DOCSLIB.ORG

Freshink2019.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Freshink2019.Pdf Naugatuck Valley commuNity college th Our 50 Edition Fresh iNk 2019 The Literary Journal of Naugatuck Valley commuNity college Waterbury, Connecticut editorial staFF: Jeannie Evans-Boniecki, Ph.D. - Faculty Advisor / Editor-in-Chief Poetry: Greg Harding, Wade Tarzia, Kristen Marcano, Joseph Adomavicia, Alyssa Katz, Megan Barrios, Yelizaveta Tolstokoraya, Dante Rojas, and Sandra Newton short FictioN: Greg Harding, Wade Tarzia, Sandra Newton, William Foster III, Kristen Marcano, Megan Barrios, Joseph Adomavicia, Alyssa Katz, and Yelizaveta Tolstokoraya graPhics: Ilene Reiner, Greg Harding, Wade Tarzia, Kristen Marcano, Megan Barrios, Joseph Adomavicia, Alyssa Katz, Dante Rojas, Yelizaveta Tolstokoraya, Christopher Boniecki, and Rebecca Liu coVer art: Jarrett Hyde I Fresh ink 2019 © 2019 Naugatuck Valley Community College - Waterbury, CT All content and graphics in this publication are protected by U.S. copyright laws and may not be copied or republished without the express written permission of NVCC or the relevant author. Re-use of content, editorial or graphic, for any purpose, is strictly prohibited. Permission to use content is granted on a case-by- case basis provided content is not modified in any way. Please submit your permission requests to [email protected]. *DISCLAIMER of CONTENT* With the awareness that people walk different paths in life - or “wear different shoes” - the Editorial staff of NVCC’sFresh Ink 2019 attempted to honor the different voices, styles, and perspectives throughout its evaluation of submitted works by withholding censorship of content and language. We feel it is important to note, however, that the views expressed within these pages are not those of NVCC or the Fresh Ink Editorial staff, but of the authors themselves. II Naugatuck Valley commuNity college shoes Madeeha Sheikh* III Fresh ink 2019 27 March 2019 Dear Readers, Maybe now that I have become an “old timer” myself and because I have been invested in researching the history of this institution for this 50th year edition of Fresh Ink, it has become increasingly clear that we all have had to make a choice to spend our lives’ time somewhere, doing something. Many of the people I have watched retire have chosen to spend almost all of their working lives here, at some iteration, of Naugatuck Valley Community College. A handful of these people have spent their time contributing in some way to Fresh Ink. For this journal to have persisted since close to the advent of the community college itself, it had to have been supported by numerous administrators: Charles Ekstrom, Charles Kinney, Richard Sanders, Joseph Cistulli, Patricia Bouffard, Irene Rios-Knauf, Sandra Palmer, John aitkus,V Sandra Newton, Diane Minardo, Betsy Sharp, myself, Pamela Tolbert-Rivers- Bynum to name a few. Today, as we celebrate 50 years of continuous publication, additional support was given to make this more elaborate edition a reality. Appreciation is extended to President Daisy Cocco De Filippis, Academic Dean Lisa Dresdner, Student Activities Director Karen Blake, the Student Government Association, and to our newly appointed Associate Dean of LABSS Bradford Baker for recognizing the importance of this journal and for supporting my efforts to produce it. Over the course of the last year, I have attempted to research the history of Fresh Ink in order to honor it in 2019. I have found back copies in the basement of the college, on the bookshelves of library staff, in the file cabinets of past advisors or stuffed away in boxes of mementos in someone’s back closet. Although I have attempted to follow this fifty year trail, at times it has grown faint. What you will find here as a timeline in the next few pages is my attempt to recreate, for posterity, its history. I have to acknowledge, up front, that this was a committed but imperfect effort – fraught with peril and intrigue – and, in an effort to swerve to avoid a squirrel, I could have killed a tree…. So in advance, I apologize for any mistakes in dates and names and hope that corrections will be provided so that I can update the data prior to putting this text live on the internet. What I have found is that this literary journal’s ongoing intention has been to honor those in our community who, over the last 50 years, have created – using words in prose or poetry or using paint, pencil, camera or computer – and who have chosen to share their work via the pages of Dimensions or Fresh Ink. As this is the 50th edition of this institution’s literary journal, it also intends to honor those of us who – over the last 50 years - have solicited, planned, evaluated, typeset, edited, spent countless invisible hours staring at a screen - so that the work of others could be seen and appreciated. It intends to honor those who have chosen to do their work, spend their lives’ time at NVCC. Back in 1969, Mattatuck Community College’s Paul Riccucci conceived of Dimensions, a small folio of student work that has grown to what we know IV Naugatuck Valley commuNity college as Fresh Ink today. Upon the merger of Mattatuck Community College and Waterbury Technical College in 1994, Dimensions became Fresh Ink, but the intention has remained. Prof. Riccucci began this text’s long history and, with the assistance of numerous students over the years and many Student governments, through multiple College administrations, various English and Art faculty members have carried this torch: Gloria Dibble Pond, for one, advised this journal from 1971 - 1994; Ilene Reiner reviewed art submissions for twenty years from 1986 - 2004; Wade Tarzia has assisted for almost twenty years from 1999 to the present; Patti Pallis served for more than eight; Greg Harding served as a primary advisor for more than ten years and is still assisting today. Others - William Foster III, Lisa Shuchter, Steve Parlato, Julia Petitfrere, Beth-Ann Scott, Juleyka Lantigua-Williams, Ray Leite and Kelly Goodrich – all contributed to this marathon literary venture. In addition to faculty, many Student Activities Directors and Student Governments have provided economic, strategic, and practical assistance. From 1986 – 2002, the Student Activities Department’s Rob Henderson and Pat Caron served as editorial board members and were responsible for type setting all the copy. Under Linda Stango, the journal also flourished and now, Karen Blake provides much appreciated assistance in keeping this process afloat. Without her high level of efficiency and generosity of spirit, I wouldn’t be able to make this work. Finally to the Evaluation Team of 2019 that consisted of students and English and Art faculty, past and present, for their conscientious assessment of submissions, I say THANK YOU. This year’s round of evaluation was FLAWLESS! For those who helped me edit, particularly Ray Leite and Kristen Marcano, THANK YOU. To Rob Sheftel and Karen Blake - for helping us last year when the best laid plans fell apart and we had nothing to do and no place else to go for our publication event, I say THANK YOU. To Vismel Marquez and Lou Romao for resolving my random dilemmas in InDesign, I say THANK YOU. The cover artwork represents the 50 years of cover art gathered via my research but artistically rendered by NVCC alum, Jarrett Hyde. THANK YOU, Jarrett, for your assistance with this project. Readers, in the following pages, you will find the select work of numerous poets, storytellers and artists of NVCC and its extended community. At the end of this edition, you will find a Special Section presenting works from past and present advisors and staff ofDimensions /Fresh Ink as well as two poems submitted graciously by President Daisy Cocco De Filippis. At long last, it is here. I hope you enjoy this 50th edition of Fresh Ink - 2019. Best Regards, Jeannie Evans-Boniecki, Ph.D. Fresh Ink 2019 Advisor V Fresh ink 2019 Dimensions/Fresh Ink Historical Timeline DIMENSIONS 1969 - 1994 1969 - 70 Advisor: Paul Riccucci Staff: Sue Vanasse, Marion Hubbard, Sarah Corrigan, Connie Pikiell. 1971 - 1975 Advisors: Gloria Dibble Pond & Paul Riccucci 1976 Advisors: Elizabeth Michalowski, Gloria Dibble Pond & Paul Riccucci Staff: Ed Stefano, Sue Falsetti, Patricia Kinne, James Candee, Teresa Carroll, James Donohue Jr., Beth Gualtieri, Kate Shanley. Cover: Patrick Guarnieri. 1977 - 1985 Advisor: Gloria Dibble Pond 1986 - 1994 Advisors: Gloria Dibble Pond & Ilene Reiner (1987 - Selected for inclusion in the Mattatuck Community College Time Capsule to be opened in 2061 when Halley’s Comet Returns.) Staff from 1987 - 1993: 1987: Jacqueline Caprio, Rick Korn, Micki Cat L. Laing, Angela H. Setaro. Cover: Tiffany Cameron. 1988: Kathleen Kulmann, Elaine Ober, Terry Pinkard, Sandra Strumpf. Cover: Angela Setaro. 1989: David Derouin, Terry Pinkard, Donna W. Waranowicz, Jim Lombardo. Cover: Lorraine DeCrisanti. 1991: Pat Molnar, Nellie Rivera, Randy Rydzy, Rob Vadnais, Susan Scott. 1992: Pat Molnar, Randy Rydzy, Edith R. Schoenberg, Amy Valentino, Randy Rydzy. Cover: Peter Sagendorf. 1993: Sharon Beach, Suzanne Brown, Eman Galal, Bonnie Leffler, Pat Mohar, Rich Powell, Larry Riddich, Lisa Zembruski. 1994: Laurie Brunetti, James Goncalves, Vernon Mead, Bill Meehan, Pat Molnar, Richard Powell, Taffy Schremmer, Lisa Zembruski. 1994 Mattatuck Community College and Waterbury State Technical College merged to become Naugatuck Valley Community Technical College DIMENSIONS CHANGED TO FRESH INK. FRESH INK 1995- 2019 1995 - 1997 Advisors: William H. Foster III, Gloria Dibble Pond & Ilene Reiner Staff from 1995 - 1997: 1995: Sharon Beach, Lyn Hernandez, Sandra Longo, Bill Meehan, Michelle VI Naugatuck Valley commuNity college Palermo, Cindy Periera, Larry Riddick, Alice Phelan-Torres, Lisa Zembruski. Cover: Joanne Hurd. 1996: Maria Borgnine, Jennifer Centopanti, Meredith Golden, Chris Pimley, Brandon Rek. Cover: Michelle Dayton. 1997: Chris Baggett, Maria Borgnine, Eileen Clark, Stephen Crowe, Aaron Goodson, Christian Ouellette, David Petruzzi, Jason Stephens, Gina Zappulla, Sandra Byrne. Cover: Sheila Doyle-Walton.
Load more

Recommended publications
  • AC;T I - SCENE 1 No.1 Overture Seep
    7 AC;T I - SCENE 1 No.1 Overture Seep. 85 IOrchestra) Music seg11es as one. No. 2 Sweet And Lowdown 5-.:e p. 85 (Jimmy, Jeannie, Cirls & Cuys) Lights Up: A speakeasy in New York Cih;. JEANNIE leads a gaggle of CHORUS GIRLS. The surrounding tables are full of handsome YOUNG MEN. We are at a society bachelor party - rich boys having fun. JEANNIE & GIRLS. Grab a cab and go down To where the band is playing; Where milk and honey flow down Where ev'ry one is saying "Blow that sweet and low-down!" Busy as a beaver, You'll dance until you totter; You're sure to get the fever For nothing could be hotter Oh, that sweet and low-down! JEANNIE. (Over music) All right, peoples, peoples - listen up! Now this is a very sad occasion, 'cause tomorrow morning, our own Jimmy Winter is gettin' married for the third time! JIMMY. (Stands up) Fourth time! EVERYBODY cheers. JlMMY. (Continued) But this time, I'm not marrying some cheap chorus girl! JEANNIE & GIRLS. Awww. JIMMY. Sorry, cheap chorus girls. EVERYBODY cheers. JIMMY. (sung) There's a cabaret in this city I can recommend to you; Peps you up like electricity When the band is blowing blue. \:IC - l'rompt Book 8 .. I (JJ MY. They play nothing classic, Oh no• Down there, They crave nothing e se Bu he low-down there I you need a on·c nd he need is chron c If you're in a crisis. my advice is }EA lE & L Grab a cab and go down Grab a cab and go down To where the band 1s playin : Where he band i playing; Where milk and honey flow down Where ev'ry one is sayin' E IR Blow Blow that eet and low-d wnl" Low low down t Busy as a beaver, Busy as a beaver.
    [Show full text]
  • So Go the Ghosts of México, Part One
    so go the ghosts of méxico, part one by Matthew Paul Olmos Contact: Leah Hamos The Gersh Agency 41 Madison Avenue, 33 rd Floor, New York, NY 10010 212.917.1818 [email protected] i part I a brave woman in méxico the people a brave woman in méxico the police chief the husband el morete güero a place méxico, present day Spanish translation by Mariana Carreño King ii the beginning an emptying dirt and gravel parking lot: vacant spaces and cars-recently-left surrounded by cars-abandoned-who- the-fuck-knows. MARI and HUSBAND fuck in an emptied car. HUSBAND Lemme just— MARI Yea, I know, it’s— HUSBAND You’re on my— MARI I’m trying to— HUSBAND Will you get…over— MARI I don’t want be…over, I wanna be right…on…this… HUSBAND Fine then lift your— MARI I can’t, you go around— HUSBAND Mari, I can’t keep it in if I can’t— MARI You’re a man, if there’s a way to keep it in, you will. (HUSBAND tries a different approach; they find a rhythm) HUSBAND See that. Lookit us— MARI Will you/just— HUSBAND See how we can be— 1 MARI No words. (Just as HUSBAND feels in synch, MARI pulls off. On their separation, we hear a breaking of static; they both notice, but think nothing of it) HUSBAND Okay… MARI This isn’t— HUSBAND Wow. I know that look. MARI I’m not looking at you, I’m just— HUSBAND What? (pause) Say it. MARI Tomorrow.
    [Show full text]
  • Five Star Transcript
    Five Star Transcript Timecode Character Dialogue/Description Explanation INT: Car, Night 01:00:30:00 Primo March 24th, 2008, a little boy was born. 01:00:40:00 Sincere Israel Najir Grant, my son. 01:01:00:00 That's my son. 01:01:01:00 You know where I was? Nah, not the hospital bed. 01:01:10:00 Nah not in the waiting room. 01:01:13:00 I was locked the fuck up. 01:01:23:00 Remember gettin' that call, putting the call in I should say. Had a beautiful baby boy, and I wasn't there to greet him when he 01:01:33:00 came into the world. 01:01:36:00 And, um, it's funny. 01:01:40:00 I was released the week after. 01:01:43:00 April 1st, my Pop's birthday. Dialogue Transcript Five Star a film by Keith Miller 1 Five Star Transcript Timecode Character Dialogue/Description Explanation 01:01:48:00 Came home on April Fool's Day, dig that. I remember walking in, into the P's*. Everybody yo Primo, Primo oh, 01:01:56:00 * P’s = projects/housing project shit. 01:02:03:00 Fuck y'all. I want to see my son. 01:02:06:00 Walked up the stairs, I was nervous. 01:02:14:00 Haven't seen my daughter in so long. Open the door, everybody greeting me. Oh welcome home! Welcome 01:02:20:00 home! Yeah it's nice, that that that was sweet. Move! I want to see my son.
    [Show full text]
  • Brown Water Flashbacks Dennis Allen Mckinney Iowa State University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 2007 Brown water flashbacks Dennis Allen McKinney Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Modern Literature Commons Recommended Citation McKinney, Dennis Allen, "Brown water flashbacks" (2007). Retrospective Theses and Dissertations. 14804. https://lib.dr.iastate.edu/rtd/14804 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Brown water flashbacks by Dennis Allen McKinney A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: English (Creative Writing) Program of Study Committee: Steve Pett, Major Professor Jean Goodwin Ray Dearin David Zimmerman Iowa State University Ames, Iowa 2007 Copyright © Dennis Allen McKinney, 2007. All rights reserved. UMI Number: 1443117 UMI Microform 1443117 Copyright 2007 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, MI 48106-1346 ii Contents Preface iv 1. Barnyard life 1 2. The wild frontier 5 3. Play time 9 4. New adventures 16 5. War on the horizon 24 6. Behind the curtain 28 7. Culture shock 35 8.
    [Show full text]
  • Stories: Maria and Rob
    Stories: Maria and Rob English (American) Unit 1: The Cat in the Tree house A girl is reading. She has a dog. The dog is sleeping. The grass is green. The sky is blue. truck There is a red car. A man is driving the car. Who is he? There’s a woman in the car. There’s a boy in the car. Who are they? Now they are walking to the red house. The woman has keys. The house has no chairs, it has no tables, and it has no beds. A big yellow truck is driving to the house. There are three men in the truck. They are wearing yellow shirts and hats. They are walking to the house. ladder “Hello!” “Hello!” The big yellow truck has many chairs, tables, beds, plates, bicycles, and books. One man has a chair. One man has a table. One man has a red bicycle. Who are they? What are the men doing? The boy has a cat. The cat is sleeping. climbs Oh no! The dog is running! The cat is running! The cat is in the tree! The boy is running to a man in a yellow shirt. “The cat is in the tree! The cat is in the tree!” One of the men has a ladder. He climbs the tree. He has the cat! The girl has the dog. The boy is smiling, and the girl is smiling. smiling 2 Rosetta Stone® Storybook – English (American) Level 1 Unit 1: The Cat in the Tree Circle the correct answer. 1.
    [Show full text]
  • 8123 Songs, 21 Days, 63.83 GB
    Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat.
    [Show full text]
  • Mother's Forgotten Garden
    MOTHER'S FORGOTTEN GARDEN by Cory Daniel Zimmerman A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts Florida Atlantic University Boca Raton, Florida December 2008 Copyright by Cory Daniel Zimmerman 2008 ii Abstract Author: Cory Daniel Zimmerman Title: Mother’s Forgotten Garden Institution: Florida Atlantic University Thesis Advisor: Dr. Jason Schwartz Degree: Master of Fine Arts Year: 2008 The thesis proposed for my M.F.A. in creative writing is a collection of conceptual American short stories written in a variety of forms that properly suit their respective subjects. Like a handful of miscellaneous wild seeds scattered over a tilled garden, the goal of the project is to represent the wild asymmetry of Nature via a collection of unlikely companions. For this reason, the conceptual form of each story often takes root in scientific or symbolic representations of Nature (i.e. sine and cosine curves, the yin-yang, etc.). The plot of loose soil holding these collective experiments together is their earthy thematic focus—namely, the way in which Nature has been systematically backgrounded by western ideology. On occasion, a story’s conceptual focus may stray from these ecofeminist principles, but only for the purpose of leveling a more critical or satirical eye upon common American ideologies. iv Table of Contents The cosmis joke redux ......................................................................................................
    [Show full text]
  • The Dissertation Committee for Richard Neill Hadder Certifies That This Is The
    The Dissertation Committee for Richard Neill Hadder certifies that this is the approved version of the following dissertation: Apparitions of Difference: Essays on the Vocation of Reflexive Anthropology Committee: ______________________________ Kathleen Stewart, Supervisor ______________________________ Richard Flores ______________________________ Ward Keeler ______________________________ Elizabeth Keating ______________________________ James Wilce Apparitions of Difference: Essays on the Vocation of Reflexive Anthropology by Richard Neill Hadder, B.A., M.A.I.S., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the requirements for the Degree of Doctor of Philosophy. The University of Texas at Austin May 2007 Preface Dear Reader(s), Hi, how are you? It has been suggested to me that a few pages of prefatory remarks of the form “dear reader” would help “prepare the reader to be disoriented” in the essays I’ve written. I’m very happy to do so, insofar as corresponding with you in this way somewhat lessens the natural readerly tendency to demand—intentionally or not—that I correspond “to” you. This distinction might be the most important cord running through the essays, which all in some way discuss coping strategies for how to deal with irrevocable, incommunicable difference. The maps by which we tend to conceptualize “diverse” people in familiar or categorical terms are inadequate. Disorienting? Yes, insofar as the reader holds to a protocol that does want some of its categories to remain unquestionable. Common sense tells us that one has to stand on solid ground to swing a hammer effectively; whereas my project has turned out to have more in common with Derrida’s, in that one can’t write about what underwrites meaning without either violating one’s own thesis or else finding some other technique for swinging the hammer—or wielding the scalpel, or unwinding the threads of a fabrication, or any metaphor you choose, so long as it means fundamental anti-foundationalist critique.
    [Show full text]
  • De Turkey and De Law
    Library of Congress De Turkey and de Law Title Page 7957 Oct. 29, 1930 I.C. DE TURKEY AND DE LAW A COMEDY IN THREE ACTS by ZORA HURSTON Cast CAST Jim Weston A young man and the town bully (A Methodist) Dave Carter The town's best hunter and fisherman (Baptist) Joe Clarke The Mayor, Postmaster, storekeeper Daisy Blunt The town vamp Lum Boger The Marshall Walter Thomas A villager (Methodist) Lige Moseley A villager (Methodist) De Turkey and de Law http://www.loc.gov/resource/mhurston.0102 Library of Congress Joe Lindsay A villager (Baptist) Della Lewis A villager (Baptist) Tod Hambo A villager (Baptist) Lucy Taylor A villager (Methodist) Rev. Singletary (Baptist) Rev. Simms (Methodist) Villagers, children, dogs. Act I ACT I SETTING: A Negro village in Florida in our own time. All action from viewpoint of an actor facing audience. PLACE: Joe Clarke's store porch in the village. A frame building with a false front. A low porch with two steps up. Door in center of porch. A window on each side of the door. A bench on each side of the porch. Axhandles, hoes and shovels, etc. are displayed leaning against the wall. Exits right and left. Street is unpaved. Grass and weeds growing all over. TIME: It is late afternoon on a Saturday in summer. Before the curtain rises the voices of children are heard, boisterous at play. Shouts and laughter. VOICE OF ONE BOY De Turkey and de Law http://www.loc.gov/resource/mhurston.0102 Library of Congress Naw, I don't want to play wringing no dish rag! We gointer play chick mah chick mah craney crow.
    [Show full text]
  • Karaoke Song Book Karaoke Nights Frankfurt’S #1 Karaoke
    KARAOKE SONG BOOK KARAOKE NIGHTS FRANKFURT’S #1 KARAOKE SONGS BY TITLE THERE’S NO PARTY LIKE AN WAXY’S PARTY! Want to sing? Simply find a song and give it to our DJ or host! If the song isn’t in the book, just ask we may have it! We do get busy, so we may only be able to take 1 song! Sing, dance and be merry, but please take care of your belongings! Are you celebrating something? Let us know! Enjoying the party? Fancy trying out hosting or KJ (karaoke jockey)? Then speak to a member of our karaoke team. Most importantly grab a drink, be yourself and have fun! Contact [email protected] for any other information... YYOUOU AARERE THETHE GINGIN TOTO MY MY TONICTONIC A I L C S E P - S F - I S S H B I & R C - H S I P D S A - L B IRISH PUB A U - S R G E R S o'reilly's Englische Titel / English Songs 10CC 30H!3 & Ke$ha A Perfect Circle Donna Blah Blah Blah A Stranger Dreadlock Holiday My First Kiss Pet I'm Mandy 311 The Noose I'm Not In Love Beyond The Gray Sky A Tribe Called Quest Rubber Bullets 3Oh!3 & Katy Perry Can I Kick It Things We Do For Love Starstrukk A1 Wall Street Shuffle 3OH!3 & Ke$ha Caught In Middle 1910 Fruitgum Factory My First Kiss Caught In The Middle Simon Says 3T Everytime 1975 Anything Like A Rose Girls 4 Non Blondes Make It Good Robbers What's Up No More Sex....
    [Show full text]
  • Download Free Scream Usher
    Download free scream usher Scream. Artist: Usher. MB · Scream. Artist: Usher. MB · Scream. Artist: Usher. MB. Usher - Scream mp3 free download for mobile. Scream (Original Mix) | Preview · Download original Kbps, Mb, Album: Master - Single (). Watch the video, get the download or listen to Usher – Scream for free. Scream appears on the album Looking 4 Myself (Deluxe Version). "Scream" peaked at #1. DOWNLOAD MP3: LATEST MUSIC NEWS: mp3 download link Usher Scream lyrics and mp3 download link. Download: SUBSCRIBE FOR MORE. Usher Scream Free Mp3 Download in high quality bit. Scream. Usher • MB • 4K plays. Looking 4 Myself (deluxe Version). Scream. Usher - Looking 4 Myself (deluxe Version) • MB • K plays. Mp3 Tags: Download Usher - Usher – 3 Where to Get Usher – Scream Free Audio Download, Free Usher – 3 Song Download, Usher. Download mp3 free usher scream Jun 4, Download This Track. Usher – Scream Lyrics. Usher, baby. Yeah, we did it again. And this time. Lyrics of SCREAM by Usher: If you want it done right, Hope you're ready to go all night, Get you going like Ah-Ooh-Baby- Baby-Ooh-Baby-Baby. Big collection of usher - scream ringtones for phone and tablet. All high quality mobile ringtones are available for free download. Stream Scream by Usher Raymond Music from desktop or your mobile device. Stream Usher - Scream (R3hab Remix) by R3HAB from desktop or your mobile device. FREE SONGS at BITCH, DOWNLOAD USHER NEW TRACK. Buy Scream: Read 69 Digital Music Reviews - Start your day free trial of Unlimited to listen to this song plus tens of millions more songs.
    [Show full text]
  • University of Huddersfield Repository
    University of Huddersfield Repository Crump, Simon and Stewart, Michael I You He She It - Experiments in Viewpoint Original Citation Crump, Simon and Stewart, Michael (2017) I You He She It - Experiments in Viewpoint. Grist Anthology, 2017 . University of Huddersfield Press. ISBN 978-1-86218-142-7 This version is available at http://eprints.hud.ac.uk/31523/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ I YOU HE SHE IT Published by University of Huddersfield Press University of Huddersfield Press The University of Huddersfield Queensgate Huddersfield HD1 3DH Email enquiries [email protected] First published 2017 Text © 2017 all named authors and Editor Simon Crump. This work is licensed under a Creative Commons Attribution 4.0 International License Images © as attributed Every effort has been made to locate copyright holders of materials included and to obtain permission for their publication.
    [Show full text]