Harriet Beecher Stowe:Uncle Tom's Cabin
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New Mexico New Mexico
NEW MEXICO NEWand MEXICO the PIMERIA ALTA THE COLONIAL PERIOD IN THE AMERICAN SOUTHWEst edited by John G. Douglass and William M. Graves NEW MEXICO AND THE PIMERÍA ALTA NEWand MEXICO thePI MERÍA ALTA THE COLONIAL PERIOD IN THE AMERICAN SOUTHWEst edited by John G. Douglass and William M. Graves UNIVERSITY PRESS OF COLORADO Boulder © 2017 by University Press of Colorado Published by University Press of Colorado 5589 Arapahoe Avenue, Suite 206C Boulder, Colorado 80303 All rights reserved Printed in the United States of America The University Press of Colorado is a proud member of Association of American University Presses. The University Press of Colorado is a cooperative publishing enterprise supported, in part, by Adams State University, Colorado State University, Fort Lewis College, Metropolitan State University of Denver, Regis University, University of Colorado, University of Northern Colorado, Utah State University, and Western State Colorado University. ∞ This paper meets the requirements of the ANSI/NISO Z39.48-1992 (Permanence of Paper). ISBN: 978-1-60732-573-4 (cloth) ISBN: 978-1-60732-574-1 (ebook) Library of Congress Cataloging-in-Publication Data Names: Douglass, John G., 1968– editor. | Graves, William M., editor. Title: New Mexico and the Pimería Alta : the colonial period in the American Southwest / edited by John G. Douglass and William M. Graves. Description: Boulder : University Press of Colorado, [2017] | Includes bibliographical references and index. Identifiers: LCCN 2016044391| ISBN 9781607325734 (cloth) | ISBN 9781607325741 (ebook) Subjects: LCSH: Spaniards—Pimería Alta (Mexico and Ariz.)—History. | Spaniards—Southwest, New—History. | Indians of North America—First contact with Europeans—Pimería Alta (Mexico and Ariz.)—History. -
Harriet Beecher Stowe Papers in the HBSC Collection
Harriet Beecher Stowe Papers in the Harriet Beecher Stowe Center’s Collections Finding Aid To schedule a research appointment, please call the Collections Manager at 860.522.9258 ext. 313 or email [email protected] Harriet Beecher Stowe Papers in the Stowe Center's Collection Note: See end of document for manuscript type definitions. Manuscript type & Recipient Title Date Place length Collection Summary Other Information [Stowe's first known letter] Ten year-old Harriet Beecher writes to her older brother Edward attending Yale. She would like to see "my little sister Isabella". Foote family news. Talks of spending the Nutplains summer at Nutplains. Asks him to write back. Loose signatures of Beecher, Edward (1803-1895) 1822 March 14 [Guilford, CT] ALS, 1 pp. Acquisitions Lyman Beecher and HBS. Album which belonged to HBS; marbelized paper with red leather spine. First written page inscribed: Your Affectionate Father Lyman At end, 1 1/2-page mss of a 28 verse, seven Beecher Sufficient to the day is the evil thereof. Hartford Aug 24, stanza poem, composed by Mrs. Stowe, 1840". Pages 2 and 3 include a poem. There follow 65 mss entitled " Who shall not fear thee oh Lord". poems, original and quotes, and prose from relatives and friends, This poem seems never to have been Katharine S. including HBS's teacher at Miss Pierece's school in Litchfield, CT, published. [Pub. in The Hartford Courant Autograph Bound mss, 74 Day, Bound John Brace. Also two poems of Mrs. Hemans, copied in HBS's Sunday Magazine, Sept., 1960].Several album 1824-1844 Hartford, CT pp. -
Alien Love- Passing, Race, and the Ethics of the Neighbor in Postwar
UNIVERSITY OF CALIFORNIA Los Angeles Alien Love: Passing, Race, and the Ethics of the Neighbor in Postwar African American Novels, 1945-1956 A dissertation submitted in partial satisfaction of the Requirements for the degree Doctor of Philosophy In English By Hannah Wonkyung Nahm 2021 © Copyright by Hannah Wonkyung Nahm 2021 ABSTRACT OF THE DISSERTATION Alien Love: Passing, Race, and the Ethics of the Neighbor in Postwar African American Novels, 1945-1956 by Hannah Wonkyung Nahm Doctor of Philosophy in English University of California, Los Angeles, 2021 Professor King-Kok Cheung, Co-Chair Professor Richard Yarborough, Co-Chair This dissertation examines Black-authored novels featuring White (or White-passing) protagonists in the post-World War II decade (1945-1956). Published during the fraught postwar political climate of agitation for integration and the continual systematic racism, many novels by Black authors addressed the urgent topic of interracial relationality, probing the tabooed question of whether Black and White can abide in love and kinship. One of the prominent—and controversial—literary strategies sundry Black novelists used in this decade was casting seemingly raceless or ambiguously-raced characters. Collectively, these novels generated a mixture of critical approval and dismissal in their time and up until recently, marginalized from the African American literary tradition. Even more critically overlooked than the ostensibly raceless project was the strategic mobilization of the trope of passing by some midcentury Black ii writers to imagine the racial divide and possible reconciliation. This dissertation intersects passing with postwar Black fiction that features either racially-anomalous or biracial central characters. Examining three novels from this historical period as my case studies, I argue that one of the ways in which Black writers of this decade have imagined the possibility of interracial love—with all its political pitfalls and ethical imperatives —is through the trope of passing. -
Self-Reliance: the Role of Anti-Industrial Individualism in Abolitionism
Self-Reliance: The Role of Anti-Industrial Individualism in Abolitionism Mid-nineteenth century America witnessed an explosion of civil unrest; changes in political rhetoric, religious revivals, economic revolutions, and unparalleled reforms combined to make the period one of the most volatile in U.S. history. Unmitigated industrialization left Americans confused and restless, and countless reform movements emerged as they attempted to control their surroundings. Many historians contribute these reforms to mass movements such as the Second Great Awakening and the homogenization of the middle class, arguing that large movements gave confused Americans a sense of community. However, in the wake of post-industrial confusion, Americans looked to themselves for security from their constantly changing world, and they saw the impact that they alone could make on society. Americans decried the state of society’s forgotten- including slaves- and the individualism of the post-industrial U.S. inspired a militant abolitionism that led the nation into the bloodiest war in its history. The true source of nineteenth-century reforms thus lies not in mass movements but in a new birth of anti- industrial American individualism. At the turn of the eighteenth century, America was relatively tranquil; picturesque yeoman farmers dominated the countryside, and self-employed artisans filled the cities. However, over the next fifty years, the northern economy underwent an incredible industrial transformation. Steamboats, canals, railways, and other new technologies halved overland This 1839 engraving by W.H. Bartlett features a view of the Erie Canal as it passes through Lockport, New shipping costs and connected previously remote York (Bartlett). The Erie Canal was one of the areas through commerce (McPherson, p. -
UNDERSTANDING MANUMISSION, SELF-PURCHASE, and FREEDOM in 19Th CENTURY BERMUDA
“AS IF SHE HAD BEEN ACTUALLY BORN FREE” UNDERSTANDING MANUMISSION, SELF-PURCHASE, AND FREEDOM IN 19th CENTURY BERMUDA by © Erin Mick Thesis submitted to the School of Graduate Studies in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History Memorial University of Newfoundland St. John’s, Newfoundland and Labrador January 2019 Supervisor: Dr. Neil Kennedy The research for this thesis was funded in part by a grant provided by the Social Sciences and Humanities Research Council of Canada (SSHRC) ABSTRACT Despite its significant role since the early 17th century as a maritime center of the Atlantic economy, Bermuda and its role in the slave trade, particularly in the illicit slave trade after 1807, have been left largely unexplored by historians of enslavement. Those few histories, and historic travel accounts, which do focus on Bermuda tend to associate its small size, maritime economy, relatively low reported rate of severe physical punishment of slaves, and the rough parity of white and black demography, with a benign or mitigated reality of enslavement compared to other areas of the slaveholding world. After cataloguing and analyzing documents from the Colonial Secretary’s Books of Miscellany, held by the Bermuda National Archives, the volume of manumission and self- purchase records alone could easily make for an argument that bolsters the previous historiography of benignity. However, through discussing a number of case studies drawn from the Books of Miscellany, new perspectives on 19th century understandings of freedom and slavery bubble to the surface. This thesis aims to broach the topics of manumission, self-purchase, and slave-owner negotiation in an effort to reveal the sheer complexity of how freedom was understood, used, negotiated, upheld, withheld, and performed by Bermudians, both black and white, both slave and free, in the final three decades leading up to Emancipation in 1834. -
White Writers, Race Matters Fictions of Racial Liberalism from Stowe to Stockett
White Writers, Race Matters fictions of racial liberalism from stowe to stockett Gregory S. Jay 1 0003185048.INDD 3 Dictionary: NOAD 8/1/2017 9:35:46 PM { Contents } Introduction: Toward a Literary History of Racial Liberalism 3 1. Sympathy in Action: Stowe, Twain, and the Origins of Liberal Race Fiction 42 2. How Does It Feel to Be a Trademark?: Fannie Hurst’s Imitation 93 of Life 3. Jew Like Me: Empathy and Antisemitism in Laura Zametkin 142 Hobson’s Gentleman’s Agreement 4. Desegregating Liberalism: Radical Identifications in Lillian 185 Smith’s Strange Fruit and Killers of the Dream 5. Queer Children and Representative Men: Harper Lee’s 236 To Kill a Mockingbird 6. Speaking of Abjection: White Writing and Black Resistance in 286 Kathryn Stockett’s The Help 327 7. Afterword Notes 331 339 Works Cited 353 Index 0003185048.INDD 11 Dictionary: NOAD 8/1/2017 9:35:46 PM Introduction toward a literary history of racial liberalism The “protest” novel, so far from being disturbing, is an accepted and comforting aspect of the American scene, ramifying that framework we believe to be so necessary. Whatever unsettling questions are raised are evanescent, titillating; remote, for this has nothing to do with us, it is safely ensconced in the social arena, where, indeed, it has nothing to do with anyone, so that finally we receive a very definite thrill of virtue from the fact that we are reading such a book at all. This report from the pit reassures us of its reality and its darkness and of our own salvation; and “As long as such books are being published,” an American liberal once said to me, “everything will be all right.” —james baldwin, “Everybody’s Protest Novel” What explains the enduring popularity of white-authored protest fiction about racism in America? This book began with that seem- ingly simple question some years ago, following the spectacular suc- cess of Kathryn Stockett’s 2009 novel The Help and its Hollywood film adaptation. -
Back to the Future: Taking a Trip Back in Order to Move Forward in Octavia Butler’S Kindred Zakary H
East Tennessee State University Digital Commons @ East Tennessee State University Undergraduate Honors Theses Student Works 5-2014 Back to the Future: Taking a Trip Back in Order to Move Forward in Octavia Butler’s Kindred Zakary H. LaFaver East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/honors Part of the Literature in English, North America, Ethnic and Cultural Minority Commons Recommended Citation LaFaver, Zakary H., "Back to the Future: Taking a Trip Back in Order to Move Forward in Octavia Butler’s Kindred" (2014). Undergraduate Honors Theses. Paper 215. https://dc.etsu.edu/honors/215 This Honors Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Back to the Future: Taking a Trip Back in Order to Move Forward in Octavia Butler’s Kindred Thesis submitted in partial fulfillment of Honors By Zakary LaFaver The Honors College English Honors-in-Discipline East Tennessee State University May 8, 2014 Zakary LaFaver, Author Michael Cody, Faculty Mentor Karen Kornweibel, Faculty Reader Leslie McCallister, Faculty Reader LaFaver 2 Introduction Although Octavia Butler’s 1979 novel Kindred is often classified as science fiction, Butler says, “Kindred is fantasy. I mean literally, it is fantasy. There’s no science in Kindred” (qtd. in Kenan 495). The central character of the novel is Dana, an African American woman living in Los Angeles, California, in 1976. -
Kindred and a Canticle for Leibowitz As Palimpsestic Novels Sue Vander Hook Minnesota State University - Mankato
Minnesota State University, Mankato Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato Theses, Dissertations, and Other Capstone Projects 2011 Kindred and A Canticle for Leibowitz as Palimpsestic Novels Sue Vander Hook Minnesota State University - Mankato Follow this and additional works at: http://cornerstone.lib.mnsu.edu/etds Part of the History Commons, and the Modern Literature Commons Recommended Citation Vander Hook, Sue, "Kindred and A Canticle for Leibowitz as Palimpsestic Novels" (2011). Theses, Dissertations, and Other Capstone Projects. Paper 111. This Thesis is brought to you for free and open access by Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in Theses, Dissertations, and Other Capstone Projects by an authorized administrator of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Kindred and A Canticle for Leibowitz as Palimpsestic Novels By Sue Vander Hook A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts In English Studies Minnesota State University, Mankato Mankato, Minnesota May 2011 Kindred and A Canticle for Leibowitz as Palimpsestic Novels Sue Vander Hook This thesis has been examined and approved by the following members of the thesis committee. John Banschbach, PhD, Chairperson and Advisor Anne O’Meara, PhD, Committee Member © Copyright by Sue Vander Hook April 8, 2011 All Rights Reserved An Abstract of the Thesis of Sue Vander Hook for the degree of Master of Arts in English Studies Presented April 8, 2011 Title: Kindred and A Canticle for Leibowitz as Palimpsestic Novels ________________________________________________________________________ This thesis is an investigation of a possible new categorization under the speculative fiction umbrella—a genre called palimpsestic novels. -
Classic African American Fiction Montgomery County-Norristown Public Library 1001 Powell Street, Norristown, Pa
Classic African American Fiction Montgomery County-Norristown Public Library 1001 Powell Street, Norristown, Pa. 19401-3817 (610)-278-5100 Andrews, Raymond Appalachee Red Ansa, Tina McElroy The Hand I Fan With Austin, Doris Jean After The Garden Baldwin, James Go Tell It On The Mountain Bambara, Toni Cade The Salt Eaters Baraka, Amiri The Fiction Of LeRoi Jones/Amiri Baraka Bontemps, Arna Black Thunder Bowen, Michele Church Folk Bradley, David The Chaneysville Incident Brooks, Gwendolyn Maud Martha Brown, Cecil Days Without Weather Brown, William Wells Clotel, Or The President’s Daughter Butler, Octavia Kindred Cary, Lorene The Price Of A Child Chesnutt, Charles W. The Quarry Cleage, Pearl I Wish I Had A Red Dress Colter, Cyrus Rivers Of Eros Conde, Maryse Windward Heights Corbin, Steve No Easy Place To Be Delany, Samuel R. Stars In My Pocket Like Grains Of Sand Demby, William Beetlecreek Douglass, Frederick The Heroic Slave Dove, Rita Through The Ivory Gate Dumas, Henry Echo Tree: The Collected Short Fiction Of Henry Dumas Dunbar, Paul Laurence Folks From Dixie Edwards, Grace In The Shadows Of The Peacock Ellis, Trey Platitudes Ellison, Ralph Invisible Man French, Albert Patches Of Fire Golden, Marita And Do Remember Me Guy, Rosa A Measure Of Time Hambly, Barbara Fever Season Harper, Frances E.W. Iola Leroy, Or, Shadows Uplifted Haynes, David Somebody Else’s Mama Himes, Chester Yesterday Will Make You Cry Hughes, Langston Simple’s Uncle Sam Hurston, Zora Neale Their Eyes Were Watching God James, Kelvin Christopher Fling With A Demon -
HAPPILY-EVER-AFTER: an EXPLORATION of NINETEENTH-CENTURY LAWS, MARRIAGE, and AFRICAN-AMERICAN REPRESENTATION by SARAH CLAYBURN
HAPPILY-EVER-AFTER: AN EXPLORATION OF NINETEENTH-CENTURY LAWS, MARRIAGE, AND AFRICAN-AMERICAN REPRESENTATION by SARAH CLAYBURN THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Arts in English at The University of Texas at Arlington August, 2020 Arlington, Texas Supervising Committee: Desirée Henderson, Supervising Professor Erin Murrah-Mandril Cedrick May ii ABSTRACT HAPPILY-EVER-AFTER: AN EXPLORATION OF NINETEENTH-CENTURY LAWS, MARRIAGE, AND AFRICAN-AMERICAN REPRESENTATION SARAH CLAYBURN, M.A. The University of Texas at Arlington, 2020 Supervising Professor: Desirée Henderson This thesis moves beyond the moral messages of true womanhood found in eighteenth century British-American sentimental novels to examine the alternative lessons taught in nineteenth century African-American literature. In doing so, I explore the relationship between laws, race, and literature to investigate complex questions such as: what moral lessons about the institution of marriage are conveyed in early African-American novels? How did early American laws and policies affect these moral lessons? Lastly, how have marriage, laws, and traditions affected the representation of African-American characters in novels and shaped identities within African-American communities? Through the lens of critical race theory, feminist theory, and scholarship within legal studies, I analyze William Wells Brown’s Clotel published in 1853, and Harriet E. Wilson’s Our Nig: or, Sketches from the Life of a Free Black published in 1859. My analysis demonstrates both Brown and Wilson’s ability to recast the conventions of sentimental novels such as the traditional marriage plot despite the legal and social constraints their protagonists face. Brown’s Clotel teaches its audience that the institution of American slavery and the institution of American marriage are incompatible because of the legal relation between enslavers and enslaved people. -
Genealogy of a Branch of the Beecher Family
GENEALOGY OF A BRANCH OF THE BEECHER FAMILY, COMPILED BY REUBEN BEECHER HUGHES, NE-W HAVEN, CONN. November, I898. ,.r.-s NEW HAVEN: HOGGSON & ROBINEON, PRINTERll, 852 CHA.PEL STREET. 189S. A desire to know more of our ancestors has resulted in forming this Genealogy of a part of the Beecher Family from early history, leading down from the first emi grants to the West Haven and Southbury line of Beech ers, collected and compiled by R. Beecher Hughes, as sisted by Mrs. H. C. Bennett, of Southbury, grand daughter of Alanson Beecher, and also by Mrs. G. H. Fowler, of New Haven, grand-daughter of Nathaniel Beecher. Information has been obtained from many sources, including Colonial Records, Historical Works, Town Records, Probate Records, History of " Ancient Wood bury," and other Towns, Family Genealogies, Private Records, Obituary Notices, and Family Records. The following letter from the Rev. Luther Fitch Beecher, D. D., of Brookline, Mass., relating to the Beecher name previous to the emigration of the John Beecher family to Boston, in 1637, and to New Haven, in 1638, is thought to be of sufficient interest to insert it here as an introduction to this History of a branch of the Beecher Family. BROOKLINE, MAss., Feb. 3, '98. R. B. HUGHES : 1 ' The Beecher" name can be traced beyond the '' Isaac, 1623, of your list." Not to speak of the Beecher of King Da·dd's time in Jewish :Military History. l\Iy first record takes me back of the emigration to America in 1637, to Speldhurst, County of Kent, England, where we find them living in ' ( Chan cellor House." Having the right to display a '' Coat-of-Arms," and in after years connected, through several generations, with the Army or the Government Service. -
Beecher Family Papers
Howard University Digital Howard @ Howard University Manuscript Division Finding Aids Finding Aids 10-1-2015 BEECHER FAMILY PAPERS MSRC Staff Follow this and additional works at: https://dh.howard.edu/finaid_manu Recommended Citation Staff, MSRC, "BEECHER FAMILY PAPERS" (2015). Manuscript Division Finding Aids. 11. https://dh.howard.edu/finaid_manu/11 This Article is brought to you for free and open access by the Finding Aids at Digital Howard @ Howard University. It has been accepted for inclusion in Manuscript Division Finding Aids by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. BEECHER FAMILY PAPERS Collection 4-1 Prepared & Revised by: Denise D. Harbin June 1980 MANUSCRIPT DIVISION Scope Note The Beecher Family Papers consist of inter-family correspondence between 1832 and 1883. The progenitors Truman A. Beecher and Statira Brown and their progeny are the family members around whom the collection is built. The papers that are deposited in the Moorland-Spingarn Research Center are all xerox copies. These copies were made from the originals that were in the possession of a descendant of the Beecher family. Mrs. Williston Lofton, wife of a then Howard University faculty member was instrumental in gaining possession of the copies. The Beecher Family is the same family in which Harriet Beecher Stowe was a member, however her descendants cannot be traced through the information contained in these papers as we have them here. The strength of the collection is the fact that the family's correspondence had been kept and that the family members kept in touch with each other.