DOCSLIB.ORG

October 2014

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
October 2014 DEALER INFORMATION SERVICE: NO. 273 OCTOBER 2014 • CUT-OFF DATE FOR RECEIPT OF ORDER: MONDAY 15TH SEPTEMBER • SHIP-OUT DATE: THURSDAY 25TH SEPTEMBER REPRESENTING TODAY’S • NATIONAL ‘ON SALE’ DATE: MONDAY 29TH SEPTEMBER GREAT LABELS THIS MONTH'S HIGHLIGHTS Download this month's information here: http://www.selectmusic.co.uk/ USERNAME: dealer / PASSWORD: select Select Music and Video Distribution Limited 3 Wells Place, Redhill, Surrey RH1 3SL Tel: 01737 645600 Fax: 01737 644065 Johann Sebastian BACH Highlight of the month The Art of Fugue Angela Hewitt Angela Hewitt’s much-awaited recording of Bach’s ultimate masterpiece, The Art of Fugue, is destined to be the crowning achievement of her Bach cycle for Hyperion; a revelatory recording and performing project which has taken her all over the world and won her international acclaim and millions of dedicated fans. CDA67980 £9.00 (2 CDs for 1) Arvo PÄRT Choral Music Peace upon you; Jerusalem; Morning star; The woman with the alabaster box; The deer’s cry; Virgencita; Solfeggio; Zwei Beter; Tribute to Caesar; Summa; Memento Ode VII from 'Kanon Pokajanen'; Alleluia-Tropus; Da pacem, Domine CDA68056 Polyphony, Stephen Layton £9.00 Stephen Layton and Polyphony have a long and fruitful relationship with the music of Arvo Pärt. Their recording of Triodion and other choral works (CDA67375) won a Gramophone Award and became a cult classic. The extraordinary purity of Polyphony’s singing is the perfect vehicle for music of such clean, elemental simplicity. George Frideric HANDEL 20 Sonatas, Op. 1 Rachel Beckett, Lisa Beznosiuk, Paul Goodwin, Elizabeth Wallfisch, Richard Tunnicliffe, Paul Nicholson CDS44411/3 The twenty sonatas on this recording show Handel writing for the professional musicians of his London opera orchestra. Prominent bass parts give the sonatas a contrapuntal strength and vitality, and Handel keeps the £10.59 (3 CDs) elements of antiphony in admirable balance in these works. For this reason, they are among the most attractive Baroque solo sonatas and deserve their lasting popularity. (from CDA66921/3) Max BRUCH Violin Concerto No. 3; Scottish Fantasy Jack Liebeck, CDA68050 BBC Scottish Symphony Orchestra, Martyn Brabbins £9.00 Award-winning violinist Jack Liebeck brings his impassioned tones, fulsome emotional display and formidable technique to the first of three albums of music by Max Bruch. DURUFLÉ; WILLIAMS; RICE; VAUGHAN WILLIAMS; MOORE; HOWELLS; TAVENER Music for Remembrance CDA68020 £9.00 Westminster Abbey Choir, Britten Sinfonia, James O’Donnell This latest album from Westminster Abbey is a programme of memorial music composed in England and France in the shadow of two World Wars. Claude DEBUSSY Songs, Vol. 3 Jennifer France, Malcolm Martineau, Jonathan McGovern CDA68016 Includes: Musique; Romance; La romance d’Ariel; Regret; L’archet; Chanson triste; Les baisers d’amour; Les Elfes; Aimons-nous et dormons; Souhait; Sérénade; Rêverie; La Belle au Bois dormant; Il dort encore; Les roses; Pierrot; £9.00 Les baisers; Dans le jardin and more. Hyperion presents a third volume in its acclaimed Debussy songs series, accompanied and curated by Malcolm Martineau, with booklet notes by French music expert par excellence Roger Nichols. The Romantic Piano Concerto, Vol. 64 Henrique OSWALD: Piano Concerto in G minor, Op. 10 Alfredo NAPOLEÃO: Piano Concerto No. 2 in E flat minor CDA67984 Artur Pizarro BBC National Orchestra of Wales, Martyn Brabbins £9.00 Portuguese virtuoso Artur Pizarro makes a welcome return to the Romantic Piano Concerto series with the outpourings of two brilliant pianist-composers. Johannes BRAHMS J. S. BACH CDD22082 CDH55417 The Complete Trios The Six Motets £9.00 (2 CDs for 1) £3.53 The Florestan Trio, Stephen Stirling, The Sixteen, Harry Christophers Richard Hosford (from CDA67251/2) (from CDA66369) 2 All Prices Quoted are Dealer Prices OCTOBER 2014 Sir Edward ELGAR Highlight The Dream of Gerontius; Sea Pictures of the month Sarah Connolly, Stuart Skelton, David Soar BBC Symphony Chorus, BBC Symphony Orchestra, Sir Andrew Davis Chandos Records is delighted to present this new recording of Elgar’s choral masterpiece, The Dream of Gerontius and the enduringly popular song cycle Sea Pictures. The BBC Symphony Orchestra and Chorus are conducted by Sir Andrew Davis, a peerless Elgarian who this year was awarded the prestigious Elgar Society Medal in recognition of his outstanding contribution to the composer’s music. CHSA 5140(2) £18.00 (2 Hybrid SACDs) Johannes BRAHMS Works for Solo Piano, Vol. 3 Sonata No. 2 in F sharp minor, Op. 2; Intermezzi, Op. 119 Nos. 1 and 3; Intermezzo, Op. 116 No. 5; Theme with Variations in D minor; Waltzes, Op. 39 Barry Douglas CHAN 10833 Barry Douglas returns for the highly anticipated third volume in his series devoted to Brahms’s solo piano £9.00 music, the first two volumes having been met with widespread critical acclaim. The Symphonic Euphonium Joseph HOROVITZ: Concerto for Euphonium Philip WILBY: Concerto for Euphonium Alun HODDINOTT: The Sunne Rising, The King Will Ride Karl JENKINS: Concerto for Euphonium CHAN 10830 David Childs £9.00 BBC National Orchestra of Wales, Bramwell Tovey David Childs leads the way as the world’s foremost euphonium soloist, making the case for this once neglected instrument to growing audiences worldwide with his stunning virtuosity and extrovert musicality. Franz Joseph HAYDN String Quartets, Vol. 1 Doric String Quartet The Doric String Quartet has been widely praised for its live performances of Haydn’s works. The Sunday Telegraph wrote that ‘Haydn and the Doric are a perfect match… Unequivocally, these were performances of CHAN 10831(2) terrific panache and perception, seeming to get right under the skin of Haydn’s creative genius’. £9.00 (2 CDs for 1) Johan HALVORSEN Orchestral Works, Vols. 1-4 Marianne Thorsen, Ragnhild Hemsing, Bergen Philharmonic Orchestra, Neeme Järvi Neeme Järvi and the Bergen Philharmonic Orchestra have lifted the lid on one of Norway’s best-kept musical secrets with their series devoted to the orchestral works of Johan Halvorsen. Now, in this four-disc box set, CHAN 10834(4) these fresh and revealing recordings have been brought together for the first time. £27.00 (4 CDs for 3) v Leoš JANÁCEK Orchestral Works, Vol. 1 Sinfonietta; Capriccio; Suite from the Cunning Little Vixen Jean-Efflam Bavouzet, Bergen Philharmonic Orchestra, Edward Gardner CHSA 5142 This release features three pieces that originate in Janácvek’s late period, when his passionate feelings for £9.00 (Hybrid SACD) Kamila Stösslová, thirty-seven years his junior, inspired an extraordinary flowering of his creative genius. OCTOBER 2014 All Prices Quoted are Dealer Prices 3 Claudio MONTEVERDI Vespers of 1610 COR16126 The Sixteen, Harry Christophers £13.50 ‘Monteverdi’s Vespers of 1610 is quite simply one of the greatest works of sacred music ever written’ - Harry Christophers. Ludwig van BEETHOVEN Symphonies Nos. 2 & 8 Orchestre Révolutionnaire et Romantique, John Eliot Gardiner SDG721 October 2014 marks the 25th anniversary of the founding of the Orchestre Révolutionnaire et Romantique. Twenty years after £9.00 their acclaimed Beethoven Symphonies recordings for Deutsche Grammophon, Sir John Eliot Gardiner and the orchestra continue to revisit this repertoire - this album follows the release of Symphonies 5 & 7 recorded live at Carnegie Hall. Dmitri SHOSTAKOVICH Symphony No. 6; Symphony No. 14 Tatiana Monogarova, Sergei Leiferkus LPO-0080 London Philharmonic Orchestra, Vladimir Jurowski £5.56 Both works were recorded live in concert at Southbank Centre. The 2013 performance of Symphony No. 6 was part of Southbank Centre’s festival 'The Rest Is Noise', a year-long exploration of twentieth-century music for which the LPO won the Royal Philharmonic Society Music Award in the ensemble category. William WALTON (1902-1983) Paul HINDEMITH (1895-1963) Concerto for Cello and Orchestra; Passacaglia for Cello Solo Cello Concerto; Sonata for Solo Cello, Op. 25 No. 3 Christian Poltéra BIS2077 S o Paulo Symphony Orchestra (OSESP), Frank Shipway ã £9.00 (Hybrid SACD) As a contrast to the two concertos, Christian Poltéra also performs two solo works by Walton and Hindemith. He is supported by the São Paulo Symphony Orchestra (OSESP), who with conductor Frank Shipway, were nominated for a 2014 BBC Music Magazine Award for their recording of Richard Strauss’ Alpensymfonie. Ludwig van BEETHOVEN (1770-1827) The Complete Piano Sonatas (and early unnumbered sonatas) BIS2000 Ronald Brautigam £36.00 The complete piano sonatas recorded by Ronald Brautigam are now being released as a boxed set, along with a ninth disc containing the early, unnumbered sonatas. Carefully selected instruments, built by Paul McNulty after originals from 1788-1819 are used for these performances. (9 Hybrid SACDs for 4) Franz SCHUBERT (1797-1828) Symphonies Nos. 1 & 2; Rosamunde Overture; Funeral March from 'Adrast' BIS1989 Swedish Chamber Orchestra, Thomas Dausgaard (Hybrid SACD) On the final disc of a complete cycle, Thomas Dausgaard and the Swedish Chamber Orchestra offer us Schubert’s first two £9.00 symphonies. Written between 1813 and 1815, by a composer still in his teens, both works exemplify the influences of Haydn, Mozart and Beethoven. James MACMILLAN (b. 1959) Clemency A Chamber Opera for five singers and string orchestra - Libretto: Michael Symmons Roberts BIS2129 David Kravitz, Michelle Trainor, Christine Abraham, Boston Lyric Opera Orchestra, David Angus £9.00 Clemency is the third operatic collaboration between the composer James MacMillan and the poet Michael Symmons Roberts. It explores a central but enigmatic episode in the Old Testament: when Abraham and Sarah are visited by three mysterious strangers… Visions Fugitives – Music for Strings PROKOFIEV: Visions Fugitives, Op. 22; HINDEMITH: Fünf Stücke für Striechorchester, Op. 44 No. 4; WEBERN: Fünf Sätze, Op. 5; BARTÓK: Divertimento for String Orchestra BIS2126 Camerata Nordica, Terje Tønnesen £9.00 (Hybrid SACD) The music on this disc spans from the years before World War I to a few days before the outbreak of World War II.
Load more

Recommended publications
  • UNITEL PROUDLY REPRESENTS the INTERNATIONAL TV DISTRIBUTION of Browse Through the Complete Unitel Catalogue of More Than 2,000 Titles At
    UNITEL PROUDLY REPRESENTS THE INTERNATIONAL TV DISTRIBUTION OF Browse through the complete Unitel catalogue of more than 2,000 titles at www.unitel.de Date: March 2018 FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CONTENT BRITTEN: GLORIANA Susan Bullock/Toby Spence/Kate Royal/Peter Coleman-Wright Conducted by: Paul Daniel OPERAS 3 Staged by: Richard Jones BALLETS 8 Cat. No. A02050015 | Length: 164' | Year: 2016 DONIZETTI: LA FILLE DU RÉGIMENT Natalie Dessay/Juan Diego Flórez/Felicity Palmer Conducted by: Bruno Campanella Staged by: Laurent Pelly Cat. No. A02050065 | Length: 131' | Year: 2016 OPERAS BELLINI: NORMA Sonya Yoncheva/Joseph Calleja/Sonia Ganassi/ Brindley Sherratt/La Fura dels Baus Conducted by: Antonio Pappano Staged by: Àlex Ollé Cat.
    [Show full text]
  • English Translation of the German by Tom Hammond
    Richard Strauss Susan Bullock Sally Burgess John Graham-Hall John Wegner Philharmonia Orchestra Sir Charles Mackerras CHAN 3157(2) (1864 –1949) © Lebrecht Music & Arts Library Photo Music © Lebrecht Richard Strauss Salome Opera in one act Libretto by the composer after Hedwig Lachmann’s German translation of Oscar Wilde’s play of the same name, English translation of the German by Tom Hammond Richard Strauss 3 Herod Antipas, Tetrarch of Judea John Graham-Hall tenor COMPACT DISC ONE Time Page Herodias, his wife Sally Burgess mezzo-soprano Salome, Herod’s stepdaughter Susan Bullock soprano Scene One Jokanaan (John the Baptist) John Wegner baritone 1 ‘How fair the royal Princess Salome looks tonight’ 2:43 [p. 94] Narraboth, Captain of the Guard Andrew Rees tenor Narraboth, Page, First Soldier, Second Soldier Herodias’s page Rebecca de Pont Davies mezzo-soprano 2 ‘After me shall come another’ 2:41 [p. 95] Jokanaan, Second Soldier, First Soldier, Cappadocian, Narraboth, Page First Jew Anton Rich tenor Second Jew Wynne Evans tenor Scene Two Third Jew Colin Judson tenor 3 ‘I will not stay there. I cannot stay there’ 2:09 [p. 96] Fourth Jew Alasdair Elliott tenor Salome, Page, Jokanaan Fifth Jew Jeremy White bass 4 ‘Who spoke then, who was that calling out?’ 3:51 [p. 96] First Nazarene Michael Druiett bass Salome, Second Soldier, Narraboth, Slave, First Soldier, Jokanaan, Page Second Nazarene Robert Parry tenor 5 ‘You will do this for me, Narraboth’ 3:21 [p. 98] First Soldier Graeme Broadbent bass Salome, Narraboth Second Soldier Alan Ewing bass Cappadocian Roger Begley bass Scene Three Slave Gerald Strainer tenor 6 ‘Where is he, he, whose sins are now without number?’ 5:07 [p.
    [Show full text]
  • The Pomegranate Cycle
    The Pomegranate Cycle: Reconfiguring opera through performance, technology & composition By Eve Elizabeth Klein Bachelor of Arts Honours (Music), Macquarie University, Sydney A PhD Submission for the Department of Music and Sound Faculty of Creative Industries Queensland University of Technology Brisbane, Australia 2011 ______________ Keywords Music. Opera. Women. Feminism. Composition. Technology. Sound Recording. Music Technology. Voice. Opera Singing. Vocal Pedagogy. The Pomegranate Cycle. Postmodernism. Classical Music. Musical Works. Virtual Orchestras. Persephone. Demeter. The Rape of Persephone. Nineteenth Century Music. Musical Canons. Repertory Opera. Opera & Violence. Opera & Rape. Opera & Death. Operatic Narratives. Postclassical Music. Electronica Opera. Popular Music & Opera. Experimental Opera. Feminist Musicology. Women & Composition. Contemporary Opera. Multimedia Opera. DIY. DIY & Music. DIY & Opera. Author’s Note Part of Chapter 7 has been previously published in: Klein, E., 2010. "Self-made CD: Texture and Narrative in Small-Run DIY CD Production". In Ø. Vågnes & A. Grønstad, eds. Coverscaping: Discovering Album Aesthetics. Museum Tusculanum Press. 2 Abstract The Pomegranate Cycle is a practice-led enquiry consisting of a creative work and an exegesis. This project investigates the potential of self-directed, technologically mediated composition as a means of reconfiguring gender stereotypes within the operatic tradition. This practice confronts two primary stereotypes: the positioning of female performing bodies within narratives of violence and the absence of women from authorial roles that construct and regulate the operatic tradition. The Pomegranate Cycle redresses these stereotypes by presenting a new narrative trajectory of healing for its central character, and by placing the singer inside the role of composer and producer. During the twentieth and early twenty-first century, operatic and classical music institutions have resisted incorporating works of living composers into their repertory.
    [Show full text]
  • 1 SHOWBOX 2017 2 SHOWBOX 2017 ENDELIG TENÅRING FINALLY BECOMING Kjære Alle Sammen! Velkommen Til Vår Festival Som a TEENAGER Nå Går Inn I Tenårene
    1 SHOWBOX 2017 2 SHOWBOX 2017 ENDELIG TENÅRING FINALLY BECOMING Kjære alle sammen! Velkommen til vår festival som A TEENAGER nå går inn i tenårene. Vi i Scenekunstbruket og hele Dear everyone! Welcome to our festival that is now Showbox-crewet har gledet oss lenge til å kunne entering the teens. All of us in Scenekunstbruket and presentere for deg en uke fylt med forestillinger, the entire Showbox Crew have been looking forward seminar, diskusjoner og fest. For oss er dette to presenting you a week filled with performances, høydepunktet på året, hvor vi møter folk seminars, discussions and parties. For us, this is the – som også er opptatt av scenekunst for et ungt highlight of the year, where we meet people like you publikum – som vil være med å utvikle feltet videre. – who are also interested and involved in performing arts for a young audience – who will continue to Det å gå fra barn til ungdom, bli tenåring og videre develop the field. bli voksen, er vel noe av det mest omveltende et menneske kan gå gjennom. For noen rammer det Going from child to youth, becoming a teenager hardt, for andre går endringen enkelt og gradvis. and becoming an adult is probably some of the most Det er uansett en overgangsperiode, hvor man overturning experience one can go through. For begynner å ane at man er helt alene om å være seg some, it hits hard, for others, the change is simple selv. En gryende bevissthet om den eksistensielle and gradual. It is, nevertheless, a transitional period, ensomheten, sammen med en søken etter noe større when you begin to realize that you are all alone in utover seg selv, finne sin balanse og teste ut hvilke being yourself.
    [Show full text]
  • Shostakovich (1906-1975)
    RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Dmitri Shostakovich (1906-1975) Born in St. Petersburg. He entered the Petrograd Conservatory at age 13 and studied piano with Leonid Nikolayev and composition with Maximilian Steinberg. His graduation piece, the Symphony No. 1, gave him immediate fame and from there he went on to become the greatest composer during the Soviet Era of Russian history despite serious problems with the political and cultural authorities. He also concertized as a pianist and taught at the Moscow Conservatory. He was a prolific composer whose compositions covered almost all genres from operas, ballets and film scores to works for solo instruments and voice. Symphony No. 1 in F minor, Op. 10 (1923-5) Yuri Ahronovich/Moscow Radio Symphony Orchestra ( + Overture on Russian and Kirghiz Folk Themes) MELODIYA SM 02581-2/MELODIYA ANGEL SR-40192 (1972) (LP) Karel Ancerl/Czech Philharmonic Orchestra ( + Symphony No. 5) SUPRAPHON ANCERL EDITION SU 36992 (2005) (original LP release: SUPRAPHON SUAST 50576) (1964) Vladimir Ashkenazy/Royal Philharmonic Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15, Festive Overture, October, The Song of the Forest, 5 Fragments, Funeral-Triumphal Prelude, Novorossiisk Chimes: Excerpts and Chamber Symphony, Op. 110a) DECCA 4758748-2 (12 CDs) (2007) (original CD release: DECCA 425609-2) (1990) Rudolf Barshai/Cologne West German Radio Symphony Orchestra (rec. 1994) ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15) BRILLIANT CLASSICS 6324 (11 CDs) (2003) Rudolf Barshai/Vancouver Symphony Orchestra ( + Symphony No.
    [Show full text]
  • NOT JUST to WIN AUDITIONS: PLAYING ORCHESTRAL PERCUSSION EXCERPTS for PEDAGOGY and ENRICHMENT by Richard David Puzzo, Jr a Docum
    Not Just to Win Auditions: Playing Orchestral Percussion Excerpts for Pedagogy and Enrichment Item Type text; Electronic Dissertation Authors Puzzo, Richard D., Jr. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 08/10/2021 18:57:28 Link to Item http://hdl.handle.net/10150/623254 NOT JUST TO WIN AUDITIONS: PLAYING ORCHESTRAL PERCUSSION EXCERPTS FOR PEDAGOGY AND ENRICHMENT By Richard David Puzzo, Jr Copyright © Richard Puzzo, Jr. 2017 A Document Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2017 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Document Committee, we certify that we have read the document prepared by Richard David Puzzo, Jr., titled “Not Just to Win Auditions: Playing Orchestral Percussion Excerpts for Pedagogy and Enrichment” and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts. _____________________________________________ Date: December 7, 2016 Norman Weinberg _____________________________________________ Date: December 7, 2016 Edward Reid _____________________________________________ Date: December 7, 2016 Moisés Paiewonsky Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. I hereby certify that I have read this document prepared under my direction and recommend that it be accepted as fulfilling the document requirement.
    [Show full text]
  • Viennese Sommerfest 89, Tenth Season, Showcase, August 12
    ) " Minnesota Orchestra Viennese Sommerfest Leonard Slatkin, Artistic Director Festival Concert No. 23 VIENNESE SOMMERFEST '89 is presented by the Minnesota Orchestral Association and weco Television e Saturday, August 12, 1989,8 p.m./Orchestra Hall I FESTIVAL FINALE: AIDA' Leonard Slatkin conducting GIUSEPPE VERDI AIDA (complete concert performance) . Aida LEONA MITCHELL, soprano Radames RUBEN DOMINGUEZ, tenor Ramfis KENNETH COX, bass < \~ Amneris DIANE CURRY, mezzo-soprano Amonasro VERNON HARTMAN, baritone King of Egypt JAMES PATTERSON, bass High Priestess DEBORAH VOIGT, soprano' Messenger BRIAN HILT, tenor \ THE DALE WARLAND SYMPHONIC CHORUS DaleWarland, Music Director Sigrid Johnson, Associate Conductor Karl Sollak, assistant conductor and repetiteur ACT I, Scenes 1 and 2 ACT II, Scenes 1 and 2 Intermission ACT III ACT IV,.'Scenes 1 and 2 Sponsoring assistance by Northland Development Company Performance time: including intermission, is approximately three hours. Synopsis and program notes appear in a supplement. \ This concert is broadcast live throughout the region on Minnesota Public Radio stations, including KSJN (9} .1) in the Twin Cities. 60 SHOWCASE SOMMERFEST 1989 James Patterson Brian Hilt The Dale Warland King of EgVpt Messenger . Symphonic Chorus James Patterson is one of North America's - Winner of the 1988 Singer's Award pre- Soprano most active operatic basses. He performed sented by the Wagner Society of New york Jean Anderson Renee Marie Patricia Arntz Lande extensively with the San Francisco Opera and a recent finalist in the Metropolitan Doris Berget Jeanne Mayer' during the 1988-89 season, appearing as 'Opera Regional Auditions, tenor Brian Hilt Laura.Boe Barbara Nelson Trulove in The Rake's has performed with the Deborah Brude Julie Ann Olson Progress, Titurel in New Rochelle Opera Margaret Burton Shawn Olson Barbara Butcher Martha Otto Parsifal, and as the Old Company, the New Ca- Rachel S.
    [Show full text]
  • Aaron Spectre «Lost Tracks» (Ad Noiseam, 2007) | Reviews На Arrhythmia Sound
    2/22/2018 Aaron Spectre «Lost Tracks» (Ad Noiseam, 2007) | Reviews на Arrhythmia Sound Home Content Contacts About Subscribe Gallery Donate Search Interviews Reviews News Podcasts Reports Home » Reviews Aaron Spectre «Lost Tracks» (Ad Noiseam, 2007) Submitted by: Quarck | 19.04.2008 no comment | 198 views Aaron Spectre , also known for the project Drumcorps , reveals before us completely new side of his work. In protovoves frenzy break­grindcore Specter produces a chic downtempo, idm album. Lost Tracks ­ the result of six years of work, but despite this, the rumor is very fresh and original. The sound is minimalistic without excesses, but at the same time the melodies are very beautiful, the bit powerful and clear, pronounced. Just want to highlight the composition of Break Ya Neck (Remix) , a bit mystical and mysterious, a feeling, like wandering somewhere in the http://www.arrhythmiasound.com/en/review/aaron-spectre-lost-tracks-ad-noiseam-2007.html 1/3 2/22/2018 Aaron Spectre «Lost Tracks» (Ad Noiseam, 2007) | Reviews на Arrhythmia Sound dusk. There was a place and a vocal, in a track Degrees the gentle voice Kazumi (Pink Lilies) sounds. As a result, Lost Tracks can be safely put on a par with the works of such mastadonts as Lusine, Murcof, Hecq. Tags: downtempo, idm Subscribe Email TOP-2013 Submit TOP-2014 TOP-2015 Tags abstract acid ambient ambient-techno artcore best2012 best2013 best2014 best2015 best2016 best2017 breakcore breaks cyberpunk dark ambient downtempo dreampop drone drum&bass dub dubstep dubtechno electro electronic experimental female vocal future garage glitch hip hop idm indie indietronica industrial jazzy krautrock live modern classical noir oldschool post-rock shoegaze space techno tribal trip hop Latest The best in 2017 - albums, places 1-33 12/30/2017 The best in 2017 - albums, places 66-34 12/28/2017 The best in 2017.
    [Show full text]
  • Rossini Propició El Futuro De La Ópera
    www.proopera.org.mx • año XXVI • número 1 • enero – febrero 2018 • sesenta pesos ENTREVISTAS Andeka Gorrotxategi Óscar Martínez ENTREVISTAS EN LÍNEA Mojca Erdmann Nancy Fabiola Herrera Willy Anthony Waters FESTIVALES Cervantino XLV OBITUARIO Dmitri Hvorostovsky JohnJohn OsbornOsborn “Rossini“Rossini propiciópropició el futuro de la ópera”pro opera¾ DIRECTORIO REVISTA COMITÉ EDITORIAL Adriana Alatriste índice Luis Gutiérrez Ruvalcaba Andrea Labastida Charles H. Oppenheim 3 Carta del Presidente FUNDADOR Y DIRECTOR EMÉRITO CONCIERTOS Xavier Torres Arpi 4 Juan Diego Flórez: Canto a México EDITOR Charles H. Oppenheim 6 En breve 6 [email protected] CORRECCIÓN DE ESTILO CRÍTICA Darío Moreno 8 Otello en Bellas Artes COLABORAN EN ESTE NÚMERO 10 Ópera en México Othón Canales Treviño Carlos Fuentes y Espinosa Luis Gutiérrez Ruvalcaba PROTAGONISTAS Ingrid Haas 12 Andeka Gorrotxategi: Ramón Jacques “Me encantaría tener puestas José Noé Mercado todas las óperas de Puccini” David Rimoch Vladimiro Rivas Iturralde RESEÑA Gamaliel Ruiz 15 Arreglo de bodas en el Cenart José Andrés Tapia Osorio David Josué Zambrano de León 16 Ópera en los estados 15 www.proopera.org.mx. FESTIVALES CORRESPONSALES EN ESTE NÚMERO 20 Cervantino XLV Eduardo Benarroch Francesco Bertini Abigaíl Brambila ENTREVISTA Jorge Binaghi 22 Óscar Martínez: John Koopman Un cantante versátil Daniel Lara y un maestro ecléctico Gregory Moomjy Maria Nockin OBITUARIO Gustavo Gabriel Otero 25 Dmitri Hvorostovsky (1962-2017) Joel Poblete Roberto San Juan Ximena Sepúlveda PORTADA Massimo Viazzo 26 John Osborn: “Rossini propició el futuro de la ópera” FOTOGRAFIA Ana Lourdes Herrera ESTRENO 25 DISEÑO GRAFICO 32 La degradación de la burguesía: Ida Noemí Arellano Bolio The Exterminating Angel, desde Nueva York DISEÑO PÁGINA WEB TESTIMONIAL Christiane Kuri – Espacio Azul 34 Pro Ópera en Los Ángeles DISEÑO LOGO 36 México en el mundo Ricardo Gil Rizo IMPRESION ÓPERA EN EL MUNDO Grupo Gama.
    [Show full text]
  • 75Thary 1935 - 2010
    ANNIVERS75thARY 1935 - 2010 The Music & the Artists of the Bach Festival Society The Mission of the Bach Festival Society of Winter Park, Inc. is to enrich the Central Florida community through presentation of exceptionally high-quality performances of the finest classical music in the repertoire, with special emphasis on oratorio and large choral works, world-class visiting artists, and the sacred and secular music of Johann Sebastian Bach and his contemporaries in the High Baroque and Early Classical periods. This Mission shall be achieved through presentation of: • the Annual Bach Festival, • the Visiting Artists Series, and • the Choral Masterworks Series. In addition, the Bach Festival Society of Winter Park, Inc. shall present a variety of educational and community outreach programs to encourage youth participation in music at all levels, to provide access to constituencies with special needs, and to participate with the community in celebrations or memorials at times of significant special occasions. Adopted by a Resolution of the Bach Festival Society Board of Trustees The Bach Festival Society of Winter Park, Inc. is a private non-profit foundation as defined under Section 509(a)(2) of the Internal Revenue Code and is exempt from federal income taxes under IRC Section 501(c)(3). Gifts and contributions are deductible for federal income tax purposes as provided by law. A copy of the Bach Festival Society official registration (CH 1655) and financial information may be obtained from the Florida Division of Consumer Services by calling toll-free 1-800-435-7352 within the State. Registration does not imply endorsement, approval, or recommendation by the State.
    [Show full text]
  • Werkstatt Toshiyuki Kamioka
    Pressemeldung 2. Juli 2018 Dirigierkurs im Rahmen der Heidelberger Schlossfestspiele Vier Stipendiaten des Dirigentenforums dürfen am 14. Juli 2018 um 20:30 Uhr in Heidelberg das 2. Schlosskonzert zur Schlossbeleuchtung gestalten, worauf sie sich während des Kurses mit Marc Piollet und dem Philharmonischen Orchester Heidelberg vom 9. bis 14. Juli 2018 vorbereiten. Die junge/n Dirigenten/in sind Holly Choe (Studentin, Zürcher Hochschule der Künste), Niklas Benjamin Hoffmann (Assistant Conductor, London Symphony Orchestra), Felix Mildenberger (Chef assistant, Orchestre National de France) und Yu Sugimoto (Student, Hochschule für Musik und Theater Hamburg). Der international renommierte Dirigent Marc Piollet stellte passend zum fran- zösischen Nationalfeiertag ein frankophiles Programm zusammen, das die vier Stipendiaten zusammen mit dem Professor für Dirigieren (Kunstuniversität Graz) einstudieren werden: Hector Berlioz: Le Carnaval romain. Ouverture pour orchestre op. 9 Claude Debussy: Trois Nocturnes, daraus: 1. Nuages, 2. Fêtes Maurice Ravel: La Valse Igor Stravinsky: L‘Oiseau de feu – Der Feuervogel. Ballett-Suite 1945 Die Zuhörer werden durch die Schlossbeleuchtung auch optisch in eine besondere Stimmung versetzt, was in Heidelberg eine lange Tradition hat: Schon Kurfürst Friedrich V. ließ im Jahr 1613 ein Feuerwerk veranstalten, um seine frisch vermählte Elizabeth Stuart zu begrüßen. Veranstaltungsorte: Proben/Dirigierkurs: Heidelberger Schlossfestspiele | Theater und Orchester Heidelberg Theaterstraße 10 ∙ 69117 Heidelberg Konzert am 14. Juli: Schlosshof des Heidelberger Schlosses (Open Air) Weitere Informationen (s.u.): Marc Piollet Teilnehmer Dirigentenforum des Deutschen Musikrates Presseinformationen/Kontakt Deutscher Musikrat Projekt gGmbH, Dirigentenforum, Weberstraße 59, D-53113 Bonn Tel. 0228/2091-140/141/142, Fax 0228/2091-200 Marc Piollet Der 1962 in Paris geborene Dirigent Marc Piollet studierte an der Hochschule der Künste in Berlin.
    [Show full text]
  • Års Ra P Po Rt
    TrAPårsrapport 2017 Transnational Arts Årsrapport, innhold: A—Innledning s. 3 Production (TrAP) B—Prosjekter s. 4 C—Kompetanseutvikling og nettverk s. 14 er en uavhengig D—Formidling og kommunikasjon s. 16 kunstprodusent og E —Organisasjon s. 18 pådriver for mangfold Annual report in English p. 22 i norsk kunst- og kulturliv. Vi arbeider med kunstnere og kunstprosjekter som krysser grenser, og bringer internasjonal kunst til den norske kunstscenen. Zanele Muholi Somnyama IV, Oslo, 2015 2 2017 har vært et fantastisk spennende år for oss i TrAP. Vi har INNLEDNING hatt en strategisk prosess som har tvunget oss til å snakke grundig om organisasjonens hensikt og hvem den er til for. Vi av daglig leder har oppdaget interessante ideer gjennom prosjektet Nøkkel til byen som vi nå skal sette ut i livet. Dessuten har vi utviklet Hilde Maisey nye programfelt for oss, som filmvisninger, podkast og en avis, som gjør at vi har et bredere felt å utvikle prosjekter for. Størst glede kommer likevel fra opplevelsen av at det er en sterkere interesse for spørsmålene vi arbeider med. Vi har fått i oppdrag fra Kulturrådet å drive et nordisk nettverk for kunstmuseer i Danmark, Norge, Island, Sverige, Finland, Åland og Grønland, og utvikler et 2-årig samarbeid om strategier for publikumsutvikling. Med utgangspunkt i vårt prosjekt, Nøkkel til byen, prøver de respektive museene ut metoder for å nå et bredere publikum. Prosjektet munner ut i kreative prosjekter i lokale områder og i publiseringen av erfaringer, strategier og praktiske resultater. Midt i entusiasmen, er det samtidig urovekkende at mangfold igjen har blitt viktig å forsvare.
    [Show full text]