Gestural Music-Musical Gesture”

Total Page：16

File Type：pdf, Size：1020Kb

Schulich School of Music of McGill University Concerts and Publicity 555 Sherbrooke Street West, Montreal, Quebec H3A 1E3 Phone: (514) 398-8101; Fax: (514) 398-5514 P R E S S R E L E A S E MusiMarch 2010, March 1-6 “Gestural Music-Musical Gesture” For immediate release Montreal, Montreal, February 15, 2010 – The Schulich School of Music of McGill University announces the program of their 6th MusiMars/MusiMarch festival, which will take place from Monday, March 1st, to Saturday March 6th, 2010. This year’s theme, as announced by festival Artistic Director Denys Bouliane, is “Gestural Music- Musical Gesture.” The festival will explore the relationship between music and gesture. Could music exist without gesture? When does gesture itself become musical: Does musical gesture convey meaning? What remains in our memory from exposure to a musical work- anything more than its contours? Invited artists include composer George Aperghis (France), composers Philippe Leroux (France), Dieter Schnebel (Germany), Ana Sokolovic and Chris Paul Harman (Montreal), Taiko percussionist Eitetsu Hayashi (Japan), vocalist Christian Kesten (Germany), soprano Suzie LeBlanc (Montreal), soprano Donatienne Michel-Dansac (France), soprano Ingrid Schmithüsen (Germany and Montreal), and mime-dancers Alain Louafi (Switzerland) and Agnieszka Kus (Germany) who will take part in an exceptional North American première of Karlheinz Stockhausen’s work: Inori. More than one hundred McGill musicians and soloists will perform at MusiMars/MusiMarch 2010, and key collaborators include the Montreal Symphony Orchestra (Kent Nagano, Artistic Director), Atelier de musique contemporaine de l’Université de Montréal, Nouvel Ensemble Moderne (Lorraine Vaillancourt, Artistic Director), Toca Loca (Greg Oh, Artistic Director), Input Devices and Music Interaction Laboratory (Philippe Depalle and Marcelo Wanderley, Directors), Music and Gesture 3 Conference (Marcelo Wanderley, Jon Wild, Sha Xin Wei, Coordinators), live@CIRMMT (Sean Ferguson, Director). MusiMars/Musimarch 2010 is funded in part by the Goethe Institute, the André Rossinger Lectureship Fund, the Consulate Gerneral of France in Québec, as well as by the CBC and Radio-Canada, who will broadcast festival works at a later date. ***** Complete schedule, programming details, artist and ensemble biographies, as well as thematic and director’s notes can be found on the web at: http://www.music.mcgill.ca/musimars/mm2010/theme.html Concert tickets for McGill-based events are free for students upon presentation of a student card, and are $10.00 for the general public [available from the Schulich School of Music Box Office (514-398-4747)]. Tickets for the Montréal Symphony Orchestra concert are available at the MSO Box Office (514-842-9951 or 1-800-842-9951). ----- 30 ----- Source: Louise Ostiguy, Concerts and Publicity, 514-398-8933 Media: Alain Labonté Communications, 514-523-9922 .

Copy Link

Recommended publications

Gala Concert Montreal Museum of Fine Arts
BOURGIE HALL GALA CONCERT MONTREAL MUSEUM OF FINE ARTS FEATURING WORLD PREMIERES BY OCTOBER KEIKO DEVAUX, YOTAM HABER 8 P.M. (ET) & YITZHAK YEDID SPECIAL LIVESTREAM LE NOUVEL ENSEMBLE MODERNE LORRAINE VAILLANCOURT, MEDICI.TV CONDUCTOR FACEBOOK.COM/AZRIELIMUSIC ABOUT THE AZRIELI FOUNDATION Inspired by the values and vision of our founder, David J. Azrieli z”l, the mission of the Azrieli Foundation is to improve the lives of present and future generations through Education, Research, Healthcare and the Arts. We are passionate about the promise and importance of a rigorous yet creative approach to philanthropy. We believe that strategic leadership, collaboration and forward thinking are key to bold discoveries. In addition to making philanthropic investments across our priority areas, the Foundation operates a number of programs, including the Azrieli Music Prizes, the Holocaust Survivor Memoirs Program, the Azrieli Fellows Program, the Azrieli Science Grants Program and the Azrieli Prize in Architecture. Our vision is to remember the past, heal the present and enhance the future of the Jewish people and all humanity. To learn more: www.azrielifoundation.org A Message from SHARON AZRIELI We are thrilled to celebrate with you the third Israeli-born Yitzhak Yedid’s Kadosh Kadosh and shaping cultural identity and educating present Azrieli Music Prizes Gala Concert. Cursed unites contemporary Western music and future generations. The questions, “What is and ancient Mizrahi songs across twenty-four Jewish music?” and “What is Canadian music?” What a remarkable adventure the Prizes musical scenes. Together, they showcase a ask composers to amplify and honour stories have had since we fêted our 2018 Laureates.
[Show full text]
1 Historique Lauréats Prix Opus Concert De L'année
HISTORIQUE LAURÉATS PRIX OPUS CONCERT DE L’ANNÉE - MONTRÉAL 2018-2019 Le Château de Barbe-Bleue, Orchestre Métropolitain, Yannick Nézet-Séguin, chef, Kerson Leong, violon, Michèle Losier, mezzo-soprano, John Relyea, basse, 1er mars 2019 2017-2018 SAVM 20e saison / Hors-Série, Gerald Finley, baryton-basse et Michael McMahon, piano, Société d’art vocal de Montréal, 6 mai 2018 2016-2017 Une page d'histoire : Yannick Nézet-Séguin dirige le sublime Parsifal, Festival de Lanaudière, Orchestre Métropolitain, Yannick Nézet-Séguin, chef, Mihoko Fujimura, mezzo-soprano, Boaz Daniel, baryton, Thomas Goerz, baryton-basse, Brett Polegato, baryton, Peter Rose, basse, Christian Elsner, ténor, 6 août 2017 2015-2016 The Trials of Patricia Isasa, Chants Libres, Pauline Vaillancourt, mise en scène, 19, 20 et 21 mai 2016 2014-2015 Le Quatuor selon Chostakovitch, Quatuor Molinari, 27 et 30 mai 2015 2013-2014 Hélène Grimaud et Yannick Nézet-Séguin, Orchestre Métropolitain, 12 et 13 juin 2014 2012-2013 Le Quatuor selon la Seconde École de Vienne, Quatuor Molinari, 2 mars 2013 2011-2012 Louise Bessette : 30 ans de carrière, Société de musique contemporaine du Québec en collaboration avec la Chapelle historique du Bon-Pasteur, 31 mars 2012 2010-2011 Les quatre derniers quatuors de Chostakovitch, Quatuor Molinari, 26 novembre 2010 2009-2010 Le Quatuor selon Schnittke, Quatuor Molinari, 20 mars 2010 2008-2009 La porte du ciel, Société de musique contemporaine du Québec et Faculté de musique de l’Université de Montréal, 7 novembre 2008 2007-2008 Paul Verlaine, Jean-François
[Show full text]
[email protected] Website
TAYLOR BROOK 505 West 148th Street, Apt. 4A, New York, NY 10031 USA mobile: 347-559-3314 email: [email protected] website: www.taylorbrookmusic.com Taylor Brook is a composer based in New York. He writes music for the concert stage, electronic music, music for robotic instruments, as well as music for video, theater, and dance. Described as “gripping” and “engrossing” by the New York Times, Brook’s compositions have been performed around the world by ensembles and soloists such as the Nouvel Ensemble Moderne, Quatuor Bozzini, JACK Quartet, Mivos Quartet, Talea Ensemble, Ensemble Ascolta, and others. He has won numerous SOCAN Young Composers awards, including two first-place prizes and the grand prize in 2016 for Song, for solo cello. Brook studied composition with Brian Cherney in Montreal, Luc Brewaeys in Brussels, and George Lewis and Georg Haas in New York. In 2008, he studied Hindustani music and performance with Pandit Debashish Bhattacharya in Kolkata. His music is often concerned with finely tuned microtonal sonorities, combining his interest in exploring the perceptual qualities of sound with a unique sense of beauty and form. Brook holds a master’s degree in music composition from McGill University. He currently lives in New York, where he recently completed a DMA in music composition at Columbia University May 2018, with Fred Lerdahl. Brook is currently on faculty at Columbia University as a Core Lecturer. Brook is the technical director of TAK ensemble. Education_______________________________________________________________ Columbia University, New York, NY D.M.A. Composition, awarded May 2018 studied with: George Lewis, Richard Carrick, Georg Frederic Haas, Fred Lerdahl Thesis Piece: Lush, for large ensemble and electronics Thesis Paper: Synergy of Form, Rhythm, and Orchestration in three microtonal Compositions Advisor: Prof.
[Show full text]
Marianne Cloutier, Mezzo-Soprano
Sally Mitchell-Innes Corbeil Tel: 450-653-4990 CP 1113 Fax: 450-482-3833 St-Basile-le-Grand, Quebec Email: [email protected] J3N 1M5 Web: www.micartists.com Canada ARTIST BIOGRAPHY Marianne Cloutier, mezzo-soprano French Canadian lyric mezzo-soprano Marianne Cloutier is a graduate of Manhattan School of Music, in New York City, where she completed a year of intense study in the Professional Studies Certificate under the leadership of Marlena K. Malas. She also holds a Bachelor and a Master of Music degrees in Vocal Performance from the Université de Montréal under the tutelage of Yolande Parent. In recent years, Marianne was the recipient of numerous awards and scholarships from organizations and renowned voice competitions such as the Metropolitan Opera National Council Auditions, the Liederkranz Competition, the Jeunesses Musicales du Canada, the Canadian Vocal Arts Institute, the Sherbrooke Council for the Arts and the Fondation J.A. Louis Lagasse. Ms. Cloutier is an alumnus of the prestigious Saint-Louis Opera Theatre Gerdine Young Artists Program and of the Utah Opera Resident Artists Program. In addition, she participated in several leading training programs, including the Chautauqua Institution (two seasons) and the Canadian Vocal Arts Institute. Recent operatic roles include Dido (Dido & Aeneas) with l’Ensemble Equi-Vox, Anitra and Dritte Säterin (Peer Gynt) with the Utah Symphony Orchestra, Zerlina (Don Giovanni) and Tisbe (Cenerentola) with the Utah Opera Resident Artists Program, Flora (La Traviata) with the Opera Theatre of Saint-Louis Gerdine Young Artists Program, Charlotte (Werther) with the Chautauqua Institution, Dorothée (Cendrillon) and Maurya (Riders to the Sea) with the Manhattan School of Music Orchestra as well as Idamante (Idomeneo) and The Second Lady (The Magic Flute) with the University of Montreal Orchestra.
[Show full text]
DENYS BOULIANE Rythmes Et Échos Des Rivages Anticostiens DENIS
DENYS BOULIANE I Rythmes et échos des rivages anticostiens DENIS GOUGEON I En accordéon | Mutation JOHN REA I Singulari-T ACD2 2395 ATM A Classique I DENYS BOULIANE [NÉ EN / B.1955] 1| Rythmes et échos des rivages anticostiens [17:15 ] Enregistrement le 8 janvier 2012 / Recording on January 8, 2012 I DENIS GOUGEON [NÉ EN / B.1951] 2| En accordéon [17:36 ] Enregistrement le 24 octobre 2006 / Recording on October 24, 2006 3| Mutation [13:01 ] Enregistrement le 7 janvier 2012 / Recording on January 7, 2012 I JOHN REA [NÉ EN / B.1944] 4| Singulari-T [17:01 ] Enregistrement le 10 juin 2008 / Recording on June 10, 2008 Le Nouvel Ensemble Moderne Lorraine Vaillancourt DIRECTION Joseph Petric ACCORDÉON | ACCORDION I Rythmes et échos des rivages anticostiens [2009] ui n’a pas rêvé de son île, lieu de tous les possible s ? Quelle formation géographique Qse prête mieux à la fantaisie qu’une îl e? Nombre d’auteurs y ont laissé se déployer leur imaginatio n ; songeons entre plusieurs autres aux descriptions fantaisistes des îles de la mer Égée de Buondelmonti au début du XV e siècle, à la magnifique et troublante Utopia de Thomas Moore au XVI e, à l’île de Prospero dans La Tempête de Shakespeare, à Nantucket dans le roman Arthur Gordon Pym d’Edgar Allan Poe, à l’Île au Trésor de Robert Louis Stevenson, aux Encantadas d’Herman Melville. J’ai entrepris depuis quelques années un vaste projet autour de l’île d’Anticosti. Située à l’entrée du Golfe du Saint-Laurent et en contrôlant l’accès, longue de 225 km, Anticosti est l’une des îles les plus fascinantes d’Amérique avec ses récifs, ses canyons, ses rivières sinueuses, ses forêts denses, ses phares et ses nombreuses ruines.
[Show full text]
Homage Series No. 5 Marie Décary and Élisabeth Eudes-Pascal
Homage Series No. 5 Marie Décary and Élisabeth Eudes-Pascal Marie Décary and Élisabeth Eudes-Pascal Commissioned by the Société de musique contemporaine du Québec (SMCQ) as part of its Homage Series to composer John Rea. John Rea or the composer’s secret Text and script: Marie Décary Illustrations: Élisabeth Eudes-Pascal Coordination: Guillaume De Pauw Content assistants: Noémie Pascal and Claire Cavanagh Translation: Peggy Nilof Design: Studio Pilote Printing: Quadriscan Homage Series/John Rea Artistic Director: Walter Boudreau General Manager: Aïda Aoun © Société de musique contemporaine du Québec (SMCQ) Legal submission, 2015 ISBN 978-2-9811517-7-3 Bibliothèque nationale du Québec Bibliothèque nationale du Canada 300, boul. de Maisonneuve Est, Montréal (QC) H2X 3X6 Telephone: 514 843-9305 ext. 301 | Fax: 514-843-3167 smcq.qc.ca SMCQ would like to thank the following for their fnancial support: I have always considered myself to be a wolf in sheep’s clothing… John Rea Note: words attributed to John Rea are based mostly on interviews or taken from his writings. Biography By Noémie Pascal Childhood Take-of John Rea was born in Toronto in 1944 into a recently Rea had barely begun to work on his PhD at Princeton arrived Italian immigrant family where doing music University (USA) when he was asked to take up a post was considered an important thing. While holding at McGill University in Montreal. This was the start down a full-time day job, his father spent his evenings of the composer’s teaching career: from 1973 to this playing the accordion in cabarets.
[Show full text]
Music Newsletter Sept .Pdf
Rosemere High School Music Program September 18th, 2019 Volume 1, Issue 1 Welcome! Welcome to a new school year. I hope you all had a wonderful and restful summer. We have already accomplished quite a lot of work during music class. Our Secondary I students have been introduced to the instruments used in a concert band and have all chosen their instruments. The Secondary II, III, IV and V students have been composing their own music using a software called soundation. I encourage you to listen their compositions. This is the first year I attempt a newsletter for the music department. I hope it will help to keep you informed of all of our activities. I look forward to meeting you at Curriculum night tomorrow. Please note that during curriculum night, Twigg Musique will be in the lobby of RHS selling music accessories (mouthpieces, reeds, picks etc.). IMPORTANT CONCERT DATES Every year the students in the RHS music program perform in concerts as part of their evaluation. Please save the following dates: INSIDE THIS ISSUE Thursday December 12th, 7:00 PM: Sec. I & II Concert Band Phantom of the Opera………… 2 Donations accepted………....… 2 Thursday May 21st, 7:00 PM: Sec. III, IV & V Rock Fest New space for Pop music….… 2 Thursday May 28th, 7:00 PM: Sec. I & II Spring Concert Biographies of musicians….3, 4 DATES OF INTEREST HONOUR BAND REHEARSALS: The following dates are field trips and other concerts. Monday September 30th: A performance by the Orchestre Metropolitainw Quintet for the Thursday Secondary I, II and grade 6 McCaig students at RHS.
[Show full text]
Generation2016
123 Montréal, September 9, 2016 Press release | For immediate circulation Generation2016 Spotlight on a New Generation of Canadian Composers 9th Canadian Tour — 9 concerts Crossing Canada from West to East for the 9th time since 2000, the ECM+’s Generation2016 Canadian Tour conducted by Véronique Lacroix presents a new edition of this now legendary project. Nine Canadian cities will host the ECM+: Banff, Edmonton, Victoria, Vancouver, Montreal, Toronto, London, Ottawa and Quebec City. Audiences across the country are invited to discover the new works of four emerging Canadian composers through electrifying performances, where each of them will compete for the $ 5,000 Generation Jury Award and the $ 1,500 Audience Choice Award1. Composer-host Gabriel Dharmoo will be on stage, along with ten ECM+ musicians and their conductor, to guide the listeners through four new works that are as unique as they are fascinating, including a concertante piece for soloist flutist Marie-Hélène Breault. Composers Taylor Brook (AB / NY), Symon Henry (QC), Sabrina Schroeder (CB / Manchester, UK) and Adam Scime (ON) were selected in the summer of 2015 by the jury of Generation2016, now one of the most important composition competitions in the country. In February 2016, the four composers were featured in live composition workshops with ECM+’s musicians and conductor, which gave the public an insider’s look at musical experimentation. Through Brook’s organic microtonality, Henry’s delicate graphic scores, Scime’s musical structures in motion and the primal vibration of Schroeder’s sound world, listeners will discover that there are as many different methods of composing as there are composers.
[Show full text]
House Programme
BOURGIE HALL GALA CONCERT MONTREAL MUSEUM OF FINE ARTS FEATURING WORLD PREMIERES BY OCTOBER KEIKO DEVAUX, YOTAM HABER 8 P.M. (ET) & YITZHAK YEDID SPECIAL LIVESTREAM LE NOUVEL ENSEMBLE MODERNE LORRAINE VAILLANCOURT, MEDICI.TV CONDUCTOR FACEBOOK.COM/AZRIELIMUSIC ABOUT THE AZRIELI FOUNDATION Inspired by the values and vision of our founder, David J. Azrieli z”l, the mission of the Azrieli Foundation is to improve the lives of present and future generations through Education, Research, Healthcare and the Arts. We are passionate about the promise and importance of a rigorous yet creative approach to philanthropy. We believe that strategic leadership, collaboration and forward thinking are key to bold discoveries. In addition to making philanthropic investments across our priority areas, the Foundation operates a number of programs, including the Azrieli Music Prizes, the Holocaust Survivor Memoirs Program, the Azrieli Fellows Program, the Azrieli Science Grants Program and the Azrieli Prize in Architecture. Our vision is to remember the past, heal the present and enhance the future of the Jewish people and all humanity. To learn more: www.azrielifoundation.org A Message from SHARON AZRIELI We are thrilled to celebrate with you the third Israeli-born Yitzhak Yedid’s Kadosh Kadosh and shaping cultural identity and educating present Azrieli Music Prizes Gala Concert. Cursed unites contemporary Western music and future generations. The questions, “What is and ancient Mizrahi songs across twenty-four Jewish music?” and “What is Canadian music?” What a remarkable adventure the Prizes musical scenes. Together, they showcase a ask composers to amplify and honour stories have had since we fêted our 2018 Laureates.
[Show full text]
Fostering the Emergence Of
FAVORISER LE MERGENCE DU NA L’É TALE AU TIO OSTE NT DITION NA N F RING ITIO NATIONAL AUD EMERGENCE OF T HE ALE 1 T NT 202 cmcnational.com 1 Commanditaire principal Main sponsor REMERCIEMENTS ACKNOWLEDGMENTS 2 TABLE DES MATIÈRES TABLE OF CONTENTS Conseil d’administration Board of Directors 02 - 03 Mot de la présidence et de la direction Word from the President and the Executive and Artistic Director 04 - 05 Mot du commanditaire principal Word from the Main Sponsor 06 Mot du commanditaire associé Word from the Associated Sponsor 07 BRITISH COLUMBIA SOCIETY Vancouver 39 - 48 NOVA SCOTIA Halifax 49 - 50 SASKATCHEWAN Saskatoon 51 - 53 ALBERTA Calgary 56 - 63 QUÉBEC Mauricie | Centre-du-Québec 54 - 55 Montréal 64 - 69 Bas Saint-Laurent | Rimouski | Gaspésie (Trois-Rivières) 70 - 72 Saguenay | Lac-Saint-Jean (Chicoutimi) 73 - 74 Sherbrooke (Orford) 75 - 76 Québec 78 - 80 MANITOBA Winnipeg 81 - 82 ONTARIO Toronto 83 - 90 Professeurs | Professors 91 - 92 Coups de coeur 2020 | 2020 Favorites 93 - 94 Remerciements | Acknowledgements 95 - 98 1 CONSEIL D’ADMINISTRATION NATIONAL NATIONAL BOARD OF DIRECTORS PRÉSIDENT PAR INTÉRIM MEMBRES INTERIM PRESIDENT Akkelian, Arka Cremonese, Enrico D. Operations Director, Canadian Gem Directeur de produit Director of Product Management Bélanger, Myriam IVADO Labs Directrice, Développement, Canderel Borzelli-Marchand, Philippe VICE-PRÉSIDENTE | VICE PRESIDENT Président, Centre musical Sainte-Rose Picard, Carmen Bryson, Patricia Présidente, CMQ-Sherbrooke President, CMC-Nova Scotia Présidente, Comité Provincial Québec
[Show full text]
LA SCENA MUSICALE and Reviews As Well As Calendars
sm25-4_BI_p01_coverV2_sm25-4 2019-11-26 1:37 PM Page 1 sm25-4_BI_p02_ADS_Azrieli_sm25-4_BI_pXX 2019-11-24 2:40 PM Page 1 LES PRIX DE MUSIQUE CONGRATULATIONS TO FÉLICITATIONS À NOS OUR 2020 LAUREATES ! LAURÉATS 2020 ! YOTAM HABER YOTAM HABER AZRIELI COMMISSION COMMANDE AZRIELI FOR JEWISH MUSIC POUR LA MUSIQUE JUIVE YITZHAK YEDID YITZHAK YEDID AZRIELI PRIZE PRIX AZRIELI FOR JEWISH MUSIC DE MUSIQUE JUIVE KEIKO DEVAUX KEIKO DEVAUX AZRIELI COMMISSION COMMANDE AZRIELI POUR FOR CANADIAN MUSIC LA MUSIQUE CANADIENNE EACH WINS OVER CHAQUE LAURÉAT REMPORTE $200,000 IN PRIZES PLUS DE 200,000$ EN PRIX WORLD PREMIERE CONCERT DE GALA GALA CONCERT EN PREMIÈRE MONDIALE OCTOBER 22, 2020, MONTREAL LE 22 OCTOBRE 2020, MONTRÉAL LE NOUVEL ENSEMBLE MODERNE LE NOUVEL ENSEMBLE MODERNE LORRAINE VAILLANCOURT LORRAINE VAILLANCOURT CONDUCTOR CHEF D’ORCHESTRE sm25-4_BI_p03_ads_V3_sm23-5_BI_pXX 2019-11-26 3:14 PM Page 3 DEC/JAN À NE PAS MANQUER/ NOT TO BE MISSED DEC/JAN A PREMIERE CINE CONCERT VERSION 15 ans ! de Lecteurs FESTIVAL ANNONCEZ La Scena Readers CASTELIERS MARIONNETTES 20% POUR ADULTES ET ENFANTS votre événement ici! 4 AU 8 MARS 2020 Rabais/Discount* BORIS BROTT, directeur artistique | Artistic Director Code: LaScena20 Advertise your TARAS KULISH, directeur général | Executive Director event here! 2019-2020 • Canada FESTIVAL.CASTELIERS.CA www.mySCENA.org TCHAÏKOVSKY & TÉTREAULT BEETHOVEN 19 JAN 2019 19h30 01/02/2020 Photo : Luc Robitaille 19h30 The original movie in HD on giant screen MAISON SYMPHONIQUE with full orchestra and french surtitles L’ENSEMBLE SINFONIA DE MONTRÉAL LOUIS LAVIGUEUR, C.Q., CHEF DA COSTA RETOUR TRÈS ATTENDU À L’OPÉRA Music: James Horner Conductor: John Jesensky LUCAS DEBARGUE AT THE OPERA Phénoménal pianiste 9 FÉV/FEB 2019 19h30 SALLE BOURGIE HALL Étudiants/ 1339 Sherbrooke O./W.
[Show full text]
Sm25-5EN.Pdf
sm25-5_EN_p01_coverV2_sm25-3EN 2020-01-29 9:10 PM Page 1 sm25-5_EN_p02_ADS_Eloize_sm23-5_BI_pXX 2020-01-27 1:44 PM Page 1 sm25-5_EN_p03_ADS_nef_roy_OCM_sm23-5_BI_pXX 2020-01-28 4:41 PM Page 1 LA SCENA BOUTIQUE BILLETS DE FINANCEMENT FUNDRAISING TICKETS pour / for La Scena Musicale • CABARET BEL CANTO: Orchestre Symphonique de l’Agora – February 13, 2020, 7:30 pm, $30.00, Rialto Theater • LES BALLETS TROCADERO: March 5, 2020, 8:00 pm, $76.24, Place des Arts, Théâtre Maisonneuve • TITANIC LIVE: March, 8-9 2020, 7:30 pm, 2:00 pm, Place des Arts, Salle Wilfrid-Pelletier • REQUIEM de Fauré et de Durufé, Violins du Roy, April 4, 2020, 7:30 pm, $88.00, Place des Arts, Maison symphonique • LYSIS par Fanny Britt and Alexia Bürger, April 25, 2020, 8:00 pm, Théâtre du Nouveau Monde • THE MAGIC FLUTE: Mozart, Opéra de Montréal, May 26, 2020, $112.00, Place des Arts, Salle Wilfrid- Pelletier Thursday, April 2, 8 p.m. Saturday, April 4, 7:30 p.m. Friday, April 3, 8 p.m. Maison symphonique Palais Montcalm, Québec City de Montréal Call 514-948-2520 ext. 3 or [email protected] to buy your tickets 15% discount REQUIEM DE FAURÉ ET DE DURUFLÉ for subscribers. Contact 514-948-2520 ext. 3 or [email protected] to buy your ticket! 15% discount for subscribers. spéciale 15% de rabais BERNARD LABADIE CONDUCTOR JULIE BOULIANNE MEZZO-SOPRANO discount LYDIA TEUSCHER SOPRANO JEAN-FRANÇOIS LAPOINTE BARITONE 514 842-2112 1 866 842-2112 418 641-6040 1 877 641-6040 MONTREAL SEASON QUEBEC CITY SEASON PARTNER PARTNER www.mySCENA.org sm25-5_EN_p04_ADS_odm_bic_sm23-5_BI_pXX
[Show full text]