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CHURCH SUPPLIES 2016 Calendars
SEE INSIDE FOR: Certificates | Crosses and other Jewelry | Episcopal Gifts Lectionary Inserts | Parish Registers | Planning Calendars | Stationery and more CHURCH SUPPLIES 2016 Calendars Christian Planning Calendar 2015-2016 16 months September 2015 through December 2016 A popular two-year planning tool citing religious observances for Anglican, Roman Catholic, Orthodox, Islamic, and Jewish faiths, as well as secular holidays. Ample space for writing daily notes. Triple-hole punched for use in planners, single-hole punch for hanging. Spiral-bound | 11" x 8.5" | $12.00 | 846863020812 Episcopal Liturgical Appointment Calendar 2016 13 months November 2015 through December 2016 Two facing pages for each week include art and a brief devotion with ample space for noting appointments. Daily Office readings from the Book of Common Prayer; Sunday readings from the Revised Common Lectionary; proper liturgical colors, holy days, commemorations, and secular observances are all noted for easy reference. Spiral-bound | 8" x 10" | $15.00 | 846863020843 Episcopal Church Lesson Calendar RCL 2016 12 months November 29, 2015 through November 26, 2016 A comprehensive calendar of the readings for the Episcopal Lectionary Year C and for the Daily Office Year Two. Also includes suggested hymn selections. Based on the Revised Common Lectionary. Paper | 10.5" x 9" | $12.00 | 846863020850 The Liturgical eCalendar 2016 The Liturgical eCalendar is a liturgy planning calendar of all Episcopal Sundays and Feasts. Simply import into iCal, Outlook, Google calendar, or other standards-compliant electronic calendar program, and have access to the information you need to plan the liturgical year without needing a separate program. The Liturgical eCalendar works on most mobile devices. -
Symbol of Conquest, Alliance, and Hegemony
SYMBOL OF CONQUEST, ALLIANCE, AND HEGEMONY: THE IMAGE OF THE CROSS IN COLONIAL MEXICO by ZACHARY WINGERD Presented to the Faculty of the Graduate School of The University of Texas at Arlington in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY THE UNIVERSITY OF TEXAS AT ARLINGTON August 2008 Copyright © by Zachary Wingerd 2008 All Rights Reserved ACKNOWLEDGEMENTS I offer thanks to Dr. Dennis Reinhartz, Dr. Kenneth Philp, Dr. Richard Francaviglia, and Dr. Joseph Bastien who agreed to sit on my dissertation committee and guide my research and writing. Special thanks are given to Dr. Douglas Richmond who encouraged my topic from the very beginning and as the committee chair actively supported my endeavor. May 1, 2008 iii DEDICATED TO MY LOVING WIFE AND SONS Lindsey, Josh, and Jamie iv ABSTRACT SYMBOL OF CONQUEST, ALLIANCE, AND HEGEMONY: THE IMAGE OF THE CROSS IN COLONIAL MEXICO Zachary Wingerd, PhD. The University of Texas at Arlington, 2008 Supervising Professor: Douglas Richmond The universality of the cross image within the transatlantic confrontation meant not only a hegemony of culture, but of symbolism. The symbol of the cross existed in both European and American societies hundreds of years before Columbus. In both cultures, the cross was integral in religious ceremony, priestly decoration, and cosmic maps. As a symbol of life and death, of human and divine suffering, of religious and political acquiescence, no other image in transatlantic history has held such a perennial, powerful message as the cross. For colonial Mexico, which felt the brunt of Spanish initiative, the symbol of the cross penetrated the autochthonous culture out of which the independent nation and indigenous church were born. -
Christian Cruciform Symbols and Magical Charaktères Luc Renaut
Christian Cruciform Symbols and Magical Charaktères Luc Renaut To cite this version: Luc Renaut. Christian Cruciform Symbols and Magical Charaktères. Polytheismus – Monotheismus : Die Pragmatik religiösen Handelns in der Antike, Jun 2005, Erfurt, Germany. hal-00275253 HAL Id: hal-00275253 https://hal.archives-ouvertes.fr/hal-00275253 Submitted on 24 Apr 2008 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. CHRISTIAN CRUCIFORM SYMBOLS victory in Milvius Bridge, Constantine « was directed in a dream to cause AND MAGICAL CHARAKTÈRES the heavenly sign of God ( caeleste signum Dei ) to be delineated on the Communication prononcée dans le cadre du Colloque Polytheismus – Mono- shields of his soldiers, and so to proceed to battle. He does as he had been theismus : Die Pragmatik religiösen Handelns in der Antike (Erfurt, Philo- commanded, and he marks on the shields the Christ[’s name] ( Christum in sophische Fakultät, 30/06/05). scutis notat ), the letter X having been rotated ( transversa X littera ) and his top part curved in [half-]circle ( summo capite circumflexo ). »4 This As everyone knows, the gradual political entrance of Christian caeleste signum Dei corresponds to the sign R 5. -
{DOWNLOAD} Cross
CROSS PDF, EPUB, EBOOK James Patterson | 464 pages | 29 Apr 2010 | Headline Publishing Group | 9780755349401 | English | London, United Kingdom Cross Pens for Discount & Sales | Last Chance to Buy | Cross The Christian cross , seen as a representation of the instrument of the crucifixion of Jesus , is the best-known symbol of Christianity. For a few centuries the emblem of Christ was a headless T-shaped Tau cross rather than a Latin cross. Elworthy considered this to originate from Pagan Druids who made Tau crosses of oak trees stripped of their branches, with two large limbs fastened at the top to represent a man's arm; this was Thau, or god. John Pearson, Bishop of Chester c. In which there was not only a straight and erected piece of Wood fixed in the Earth, but also a transverse Beam fastened unto that towards the top thereof". There are few extant examples of the cross in 2nd century Christian iconography. It has been argued that Christians were reluctant to use it as it depicts a purposely painful and gruesome method of public execution. The oldest extant depiction of the execution of Jesus in any medium seems to be the second-century or early third-century relief on a jasper gemstone meant for use as an amulet, which is now in the British Museum in London. It portrays a naked bearded man whose arms are tied at the wrists by short strips to the transom of a T-shaped cross. An inscription in Greek on the obverse contains an invocation of the redeeming crucified Christ. -
Crosses of the Red Cross of Constantine Presentation by P
Grand Imperial Conclave of the Masonic and Military Order of the Red Cross of Constantine, and the Orders of the Holy Sepulchre and of St. John the Evangelist for England and Wales and its Divisions and Conclaves Crosses of the Red Cross of Constantine Presentation by P. Kt. A. Briggs Div. Std. B.(C) and P. Kt. M.J. Hamilton Div. Warden of Regalia Warrington Conclave No. 206 November 16th 2011 INTRODUCTION Constantine's Conversion at the Battle of Milvian Bridge 312ad. MANY TYPES OF CROSSES These are just a few of the hundreds of designs of crosses THE RED CROSS • Red Cross of Constantine is the Cross Fleury - the most associated cross of the Order • With the Initials of the words ‘In Hoc Signo Vinces’ • Greek Cross (Cross Imissa – Cross of Earth • Light and Life Greek words for “light” and “life”. • Latin Cross THE VICTORS CROSS The Conqueror's or Victor's cross is the Greek cross with the first and last letters of "Jesus" and "Christ" on top, and the Greek word for conquerer, nika, on the bottom. • Iota (Ι) and Sigma (Σ) • I & C -The first and last letters of Jesus (ΙΗΣΟΥΣ). • X & C -The first and last letters of Christ (XPIΣTOΣ) The Triumphant Cross is a cross atop an orb. The cross represents Christianity and the orb (often with an equatorial band) represents the world. It symbolises Christ's triumph over the world, and prominent in images of Christ as Salvator Mundi - the Saviour of the World. THE CHI-RHO CROSS • The Chi-Rho emblem can be viewed as the first Christian Cross. -
Lent & Pascha Catalog 2019
lent & pascha catalog 2019 800-967-7377, monday - friday, 9 am - 6 pm central store.ancientfaith.com 2 store.ancientfaith.com 800-967-7377 3 A B C F G H D I J Mixed Pack Assortment of E PaschaCards— 10 cards and envelopes 2 each of all 5 cards on this page 005794 $12.95 Find more unique Pascha card styles and designs at store.ancientfaith.com/cards A. Bestowing Life D. Myrrhbearing Women at the Tomb F. Embroidered Cross Appliqué I. The Harrowing of Hades Right inside panel: Left inside panel: Left inside panel: Top inside panel: Christ is Risen from the dead, Before the dawn, Mary and the women came and found the stone I am the resurrection and the life. He who believes in Me, though O death, where is your sting? O Hades, where is your victory? trampling down death by death, rolled away from the tomb. They heard the angelic voice: “Why do he may die, he shall live. And whoever lives and believes in Me Christ is risen, and you are overthrown! and upon those in the tomb bestowing life. you seek among the dead as a man the one who is everlasting life? shall never die. —John 11:25, 26 Christ is risen, and the demons are fallen! Pack of 10 cards, 005791—$12.95 Behold the clothes in the grave! Go and proclaim to the world: The Pack of 10 cards, 005757—$12.95 Christ is risen, and the angels rejoice! Christ is risen, and life reigns! Individual card, 005791-1—$2.95 Lord is risen! He has slain death as He is the Son of God, saving the Individual card, 005756—$2.95 Christ is risen, and not one dead remains in a tomb! human race.” (Hypakoe of the Paschal Canon) —from the Paschal homily of St. -
Antique French Altar Corpus Christi Hardwood Cross & Base
anticSwiss 01/10/2021 06:45:41 http://www.anticswiss.com Antique French Altar Corpus Christi Hardwood Cross & Base FOR SALE ANTIQUE DEALER Period: 20° secolo - 1900 Regent Antiques London Style: Altri stili +44 2088099605 447836294074 Height:28cm Width:18cm Depth:9cm Price:300€ DETAILED DESCRIPTION: This is a distinctive antique French dark patinated altar Corpus Christi of Christ crucified on a hardwood cross, circa 1900 in date. The details are very impressive, the Corpus Christi is very life-like, wearing a flowing linen cloth, his eyes closed and head upper-turned. The hardwood cross and stepped base are highly evocative featuring suggestive stylized thorns - hence, recalling the woven crown of thorns that was placed on the head of Jesus during the events leading up to the crucifixion. Pieces like these really are in a class of their own, as such, work beautifully anywhere. The craftsmanship is second to none throughout all aspects of this magnificent altar Corpus Christi which is sure to add an unparalleled touch of sacred art to your home. Condition: In excellent condition, please see photos for confirmation. Dimensions in cm: Height 28 x Width 18 x Depth 9 Dimensions in inches: Height 11.0 x Width 7.1 x Depth 3.5 The Christian cross, seen as a representation of the instrument of the crucifixion of Jesus, is the best-known symbol of Christianity. It is related to the crucifix (a cross that includes a corpus, usually a three-dimensional representation of Jesus' body) and to the more general family of cross symbols, the term cross itself being detached from the original specifically Christian meaning in modern English (as in many other western languages). -
City of Angels
ZANFAGNA CHRISTINA ZANFAGNA | HOLY HIP HOP IN THE CITY OF ANGELSHOLY IN THE CITY OF ANGELS The publisher gratefully acknowledges the generous support of the Lisa See Endowment Fund in Southern California History and Culture of the University of California Press Foundation. Luminos is the Open Access monograph publishing program from UC Press. Luminos provides a framework for preserving and reinvigorating monograph publishing for the future and increases the reach and visibility of important scholarly work. Titles published in the UC Press Luminos model are published with the same high standards for selection, peer review, production, and marketing as those in our traditional program. www.luminosoa.org Holy Hip Hop in the City of Angels MUSIC OF THE AFRICAN DIASPORA Shana Redmond, Editor Guthrie P. Ramsey, Jr., Editor 1. California Soul: Music of African Americans in the West, edited by Jacqueline Cogdell DjeDje and Eddie S. Meadows 2. William Grant Still: A Study in Contradictions, by Catherine Parsons Smith 3. Jazz on the Road: Don Albert’s Musical Life, by Christopher Wilkinson 4. Harlem in Montmartre: A Paris Jazz Story between the Great Wars, by William A. Shack 5. Dead Man Blues: Jelly Roll Morton Way Out West, by Phil Pastras 6. What Is This Thing Called Jazz?: African American Musicians as Artists, Critics, and Activists, by Eric Porter 7. Race Music: Black Cultures from Bebop to Hip-Hop, by Guthrie P. Ramsey, Jr. 8. Lining Out the Word: Dr. Watts Hymn Singing in the Music of Black Americans, by William T. Dargan 9. Music and Revolution: Cultural Change in Socialist Cuba, by Robin D. -
The Cross As an Art Expression
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1960 The rC oss as an Art Expression Foster Leroy Marlow Eastern Illinois University Recommended Citation Marlow, Foster Leroy, "The rC oss as an Art Expression" (1960). Masters Theses. 4506. https://thekeep.eiu.edu/theses/4506 This Dissertation/Thesis is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. THE CROSS AS AN ART EXPRESSION A Thesis Presented To The Department of Art Eas tern Illinois University In Partial Fulfillment Of The Requirements for the Degree Master of Science in Education by Foster Leroy Marlow April 1960 ! Ap proved:_ Dr. Calvin Countr yman. Dr. Roland Leiphol2 Dr. Gerhard MatzneI iii ACKNOWLEDGEMENTS The author of this thesis wis hes to express gratitude for the guidance of his advisor Dr. Carl Shull of the Department of Art, Eastern Illinois Univers ity in the approach to this subject. My gratitude also goes to those artists both of ancient and modern times who have enriched the body of art in symb olization and ornamentation by the use of the cross. Foster Marlow iv TABLE OF CONTENI'S Page ACKNOWLEDGEMENTS. • • • iv LIST OF ILLUSTRATIONS • .vii PREFACE • x PURPOSE OF THE PAPER • • xi INTRODUCTION • • xiii Chapter I THE CROSS AS A SYMBOL AND SIGN OF MAN. 2 Visually Discerned • 2 The Orant Figure • • 4 Instrument of Execution. • • 4 Birth and Death 6 The Evil and the Dead • 6 Funerary Use • 9 Fertility Sign • • 9 Sex and Passion Symb ol • 12 Environment of Man • 12 Summary. -
July 20 Online Auction
09/30/21 04:11:03 July 20 Online Auction Auction Opens: Thu, Jul 15 5:00pm ET Auction Closes: Tue, Jul 20 7:00pm ET Lot Title Lot Title 1 4-Drawer Dresser, Solid Heavy Duty Chest, 1009 1917 S Walking Liberty Mint Mark on Reverse, Original Veneer Showing Its Age, Chipping In Very Good Condition, San Francisco Mint Places, 1950s Aesthetic Hardware, 3 Caster 101 "Cold Gold" Miller Genuine Draft Light Metal Rollers In Top Drawer, Well Made Dovetail Sign In Good Condition, 23"W x 36"H Hardwood Frame and Drawers That Slide Smoothly, 30"W x 17"D x 45"T, Drawers Are 1010 Sterling Silver And Milk Glass Pendant, 10"T and 6"T, Good Condition For Age Marked 925 S in Very Good Condition, 1 5/16" x 1 1/8" Appears Hand Painted, Geisha Girl 10 Vintage Yale Office Safe On Wheels, Do Not Picture On It Have The Combination But Was Told It Has Four Numbers, Heavy Item, Light Surface Rust, 1011 1974 D IKE And Bicentennial IKE One Dollar Good Condition For Age, 20 1/2"W x 20 1/2"D Coins x 32"H 1012 Brand New Betsey Johnson 24"L Goldtone 100 Harvest Ceramic Wall Plate, Pumpkins Horn- Villain Joker Necklace Of-Plenty, No Chips/Cracks, Good Condition, 8 1013 (19) Assorted IKE One Dollar Coins 1/2"Diam 1014 Beaded and Heart Gunmetal Necklace, 19"L, 1000 1913 Barber Silver Dime Good Condition 1001 Lots Of Costume Jewelry Two Containers, Full 1015 1907 Canadian Large Cent With 2.4 Million Of Sorts Of Treasures! 9" x 6" 2 1/2" Plastic Mintage Container With Pierced Earrings, Goldtone 1016 New In Package Good Fellow And CO. -
Is the Cross a Christian Symbol?
Is the Cross a Christian Symbol? Do all members of Christendom, even all clergymen accept that Jesus died on a cross? This short article shows that they do not ... if they examine the historical evidence. Earl L. Henn A Roman Impalement (Louvre Museum, Paris, France) Onward, Christian soldiers! Marching as to war, With the cross of Jesus Going on before. So reads the chorus to a very popular Christian hymn that churches have sung for many years. The song portrays the cross as the identifying sign of everything for which Christianity stands and around which Christians should rally in their fight against the forces of evil. Throughout the world, people universally regard the cross as THE symbol of Christianity. Churches have crosses atop their steeples, on their walls, windows and doors. Catholics and Protestants wear crosses on necklaces, bracelets, rings, pendants, key chains and items of clothing. People in some churches "cross" themselves by touching the forehead, breast, and then each shoulder to form a symbolic cross in carrying out certain religious rituals or in blessing themselves or others. Some think the sign of the cross to be effective in warding off evil spirits and for generally protecting believers from harm. All this seems perfectly natural to most people. After all, Jesus was crucified on a cross, was he not? Have not Christians used the sign of the cross throughout all ages to show to the world their belief in the saviour of mankind? Most Bible translations mention the cross many times, in both literal and figurative terms, as symbolizing the meaning of true Christianity as well as the sacrifices and trials that a true Christian must endure in this life to be true to the faith. -
Amicus Briefs
Nos. 08-56415, 08-56436 IN THE UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT JEWISH WAR VETERANS OF THE UNITED STATES OF AMERICA, INC., et al., Plaintiffs-Appellants, v. CITY OF SAN DIEGO, et al., Defendants-Appellees. On Appeal From the United States District Court for the District of Southern California Nos. 06-cv-01597-LAB, 06-cv-01728-LAB (Hon. Larry A. Burns) Brief of Amici Curiae Americans United for Separation of Church and State; Hadassah, the Women’s Zionist Organization of Amer- ica, Inc.; Interfaith Alliance; Military Association of Atheists and Freethinkers; Military Religious Freedom Foundation; Progres- sive Christians Uniting; and Unitarian Universalist Association in Support of Appellants, Seeking Reversal Shelley J. Klein Ayesha N. Khan Julia Rubin Alex J. Luchenitser HADASSAH, THE WOMEN'S ZIONIST Josef M. Klazen ORGANIZATION OF AMERICA, INC. AMERICANS UNITED FOR SEPARATION OF 50 West 58th Street CHURCH AND STATE New York, NY 10019 518 C Street, NE (212) 303-8136 Washington, DC 20002 (202) 466-3234 Pedro L. Irigonegaray MILITARY RELIGIOUS FREEDOM FOUNDATION 1535 SW 29th Street Topeka, KS 66611-1901 (785) 267-6115 Counsel for Amici Curiae CORPORATE DISCLOSURE STATEMENT Amici are nonprofit corporations. None has any corporate parent, and no publicly held corporations own any part of any amicus. i TABLE OF CONTENTS Page CORPORATE DISCLOSURE STATEMENT ............................................i TABLE OF AUTHORITIES .....................................................................iv INTEREST OF THE AMICI CURIAE .....................................................1 SUMMARY OF THE ARGUMENT ..........................................................2 ARGUMENT ..............................................................................................3 I. The Cross Has Long Been, And Remains Today, The Preeminent Symbol Of Christianity ........................................3 A. For nearly two thousand years, the cross has been a readily identifiable Christian symbol ....................................5 B.