transfer into the city, usually by train. On evening one, there’s a short time for resting and refreshing at the hotel before heading out into the city for dinner and some sightseeing. You will ascend the 58-story Tour Montparnasse for the best views of Paris as the sun goes down and the lights come on in the city. Sunday, March 23rd– You’ll visit the Royal Palace of Versailles, just outside of Paris. In addition to touring the palace itself, you’ll want to visit the gardens, since Sunday is the only day the world-famous fountains are turned on. You will also have the opportunity to visit the Grand and Petit Trianon, small palaces built by the king on the grounds of Versailles in order to escape the pressures of palace life. Also not to be missed is the village-like hameau of Marie Antoinette. Later, you’ll head back to Paris for dinner and a visit to the Sacré-Coeur Basilica in Montmartre, the bohemian quarter of Paris. In Montmartre, you’ll also visit the Place du Tertre, where an artist will paint your portrait for a price. -
Roma Subterranea
Roma Subterranea The Catacombs of Late Antique Rome | Marenka Timmermans 0 Illustration front page: After http://www.livescience.com/16318-photos-early-christian-rome-catacombs-artifacts.html 1 Roma Subterranea The Catacombs of Late Antique Rome Marenka Timmermans S0837865 Prof. dr. Sojc Classical Archaeology Leiden University, Faculty of Archaeology Leiden, June 15th, 2012 2 Marenka Timmermans Hogewoerd 141 2311 HK Leiden [email protected] +316-44420389 3 Table of Contents Chapter 1. Introduction 5 1.1 Research goal, methodology and research questions 5 Chapter 2. The origins and further development of the catacombs 7 2.1 Chapter summary 10 Chapter 3. Research performed in the catacombs up to the late 20th century 11 3.1 The 'rediscovery' 11 3.2 Early Catacomb Archaeology 13 3.2.1 Antonio Bosio 13 3.2.2 Giovanni di Rossi 14 3.3 Archaeological research in the late 19th and up to the late 20th century 17 3.4 Chapter conclusion 18 Chapter 4. Modern catacomb research 21 4.1 Demography 21 4.2 Science-based Archaeology 23 4.2.1 Stable isotope analysis 23 4.2.2 Radiocarbon dating 25 4.3 Physical Anthropology 26 4.4 Other sciences in and around the catacombs 27 4.5 Chapter Conclusion 28 Chapter 5. Discussion 31 Chapter 6. Conclusion 37 Summary 39 Samenvatting 41 Bibliography 43 List of Figures 49 List of Tables 51 Appendix I 53 Appendix II 57 3 4 Chapter 1. Introduction The subject of this BA-thesis is the catacombs of Late Antique Rome. The catacombs are formed by large subterranean complexes, consisting of extensive galleries. -
International Student Welcome Guide TABLE of CONTENTS 4Ì PRACTICAL 3Ì P52 INFORMATION P32 UNIVERSITY LIFE P54 University Calendar
2020 > 2021 International Student Welcome Guide TABLE OF CONTENTS 4ì PRACTICAL 3ì P52 INFORMATION P32 UNIVERSITY LIFE P54 University Calendar 2 P34 Organisation of Studies P58 Paris 1 Panthéon-Sorbonne ì Study Centres P10 STUDY IN PARIS P36 Becoming a Student at Paris 1 1 Panthéon-Sorbonne P60 Acronyms ì P12 Administrative Procedures > Enrolment P62 Contacts UNIVERSITÉ PARIS 1 > Visas and residence permits > Orientation week > International Relations P4 PANTHÉON-SORBONNE > Accommodation Department P40 Ressources > Health > Paris 1 Panthéon-Sorbonne P6 About the University > Banks > IT Services > Emergency Numbers > Libraries P8 Key Figures P22 Living in Paris P63 Check-lists P45 Societies and cultural activities > Budget > Working in France > Clubs and Societies > Getting Around > Cultural Activities > Going Out P48 Sports P50 Eating 1 UNIVERSITÉì PARIS 1 PANTHÉON-SORBONNE PANTHÉON-SORBONNE 1 PARIS P6 About the University P8 Key Figures RESEARCH INTERNATIONAL 1ì EXCELLENCE REPUTATION ABOUT Teaching and research are intrinsically linked Université Paris 1 Panthéon-Sorbonne is THE UNIVERSITY at Université Paris 1 Panthéon-Sorbonne. very well placed in international rankings. As with teaching, research is also structured In the 2020 QS World University Rankings PANTHÉON-SORBONNE 1 PARIS around three major disciplinary areas with by discipline the university was one of Université Paris 1 Panthéon-Sorbonne was founded in the 13th century 36 research teams and 10 doctoral schools. the best-classed in France, with seven as the Collège de la Sorbonne by Robert de Sorbon and is located in One PhD viva takes place every day at the departments placed in the top 50 for their the heart of the capital’s Latin Quarter. -
56 Stories Desire for Freedom and the Uncommon Courage with Which They Tried to Attain It in 56 Stories 1956
For those who bore witness to the 1956 Hungarian Revolution, it had a significant and lasting influence on their lives. The stories in this book tell of their universal 56 Stories desire for freedom and the uncommon courage with which they tried to attain it in 56 Stories 1956. Fifty years after the Revolution, the Hungar- ian American Coalition and Lauer Learning 56 Stories collected these inspiring memoirs from 1956 participants through the Freedom- Fighter56.com oral history website. The eyewitness accounts of this amazing mod- Edith K. Lauer ern-day David vs. Goliath struggle provide Edith Lauer serves as Chair Emerita of the Hun- a special Hungarian-American perspective garian American Coalition, the organization she and pass on the very spirit of the Revolu- helped found in 1991. She led the Coalition’s “56 Stories” is a fascinating collection of testimonies of heroism, efforts to promote NATO expansion, and has incredible courage and sacrifice made by Hungarians who later tion of 1956 to future generations. been a strong advocate for maintaining Hun- became Americans. On the 50th anniversary we must remem- “56 Stories” contains 56 personal testimo- garian education and culture as well as the hu- ber the historical significance of the 1956 Revolution that ex- nials from ’56-ers, nine stories from rela- man rights of 2.5 million Hungarians who live posed the brutality and inhumanity of the Soviets, and led, in due tives of ’56-ers, and a collection of archival in historic national communities in countries course, to freedom for Hungary and an untold number of others. -
Rose Color Light Finis Tyler Ray
ROSE COLOR LIGHT FINIS TYLER RAY A thesis submitted in partial fulfillment of the requirements of the degrees of: Master of Landscape Architecture Master of Urban Planning University of Washington 2016 Committee: Branden Born Jeffrey Hou Kenneth Yocom Programs Authorized to Offer Degrees: Landscape Architecture Urban Design and Planning ©Copyright 2016 ©Finis Copyright Tyler Ray2016 Finis Tyler Ray University of Washington ABSTRACT ROSE COLOR LIGHT FINIS TYLER RAY Co-Chairs of Supervisory Committee: Professor and Department Chair Jeffrey Hou Department of Landscape Architecture Associate Professor Kenneth Yocom Department of Landscape Architecture Spanning man’s socio-cultural evolution across six millennium, human burial has evolved from the core spiritual and ecological belief of pre-dynastic Egyptian culture that the dead nourished the living through agricultural resurgence. From the earliest point in Egyptian history in which economic and political forces began to impress upon the built environment, these forces also began to impress upon the basic spiritual connectedness of life and death. The sacred natural process has eroded to the point that our modern world is so wildly disassociated from death that disposal of modern human remains is largely regarded as inorganic, and the landscapes where we lay our dead are conceptual landfills. Modern culture has been convinced through capitalist greed and political might that the biological return to the earth is unsanitary, and the only proper way to conduct human burial is through impediment -
Paranormal Phenomena
PARANORMAL PHENOMENA MARTA MORENO GARCÍA MARÍA RODRÍGUEZ MARTÍN PAQUI TORO MARTÍN LOLI TRUJILLO HERNÁNDEZ HOLLYWOOD ROOSEVELT HOTEL • Place – California (Walk of Fame in Hollywood). • It has a glamorous story: Marilyn Monroe was the most famous resident of the hotel. The Steiger brothers, authors and researchers of paranormal activity, were filming several productions at the hotel. Sherry (one of them) was explaining the story of the most famous place mirror, and while they were standing there, a gentleman pulled back as if he had pushed and said, ‘Who do you think you are?`. Brad asked the man what happened; and he said that the blonde lady came running as if it were the owner of Hollywood and made him aside. PHOTOS BACHERLOR´S GROVE CEMETERY • It is rumoured that this is one of the favourite places for gangsters to dump the dead bodies. Bacherlor´s Grove is an old and decaying cemetery that has been the scene of countless stories of ghosts, spirits and devil worship. Several tombstones in the cemetery seem to move at will, and many claim that the spirits of the dead often materalize and walk at night. • A white lady is a ghost that has been seen in this cemetery. Her legends are found around the world too. pHOTOS Robert the doll The island art and historical museum is not haunted but contains shocking artifacts from the history of Key West in the form of a large doll that many claim is possessed. It was given to the painter Gene Otto in 1900, and he soon took a deadly fear of it, the young man said that the doll often threatened and woke him up at night, tossing the furniture. -
Into the Deep Naples Short Trip Into the Subterranean City Between Past and Present by Giuseppe
2 to both touristic valorisation and exploitation. Over time, Into the Deep many underground routes have been opened to the pub- lic becoming more and more popular and visited. In that Naples short trip into the Subterra- regard, the catacombs of San Gennaro and the catacombs nean City between past and present of San Gaudioso are two virtuous examples of cultural tourism developed by a project of recovery of under- by Giuseppe Pace, Roberta Varriale, and Elisa Bellato ground historical sites. They are paleo-Christian burials (ISMed-CNR) restored and managed (Catacombs of San Gaudioso in Located in Southern Italy, Naples has about one million inhabitants, administratively subdivided in 10 districts. It is the third largest municipality by population after Rome and Milan. This city has an ancient history with a stratigraphic dimension. In fact, Naples is characterised by a strong interdependence between the aboveground city and its subsoil, with a history that can be read through a sequence of underground layers. The first layer dates back to the Greek colonisation, when the yellow tuff material was used for aboveground buildings, and the underground was excavated for the burial sites and for water supply management. The second layer dates back to Roman times, when the city grew and the underground accommodated new facilities, such as aqueducts, thermal buildings, and catacombs. During the Middle Age, under- Catacombs of San Gennaro (Naples) Photo: G. Pace ground quarries supplied yellow tuff material for sup- porting the intensive aboveground urban development. Once dismissed, those quarries underneath the buildings were adapted as warehouses for local transformation activities or commercial activities. -
The Orante and the Goddess in the Roman Catacombs
THE ORANTE AND THE GODDESS IN THE ROMAN CATACOMBS Valerie Abrahamsen ABSTRACT The Orante, or Orans, figure, a very common and important symbol in early Christian art, is difficult to interpret. Theories of what she meant to early Christians, especially Roman Christians who buried their dead in the catacombs, range from a representation of the soul of the deceased to a symbol of filial piety. In this article, I will attempt to show that the Orante figure originates with the prehistoric goddess, the all-encom- passing Nature deity worshipped for millennia throughout the Mediterranean world. While many early Christians super- imposed Christian meaning on her, it is likely that other Christians still viewed her in conjunction with the earlier Nature goddess of birth, life, death and rebirth, even as they worshipped God in male form. Introduction he Orante or Orans, generally a female figure with open eyes and upraised hands, is a pervasive symbol in early TChristian art, perhaps “the most important symbol in early Christian art.”1 Found frequently in the late second-century art in the Roman catacombs, as well as in sculpture, her head is almost always covered with a veil, and she wears a tunic. She exists both as a separate symbol and as the main figure in a number of Biblical scenes, but rarely in masculine form with male clothing. Instead, she frequently stands in for male figures in scenes of deliverance—she becomes Noah in the ark, Jonah in the boat and spewed out of the whale, Daniel between the lions, and the three young men in the fiery furnace. -
The Man with the Black Feather
THE MAN WITH THE BLACK FEATHER GASTON LEROUX CHAPTER I. M. THEOPHRASTUS LONGUET DESIRES TO IMPROVE HIS MIND AND VISITS HISTORICAL MONUMENTS. M. Theophrastus Longuet was not alone when he rang the bell of that old- time palace prison, the Conciergerie: he was accompanied by his wife Marceline, a very pretty woman, uncommonly fair for a Frenchwoman, of an admirable figure, and by M. Adolphe Lecamus, his best friend. The door, pierced by a small barred peephole, turned heavily on its hinges, as a prison door should; the warder, who acts as guide to the prison, dangling a bunch of great old-fashioned keys in his hand, surveyed the party with official gloom, and asked Theophrastus for his permit. Theophrastus had procured it that very morning at the Prefecture of Police; he held it out with the air of a citizen assured of his rights, and regarded his friend Adolphe with a look of triumph. He admired his friend almost as much as he admired his wife. Not that Adolphe was exactly a handsome man; but he wore an air of force and vigour; and there was nothing in the world which Theophrastus, the timidest man in Paris, rated more highly than force and vigour. That broad and bulging brow (whereas his own was narrow and high), those level and thick eyebrows, for the most part raised a trifle to express contempt of others and self-confidence, that piercing glance (whereas his own pale-blue eyes blinked behind the spectacles of the short-sighted), that big nose, haughtily arched, those lips surmounted by a brown, curving moustache, that strong, square chin; in a word, all that virile antithesis to his own grotesque, flabby-cheeked face, was the perpetual object of his silent admiration. -
Parisians Find Playground Under the Streets - WSJ
Parisians Find Playground Under the Streets - WSJ https://www.wsj.com/articles/SB10001424052748704271804... DOW JONES, A NEWS CORP COMPANY Nikkei ▲ 20400.28 0.26% Hang Seng ▼ 28110.33 -0.06% U.S. 10 Yr ▲ 1/32 Yield 2.274% Crude Oil ▲ 50.67 0.24% Yen ▼ 112.47 -0.00% DJIA ▼ 22359.23 -0.24% This copy is for your personal, non-commercial use only. To order presentation-ready copies for distribution to your colleagues, clients or customers visit http://www.djreprints.com. http://www.wsj.com/articles/SB10001424052748704271804575405283969684798 ARTS & ENTERTAINMENT Parisians Find Playground Under the Streets Residents Take to an Underground Network of Tunnels and Caves to Explore City's Past, Paint Murals or Throw a Party Policemen look at a painted wall in Paris's catacombs a 155-mile underground network of tunnels. AGENCE FRANCE-PRESSE/GETTY IMAGES By Don Duncan Updated Aug. 7, 2010 12:01 a.m. ET PARIS—While many Parisians go out on the town on Saturday evenings, a small but growing number go under it. Beneath Paris lies a network of some 155 miles of tunnels known as "the catacombs"—an underground labyrinth that serves as the weekend playground for bands of urban explorers. One recent Saturday, several dozen "cataphiles," as these explorers are known, climbed down an embankment in south Paris to a unused railroad track. After a short walk, they disappear into a hole in the side of a railway tunnel to the catacombs, 65 feet below. "The environment never changes down here," says Riff, 44, a catacombs veteran of 22 years who won't give his full name because he likes to explore areas off- limits to the public. -
Chemoorganotrophic Bacteria Isolated from Biodeteriorated Surfaces in Cave and Catacombs Filomena De Leo1, Agnese Iero1, Gabrielle Zammit2, and Clara E
International Journal of Speleology 41(2) 125-136 Tampa, FL (USA) July 2012 Available online at scholarcommons.usf.edu/ijs/ & www.ijs.speleo.it International Journal of Speleology Official Journal of Union Internationale de Spéléologie Chemoorganotrophic bacteria isolated from biodeteriorated surfaces in cave and catacombs Filomena De Leo1, Agnese Iero1, Gabrielle Zammit2, and Clara E. Urzì1 Abstract: De Leo F., Iero A., Zammit G. and Urzì C. 2012. Chemoorganotrophic bacteria isolated from biodeteriorated surfaces in cave and catacombs. International Journal of Speleology, 41(2), 125-136 Tampa, FL (USA). ISSN 0392-6672. http://dx.doi.org/10.5038/1827-806X.41.2.1 The main objective of this work was the comparative analysis of a large number of bacterial strains isolated from biodeteriorated surfaces in three different sites, namely the catacombs of St. Callistus in Rome, Italy, the catacombs dedicated to St. Agatha in Ra- bat, Malta and the Cave of Bats in Zuheros, Spain. Our results showed that even considering only culturable chemoorganotrophic bacteria the variability is very high, reflecting the great variety of microhabitats present. Hence any strategies to prevent, control or eliminate the biofilm-embedded microbiota from an archeological surface should take into account a number of considerations as stipulated in our study. Keywords: biofilm; catacombs; caves; chemoorganotrophic bacteria; clustering; 16S rDNA sequencing Received 20 October 2011; Revised 2 January 2012; Accepted 10 January 2012 in most cases, strains that grow in -
The Genesis of the United States National Museum
THE GENESIS OF THE UNITED STATES NATIONAL MUSEUM GEORGE BROWN GOODE, Assistaiil Secretary, Siiii/Iisoiiiaii /nsti/ii/ioii , in cliarge of the 17. S. A'utioiial iMuxeum. «3 ' IIIE GENESIS OF THE UNITED STATES NATIONAL MUSEl'M By George Brown Goode, Assistant Secretary, Sinithsonian Institution , in charge of the U. S. National Museum. When, in 1826, James Sniithson bequeathed his estate to the United ' States of America ' to found at Washington , under the name of the Smithsonian Institution, an estabhshment for the increase and diffusion of knowledge among men," he placed at the disposal of our nation two valuable collections—one of books and one of minerals. In the schedule of Sniithson' s personal effects, as brought to America in 1838, occurs the following entry : Two large boxes filled with specimens of minerals and manuscript treatises, apparently in the testator's handwriting, on various philosophical subjects, particu- larly chemistry and mineralogy. Eight cases and one trunk filled with the like. This collection and the books and pamphlets mentioned in the same schedule formed the beginnings, respecti\-ely, of the Smithsonian library and the Smithsonian museum. The minerals constituted, so far as the writer has l)een able to learn, the first scientific cabinet owned by the Government of the United States. Their destruction in the Smithsonian fire of 1865 was a serious loss. Our only knowledge of their character is derived from the report of a comniittee of the National Institution, which in 1841 reported upon it as follows : Among the effects of the late ]Mr. Sniithson, is a Cabinet which, so far as it has been examined, proves to consist of a choice and beautiful collection of Minerals, comprising, probably, eight or ten thousand specimens.