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Israel in 1982: the War in Lebanon
Israel in 1982: The War in Lebanon by RALPH MANDEL LS ISRAEL MOVED INTO its 36th year in 1982—the nation cele- brated 35 years of independence during the brief hiatus between the with- drawal from Sinai and the incursion into Lebanon—the country was deeply divided. Rocked by dissension over issues that in the past were the hallmark of unity, wracked by intensifying ethnic and religious-secular rifts, and through it all bedazzled by a bullish stock market that was at one and the same time fuel for and seeming haven from triple-digit inflation, Israelis found themselves living increasingly in a land of extremes, where the middle ground was often inhospitable when it was not totally inaccessible. Toward the end of the year, Amos Oz, one of Israel's leading novelists, set out on a journey in search of the true Israel and the genuine Israeli point of view. What he heard in his travels, as published in a series of articles in the daily Davar, seemed to confirm what many had sensed: Israel was deeply, perhaps irreconcilably, riven by two political philosophies, two attitudes toward Jewish historical destiny, two visions. "What will become of us all, I do not know," Oz wrote in concluding his article on the develop- ment town of Beit Shemesh in the Judean Hills, where the sons of the "Oriental" immigrants, now grown and prosperous, spewed out their loath- ing for the old Ashkenazi establishment. "If anyone has a solution, let him please step forward and spell it out—and the sooner the better. -
Women, Theater, and the Holocaust FOURTH RESOURCE HANDBOOK / EDITION a Project Of
Women, Theater, and the Holocaust FOURTH RESOURCE HANDBOOK / EDITION A project of edited by Rochelle G. Saidel and Karen Shulman Remember the Women Institute, a 501(c)(3) not-for-profit corporation founded in 1997 and based in New York City, conducts and encourages research and cultural activities that contribute to including women in history. Dr. Rochelle G. Saidel is the founder and executive director. Special emphasis is on women in the context of the Holocaust and its aftermath. Through research and related activities, including this project, the stories of women—from the point of view of women—are made available to be integrated into history and collective memory. This handbook is intended to provide readers with resources for using theatre to memorialize the experiences of women during the Holocaust. Women, Theater, and the Holocaust FOURTH RESOURCE HANDBOOK / EDITION A Project of Remember the Women Institute By Rochelle G. Saidel and Karen Shulman This resource handbook is dedicated to the women whose Holocaust-related stories are known and unknown, told and untold—to those who perished and those who survived. This edition is dedicated to the memory of Nava Semel. ©2019 Remember the Women Institute First digital edition: April 2015 Second digital edition: May 2016 Third digital edition: April 2017 Fourth digital edition: May 2019 Remember the Women Institute 11 Riverside Drive Suite 3RE New York,NY 10023 rememberwomen.org Cover design: Bonnie Greenfield Table of Contents Introduction to the Fourth Edition ............................................................................... 4 By Dr. Rochelle G. Saidel, Founder and Director, Remember the Women Institute 1. Annotated Bibliographies ....................................................................................... 15 1.1. -
Disseminating Jewish Literatures
Disseminating Jewish Literatures Disseminating Jewish Literatures Knowledge, Research, Curricula Edited by Susanne Zepp, Ruth Fine, Natasha Gordinsky, Kader Konuk, Claudia Olk and Galili Shahar ISBN 978-3-11-061899-0 e-ISBN (PDF) 978-3-11-061900-3 e-ISBN (EPUB) 978-3-11-061907-2 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License. For details go to https://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number: 2020908027 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2020 Susanne Zepp, Ruth Fine, Natasha Gordinsky, Kader Konuk, Claudia Olk and Galili Shahar published by Walter de Gruyter GmbH, Berlin/Boston Cover image: FinnBrandt / E+ / Getty Images Printing and binding: CPI books GmbH, Leck www.degruyter.com Introduction This volume is dedicated to the rich multilingualism and polyphonyofJewish literarywriting.Itoffers an interdisciplinary array of suggestions on issues of re- search and teachingrelated to further promotingthe integration of modern Jew- ish literary studies into the different philological disciplines. It collects the pro- ceedings of the Gentner Symposium fundedbythe Minerva Foundation, which was held at the Freie Universität Berlin from June 27 to 29,2018. During this three-daysymposium at the Max Planck Society’sHarnack House, more than fifty scholars from awide rangeofdisciplines in modern philologydiscussed the integration of Jewish literature into research and teaching. Among the partic- ipants werespecialists in American, Arabic, German, Hebrew,Hungarian, Ro- mance and LatinAmerican,Slavic, Turkish, and Yiddish literature as well as comparative literature. -
Itineraries of Jewish Actors During the Firs
ABSTRACT Reconstructing a Nomadic Network: Itineraries of Jewish Actors during the First Lithuanian Independence !is article discusses the phenomenon of openness and its nomadic nature in the activities of Jewish actors performing in Kaunas during the "rst Lithuanian independence. Jewish theatre between the two world wars had an active and intense life in Kaunas. Two to four independent theatres existed at one time and international stars were often touring in Lithuania. Nevertheless, Lithuanian Jewish theatre life was never regarded by Lithuanian or European theatre society as signi"cant since Jewish theatre never had su#cient ambition and resources to become such. On the one hand, Jewish theatre organized itself in a nomadic way, that is, Jewish actors and directors were constantly on the road, touring from one country to another. On the other hand, there was a tense competition between the local Jewish theatres both for subsidies and for audiences. !is competition did not allow the Jewish community to create a theatre that could represent Jewish culture convincingly. Being a theatre of an ethnic minority, Jewish theatre did not enjoy the same attention from the state that was given to the Lithuanian National !eatre. !e nomadic nature of the Jewish theatre is shown through the perspective of the concept of nomadic as developed by Deleuze and Guattari. Keywords: Jewish theatre, Kaunas, nomadic, "rst Lithuanian independence, Yiddish culture. BIOGRAPHY management. 78 Nordic Theatre Studies vol. 27: no. 1 Nordic Theatre Studies vol. 27: no. 1 Reconstructing a Nomadic Network Itineraries of Jewish Actors during the First Lithuanian Independence INA PUKELYTĖ Networking and the maintenance of horizontal links of intermezzo1 and thus implicitly shows the inter- were always common to European theatre commu- relation between theatre and the nomadic: “!e nities. -
Introduction
Notes Introduction 1. The exact Hebrew name for this affair is the “Yemenite children Affair.” I use the word babies instead of children since at least two thirds of the kidnapped were in fact infants. 2. 1,053 complaints were submitted to all three commissions combined (1033 complaints of disappearances from camps and hospitals in Israel, and 20 from camp Hashed in Yemen). Rabbi Meshulam’s organization claimed to have information about 1,700 babies kidnapped prior to 1952 (450 of them from other Mizrahi ethnic groups) and about 4,500 babies kidnapped prior to 1956. These figures were neither discredited nor vali- dated by the last commission (Shoshi Zaid, The Child is Gone [Jerusalem: Geffen Books, 2001], 19–22). 3. During the immigrants’ stay in transit and absorption camps, the babies were taken to stone structures called baby houses. Mothers were allowed entry only a few times each day to nurse their babies. 4. See, for instance, the testimony of Naomi Gavra in Tzipi Talmor’s film Down a One Way Road (1997) and the testimony of Shoshana Farhi on the show Uvda (1996). 5. The transit camp Hashed in Yemen housed most of the immigrants before the flight to Israel. 6. This story is based on my interview with the Ovadiya family for a story I wrote for the newspaper Shishi in 1994 and a subsequent interview for the show Uvda in 1996. I should also note that this story as well as my aunt’s story does not represent the typical kidnapping scenario. 7. The Hebrew term “Sephardic” means “from Spain.” 8. -
[email protected] Lo Sguardo Italiano Sitis Immaginare
_ n.3 Anno IX N. 86 | Settembre 2020 | ISSN 2431 - 6739 Lo sguardo italiano Sitis Tutti sappiamo che, funge da “io” narrante. Si mette in gioco sul fi- fra i suoi tanti effetti, lo del rasoio, rischiando (ma asciuttamente «Tola il fattore smise di raccontare che già imbruni- la pandemia Covid-19 rigettando) la smanceria. va dopo una giornata dominata dal caldo umido, ha avuto anche quello Questo è il film di un espatriato che s’interro- torrido la parola giusta. Si sudava solo a pensarlo. di riportare in auge l’i- ga sulle sue radici. Non vi troviamo la conven- Era la prima settimana d’agosto. L’uomo, era di di- screte proporzioni risaltante da una canotta bianca- Giannalberto Bendazzi dentità nazionale agli zionale nostalgia dell’emigrato che rumina sul occhi della cittadinan- paesello. Vi troviamo il vuoto che sperimenta- stra, andava per i settanta. Asciugò il sudore con un za. Spontaneamente si sono sciorinate ban- no l’uomo o la donna che, a un certo punto panno di arancione spugnoso, stretto nel pugno co- diere e si è intonato l’inno di Mameli, e sono della loro vita, si riconoscono come inseriti me un mannello di grano. Era scuro di pelle, gli oc- apparsi cartelli che parlavano in prima perso- tanto nella casa d’arrivo quanto nella casa di chi da arabo, radi i capelli e i denti. Parvo Artus non na plurale (“Ce la faremo”, “Andrà tutto be- partenza, hanno disponibilità economiche, si era pentito di averlo ingaggiato come mezzadro ne”). Il pericolo ha portato in dote un ideale prendono aerei. -
The Two Sides to the Arab Vote on the UN's Jerusalem Resolution
DECEMBER 28, 2017 – 10 TEVET, 5778 VOL 42, NO 11 JOURNALJEWISHJOURNAL.ORG Rabbi Summit leaves legacy of inclusion at Tufts’ Hillel cared deeply about: social jus- tice. These innovative programs included Moral Voices, which focused on topics including reproductive rights, children’s advocacy, and gun violence; Read by the River, a children’s literacy program; and Challah for Hunger, a weekly fund- raising activity to benefit the needy. Other initiatives were centered on health and well- ness, Holocaust and genocide education, and interfaith pro- gramming. “We shifted from thinking of Hillel as a specific building where activities took place to a Rabbi Jeff Summit with Tufts University President Anthony Monaco. series of programs that could happen anywhere on campus,” By Michelle Harris lowing 15 years, attendance said Summit. “We may see JOURNAL CORRESPONDENT slowly rose from 12 to as many between 70 and 200 students as 150, spurred by innovative at Hillel on a Friday night, but An antique Hanukkah menorah at the Museum of Fine Arts in Boston. MEDFORD – When Rabbi programming such as a kosher we’re also actively cultivating Jeff Summit first arrived on the gourmet cooking content. four, five, or maybe six different As curator, Di Nepi to enhance Tufts campus as Hillel direc- By the time a beautiful new venues around campus where tor in 1979, his office was in Hillel center opened in 1994, Shabbat dinners may be taking Judaica display at MFA a tiny closet, which became about 300 to 400 students were place.” usable only after two students involved with the organization Another big change was By Penny Schwartz removed a refrigerator. -
The Bereaved Father and His Dead Son in the Works of A. B. Yehoshua
The Bereaved Father and His Dead Son in the Works of A. B. Yehoshua Adia Mendelson-Maoz Jewish Social Studies, Volume 17, Number 1, Fall 2010 (New Series), pp. 116-140 (Article) Published by Indiana University Press For additional information about this article http://muse.jhu.edu/journals/jss/summary/v017/17.1.mendelson-maoz.html Access provided by The Ohio State University (7 Jan 2014 18:42 GMT) The Bereaved Father and His Dead Son in the Works of A. B. Yehoshua Adia Mendelson-Maoz ABSTRACT In recent years, A. B. Yehoshua has been taken to task for tempering his criticism of Israeli politics and shifting closer to the political center. In this article, I shift the dis- cussion to a historical and poetic perspective through an interpretive evaluation of the bereaved father figure in Yehoshua’s oeuvre. His approach to the bereaved father has undergone a radical transformation. This is clearly seen in his latest works in which he has made the transition from a critical stance toward the bereaved father—one of the most potent images of Zionist ideology—to a more moderate position reflecting internalization and acceptance of bereavement. To investigate this development, I explore the use of the bereavement myth in several of Yehoshua’s works and offer a de- tailed comparison of his early novella Bi-techilat kayits 1970 (Early in the Summer of 1970; 1972) and his more recent work Esh yedidutit (Friendly Fire: A Duet; 2007). Key words: A. B. Yehoshua, Akedah, Hebrew literature n 1992, during a conference on A. B. -
My Own Man BOSTON CLOSING NIGHT
cvr1 445298.v6.indd 1 8/29/14 10:10 AM 2014 445298.v6.indd 2 8/29/14 10:11 AM OPENING NIGHT Run Boy Run Wednesday November 5 7:00 p.m. Coolidge Corner Theatre A Jewish hero’s tale, this is the miraculous New England Premiere true-to-life story of Srulik, a 9-year-old boy Director Pepe Danquart who flees from the Warsaw ghetto in 1942. Germany, France, Poland He survives among the animals in the woods, 2013 eludes SS patrols, and charms locals into Fiction taking him in, while keeping alive his Jewish 108 Minutes faith through the terrible war against his people. “A superlative saga of courage and Invited compassion with a powerhouse conclusion.” Screenwriter Heinrich Hadding —Toronto Jewish Film Festival Supported by In Yiddish, Polish, Russian, and German with subtitles Followed by Passholder Party at Hops n Scotch MUSICAL PERFOMANCE Berklee College of Music Students, 6:30 p.m. 1 MID-FEST EVENT Deli Man Wednesday November 12 7:00 p.m. Coolidge Corner Theatre Laugh your way through hilarious stories of World Premiere American delicatessens while drooling over the wonderful Jewish food being prepared Director Erik Greenberg Anjou before your eyes. From New York to Chicago USA to San Francisco and even to Texas, enjoy 2014 the oddball company of the obsessed deli Documentary proprietors behind the corned beef, the 90 Minutes kreplach, and the magnificent matzo ball In Person soup. You won’t want to miss third-generation Director Erik Greenberg Anjou Houston deli owner Ziggy Gruber, the maven and film subject Ziggy Gruber of deli mavens! Followed by Passholder Party at Zaftigs Delicatessen. -
Israel Prize
Year Winner Discipline 1953 Gedaliah Alon Jewish studies 1953 Haim Hazaz literature 1953 Ya'akov Cohen literature 1953 Dina Feitelson-Schur education 1953 Mark Dvorzhetski social science 1953 Lipman Heilprin medical science 1953 Zeev Ben-Zvi sculpture 1953 Shimshon Amitsur exact sciences 1953 Jacob Levitzki exact sciences 1954 Moshe Zvi Segal Jewish studies 1954 Schmuel Hugo Bergmann humanities 1954 David Shimoni literature 1954 Shmuel Yosef Agnon literature 1954 Arthur Biram education 1954 Gad Tedeschi jurisprudence 1954 Franz Ollendorff exact sciences 1954 Michael Zohary life sciences 1954 Shimon Fritz Bodenheimer agriculture 1955 Ödön Pártos music 1955 Ephraim Urbach Jewish studies 1955 Isaac Heinemann Jewish studies 1955 Zalman Shneur literature 1955 Yitzhak Lamdan literature 1955 Michael Fekete exact sciences 1955 Israel Reichart life sciences 1955 Yaakov Ben-Tor life sciences 1955 Akiva Vroman life sciences 1955 Benjamin Shapira medical science 1955 Sara Hestrin-Lerner medical science 1955 Netanel Hochberg agriculture 1956 Zahara Schatz painting and sculpture 1956 Naftali Herz Tur-Sinai Jewish studies 1956 Yigael Yadin Jewish studies 1956 Yehezkel Abramsky Rabbinical literature 1956 Gershon Shufman literature 1956 Miriam Yalan-Shteklis children's literature 1956 Nechama Leibowitz education 1956 Yaakov Talmon social sciences 1956 Avraham HaLevi Frankel exact sciences 1956 Manfred Aschner life sciences 1956 Haim Ernst Wertheimer medicine 1957 Hanna Rovina theatre 1957 Haim Shirman Jewish studies 1957 Yohanan Levi humanities 1957 Yaakov -
July 1999 Vol
TELFED JULY 1999 VOL. 25 NO. 3 A SOUTH AFRICAN ZIONIST FEDERATION (ISRAEL) PUBLICATION REAP ALL ABOUT IT! INSIDE: TELFED MOVES TO RA'ANANA PEOPLE: •Former South Africans make their mark in Poetry, Theatre and Music; Beth Chever 50th Reunion ART SCENE: •Making art that makes a difference ECO-ACTIOK'i^ Waiting for the trains to arrive? BOOK REVIEW Alon Liel'sbook on South Africa NUPTIALS, ARRIVALS.... A N D M O R E 46 SOKOLOV (2nd Floor) RAMAT-HASHARON Tel. 03-5488111 Home 09-7446967 Fax 03-5400077 Dear Friends, Even though it is now the middle of summer, the only thing that is really hot is the weather. It seems that most of our clientele prefer to travel in the "off season apd not to be involved in the summer rush. There are so many deals to near and far away places that it is no longer feasible to offer "specials" to anywhere —just know that they exist all the time to everywhere!!! This last weekend Carol and I spent a very special 4 days at the new Anassa Hotel — 35 minutes drive from the Paphos Airport in Cyprus, which is in itself only a 45 minute flight from Tel Aviv. I can honestly say that the hotel is without doubt the finest hotel I have ever stayed at — a real masterpiece — on the sea, beautiful setting, great food, but wow, it is expensive!!! — something to save for a special occasion. Give me a call and Til fill you in on all the details. Prices to South Africa on El A1 have been reduced for July/August, with all sorts of interesting deals, for example two for one on certain dates. -
The Russian Jewish Diaspora and European Culture, 1917–1937 IJS STUDIES in JUDAICA
The Russian Jewish Diaspora and European Culture, 1917–1937 IJS STUDIES IN JUDAICA Conference Proceedings of the Institute of Jewish Studies, University College London Series Editors Markham J. Geller François Guesnet Ada Rapoport-Albert VOLUME 13 The titles published in this series are listed at brill.nl/ijs The Russian Jewish Diaspora and European Culture, 1917–1937 Edited by Jörg Schulte Olga Tabachnikova Peter Wagstaff LEIDEN • BOSTON 2012 These volumes are based on the international conference series of the Institute of Jewish Studies, University College London. Issues are thematic, 250–450 pages in length, in English, plus at most two papers in one other language per volume. Volumes focus on significant themes relating to Jewish civilisation, and bring together from different countries, often for the first time, eminent scholars working in the same or allied fields of research. This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data The Russian Jewish diaspora and European culture, 1917–1937 / edited by Jörg Schulte, Olga Tabachnikova, Peter Wagstaff. p. cm. — ( IJS studies in Judaica ; v. 13) ISBN 978-90-04-22714-9 (hardback : alk. paper) 1. Jews, Russian—Europe—Intellectual life—20th century—Congresses. 2. Jews—Russia—Intellectual life—20th century— Congresses. 3. Russia—Ethnic relations. I. Schulte, Jörg. II. Tabachnikova, Olga, 1967– III. Wagstaff, Peter. DS134.82.R86 2012 305.892’40409041—dc23 2011052552 ISSN 1570-1581 ISBN 978 90 04 22714 9 (hardback) ISBN 978 90 04 22713 2 (e-book) Copyright 2012 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Global Oriental, Hotei Publishing, IDC Publishers and Martinus Nijhoff Publishers.