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[email protected] BERNARD LABADIE to RETU
FOR IMMEDIATE RELEASE October 26, 2016 Contact: Katherine E. Johnson (212) 875-5718; [email protected] BERNARD LABADIE TO RETURN TO NEW YORK PHILHARMONIC TO CONDUCT ALL-MOZART PROGRAM Flute Concerto No. 2 with Principal Flute ROBERT LANGEVIN Exsultate, jubilate with Soprano YING FANG in Her Philharmonic Debut Symphony No. 31, Paris Symphony No. 39 December 1–3, 2016 Bernard Labadie will return to the New York Philharmonic to conduct an all-Mozart program: the Flute Concerto No. 2, with Principal Flute Robert Langevin as soloist; Exsultate, jubilate with soprano Ying Fang in her Philharmonic debut; Symphony No. 31, Paris; and Symphony No. 39. The program takes place Thursday, December 1, 2016, at 7:30 p.m.; Friday, December 2 at 8:00 p.m.; and Saturday, December 3 at 8:00 p.m. The concerts open with three youthful works written when Mozart was 17, 21, and 22 years old, and close with the darker Symphony No. 39, written three years before his death. A leading specialist in the Baroque and Classical repertoire, Bernard Labadie led Mozart’s Requiem in his most recent appearance with the Philharmonic, in November 2013. The New York Times described this performance as “glowing … one of the most cohesive I have heard.” These concerts will mark Principal Flute Robert Langevin’s first of Mozart’s Flute Concerto No. 2 with the Philharmonic. Soprano Ying Fang has been acclaimed for her performances of Mozart, including her Metropolitan Opera debut in The Marriage of Figaro in September 2014, and Don Giovanni with The Juilliard School in April 2012. -
22E Édition Des Prix Opus
Communiqué Pour diffusion immédiate 22e édition des prix Opus - Dévoilement des finalistes Montréal, le 21 novembre 2018 – Le Conseil québécois de la musique (CQM) est fier de dévoiler les finalistes de la 22e édition des prix Opus. Le 22e gala des prix Opus aura lieu le dimanche 3 février prochain à 15h à la salle Bourgie du Musée des beaux-arts de Montréal et récompensera 30 lauréats s’étant démarqués durant la saison 2017-2018. Les internautes pourront suivre le déroulement du gala grâce aux entrevues des lauréats qui seront diffusées en direct sur le site Facebook du CQM. Créés en 1996, les prix Opus soulignent l'excellence et la diversité des musiques de concert au Québec, dans différents répertoires musicaux : médiéval, de la Renaissance, baroque, classique, romantique, moderne, actuel, contemporain, électroacoustique, jazz, musiques du monde et musique traditionnelle québécoise. « Nos interprètes, nos compositeurs, nos créateurs, nos auteurs et nos diffuseurs ne cessent de repousser leurs limites afin d’offrir d’impressionnantes performances reflétant leur passion et leur talent, et ce, partout au Québec. C’est avec fierté que le CQM récompense leur apport important à la communauté musicale. » a commenté Luc Chaput, président du CQM. Deux nouveaux prix Opus Afin de reconnaître pleinement les pratiques musicales issues de la tradition orale québécoise et l’excellence des musiciens et ensembles qui perpétuent cet héritage vivant, le CQM s’associe au Conseil québécois du patrimoine vivant pour remettre conjointement le nouveau prix Concert de l’année - Musique traditionnelle québécoise. De plus, pour mieux refléter les multiples réalités et facettes des pratiques du milieu musical de la métropole, le CQM est heureux de s’associer au Conseil des arts de Montréal afin de remettre le prix Opus Inclusion et diversité Montréal accompagné d’un prix en argent de 3000$. -
Gala Concert Montreal Museum of Fine Arts
BOURGIE HALL GALA CONCERT MONTREAL MUSEUM OF FINE ARTS FEATURING WORLD PREMIERES BY OCTOBER KEIKO DEVAUX, YOTAM HABER 8 P.M. (ET) & YITZHAK YEDID SPECIAL LIVESTREAM LE NOUVEL ENSEMBLE MODERNE LORRAINE VAILLANCOURT, MEDICI.TV CONDUCTOR FACEBOOK.COM/AZRIELIMUSIC ABOUT THE AZRIELI FOUNDATION Inspired by the values and vision of our founder, David J. Azrieli z”l, the mission of the Azrieli Foundation is to improve the lives of present and future generations through Education, Research, Healthcare and the Arts. We are passionate about the promise and importance of a rigorous yet creative approach to philanthropy. We believe that strategic leadership, collaboration and forward thinking are key to bold discoveries. In addition to making philanthropic investments across our priority areas, the Foundation operates a number of programs, including the Azrieli Music Prizes, the Holocaust Survivor Memoirs Program, the Azrieli Fellows Program, the Azrieli Science Grants Program and the Azrieli Prize in Architecture. Our vision is to remember the past, heal the present and enhance the future of the Jewish people and all humanity. To learn more: www.azrielifoundation.org A Message from SHARON AZRIELI We are thrilled to celebrate with you the third Israeli-born Yitzhak Yedid’s Kadosh Kadosh and shaping cultural identity and educating present Azrieli Music Prizes Gala Concert. Cursed unites contemporary Western music and future generations. The questions, “What is and ancient Mizrahi songs across twenty-four Jewish music?” and “What is Canadian music?” What a remarkable adventure the Prizes musical scenes. Together, they showcase a ask composers to amplify and honour stories have had since we fêted our 2018 Laureates. -
Gestural Music-Musical Gesture”
Schulich School of Music of McGill University Concerts and Publicity 555 Sherbrooke Street West, Montreal, Quebec H3A 1E3 Phone: (514) 398-8101; Fax: (514) 398-5514 P R E S S R E L E A S E MusiMarch 2010, March 1-6 “Gestural Music-Musical Gesture” For immediate release Montreal, Montreal, February 15, 2010 – The Schulich School of Music of McGill University announces the program of their 6th MusiMars/MusiMarch festival, which will take place from Monday, March 1st, to Saturday March 6th, 2010. This year’s theme, as announced by festival Artistic Director Denys Bouliane, is “Gestural Music- Musical Gesture.” The festival will explore the relationship between music and gesture. Could music exist without gesture? When does gesture itself become musical: Does musical gesture convey meaning? What remains in our memory from exposure to a musical work- anything more than its contours? Invited artists include composer George Aperghis (France), composers Philippe Leroux (France), Dieter Schnebel (Germany), Ana Sokolovic and Chris Paul Harman (Montreal), Taiko percussionist Eitetsu Hayashi (Japan), vocalist Christian Kesten (Germany), soprano Suzie LeBlanc (Montreal), soprano Donatienne Michel-Dansac (France), soprano Ingrid Schmithüsen (Germany and Montreal), and mime-dancers Alain Louafi (Switzerland) and Agnieszka Kus (Germany) who will take part in an exceptional North American première of Karlheinz Stockhausen’s work: Inori. More than one hundred McGill musicians and soloists will perform at MusiMars/MusiMarch 2010, and key collaborators include the Montreal Symphony Orchestra (Kent Nagano, Artistic Director), Atelier de musique contemporaine de l’Université de Montréal, Nouvel Ensemble Moderne (Lorraine Vaillancourt, Artistic Director), Toca Loca (Greg Oh, Artistic Director), Input Devices and Music Interaction Laboratory (Philippe Depalle and Marcelo Wanderley, Directors), Music and Gesture 3 Conference (Marcelo Wanderley, Jon Wild, Sha Xin Wei, Coordinators), live@CIRMMT (Sean Ferguson, Director). -
An Annotated Bibliography of Canadian Oboe Concertos
An Annotated Bibliography of Canadian Oboe Concertos Document Presented in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Oboe in the Performance Studies Division of the University of Cincinnati College-Conservatory of Music January 11, 2016 by Elizabeth E. Eccleston M02515809 B.M., Wilfrid Laurier University, 2004 M.M., University of Cincinnati, 2007 D.M.A. Candidacy: April 5, 2012 256 Major Street Toronto, Ontario M5S 2L6 Canada [email protected] ____________________________ Dr. Mark Ostoich, Advisor ____________________________ Dr. Glenn Price, Reader ____________________________ Professor Lee Fiser, Reader Copyright by Elizabeth E. Eccleston 2016 i Abstract: Post-World War II in Canada was a time during which major organizations were born to foster the need for a sense of Canadian cultural identity. The Canada Council for the Arts, the Canadian Broadcasting Corporation and the Canadian Music Centre led the initiative for commissioning, producing, and disseminating this Canadian musical legacy. Yet despite the wealth of repertoire created since then, the contemporary music of Canada is largely unknown both within and outside its borders. This annotated bibliography serves as a concise summary and evaluative resource into the breadth of concertos and solo works written for oboe, oboe d’amore, and English horn, accompanied by an ensemble. The document examines selected pieces of significance from the mid-twentieth century to present day. Entries discuss style and difficulty using the modified rating system developed by oboist Dr. Sarah J. Hamilton. In addition, details of duration, instrumentation, premiere/performance history, including dedications, commissions, program notes, reviews, publisher information and recordings are included wherever possible. -
1 Historique Lauréats Prix Opus Concert De L'année
HISTORIQUE LAURÉATS PRIX OPUS CONCERT DE L’ANNÉE - MONTRÉAL 2018-2019 Le Château de Barbe-Bleue, Orchestre Métropolitain, Yannick Nézet-Séguin, chef, Kerson Leong, violon, Michèle Losier, mezzo-soprano, John Relyea, basse, 1er mars 2019 2017-2018 SAVM 20e saison / Hors-Série, Gerald Finley, baryton-basse et Michael McMahon, piano, Société d’art vocal de Montréal, 6 mai 2018 2016-2017 Une page d'histoire : Yannick Nézet-Séguin dirige le sublime Parsifal, Festival de Lanaudière, Orchestre Métropolitain, Yannick Nézet-Séguin, chef, Mihoko Fujimura, mezzo-soprano, Boaz Daniel, baryton, Thomas Goerz, baryton-basse, Brett Polegato, baryton, Peter Rose, basse, Christian Elsner, ténor, 6 août 2017 2015-2016 The Trials of Patricia Isasa, Chants Libres, Pauline Vaillancourt, mise en scène, 19, 20 et 21 mai 2016 2014-2015 Le Quatuor selon Chostakovitch, Quatuor Molinari, 27 et 30 mai 2015 2013-2014 Hélène Grimaud et Yannick Nézet-Séguin, Orchestre Métropolitain, 12 et 13 juin 2014 2012-2013 Le Quatuor selon la Seconde École de Vienne, Quatuor Molinari, 2 mars 2013 2011-2012 Louise Bessette : 30 ans de carrière, Société de musique contemporaine du Québec en collaboration avec la Chapelle historique du Bon-Pasteur, 31 mars 2012 2010-2011 Les quatre derniers quatuors de Chostakovitch, Quatuor Molinari, 26 novembre 2010 2009-2010 Le Quatuor selon Schnittke, Quatuor Molinari, 20 mars 2010 2008-2009 La porte du ciel, Société de musique contemporaine du Québec et Faculté de musique de l’Université de Montréal, 7 novembre 2008 2007-2008 Paul Verlaine, Jean-François -
[email protected] Website
TAYLOR BROOK 505 West 148th Street, Apt. 4A, New York, NY 10031 USA mobile: 347-559-3314 email: [email protected] website: www.taylorbrookmusic.com Taylor Brook is a composer based in New York. He writes music for the concert stage, electronic music, music for robotic instruments, as well as music for video, theater, and dance. Described as “gripping” and “engrossing” by the New York Times, Brook’s compositions have been performed around the world by ensembles and soloists such as the Nouvel Ensemble Moderne, Quatuor Bozzini, JACK Quartet, Mivos Quartet, Talea Ensemble, Ensemble Ascolta, and others. He has won numerous SOCAN Young Composers awards, including two first-place prizes and the grand prize in 2016 for Song, for solo cello. Brook studied composition with Brian Cherney in Montreal, Luc Brewaeys in Brussels, and George Lewis and Georg Haas in New York. In 2008, he studied Hindustani music and performance with Pandit Debashish Bhattacharya in Kolkata. His music is often concerned with finely tuned microtonal sonorities, combining his interest in exploring the perceptual qualities of sound with a unique sense of beauty and form. Brook holds a master’s degree in music composition from McGill University. He currently lives in New York, where he recently completed a DMA in music composition at Columbia University May 2018, with Fred Lerdahl. Brook is currently on faculty at Columbia University as a Core Lecturer. Brook is the technical director of TAK ensemble. Education_______________________________________________________________ Columbia University, New York, NY D.M.A. Composition, awarded May 2018 studied with: George Lewis, Richard Carrick, Georg Frederic Haas, Fred Lerdahl Thesis Piece: Lush, for large ensemble and electronics Thesis Paper: Synergy of Form, Rhythm, and Orchestration in three microtonal Compositions Advisor: Prof. -
Marianne Cloutier, Mezzo-Soprano
Sally Mitchell-Innes Corbeil Tel: 450-653-4990 CP 1113 Fax: 450-482-3833 St-Basile-le-Grand, Quebec Email: [email protected] J3N 1M5 Web: www.micartists.com Canada ARTIST BIOGRAPHY Marianne Cloutier, mezzo-soprano French Canadian lyric mezzo-soprano Marianne Cloutier is a graduate of Manhattan School of Music, in New York City, where she completed a year of intense study in the Professional Studies Certificate under the leadership of Marlena K. Malas. She also holds a Bachelor and a Master of Music degrees in Vocal Performance from the Université de Montréal under the tutelage of Yolande Parent. In recent years, Marianne was the recipient of numerous awards and scholarships from organizations and renowned voice competitions such as the Metropolitan Opera National Council Auditions, the Liederkranz Competition, the Jeunesses Musicales du Canada, the Canadian Vocal Arts Institute, the Sherbrooke Council for the Arts and the Fondation J.A. Louis Lagasse. Ms. Cloutier is an alumnus of the prestigious Saint-Louis Opera Theatre Gerdine Young Artists Program and of the Utah Opera Resident Artists Program. In addition, she participated in several leading training programs, including the Chautauqua Institution (two seasons) and the Canadian Vocal Arts Institute. Recent operatic roles include Dido (Dido & Aeneas) with l’Ensemble Equi-Vox, Anitra and Dritte Säterin (Peer Gynt) with the Utah Symphony Orchestra, Zerlina (Don Giovanni) and Tisbe (Cenerentola) with the Utah Opera Resident Artists Program, Flora (La Traviata) with the Opera Theatre of Saint-Louis Gerdine Young Artists Program, Charlotte (Werther) with the Chautauqua Institution, Dorothée (Cendrillon) and Maurya (Riders to the Sea) with the Manhattan School of Music Orchestra as well as Idamante (Idomeneo) and The Second Lady (The Magic Flute) with the University of Montreal Orchestra. -
DENYS BOULIANE Rythmes Et Échos Des Rivages Anticostiens DENIS
DENYS BOULIANE I Rythmes et échos des rivages anticostiens DENIS GOUGEON I En accordéon | Mutation JOHN REA I Singulari-T ACD2 2395 ATM A Classique I DENYS BOULIANE [NÉ EN / B.1955] 1| Rythmes et échos des rivages anticostiens [17:15 ] Enregistrement le 8 janvier 2012 / Recording on January 8, 2012 I DENIS GOUGEON [NÉ EN / B.1951] 2| En accordéon [17:36 ] Enregistrement le 24 octobre 2006 / Recording on October 24, 2006 3| Mutation [13:01 ] Enregistrement le 7 janvier 2012 / Recording on January 7, 2012 I JOHN REA [NÉ EN / B.1944] 4| Singulari-T [17:01 ] Enregistrement le 10 juin 2008 / Recording on June 10, 2008 Le Nouvel Ensemble Moderne Lorraine Vaillancourt DIRECTION Joseph Petric ACCORDÉON | ACCORDION I Rythmes et échos des rivages anticostiens [2009] ui n’a pas rêvé de son île, lieu de tous les possible s ? Quelle formation géographique Qse prête mieux à la fantaisie qu’une îl e? Nombre d’auteurs y ont laissé se déployer leur imaginatio n ; songeons entre plusieurs autres aux descriptions fantaisistes des îles de la mer Égée de Buondelmonti au début du XV e siècle, à la magnifique et troublante Utopia de Thomas Moore au XVI e, à l’île de Prospero dans La Tempête de Shakespeare, à Nantucket dans le roman Arthur Gordon Pym d’Edgar Allan Poe, à l’Île au Trésor de Robert Louis Stevenson, aux Encantadas d’Herman Melville. J’ai entrepris depuis quelques années un vaste projet autour de l’île d’Anticosti. Située à l’entrée du Golfe du Saint-Laurent et en contrôlant l’accès, longue de 225 km, Anticosti est l’une des îles les plus fascinantes d’Amérique avec ses récifs, ses canyons, ses rivières sinueuses, ses forêts denses, ses phares et ses nombreuses ruines. -
The Bohlen-Pierce System
sm17-7_EN_p01_Cover_sm17-4_FR_pXX 12-03-30 3:01 PM Page 1 sm17-7_EN_p02_TOC_sm17-2_FR_pXX 12-03-30 2:44 PM Page 2 CONTENTS APRIL 2012 8 NOTES » News in brief 9 EDITORIAL 10 The Bohlen-Pierce system 12 INSTRUMENTAL INSIGHTS » Violin 14 A Baroque collective is born! 16 JAZZ SECTION » Katie Malloch 21 Annual subscription guide 22 REGIONAL CALENDAR 23 CONCERT PREVIEWS 32 REVIEWS 33 VARIATIONS ON A THEME Bartók’s The Miraculous Mandarin 34 Pianist Alain Lefèvre 36 DISCOVERY CD » MODULATION vocal ensemble Maxim VENGEROV JACK OF ALL TRADES Maxim Vengerov hurt his shoul- der in early 2007. Concert after concert was cancelled before he announced semi-retirement after giving one last perfor- mance in June. Vengerov made his comeback on May 3, 2011, in Brussels. 4 FOUNDING EDITORS MANAGING EDITORS REGIONAL CALENDAR E. Robinson, Joseph K. So, Daniel SUBSCRIPTIONS Wah Keung Chan, Philip Anson Laura Bates, Crystal Chan Eric Legault, Etienne Michel Taylor, Jacqueline Vanasse Surface mail subscriptions (Canada) cost $42 La Scena Musicale VOL. 17-7 CONTENT EDITOR WEBSITE TRANSLATORS / yr (taxes included) to cover postage and handling costs. Please mail, fax or email your MARCH 2012 Caroline Rodgers Normand Vandray, Michael Vincent Dayna Lamothe, Ariadne Lih name, address, telephone no., fax no., and PUBLISHER JAZZ EDITOR BOOKKEEPERS VOLUNTEERS email address. Donations are always welcome La Scène Musicale Marc Chénard Kamal Ait Mouhoub, Wah Wing Chan, Marie-Astrid and are tax-deductible. (no 14199 6579 RR0001). EDITOR-IN-CHIEF PROOFREADER Mourad Ben Achour Colin, Lilian I. Liganor, Annie Pro- Wah Keung Chan Anne Stevens ADVERTISING thin, Michel Zambrano LA SCENA MUSICALE, published 10 times per BOARD OF DIRECTORS ARTISTIC DIRECTOR Smail Berraoui, Marc Chénard, year, is dedicated to the promotion of classical and jazz music. -
Homage Series No. 5 Marie Décary and Élisabeth Eudes-Pascal
Homage Series No. 5 Marie Décary and Élisabeth Eudes-Pascal Marie Décary and Élisabeth Eudes-Pascal Commissioned by the Société de musique contemporaine du Québec (SMCQ) as part of its Homage Series to composer John Rea. John Rea or the composer’s secret Text and script: Marie Décary Illustrations: Élisabeth Eudes-Pascal Coordination: Guillaume De Pauw Content assistants: Noémie Pascal and Claire Cavanagh Translation: Peggy Nilof Design: Studio Pilote Printing: Quadriscan Homage Series/John Rea Artistic Director: Walter Boudreau General Manager: Aïda Aoun © Société de musique contemporaine du Québec (SMCQ) Legal submission, 2015 ISBN 978-2-9811517-7-3 Bibliothèque nationale du Québec Bibliothèque nationale du Canada 300, boul. de Maisonneuve Est, Montréal (QC) H2X 3X6 Telephone: 514 843-9305 ext. 301 | Fax: 514-843-3167 smcq.qc.ca SMCQ would like to thank the following for their fnancial support: I have always considered myself to be a wolf in sheep’s clothing… John Rea Note: words attributed to John Rea are based mostly on interviews or taken from his writings. Biography By Noémie Pascal Childhood Take-of John Rea was born in Toronto in 1944 into a recently Rea had barely begun to work on his PhD at Princeton arrived Italian immigrant family where doing music University (USA) when he was asked to take up a post was considered an important thing. While holding at McGill University in Montreal. This was the start down a full-time day job, his father spent his evenings of the composer’s teaching career: from 1973 to this playing the accordion in cabarets. -
Generation2016
123 Montréal, September 9, 2016 Press release | For immediate circulation Generation2016 Spotlight on a New Generation of Canadian Composers 9th Canadian Tour — 9 concerts Crossing Canada from West to East for the 9th time since 2000, the ECM+’s Generation2016 Canadian Tour conducted by Véronique Lacroix presents a new edition of this now legendary project. Nine Canadian cities will host the ECM+: Banff, Edmonton, Victoria, Vancouver, Montreal, Toronto, London, Ottawa and Quebec City. Audiences across the country are invited to discover the new works of four emerging Canadian composers through electrifying performances, where each of them will compete for the $ 5,000 Generation Jury Award and the $ 1,500 Audience Choice Award1. Composer-host Gabriel Dharmoo will be on stage, along with ten ECM+ musicians and their conductor, to guide the listeners through four new works that are as unique as they are fascinating, including a concertante piece for soloist flutist Marie-Hélène Breault. Composers Taylor Brook (AB / NY), Symon Henry (QC), Sabrina Schroeder (CB / Manchester, UK) and Adam Scime (ON) were selected in the summer of 2015 by the jury of Generation2016, now one of the most important composition competitions in the country. In February 2016, the four composers were featured in live composition workshops with ECM+’s musicians and conductor, which gave the public an insider’s look at musical experimentation. Through Brook’s organic microtonality, Henry’s delicate graphic scores, Scime’s musical structures in motion and the primal vibration of Schroeder’s sound world, listeners will discover that there are as many different methods of composing as there are composers.