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Touristic Guide Index Come for One Reason
TOURISTIC GUIDE INDEX COME FOR ONE REASON. 6 A BIT OF HISTORY STAY FOR MANY. 8 OUR BEACHES Some people come for the bright sunny days, 12 MONUMENTS, PALACES AND MUSEUMS to fix their gaze on the distant horizon, to admire 30 CHURCHES the magnificent, unmatched coastline and 32 NATURE to appreciate the nature park and warmth 40 TRACKS AND FOOTPATHS of the local people. 50 SPORTS AND LEISURE Others come for the peace and quiet, for the enticing 56 GASTRONOMY seaside esplanades and superb golf courses 58 ENTERTAINMENT surrounded by unspoilt nature, to savour the 61 SHOPPING delicious tastes of the ocean and for the thrill 66 PRATICAL INFORMATION of the wind and the waves, the surfing and sailing. There are also those who come for the fascinating stories of kings and spies and for all the glamour, culture and entertainment to be found. Many come for business meetings, for quick and easy access to Lisbon and its international airport and for the great diversity of places and geographical features on offer. Others come for the inviting footpaths and sand- dunes, for the exhilarating horse-riding excursions and boat trips around the bay and for the sheer pleasure of being on Sintra’s doorstep. Some come for the unforgettable welcome, for the genuine friendliness of the local people and for the unique feeling of confort and well-being. There are many reasons to come to Cascais. But there are lots more to stay for. Touristic Guide . 3 Cascais is located on the west coast of Portugal, right on the edge of mainland Europe and only 20 kilometres from Lisbon and its international airport. -
Xamsecly942339z3 CD BRIL 94233 Ç|Xamsecly923987z3 CD
Catalogo 2015 Durata: 72:56 Durata: 46:30 Confezione: Jewel Box 1 CD BRIL 94304 Confezione: Jewel Box 1 CD BRIL 9294 Economico Economico Distribuzione Italiana 13/03/2012 Distribuzione Italiana 27/11/2012 Genere: Classica Orchestrale Genere: Classica da camera Ç|xAMSECLy943046z Ç|xAMTDGPy929424z KARL FRIEDRICH ABEL GIOVANNI ALBINI Musica per flauto e archi (integrale) Musica ciclica Corale n.4, Una teoria della prossimità, Corali n.27 e n.41, Estatica, Quartetto GEORGIA BROWNE fl per archi n.5, Quartetto per archi n.6 'Solo per grado congiunto'; Quartetto per Nordic Affect archi n.7 'Corale' Durata: 66:45 FABIO MUREDDU vc Confezione: Jewel Box 1 CD BRIL 94354 Economico Davide Alogna, violino; Giorgio Mirto, chitarra; Duo Bonfanti; Quartetto Indaco; Distribuzione Italiana 23/08/2012 Le Cameriste Ambrosiane, Dario Garegnani Genere: Classica Balletto Durata: 36:52 Confezione: Jewel Box 1 CD BRIL 95072 Economico Ç|xAMSECLy943541z Distribuzione Italiana 09/10/2014 ADOLPHE ADAM Genere: Musica Sacra Giselle (estratti) Ç|xAMSECLy950723z GIOVANNI ALBINI Registrazioni: Londra, 21-23 novembre 1994 Musica Sacra NEVILLE MARRINER Dir. Academy of St. Martin in the Fields Durata: 222:21 Pange lingua per coro (2014); Missa Prima per coro (2012); Testamento Confezione: Jewel Box 3 CD BRIL 94233 Economico Spirituale per quartetto di fiati (2013); Preghiera per trio di flauti dolci (2014) Distribuzione Italiana 01/01/2005 INGRID PUSTIJANAC Dir. Genere: Classica Orchestrale Coro della Facoltà di Musicologia di Cremona, 15.19 ensemble; Il Giardino delle Muse Ç|xAMSECLy942339z Durata: 165:23 Confezione: Jewel Box 3 CD BRIL 92791 JEHAN ALAIN Economico Integrale delle opere per organo Distribuzione Italiana 01/01/2005 Genere: Classica da camera Ç|xAMSECLy927916z JEAN-BAPTISTE ROBIN org TOMASO GIOVANNI ALBINONI Jehan Alain, organo; Choeur et Orchestre de la Synagogue rue Integrale dei Concerti per oboe Notre-Dame-de-Nazareth Durata: 219:56 Confezione: Jewel Box 3 CD BRIL 92398 Economico Registrazioni: 2005 Distribuzione Italiana 01/01/2005 NICOL MATT Dir. -
Franz Schubert Complete Works for Violin and Piano Julia
Volume 1 Franz Schubert Complete Works for Violin and Piano Julia Fischer - Martin Helmchen HYBRID MUL TICHANNEL Franz Schubert (1797 – 1828) Franz Schubert (1797 – 1828) Schubert composed his Violin Sonatas Complete Works for Violin and Piano, Volume 1 in 1816, at a time in life when he was obliged he great similarity between the first to go into teaching. Actually, the main Sonata (Sonatina) for Violin and Piano in D major, D. 384 (Op. 137, No. 1) Tmovement (Allegro molto) of Franz reason was avoiding his military national 1 Allegro molto 4. 10 Schubert’s Sonata for Violin and Piano in service, rather than a genuine enthusiasm 2 Andante 4. 25 D major, D. 384 (Op. posth. 137, No. 1, dat- for the teaching profession. He dedicated 3 Allegro vivace 4. 00 ing from 1816) and the first movement of the sonatas to his brother Ferdinand, who Sonata (Sonatina) for Violin and Piano in A minor, D. 385 (Op. 137, No. 2) the Sonata for Piano and Violin in E minor, was three years older and also composed, 4 Allegro moderato 6. 48 K. 304 by Wolfgang Amadeus Mozart must although his real interest in life was playing 5 Andante 7. 29 have already been emphasised hundreds the organ. 6 Menuetto (Allegro) 2. 13 of times. The analogies are more than sim- One always hears that the three early 7 Allegro 4. 36 ply astonishing, they are essential – and at violin sonatas were “not yet true master- the same time, existential. Deliberately so: pieces”. Yet just a glance at the first pages of Sonata (Sonatina) for Violin and Piano in G minor, D. -
TECHNICAL REPORT FIFA U-20 WORLD CUP POLAND 2019 2 FIFA U-20 World Cup Poland 2019
TECHNICAL REPORT FIFA U-20 WORLD CUP POLAND 2019 2 FIFA U-20 World Cup Poland 2019 TABLE OF CONTENTS Part 1: Part 2: Part 3: Foreword Technical Study Group Tournament observation 3 FIFA U-20 World Cup Poland 2019 5 FIFA U-20 World Cup Poland 2019 6 FIFA U-20 World Cup Poland 2019 FOREWORD TECHNICAL STUDY GROUP TOURNAMENT OBSERVATION The FIFA Coaching & Player Development Department was responsible for the activities of the Technical Study Group, which comprised the following members: Fernando Couto (Portugal), Ivo Šušak (Croatia), Branimir Ujević (FIFA TSG Project Leader), Pascal Zuberbühler (FIFA Goalkeeping Specialist) and Chris Loxston (Performance & Game Analyst). The FIFA U-20 World Cup has always been a major superiority to conquer the world, make history event in the world of football and for the host and do their people and country as proud as ever. country in particular. For all up-and-coming football My friend Andriy Shevchenko confirmed as much stars, it certainly represents the pinnacle of this in a conversation that reminded me of my own wonderful game at youth level. Moreover, it has feelings after winning the U 20 World Cup with always been synonymous with a array of emotions Yugoslavia in 1987, which was the most wonderful and the passion of the young players involved, and experience of my playing career. Since that edition Poland 2019 was definitely no exception. The great of the competition was staged in Chile, that whole organisation of this fantastic football nation ensured generation of winners were fondly referred to as that the FIFA U-20 World Cup in Poland, like many “the Chileans” for many years afterwards. -
Contradictions of the Estado Novo in the Modernisation of Portugal: Design and Designers in the 1940'S and 50'S
“Design Policies: Between Dictatorship and Resistance” | December 2015 Edition CONTRADICTIONS OF THE ESTADO NOVO IN THE MODERNISATION OF PORTUGAL: DESIGN AND DESIGNERS IN THE 1940'S AND 50'S Helena Barbosa, Universidade de Aveiro ABSTRACT The period of Portuguese history known as the Estado Novo (1933-1974) presents a series of contradictions as regards the directives issued, possibly resulting from a lack of political cohesion. Considering the dichotomy between modernization and tradition that existed between the 1940s and ‘50s, and the obvious validity of the government’s actions, this paper aims to demonstrate the contradictory attitudes towards the modernization of the country via different routes, highlighting the role of ‘designers’ as silent interlocutors and agents of change in this process. Various documents are analysed, some published under the auspices of the Estado Novo, others in the public sphere, in order to reveal the various partnerships that were in operation and the contrasting attitudes towards the government at the time. Other activities taking place in the period are also analysed, both those arising from state initiatives and others that were antithetical to it. The paper reveals the need to break with the political power in order to promote artistic and cultural interests, and describes initiatives designed to promote industry in the country, some launched by the Estado Novo, others by companies. It focuses upon the teaching of art, which later gave rise to the teaching of design, and on the presence of other institutions and organizations that contributed to the modernization of Portugal, in some cases by mounting exhibitions in Portugal and abroad, as well as other artistic activities such as graphic design, product design and interior decoration, referring to the respective designers, artefacts and spaces. -
Founding Friends 12 from Pacific to George Fox 14 a Time for Growth 20
The magazine of George Fox University | Winter 2016 Founding Friends 12 From Pacific to George Fox 14 A Time for Growth 20 EDITOR Jeremy Lloyd ART DIRECTOR Darryl Brown COPY EDITOR Sean Patterson PHOTOGRAPHER Joel Bock CONTRIBUTORS Ralph Beebe Melissa Binder Kimberly Felton Tashawna Gordon Barry Hubbell Richard McNeal Arthur Roberts Brett Tallman George Fox Journal is published two times a year by George Fox University, 414 N. Meridian St., Newberg, OR, 97132. Postmaster: Send address changes to Journal, George Fox University, 414 N. Meridian St. #6069, Newberg, OR 97132. PRESIDENT Robin Baker EXECUTIVE VICE PRESIDENT, ENROLLMENT AND MARKETING Robert Westervelt DIRECTOR OF MARKETING COMMUNICATIONS Rob Felton This issue of the George Fox Journal is printed on 30 per- cent post-consumer recycled paper that is certified by the Forest Stewardship Council to be from well-managed forests and recycled wood and fiber. Follow us: georgefox.edu/social-media George Fox Journal Winter 2016 Book Review: My Calling to Ministry 17 4 Bruin Notes The Harmony Tree 8 By Tashawna Gordon 28 Annual Report to Donors OUR VISION By Richard McNeal 36 Alumni Connections To be the Christian Minthorn Hall Then and Now 18 university of choice CELEBRATING 125 YEARS 10 A New Era: Record 50 Donor Spotlight known for empowering students to achieve It All Began in 1891 12 Enrollment 20 exceptional life outcomes. By Ralph Beebe By Melissa Binder OUR VALUES From Pacific to George Fox 14 Blueprint for Success: By Arthur Roberts p Students First Music and Engineering 24 p Christ in Everything It’s About the People 15 By Brett Tallman p Innovation to Improve Outcomes By Peggy Fowler Into the Fire: Blazing a Path Before Be Known 16 for Female Firefighters 26 By Kimberly Felton COVER PHOTO By Barry Hubbell From the archives: Wood-Mar Hall under construction in 1911. -
Deine Ohren Werden Augen Machen
Deine Ohren werden Augen machen. 7 . Programmwoche 13 . Februar - 19. Februar 2021 Samstag, 13. Februar 2021 14.00 – 15.00 Uhr HÖRSPIEL 10 Jahre Arabischer Frühling Kairo, 11. Februar Von Sonallah Ibrahim und Samir Nasr Sonallah Ibrahim ist einer der größten Schriftsteller der arabischen Welt und gehörte zu den wichtigsten Stimmen in der Opposition gegen das Mubarak-Regime. Das Hörspiel „Kairo, 11. Februar“ handelt vom 18. Tag der ägyptischen Revolution, dem Tag, an dem Mubarak letztendlich zurücktrat. Es erzählt Sonallah Ibrahims Reise durch ein brodelndes Kairo mit dem Ziel, den Tahrir-Platz zu erreichen. Auf diesem Weg erinnert er sich an fünf Schlüsselszenen aus seinem Leben, die eine Brücke schlagen zu den aktuellen Ereignissen. Sie stehen exemplarisch für die Geschichte Ägyptens und erzählen viel über die Tradition von Unterdrückung und Widerstand. Mit Matthias Habich, Mehdi Moinzadeh, Ilknur Boyraz, Felicitas Madl, Florian Steffens, Elmira Bahrami, Gerd Wameling, Katja Uffelmann Regie: Samir Nasr Produktion: rbb 2013 Sonntag, 14. Februar 2021 07.00 – 08.00 Uhr OHRENBÄR Hörgeschichten für Kinder I) Von den drei kleinen Zauberern (2-Teiler) Von Martina DierksCharlotte Richter-Peill Es liest: Friedrich W. Bauschulte Die drei kleinen Zauberer aus dem Land „Vielleicht und Irgendwann“ besitzen drei wunderschöne, mitternachtsblaue Zaubermäntel, mit denen sie sich alles herbeizaubern können, was sie sich wünschen: Am Morgen deckt sich der Frühstückstisch von allein, ein Besen fegt die Krümel vom Boden, und im Kamin beginnt ein Feuer hell zu flackern, sogar die Schnürsenkel verknoten sich von selbst. So verbringen die drei kleinen Zauberer sommers wie winters ihre Tage mit Nichtstun, bis eines Morgens die Zaubermäntel plötzlich verschwunden sind und das Faulenzerleben ein Ende findet. -
Universidade De Lisboa Faculdade De Farmácia
Universidade de Lisboa Faculdade de Farmácia Development and pre-clinical evaluation of a new HIV-1 vaccine concept Rita Diogo de Almeida Calado Orientador: Prof. Doutor Nuno Eduardo Moura dos Santos da Costa Taveira Co-orientador: Prof. Doutor José António Frazão Moniz Pereira Tese especialmente elaborada para obtenção do grau de Doutor em Farmácia, especialidade Microbiologia 2018 Universidade de Lisboa Faculdade de Farmácia Development and pre-clinical evaluation of a new HIV-1 vaccine concept Rita Diogo de Almeida Calado Orientador: Prof. Doutor Nuno Eduardo Moura dos Santos da Costa Taveira Co-orientador: Prof. Doutor José António Frazão Moniz Pereira Tese especialmente elaborada para obtenção do grau de Doutor em Farmácia (Microbiologia) Júri: Presidente: Doutora Matilde da Luz dos Santos Duque da Fonseca e Castro, Professora Catedrática e Diretora da Faculdade de Farmácia da Universidade de Lisboa Vogais:Doutor Nuno Eduardo Moura dos Santos Costa Taveira, Professor catedrático, Instituto Superior de Ciências da Saúde Egas Moniz, orientador Doutora Patrícia Maria Cavaco Silva de Sá Montez, Professora associada, Instituto Superior de Ciências da Saúde Egas Moniz Doutor Miguel Agostinho Sousa Pinto Torres Fevereiro, Investigador Principal, Instituto Nacional de Investigação Agrária e Veterinária, I.P. Doutor João Manuel Braz Gonçalves, Professor associado com agregação, Faculdade de Farmácia da Universidade de Lisboa Doutora Helena Paula Lopes Henriques Rebelo de Andrade, Professora auxiliar convidada, Faculdade de Farmácia da Universidade de Lisboa Rita Calado teve o apoio financeiro da Fundação para a Ciência e Tecnologia através de uma bolsa de Doutoramento (SFRH/BD/70715/2010) 2018 Todas as afirmações efetuadas no presente documento são da exclusiva responsabilidade do seu autor, não cabendo qualquer responsabilidade à Faculdade de Farmácia, Universidade de Lisboa, pelos conteúdos nele apresentado. -
The Engine of the Republic: the Presidential Cars PRESENTATION
The Engine of the Republic: The Presidential Cars PRESENTATION The museum collection The Engine of the Republic – The Presidential Cars came about as a result of a challenge issued by the Museum of Transport and Communications to the Museum of the Presidency of the Republic. The challenge, which was immediately accepted, was to create a permanent exhibit that would make it possible for the public to visit, assembled and preserved, one of the most important collections of cars in the country: those that have been in the service of its presidents since the founding of the Republic, over 100 years ago. This collection also reflects an awareness that the vehicles exhibited here are part of a historical heritage. As such, they are no longer disposed of once decommissioned, but become part of the collection of the Museum of the Presidency of the Republic. The job of recording, locating and recovering the cars that were used by the presidents of the Republic, an ongoing task, has been a priority of the Museum of the Presidency of the Republic practically since its inception, as already demonstrated by a group of temporary exhibitions: beginning in 2004, to coincide with the opening of the Museum of the Presidency of the Republic, and continuing over the course of subsequent years, in Porto, Lisbon, Figueira da Foz and Guimarães. Siting this collection in Porto also contributes to the Museum of the Presidency of the Republic’s aim of decentralising its activity, bringing part of its collection to the north of the country, a region with a great tradition of car collecting. -
Aber Der Richtige
Richard Strauss Aber der Richtige... Violin Concerto Miniatures Arabella Steinbacher WDR Symphony Orchestra Lawrence Foster Maybe it is because of my name, which my parents gave me as great Strauss lovers, that his music touches me so much. Born into a world full of singing, as a child I used to sit under the grand piano in my "music cave" while my father rehearsed with singers. The famous duet from Arabella, which my parents engraved in our banisters, has accompanied me since I can remember. This duet was finally the impetus to record an album with only works by Richard Strauss. Of course, even if the sung lyrics are missing, I have dared to sing these songs on my violin and hope that singers will forgive me. I hope you enjoy traveling through this Romantic sound world. Yours, Richard Strauss (1864-1949) Violin Concerto in D minor op. 8 (1882) 1 Allegro 15. 10 2 Lento, ma non troppo 6. 09 3 Rondo 8. 30 4 Romanze (Cello-Romanze, for violin) (1883) 9. 36 5 Little Scherzino op 3. No 4 (1881) * 4. 12 6 Zueignung op 10. No. 1 (1885) 1. 34 7 Traum durch die Dämmerung op. 29 No. 1 (1895) 2. 46 8 Cäcilie op. 27 No. 2 (1894) 2. 27 9 Wiegenlied op 41. No. 1 (1900) 4. 30 10 From “Arabella” (1933): “Aber der Richtige...“ * 5. 09 * Arranged by Peter von Wienhardt Total playing time: 60. 35 Arabella Steinbacher, violin WDR Symphony Orchestra Conducted by Lawrence Foster But the right one for me Arabella Steinbacher. -
World Scientists' Warning of a Climate Emergency
Supplemental File S1 for the article “World Scientists’ Warning of a Climate Emergency” published in BioScience by William J. Ripple, Christopher Wolf, Thomas M. Newsome, Phoebe Barnard, and William R. Moomaw. Contents: List of countries with scientist signatories (page 1); List of scientist signatories (pages 1-319). List of 153 countries with scientist signatories: Albania; Algeria; American Samoa; Andorra; Argentina; Australia; Austria; Bahamas (the); Bangladesh; Barbados; Belarus; Belgium; Belize; Benin; Bolivia (Plurinational State of); Botswana; Brazil; Brunei Darussalam; Bulgaria; Burkina Faso; Cambodia; Cameroon; Canada; Cayman Islands (the); Chad; Chile; China; Colombia; Congo (the Democratic Republic of the); Congo (the); Costa Rica; Côte d’Ivoire; Croatia; Cuba; Curaçao; Cyprus; Czech Republic (the); Denmark; Dominican Republic (the); Ecuador; Egypt; El Salvador; Estonia; Ethiopia; Faroe Islands (the); Fiji; Finland; France; French Guiana; French Polynesia; Georgia; Germany; Ghana; Greece; Guam; Guatemala; Guyana; Honduras; Hong Kong; Hungary; Iceland; India; Indonesia; Iran (Islamic Republic of); Iraq; Ireland; Israel; Italy; Jamaica; Japan; Jersey; Kazakhstan; Kenya; Kiribati; Korea (the Republic of); Lao People’s Democratic Republic (the); Latvia; Lebanon; Lesotho; Liberia; Liechtenstein; Lithuania; Luxembourg; Macedonia, Republic of (the former Yugoslavia); Madagascar; Malawi; Malaysia; Mali; Malta; Martinique; Mauritius; Mexico; Micronesia (Federated States of); Moldova (the Republic of); Morocco; Mozambique; Namibia; Nepal; -
Sound & Score Seminar
Sound & Score Seminar Orpheus Research Centre in Music [ORCiM] December 15‐16, 2010 Ghent, Belgium As an art form based upon sound, music deals with complex semiotic translations and interactions between different perceptual senses and systems of signification: sound, score, meaning. Primarily, music has to do with the invisible, with forces that cannot be seen but that touch listeners in very compelling ways. However, in many cultures ‐ Western and non‐Western ‐ music has been codified in notated form, originating complex written artefacts ‐ the score ‐. Here, different signs and symbols not only allow for the retention and transmission of certain elements of the musical fabric but also liberate forces that are not conceivable without graphic representations. This seminar introduces the act of notating as an important and pivotal activity within the rich array of activities that constitute musical practice. The two‐day international seminar aims at exploring the intimate relation(s) between sound and score and the artistic possibilities that this relationship yields for performers, composers and listeners. Three main perspectives will be adopted: a conceptual approach that allows for contributions from other fields of enquiry (history, musicology, semiotics, etc.), a practical one that takes the skilled body as its point of departure and finally an experimental approach that challenges state‐of‐the‐art practices. Orpheus Research Centre in Music [ORCiM] The Orpheus Research Centre in Music is based at the Orpheus Instituut in Ghent, Belgium. ORCiM's mission is to produce and promote the highest quality research into music, and in particular into the processes of music‐making and our understanding of them.