The Making of Karafuto Repatriates
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Genetic Lineage of the Amami Islanders Inferred from Classical Genetic Markers
bioRxiv preprint doi: https://doi.org/10.1101/2021.04.18.440379; this version posted April 19, 2021. The copyright holder for this preprint (which was not certified by peer review) is the author/funder, who has granted bioRxiv a license to display the preprint in perpetuity. It is made available under aCC-BY-NC-ND 4.0 International license. Genetic lineage of the Amami islanders inferred from classical genetic markers Yuri Nishikawa and Takafumi Ishida Department of Biological Sciences, Graduate School of Science, The University of Tokyo, Tokyo, Japan Correspondence: Yuri Nishikawa, Department of Biological Sciences, Graduate School of Science, The University of Tokyo, Hongo 7-3-1, Bunkyo-ku, Tokyo 113-0033, Japan. E-mail address: [email protected] 1 bioRxiv preprint doi: https://doi.org/10.1101/2021.04.18.440379; this version posted April 19, 2021. The copyright holder for this preprint (which was not certified by peer review) is the author/funder, who has granted bioRxiv a license to display the preprint in perpetuity. It is made available under aCC-BY-NC-ND 4.0 International license. Abstract The peopling of mainland Japan and Okinawa has been gradually unveiled in the recent years, but previous anthropological studies dealing people in the Amami islands, located between mainland Japan and Okinawa, were less informative because of the lack of genetic data. In this study, we collected DNAs from 104 subjects in two of the Amami islands, Amami-Oshima island and Kikai island, and analyzed the D-loop region of mtDNA, four Y-STRs and four autosomal nonsynonymous SNPs to clarify the genetic structure of the Amami islanders comparing with peoples in Okinawa, mainland Japan and other regions in East Asia. -
The State and Racialization: the Case of Koreans in Japan
The Center for Comparative Immigration Studies CCIS University of California, San Diego The State and Racialization: The Case of Koreans in Japan By Kazuko Suzuki Visiting Fellow, Center for Comparative Immigration Studies Working Paper 69 February 2003 The State and Racialization: The Case of Koreans in Japan Kazuko Suzuki1 Center for Comparative Immigration Studies ********** Abstract. It is frequently acknowledged that the notion of ‘race’ is a socio-political construct that requires constant refurbishment. However, the process and consequences of racialization are less carefully explored. By examining the ideology about nationhood and colonial policies of the Japanese state in relation to Koreans, I will attempt to demonstrate why and how the Japanese state racialized its population. By so doing, I will argue that the state is deeply involved in racialization by fabricating and authorizing ‘differences’ and ‘similarities’ between the dominant and minority groups. Introduction The last decade has seen a growing interest in the state within the field of sociology and political science. While the main contributors of the study have been scholars in comparative and historical sociology and researchers in the economics of development, student of race and ethnicity have gradually paid attention to the role of the state in forming racial/ethnic communities, ethnic identity, and ethnic mobilization (Barkey and Parikh 1991; Marx 1998). State policies clearly constitute one of the major determinants of immigrant adaptation and shifting identity patterns (Hein 1993; Olzak 1983; Nagel 1986). However, the study of the state’s role in race and ethnic studies is still underdeveloped, and many important questions remain to be answered. -
Look Toward the Mountain, Episode 6 Transcript
LOOK TOWARD THE MOUNTAIN, EPISODE 6 TRANSCRIPT ROB BUSCHER: Welcome to Look Toward the Mountain: Stories from Heart Mountain Incarceration Camp, a podcast series about life inside the Heart Mountain Japanese American Relocation Center in northwestern Wyoming during World War II. I’m your host, Rob Buscher. This podcast is presented by the Heart Mountain Wyoming Foundation and is funded by the National Endowment for the Humanities. ROB BUSCHER: The sixth episode titled “Organizing Resistance” will explore how the Japanese American tradition of organizing evolved in camp to become a powerful resistance movement that dominated much of the Heart Mountain experience in its later years. INTRO THEME ROB BUSCHER: For much of history, Japanese traditional society was governed by the will of its powerful military warlords. Although in principle the shogun and his vassal daimyo ruled by force, much of daily life within the clearly delineated class system of Japanese society relied on consensus-building and mutual accountability. Similar to European Feudalism, the Japanese Han system created a strict hierarchy that privileged the high-born samurai class over the more populous peasantry who made up nearly 95% of the total population. Despite their low rank, food-producing peasants were considered of higher status than the merchant class, who were perceived to only benefit themselves. ROB BUSCHER: During the Edo period, peasants were organized into Gonin-gumi - groups of five households who were held mutually accountable for their share of village taxes, which were paid from a portion of the food they produced. If their gonin-gumi did not meet their production quota, all the peasants in their group would be punished. -
Island Narratives in the Making of Japan: the Kojiki in Geocultural Context
Island Studies Journal, Ahead of print Island narratives in the making of Japan: The Kojiki in geocultural context Henry Johnson University of Otago [email protected] Abstract: Shintō, the national religion of Japan, is grounded in the mythological narratives that are found in the 8th-Century chronicle, Kojiki 古事記 (712). Within this early source book of Japanese history, myth, and national origins, there are many accounts of islands (terrestrial and imaginary), which provide a foundation for comprehending the geographical cosmology (i.e., sacred space) of Japan’s territorial boundaries and the nearby region in the 8th Century, as well as the ritualistic significance of some of the country’s islands to this day. Within a complex geocultural genealogy of gods that links geography to mythology and the Japanese imperial line, land and life were created along with a number of small and large islands. Drawing on theoretical work and case studies that explore the geopolitics of border islands, this article offers a critical study of this ancient work of Japanese history with specific reference to islands and their significance in mapping Japan. Arguing that a characteristic of islandness in Japan has an inherent connection with Shintō religious myth, the article shows how mythological islanding permeates geographic, social, and cultural terrains. The discussion maps the island narratives found in the Kojiki within a framework that identifies and discusses toponymy, geography, and meaning in this island nation’s mythology. Keywords: ancient Japan, border islands, geopolitics, Kojiki, mapping, mythology https://doi.org/10.24043/isj.164 • Received July 2020, accepted April 2021 © Island Studies Journal, 2021 Introduction This study interprets the significance of islands in Japanese mythological history. -
Japanese Reflections on World War II and the American Occupation Japanese Reflections on World War II and the American Occupation Asian History
3 ASIAN HISTORY Porter & Porter and the American Occupation II War World on Reflections Japanese Edgar A. Porter and Ran Ying Porter Japanese Reflections on World War II and the American Occupation Japanese Reflections on World War II and the American Occupation Asian History The aim of the series is to offer a forum for writers of monographs and occasionally anthologies on Asian history. The Asian History series focuses on cultural and historical studies of politics and intellectual ideas and crosscuts the disciplines of history, political science, sociology and cultural studies. Series Editor Hans Hägerdal, Linnaeus University, Sweden Editorial Board Members Roger Greatrex, Lund University Angela Schottenhammer, University of Salzburg Deborah Sutton, Lancaster University David Henley, Leiden University Japanese Reflections on World War II and the American Occupation Edgar A. Porter and Ran Ying Porter Amsterdam University Press Cover illustration: 1938 Propaganda poster “Good Friends in Three Countries” celebrating the Anti-Comintern Pact Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 94 6298 259 8 e-isbn 978 90 4853 263 6 doi 10.5117/9789462982598 nur 692 © Edgar A. Porter & Ran Ying Porter / Amsterdam University Press B.V., Amsterdam 2017 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. -
Studia 16-3-09 OK Minus Hal .Indd
Volume 16, Number 3, 2009 V o l u m e 16 , N u m b e r 3 , 2009 STINIAI$hIilIIKA ffi @ EDITORIAL BOARD: M. Quraish Shihab (UINJaharta) Taufk Abdulkh (LIPI Jakarta) Nur A. Fadhil Lubis (IAIN Sumatra Uara) M.C. Ricklefs (National Uniuersity of Singapore) Martin uan Bruinessen (Urecht Uniuersity) John R. Bouen (Vashington Uniaersity, St. Louis) M. Atho Mudzhar (UIN Jaharta) M. Kamal Hasan (Intemational Islamic Uniuersity, Kuak Lumpur) M. Bary Hooker (Austalian National Uniuersi4t, Autralia) Vi rginia M at h e s o n H o o h e r (Aut t ra lia n Natio na I Un iu e rs ity' Au s tra li a) EDITOR-]N.CHIEF Azytmardi Azra EDITORS Jajat Burhanudin Saiful Mujani Jamhari Fu'ad Jabali Oman Fathurabman ASSiSTANT TO THE EDITORS Setyadi Sulaiman Testriono ENGLISH LANGUAGE ADVISOR Dick uan der Meij ARABIC I-A.NGUAGE ADVISOR Nursamad COVER DESIGNER S. Prinka STUDIA ISLAMIKA QSSN 0215-0492) is a joumal published b1 the Centerfor the Studl of hkn and societ\ @PIM) UIN Syrif Hida\atulkh, Jabarta (STT DEPPEN No 129/SK/DITJEN/PPG/ STT/1976). It specializes in Indonesian Islamic studies in particulat and South-east.Asian Islamic Studies in general, and is intended to communicate original researches and cutrent issues on the subject. This journal wam| welcomes contributions from scholtrs of related dirciplines. All artictes pubtished do not necesaily represent the aieus of the journal, or other irctitutions to which it h afrliated. Thq are solely the uieus ofthe authors. The articles contained in this journal haue been refereed by the Board of Edirors. -
Human and Physical Geography of Japan Study Tour 2012 Reports
Five College Center for East Asian Studies National Consortium for Teaching about Asia (NCTA) 2012 Japan Study Tour The Human and Physical Geography of Japan Reports from the Field United States Department of Education Fulbright-Hays Group Project Abroad with additional funding from the Freeman Foundation Five College Center for East Asian Studies 69 Paradise Road, Florence Gilman Pavilion Northampton, MA 01063 The Human and Physical Geography of Japan Reports from the Field In the summer of 2012, twelve educators from across the United States embarked on a four-week journey to Japan with the goal of enriching their classroom curriculum content by learning first-hand about the country. Prior to applying for the study tour, each participant completed a 30-hour National Consortium for Teaching about Asia (NCTA) seminar. Once selected, they all completed an additional 20 hours of pre-departure orientation, including FCCEAS webinars (funded by the US-Japan Foundation; archived webinars are available at www.smith.edu/fcceas), readings, and language podcasts. Under the overarching theme of “Human and Physical Geography of Japan,” the participants’ experience began in Tokyo, then continued in Sapporo, Yokohama, Kamakura, Kyoto, Osaka, Nara, Hiroshima, Miyajima, and finally ended in Naha. Along the way they heard from experts on Ainu culture and burakumin, visited the Tokyo National Museum of History, heard the moving testimony of an A-bomb survivor, toured the restored seat of the Ryukyu Kingdom, and dined on regional delicacies. Each study tour participant was asked to prepare a report on an assigned geography-related topic to be delivered to the group in country and then revised upon their return to the U.S. -
Discourse on Food in World War II Japan
ISSN: 1500-0713 ______________________________________________________________ Article Title: Discourse on Food in World War II Japan Author(s): Junko Baba Source: Japanese Studies Review, Vol. XXI (2017), pp. 131-153 Stable URL: https://asian.fiu.edu/projects-and-grants/japan- studies-review/journal-archive/volume-xxi-2017/baba-junko- revision-710-corrections-added.pdf ______________________________________________________________ DISCOURSE ON FOOD IN WORLD WAR II JAPAN Junko Baba University of South Carolina Between a high, solid wall and an egg that breaks against it, I will always stand on the side of the egg. The eggs are the unarmed civilians who are crushed and burned and shot by them… And each of us, to a greater or lesser degree, is confronting a high, solid wall. The wall has a name: It is The System. The System is supposed to protect us, but sometimes it takes on a life of its own and then it begins to kill us and cause us to kill others - coldly, efficiently, systematically. – Haruki Murakami Food consumption during wartime is not only the usual fundamental source of energy, especially for soldiers in combat; it is also “an important home-front weapon essential for preserving order and productivity” of the citizens.1 This study analyzes the sociopolitical and cultural meaning of food in Japan during World War II by examining social commentary and criticism implied in selected post-war literature about the war by popular writers, when the role of food during wartime in the lives of ordinary citizens could be depicted without censorship. These literary works offer insight into the inner lives and conflicts of ordinary Japanese citizens, including civilians and conscripted soldiers, under the fascist military regime during the war. -
Japan's National Imagery of the “Holy War,”
SENSÔ SAKUSEN KIROKUGA (WAR CAMPAIGN DOCUMENTARY PAINTING): JAPAN’S NATIONAL IMAGERY OF THE “HOLY WAR,” 1937-1945 by Mayu Tsuruya BA, Sophia University, 1985 MA, University of Oregon, 1992 Submitted to the Graduate Faculty of the School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2005 UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Mayu Tsuruya It was defended on April 26, 2005 and approved by Karen M. Gerhart Helen Hopper Katheryn M. Linduff Barbara McCloskey J. Thomas Rimer Dissertation Director ii Copyright © by Mayu Tsuruya 2005 iii Sensô Sakusen Kirokuga (War Campaign Documentary Painting): Japan’s National Imagery of the “Holy War,” 1937-45 Mayu Tsuruya University of Pittsburgh, 2005 This dissertation is the first monographic study in any language of Japan’s official war painting produced during the second Sino-Japanese War in 1937 through the Pacific War in 1945. This genre is known as sensô sakusen kirokuga (war campaign documentary painting). Japan’s army and navy commissioned noted Japanese painters to record war campaigns on a monumental scale. Military officials favored yôga (Western-style painting) for its strength in depicting scenes in realistic detail over nihonga (Japanese-style painting). The military gave unprecedented commissions to yôga painters despite the fact that Japan was fighting the “materialist” West. Large military exhibitions exposed these paintings to civilians. Officials attached national importance to war documentary paintings by publicizing that the emperor had inspected them in the Imperial Palace. This study attempts to analyze postwar Japanese reluctance to tackle war documentary painting by examining its controversial and unsettling nature. -
US Military Facilities and Areas
1 2 Although 59 years have passed since the end of the Second World War, Okinawa, which accounts for only 0.6 percent of Japan's total land area, still hosts vast military bases, which represent approximately 74.7 percent of all facilities exclusively used by U.S. Forces Japan. U.S. military bases account for roughly 10.4 percent of the total land area of Okinawa, and 18.8 percent of the main island of Okinawa where population and industries are concentrated. Number of Facilities 3 Sapporo Japan Sea Sendai Seoul THE REPUBLIC OF KOREA Tokyo Osaka Yellow Sea Pusan Nagoya Fukuoka JAPAN Shanghai Kagoshima East China Sea Ryukyu OKINAWA Fuzhou Islands Naha Taipei Miyako Island Ishigaki Island 500Km TAIWAN 1,000Km Luzon THE REPUBLIC OF THE PHILIPPINES 1,500Km Manila 2,000Km Mindanao Palau Borneo Okinawa, which accounts for approximately 0.6% of the total land area of Japan, is the nation's southwestern-most prefecture. It consists of 160 islands, which are scattered over a wide area of ocean span- ning 1,000km from east to west and 400km from north to south. Approximately 1.35 million people live on fifty of these islands. From the prefectural capital of Naha city, it takes about two hours and 30 minutes to fly to Tokyo (approx. 1,550km), one hour and 30 minutes to Shanghai, China (approx. 820km), and one hour to Taipei, Tai- wan (approx. 630km). As Okinawa is situated in a critical location connecting mainland Japan, the Chinese 4 Continent and the nations of Southeast Asia, we expect that Okinawa will become a center for exchange be- tween Japan and the various nations of East and Southeast Asia. -
Lights of Okhotsk: a Partial Translation and Discussion in Regard to the Ainu/Enchiw of Karafuto
Lights of Okhotsk: A Partial Translation and Discussion in Regard to the Ainu/Enchiw of Karafuto Zea Rose Department of Global, Cultural and Language Studies The University of Canterbury Supervisor: Susan Bouterey A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Japanese, University of Canterbury, 2019. 1 Abstract This thesis aims to introduce the autobiography Lights of Okhotsk (2015) to a wider English- speaking audience by translating excerpts from the original Japanese into English. The author of Lights of Okhotsk, Abe Yoko, is Ainu and was born in Karafuto (the southern half of what is now known as Sakhalin) in 1933. Abe wrote about her life and experiences growing up in Karafuto before and during the Second World War as a minority. Abe also wrote of her life in Hokkaido following the end of the war and the forced relocation of Ainu away from Karafuto. Historical events such as the Second World War, 1945 invasion of Karafuto, along with language loss, traditional ecological knowledge, discrimination, and displacement are all themes depicted in the excerpts translated in this thesis. These excerpts also depict the everyday life of Abe’s family in Karafuto and their struggles in postwar Hokkaido. 2 Table of Contents Abstract .................................................................................................................................... 2 Table of Contents .................................................................................................................... -
Kitagawa Tamiji's Art and Art Education
KITAGAWA TAMIJI’S ART AND ART EDUCATION: TRANSLATING CULTURE IN POSTREVOLUTIONARY MEXICO AND MODERN JAPAN By Copyright 2017 TAKAAKI KUMAGAI Submitted to the graduate degree program in Art History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy ________________________________ Chairperson: Maki Kaneko ________________________________ David Cateforis ________________________________ Sherry Fowler ________________________________ Elaine Gerbert ________________________________ Amy McNair Date Defended: April 7, 2017 The Dissertation Committee for Takaaki Kumagai certifies that this is the approved version of the following dissertation: KITAGAWA TAMIJI‘S ART AND ART EDUCATION: TRANSLATING CULTURE IN POSTREVOLUTIONARY MEXICO AND MODERN JAPAN _____________________________ Chairperson: Maki Kaneko Date approved: April 7 2017 ii Abstract This dissertation investigates the life and career of the Japanese painter, printmaker, and art educator, Kitagawa Tamiji (1894-1989), and his conception of Mexico as cultural Other. Today, Kitagawa is widely recognized in Japan as an artist and educator, whose thought and practices were deeply inspired by his long-term residence in postrevolutionary Mexico (1921-1936). Kitagawa left Japan at the age of twenty to study art in the United States. After engaging in several temporary jobs and briefly being trained at the Art Students League of New York, he went to Mexico in 1921, to eventually spend the next decade and a half working as an artist and art educator. Kitagawa‘s conception and narrative of Mexican culture—especially that of the Mexican indigenous population—are noteworthy for an early twentieth-century artist/intellectual. Rather than seeing Mexico in terms of its widespread stereotype as a distant tropical country, he regarded the country as a key locus of the emerging anti-colonial notion of culture.