LA SCENA MUSICALE and Reviews As Well As Calendars
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Le Compositeur Gilles Tremblay : Un Artiste Croyant Et Engagé Gilles Tremblay, Composer: a Committed Believer Marie-Thérèse Lefebvre
Document generated on 09/26/2021 1:33 p.m. Les Cahiers des dix Le compositeur Gilles Tremblay : un artiste croyant et engagé Gilles Tremblay, composer: a committed believer Marie-Thérèse Lefebvre Number 64, 2010 Article abstract The composer Gilles Tremblay published several texts on his creative URI: https://id.erudit.org/iderudit/045789ar reasoning, his aesthetics and his spiritual quest. in addition to these DOI: https://doi.org/10.7202/045789ar publications, analysis of unpublished archival material reveals the basis for this orientation. His correspondence with Father Paul Vanier, s.j., François See table of contents Houang, Oratorian and the essayist Pierre Vadeboncoeur demonstrates both his profound faith and social commitment, the two cornerstones of his thought and works. Publisher(s) Les Éditions La Liberté ISSN 0575-089X (print) 1920-437X (digital) Explore this journal Cite this article Lefebvre, M.-T. (2010). Le compositeur Gilles Tremblay : un artiste croyant et engagé. Les Cahiers des dix, (64), 83–120. https://doi.org/10.7202/045789ar Tous droits réservés © Les Éditions La Liberté, 2010 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Le compositeur Gilles Tremblay : un artiste croyant et engagé Par marie-THérèse LeFebvre a saison artistique québécoise 2009-2010 aura été riche en événements musicaux. -
Navigating, Coping & Cashing In
The RECORDING Navigating, Coping & Cashing In Maze November 2013 Introduction Trying to get a handle on where the recording business is headed is a little like trying to nail Jell-O to the wall. No matter what side of the business you may be on— producing, selling, distributing, even buying recordings— there is no longer a “standard operating procedure.” Hence the title of this Special Report, designed as a guide to the abundance of recording and distribution options that seem to be cropping up almost daily thanks to technology’s relentless march forward. And as each new delivery CONTENTS option takes hold—CD, download, streaming, app, flash drive, you name it—it exponentionally accelerates the next. 2 Introduction At the other end of the spectrum sits the artist, overwhelmed with choices: 4 The Distribution Maze: anybody can (and does) make a recording these days, but if an artist is not signed Bring a Compass: Part I with a record label, or doesn’t have the resources to make a vanity recording, is there still a way? As Phil Sommerich points out in his excellent overview of “The 8 The Distribution Maze: Distribution Maze,” Part I and Part II, yes, there is a way, or rather, ways. But which Bring a Compass: Part II one is the right one? Sommerich lets us in on a few of the major players, explains 11 Five Minutes, Five Questions how they each work, and the advantages and disadvantages of each. with Three Top Label Execs In “The Musical America Recording Surveys,” we confirmed that our readers are both consumers and makers of recordings. -
The André Prévost Fonds the ANDRÉ PRÉVOST FONDS
The André Prévost Fonds THE ANDRÉ PRÉVOST FONDS NUMERICAL LIST by STÉPHANE JEAN Ottawa 1997 Canadian Cataloguing in Publication Data National Library of Canada The André Prévost fonds : numerical list Issued also in French under title: Le fonds-André- Prévost, répertoire numérique. Includes index. ISBN 0-662-25324-8 CCG cat. no. SN3-316/1997E-IN 1. Prévost, André, 1934- --Archives--Catalogs. 2. National Library of Canada. Music Division--Archives-- Catalogs. I. Jean, Stéphane, 1964- II. Title. ML136.O88P945 1997 016.78’092 C97-900182-X Cover: Prélude pour deux pianos of André Prévost, D4,65 Cover design: Denis Schryburt © Her Majesty the Queen in Right of Canada (1997), as represented by the National Library of Canada. This publication may be reproduced without permission provided the source is fully acknowledged. However, reproduction of this publication, in whole or in part, for the purpose of resale or redistribution requires prior written permission from the National Library of Canada, Ottawa, Canada K1A 0N4. Cat. no. SN3-316/1997E-IN ISBN 0-662-25324-8 2 “...now men can only sing out their anguish and somehow sublimate it with hope; for they have acquired the certain knowledge that their sole salvation lies in acceptance and losing themselves in the world. They triumph over their condition by facing it.” (translation) André Prévost, Fantasmes, 1963. 3 4 TABLE OF CONTENTS Page INTRODUCTION 7 A TRIBUTE... 9 ABBREVIATIONS AND ACRONYMS 11 ABOUT THE FONDS 13 DESCRIPTION OF THE FONDS 17 MUS 264/A Correspondence 17 MUS 264/B Studies 24 -
Newsletter • Bulletin Spring 2005 Printemps
NATIONAL CAPITAL OPERA SOCIETY • SOCIÉTÉ D'OPÉRA DE LA CAPITALE NATIONALE Newsletter • Bulletin Spring 2005 Printemps P.O. Box 8347, Main Terminal, Ottawa, Ontario K1G 3H8 • C.P. 8347, Succursale principale, Ottawa (Ontario) K1G 3H8 A Grand Night for Opera by Jean Saldanha pera arias filled the Unitarian Next was Bryan Estabrooks, bari- Church on January 29th as the tone, with arias “O Ruddier than the Cherry” Oseventh Brian Law Opera Schol- from ACIS AND GALATEA; “Avant de quitter arship competition was held. Bobbi Cain ces lieux” from FAUST sung with great feel- hosted the evening and welcomed the au- ing; and a spirited presentation of “Largo al dience to what was to be an evening of factotum” from IL BARBIERE DI SIVIGLIA. musical treats. It was good to see her back Liliana Piazza, mezzo-soprano, chose on her feet after an extended hospital stay. the arias “Va! Laisse couler les larmes” from Thanks to the preliminary jurors, WERTHER, “Ombra mai fu” from SERSE and Barbara Clark, Charlotte Stewart and Garth “Must the winter come so soon?” from Hampson, a fine group of four talented young VANESSA. All were sung beautifully in a lovely singers were chosen for the night’s finals. clear voice. First on stage was Joyce El-Khoury, Last, and to many the favourite, was soprano, who gave dramatic and moving Maghan Stewart, soprano, who easily presentations of the arias “Come scoglio” handled the arias “Piangero la sorte mia” from COSI FAN TUTTE; Marietta’s Lied from GUILIO CESARE, “In quali eccessi, oh, “Gluck, das mir verblieb” from DIE TOTE Numi” from DON GIOVANNI and “Mi STADT; and “Donde lieta usci” from LA chiamano Mimi” from LA BOHÈME. -
HAPPY CANADA DAY! Political Wrangling, and Fter Monthsoftrade Talks, L Ad E
Meaningful COVID-19 Lisa Van police reform a game Dusen: might need a changer Pass the vodka for Arctic shake up in cooler and international thank God the top ranks co-operation we’re a middle of the RCMP p. 11 Les Whittington p. 4 Natalia Loukacheva p. 12 power Meet Dominiqueq Angladelade p. 13 THIRTY-FIRST YEAR, NO. 1741 CANADA’S POLITICS AND GOVERNMENT NEWSPAPER WEDNESDAY, JULY 1, 2020 $5.00 News News ‘I felt silenced’: New NAFTA comes into force after voices missing from Upper Chamber’s months of testy renegotiations, but systemic racism debate, say some Senators, ‘disruptions’ will need to be addressed highlighting need The trade relationship for hybrid model between U.S. President Donald BY SAMANTHA WRIGHT ALLEN Trump, Mexican President Andrés itnessing the Red Chamber Manuel López Wdebate on systemic racism Obrador, and Prime from afar was tough on Senators Minister Justin who have lived the experiences Trudeau will be but couldn’t be in Ottawa, and guided by the new while some accepted the pandem- North American ic made that unavoidable, others trade pact, which say it demonstrates why virtual came into force sittings are so important. on July 1. White It was hard for Progressive House photograph Senator Lillian Dyck to watch by Tia Dufour, Flickr photograph courtesy Continued on page 6 of the Mexican President’s Offi ce, The Hill Times photograph by Andrew Meade News Backroom, Capitol BY NEIL MOSS a reality, but the coming weeks Dating back to 2017, U.S. Pres- government has some certainty Hill lobbying key and months will have “disrup- ident Donald Trump threatened over the future of Canada’s trad- fter months of trade talks, tions” as exporters adjust to to discard the pact that had been ing relationship with the world’s to fi ghting possible Apolitical wrangling, and new trade rules, say trade infl uencing North American trade return of tariff s, says waiting, the new NAFTA is now observers. -
André Previn Tippett's Secret History
TIPPETT’S SECRET HISTORY ANDRÉ PREVIN The fascinating story of the composer’s incendiary politics Our farewell to the musical legend 110 The world’s best-selling classical music magazine reviews by the world’s finest critics See p72 Bach at its best! Pianist Víkingur Ólafsson wins our Recording of the Year Richard Morrison Preparing students for real life Classically trained America’s railroad revolution Also in this issue Mark Simpson Karlheinz Stockhausen We meet the young composer Alina Ibragimova Brahms’s Clarinet Quintet Ailish Tynan and much more… First Transcontinental Railroad Carriage made in heaven: Sunday services on a train of the Central Pacific Railroad, 1876; (below) Leland Stanford hammers in the Golden Spike Way OutWest 150 years ago, America’s First Transcontinental Railroad was completed. Brian Wise describes how music thrived in the golden age of train travel fter the freezing morning of 10 May Key to the railroad’s construction were 1869, a crowd gathered at Utah’s immigrant labourers – mostly from Ireland and Promontory Summit to watch as a China – who worked amid avalanches, disease, A golden spike was pounded into an clashes with Native Americans and searing unfinished railroad track. Within moments, a summer heat. ‘Not that many people know how telegraph was sent from one side of the country hard it was to build, and how many perished to the other announcing the completion of while building this,’ says Zhou Tian, a Chinese- North America’s first transcontinental railroad. American composer whose new orchestral work It set off the first coast-to-coast celebration, Transcend pays tribute to these workers. -
Michael Schade at a Special Release of His New Hyperion Recording “Of Ladies and Love...”
th La Scena Musicale cene English Canada Special Edition September - October 2002 Issue 01 Classical Music & Jazz Season Previews & Calendar Southern Ontario & Western Canada MichaelPerpetual Schade Motion Canada Post Publications Mail Sales Agreement n˚. 40025257 FREE TMS 1-01/colorpages 9/3/02 4:16 PM Page 2 Meet Michael Schade At a Special Release of his new Hyperion recording “Of ladies and love...” Thursday Sept.26 At L’Atelier Grigorian Toronto 70 Yorkville Ave. 5:30 - 7:30 pm Saturday Sept. 28 At L’Atelier Grigorian Oakville 210 Lakeshore Rd.E. 1:00 - 3:00 pm The World’s Finest Classical & Jazz Music Emporium L’Atelier Grigorian g Yorkville Avenue, U of T Bookstore, & Oakville GLENN GOULD A State of Wonder- The Complete Goldberg Variations (S3K 87703) The Goldberg Variations are Glenn Gould’s signature work. He recorded two versions of Bach’s great composition—once in 1955 and again in 1981. It is a testament to Gould’s genius that he could record the same piece of music twice—so differently, yet each version brilliant in its own way. Glenn Gould— A State Of Wonder brings together both of Gould’s legendary performances of The Goldberg Variations for the first time in a deluxe, digitally remastered, 3-CD set. Sony Classical celebrates the 70th anniversary of Glenn Gould's birth with a collection of limited edition CDs. This beautifully packaged collection contains the cornerstones of Gould’s career that marked him as a genius of our time. A supreme intrepreter of Bach, these recordings are an essential addition to every music collection. -
Entretien Avec Lorraine Vaillancourt “Making Time”: Interview with Lorraine Vaillancourt Jonathan Goldman
Document généré le 24 sept. 2021 22:55 Circuit Musiques contemporaines « Donner le temps » : entretien avec Lorraine Vaillancourt “Making Time”: Interview with Lorraine Vaillancourt Jonathan Goldman Géométries durables : pour les 25 ans du Nouvel Ensemble Moderne Résumé de l'article Volume 23, numéro 3, 2013 Lors d’un entretien, Lorraine Vaillancourt, fondatrice et directrice artistique du Nouvel Ensemble Moderne (nem), raconte sa formation musicale de Québec URI : https://id.erudit.org/iderudit/1021518ar à Montréal en passant par Paris, l’origine et le développement de l’ensemble, le DOI : https://doi.org/10.7202/1021518ar choix du répertoire et les enjeux de l’avenir. Aller au sommaire du numéro Éditeur(s) Les Presses de l’Université de Montréal ISSN 1183-1693 (imprimé) 1488-9692 (numérique) Découvrir la revue Citer cet article Goldman, J. (2013). « Donner le temps » : entretien avec Lorraine Vaillancourt. Circuit, 23(3), 49–62. https://doi.org/10.7202/1021518ar Tous droits réservés © Les Presses de l’Université de Montréal, 2013 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ dossier : le nem a 25 ans « Donner le temps » : entretien avec Lorraine Vaillancourt Jonathan Goldman Pour des amateurs montréalais de musique contemporaine de ma généra- tion, il pourrait sembler que le Nouvel Ensemble Moderne (NEM) a tou- jours existé ; en tout cas, il a accompagné notre jeunesse et continue de nous accompagner. -
Gala Concert Montreal Museum of Fine Arts
BOURGIE HALL GALA CONCERT MONTREAL MUSEUM OF FINE ARTS FEATURING WORLD PREMIERES BY OCTOBER KEIKO DEVAUX, YOTAM HABER 8 P.M. (ET) & YITZHAK YEDID SPECIAL LIVESTREAM LE NOUVEL ENSEMBLE MODERNE LORRAINE VAILLANCOURT, MEDICI.TV CONDUCTOR FACEBOOK.COM/AZRIELIMUSIC ABOUT THE AZRIELI FOUNDATION Inspired by the values and vision of our founder, David J. Azrieli z”l, the mission of the Azrieli Foundation is to improve the lives of present and future generations through Education, Research, Healthcare and the Arts. We are passionate about the promise and importance of a rigorous yet creative approach to philanthropy. We believe that strategic leadership, collaboration and forward thinking are key to bold discoveries. In addition to making philanthropic investments across our priority areas, the Foundation operates a number of programs, including the Azrieli Music Prizes, the Holocaust Survivor Memoirs Program, the Azrieli Fellows Program, the Azrieli Science Grants Program and the Azrieli Prize in Architecture. Our vision is to remember the past, heal the present and enhance the future of the Jewish people and all humanity. To learn more: www.azrielifoundation.org A Message from SHARON AZRIELI We are thrilled to celebrate with you the third Israeli-born Yitzhak Yedid’s Kadosh Kadosh and shaping cultural identity and educating present Azrieli Music Prizes Gala Concert. Cursed unites contemporary Western music and future generations. The questions, “What is and ancient Mizrahi songs across twenty-four Jewish music?” and “What is Canadian music?” What a remarkable adventure the Prizes musical scenes. Together, they showcase a ask composers to amplify and honour stories have had since we fêted our 2018 Laureates. -
El León De Oro 20 Años De Un Coro De Autor XXX EDICIÓN CLÁSICOS EN VERANO 30 De Junio—23 De Julio 2017
REVISTA DE MÚSICA Año XXXII - Nº 331 Julio-Agosto 2017 - 7’50 € DOSIER ENTREVISTA ACTUALIDAD MÚSICA MEDIEVAL (I) CUARTETO CASALS ERMONELA JAHO Año XXXII - Nº 331 - Julio-Agosto 2017 Año XXXII - Nº 331 Julio-Agosto EL LEÓN DE ORO 20 AÑOS DE UN CORO DE AUTOR XXX EDICIÓN CLÁSICOS EN VERANO 30 de junio—23 de julio 2017 www.madrid.org/clasicosenverano 331-Pl 1.qxp_Pliego 1 28/6/17 14:59 Página 1 AÑO XXXII - Nº 331 - Julio-Agosto 2017 - 7,50 € 2 OPINIÓN El sonido de la música medieval Josemi Lorenzo Arribas 6 CON NOMBRE Y si cantamos... ¿rezamos? PROPIO Juan Carlos Asensio Ermonela Jaho Cantar con la mente y el cuerpo Stefano Russomanno Paloma Gutiérrez / Pepe Rey 12 FESTIVALES ENCUENTROS DE VERANO Cuarteto Casals 86 Javier Pérez Senz 18 ACTUALIDAD NACIONAL EDUCACIÓN 88 Joan-Albert Serra 28 ACTUALIDAD AUDIO 89 INTERNACIONAL Juan J. Pérez 36 ENTREVISTA EL HORIZONTE 90 El León de Oro QUIMÉRICO Eduardo Torrico Martín Llade 40 Excepcionales del mes LA GUÍA 91 41 GRABACIONES JAZZ 92 Yahvé M. de la Cavada 66 LIBROS BANDAS SONORAS 94 69 DOSIER Miguel Ángel Ordóñez Música medieval (I) La voz medieval CONTRAPUNTO 96 Björn Schmelzer Norman Lebrecht Colaboran en este número: Mariano Acero Ruilópez, Julio Andrade Malde, Juan Carlos Asensio, Félix de Azúa, Rafael Banús Irusta, Nuria Blanco Álvarez, Emili Blasco, José Antonio Cantón, Yahvé M. de la Cavada, Jacobo Cortines, Patrick Dillon, Fernando Fraga, Marco Frei, Germán Gan Quesada, Manuel García Franco, Miguel Ángel González Barrio, Paloma Gutiérrez del Arroyo, Bernd Hoppe, Martín Lasalle, Norman Lebrecht, Martín Llade, Juan Antonio Llorente, Josemi Lorenzo Arribas, Pier Élie Mamou, Bernardo Mariano, Luis Martín, Santiago Martín Bermúdez, Joaquín Martín de Sagarmínaga, Blas Matamoro, Antonio Moral, Andrés Moreno Mengíbar, Daniel Muñoz de Julián, Helena Núñez Guasch, Miguel Ángel Ordóñez, Judith Ortega, Rafael Ortega Basagoiti, Josep Pascual, Juan J. -
White Paper on Francophone Arts and Culture in Ontario Arts and Culture
FRANCOPHONE ARTS AND CULTURE IN ONTARIO White Paper JUNE 2017 TABLE OF CONTENTS SUMMARY 05 BACKGROUND 06 STATE OF THE FIELD 09 STRATEGIC ISSUES AND PRIORITY 16 RECOMMANDATIONS CONCLUSION 35 ANNEXE 1: RECOMMANDATIONS 36 AND COURSES OF ACTION ARTS AND CULTURE SUMMARY Ontario’s Francophone arts and culture sector includes a significant number of artists and arts and culture organizations, working throughout the province. These stakeholders are active in a wide range of artistic disciplines, directly contribute to the province’s cultural development, allow Ontarians to take part in fulfilling artistic and cultural experiences, and work on the frontlines to ensure the vitality of Ontario’s Francophone communities. This network has considerably diversified and specialized itself over the years, so much so that it now makes up one of the most elaborate cultural ecosystems in all of French Canada. However, public funding supporting this sector has been stagnant for years, and the province’s cultural strategy barely takes Francophones into account. While certain artists and arts organizations have become ambassadors for Ontario throughout the country and the world, many others continue to work in the shadows under appalling conditions. Cultural development, especially, is currently the responsibility of no specific department or agency of the provincial government. This means that organizations and actors that increase the quality of life and contribute directly to the local economy have difficulty securing recognition or significant support from the province. This White Paper, drawn from ten regional consultations held throughout the province in the fall of 2016, examines the current state of Francophone arts and culture in Ontario, and identifies five key issues. -
Pour La Suite Des Recherches Autour De L'oeuvre De Gilles Tremblay
Document généré le 30 sept. 2021 09:49 Circuit Musiques contemporaines Compléments biographiques Pour la suite des recherches autour de l’oeuvre de Gilles Tremblay Marie-Thérèse Lefebvre Gilles Tremblay, ou le plain-chant contemporain Volume 20, numéro 3, 2010 URI : https://id.erudit.org/iderudit/044863ar DOI : https://doi.org/10.7202/044863ar Aller au sommaire du numéro Éditeur(s) Les Presses de l'Université de Montréal ISSN 1183-1693 (imprimé) 1488-9692 (numérique) Découvrir la revue Citer ce document Lefebvre, M.-T. (2010). Compléments biographiques : pour la suite des recherches autour de l’oeuvre de Gilles Tremblay. Circuit, 20(3), 91–103. https://doi.org/10.7202/044863ar Tous droits réservés © Les Presses de l’Université de Montréal, 2010 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ annexe Compléments biographiques Pour la suite des recherches autour de l’œuvre de Gilles Tremblay1 Dossier préparé par Marie-Thérèse Lefebvre a) Avant-propos La saison artistique montréalaise 2009-2010 a été riche en événements musi- caux. Les nombreuses activités reliées à l’œuvre du compositeur québécois 1.