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WORKSHOP Micromosaics with Polymer Clay WORKSHOP Micromosaics with Polymer Clay with Cynthia Toops Bi-monthly newsletter July/August 2002 Date: September 14 & 15, 2002 Time: 9am-5pm Location: North Seattle Community College Cost: $100 EXHIBITION AND LECTURE Deadline: August 30, 2002 Lecture: Adventures in Polymer Clay Arbor Mundi FREE Lecture: September 13 at 7pm with Lori Talcott Location: North Seattle Community College FREE Lecture: November 8, 2002 at 7pm Location: University of Washington Art building, Room #3 Exhibition: Facere, opens September 6th Lori Talcott is a fourth- generation jeweler and artist living in Seattle. Her years in the family jewelry business gave her an appreciation for the amazing connection people have with their jewelry. Wanting to be more directly a part of “Garden Series #2” Sterling and Polymer Clay. Metalwork: Chuck Domitrovich this connection, she left the business to Cynthia has been experimenting with polymer clay since become a "maker". 1986 and has been using the material in micromosaics for After completing a the past ten years. In this intensive two day workshop BFA in Metal Design you will be making a mosaic pin. If you wish, you can at the University of bring a small metal bezel (less than 1” x 1”) of your own Washington, she went creation. No previous experience with polymer clay is on to work as an “MARDOLL” 22K Gold, 18K Gold, Brass, Carved necessary to enroll. However, enthusiasm and patience Amber Photo Credit: Doug Yaple apprentice to Master is a definite bonus. Silversmith Hilde Nodtvedt at the Folkemuseum in Oslo, Norway. Her studies In the lecture, Cynthia will be covering her mosaic work in Traditional Norwegian Dress Silver continued at as well as exposing her other polymer clay work with slides Raulandsakademiet in Telemark where she is a now guest of her jewelry and process slides. Her work has been instructor and lecturer. These experiences formed the covered in many publications including Ornament, Bead foundation for her on-going research in Medieval Jewelry, and Button and Lapidary Journal. "Folk Jewelry" and Traditional Adornment around the world. Lori currently divides her time between her studio, travel and academic research. Her richly detailed jewelry can be EVENTS CALENDAR seen as a synthesis of these experiences. "The ideas for my pieces come from a multitude of impressions from travel, music and literature. I am primarily DATE EVENT PAGE interested in creating a sense of density, both visually and metaphorically. Devotional art, especially the personal August 1 DUES ARE DUE! 2 reliquary, is of particular interest to me. As one of our most August 15 Elections 7 intimate and diminutive art forms, it is imbued with the presence of the human and the divine. This idea is Sept. 13 Cynthia Toops Lecture 1 paramount in my recent body of work,"Arbor Mundi", or Sept. 14,15 Cynthia Toops Workshop 1 World Tree, a symbol which permeates art forms and belief October 18 Biennial Show 2 systems everywhere." October 19 Symposium Lectures Silent Pin Auction 2 From the Himalayas to Hardangervidda, the use of November 8 Lori Talcott Lecture 1 adornment as a visual language is universal. Whether amuletic, prophylactic or purely decorative, it is used December 7 Ornament Exchange - everywhere to indicate, wealth, social position and age. In this light, jewelry can be seen as the tangible that not only binds the past, present and future together, but also all (continued from the previous page) DUES ARE DUE! cultures. Meandering through various cultures and time periods, this lecture will begin with an overview of these commonalties and end with the development of the work for the exhibition, "Arbor Mundi”. August 1st! Remember you have discounts at Alpha Supply, Seattle The Exhibition opens at Facere Nov. 6th. The gallery is Findings and Swest as a member of SMG. You also have open Monday-Saturday, 10am-6pm. The gallery is located access to all the information you read here in the newsletter. at 1420 5th Ave, Suite #108 in downtown Seattle. For We have a library, workshops on all sorts of good things, more information, go to <www.facerejewelryart.com>. and there are fun events, too. We will join the cyberspace community in August with our website <www.seattlemetalsguild.org> SAVE THE DATE Seattle has one of the largest and most active metals It’s guilds around. NORTHWEST Your membership JEWELRY / METALS SYMPOSIUM makes all this time! possible. Renew Mark your calendar and plan to attend the Northwest your membership today! Jewelry / Metals Symposium in Seattle. The culminating event will be a day-long series of lectures by artists, historians and teachers on Saturday, October 19 at the SAVE THE DATE Museum of History and Industry. Speakers will include nationally known goldsmith Abrasha, and hollowware vessel and small sculpture artist Catherine Grisez. One SMG BIENNIAL SHOW UPDATE: more artist to be announced will also teach a five-day intensive at the Pratt Fine Arts Center. In addition, Mark It will be here before you know it! Are you ready? Anderson who is the managing director of the Walla Walla Foundry will be speaking, and Prudence Roberts Sept. 28th - deadline for shipped work. Please send work an American art historian on early American silver to Kathleen Faulkner, PO Box 1201, Anacortes, WA 98221. New this year will be a silent auction featuring brooches Pieces are insured only while on display at the Convention from local artists. Center. If you ship, please include RETURN postage. The weekend will include the opening of the Seattle Metals Oct. 1st - hand delivery of work to a location to be Guild semi-annual exhibit of members’ metalwork at the announced. Anyone interested in letting us use their home Washington State Convention and Trade Center, as well as a drop off point? as featured jewelry and metal arts exhibits at local galleries. Oct. 2nd - Installation.......WE NEED VOLUNTEERS. The Northwest Jewelry / Metals Symposium is sponsored Please call Kathleen Faulkner, 360-293-7621 or e-mail by the Seattle Metals Guild and Pratt Fine Arts Center. [email protected] if you can help. Registration forms will be available after August 15, 2002. Contact Joan Hammond at 425-391-5045 or Oct. 18th - Reception 5pm to 7pm, 2nd floor in the [email protected] International Meeting Place at the Convention Center. Week of Jan 8th - pick-up. Exact date and times will be included in the next newsletter. EVENTS This year, due to space and vitrine Kirkland Arts Center Gallery limitations, 620 Market Street, Kirkland, WA 98033 we will be “DISPLAY USE ONLY” accepting July 11 - August 2, 2002 only A national exhibition of metalsmithing and jewelry addresses SMALL the diminishing role of functionality in contemporary craft work and and the new "collectible" status of these objects. only ONE piece per person. ART FAIRS AROUND TOWN: Rest Of The Best Fest and Again: PIECES ARE INSURED ONLY WHILE ON DISPLAY Bellevue Museum Arts Festival JulyAT 26-28THE CONVENTION CENTER. SMG cannot be responsible for shipped pieces to and from the show. Anacortes Arts Fair August 2-4 Best Of The NW at Sand Point Magnusson Park Entry form will be included in the Sept/Oct newsletter. www.bestnwcrafts.com Any questions or feedback, call or e-mailAugust Kathleen 17-18 Faulkner Bumbershoot at the Seattle Center Aug 30-Sept 2 2 at 360-293-7621, [email protected] "Thanks for Helping" On behalf of the Seattle Metals Guild Board of Directors, I would like to thank all of our members who made a bead for the 2002 neckpiece, which was donated to the Pratt’s 20th Annual Art Auction. For those of you who missed it this year, consider contributing a bead for the 2003 neckpiece. You have a year to make one bead ? go for it! Ron Pascho Contributing artists (Clockwise, beginning at the clasp): Clasp -- Lois Bertolio Leslie Riches Andy Cooperman Sarah Hood Lucy Bertolio Jennifer Stenhouse Lien Joan Hammond Kathleen Faulkner Susanne Osborn Joan Tenenbaum Dana Carlson Leslie MacInnes Owen Hall Rodney Kessler Jana Brevick Julia Lowther Ron Pascho Julie Gauthier Barbara Praefke Allora Doolittle Roxine McQuitty Micki Lippe Carolyn Sealfon TECH TIPS OPPORTUNITIES The University of Washington’s Field Research and CALL FOR ENTRIES: Exhibition in Print 2003 Consultation Group has been working with SMG to develop and provide information regarding health exposures Postmark deadline for submissions is December 1, 2002. associated with various metal working activities. Believe Applicants need not be a member of SNAG. No entry fee. it or not, there is no published information about the airborne hazards metalworkers face. Without this information, it is Metalsmith magazine's Exhibition in Print 2003, titled difficult to know what kinds of protection we need. "Enamel: A Current Perspective" will be published by the Society of North American Goldsmiths in Fall 2003. The UW needs our help. They are particularly interested in what sorts of dusts and fumes are generated during Co-curators Gretchen Goss, studio artist, Associate soldering, pickling, kiln use, enamel application and Professor and Department Head of Enameling at The buffing/polishing. SMG members that spend 30-40 hours Cleveland Institute of Art, and Maria Phillips, studio artist, a week doing these activities would be asked to wear a Visiting Professor, are soliciting work which incorporates small (5”x5”x2”) air pump as they work. The air intake the use of vitreous enamel as an integral element. The hose has a small filter attached. The filter is sent away work may be jewelry, sculpture, functional objects, etc. for analysis and the UW is able to compile information that will help artist/metalsmiths everywhere. If you would be Please submit the following materials: willing to participate in this study for 1 to 3 days, please contact Gerry Croteau at (206) 543-9711 or 5-10 (maximum) high quality 35mm slides suitable for [email protected] publication, representing at least 5 separate pieces.
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