Summer 1985 Gems & Gemology
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Download Course Outline for This Program
Program Outline 434- Jewellery and Metalwork NUNAVUT INUIT LANGUAGES AND CULTURES Jewelry and Metalwork (and all fine arts) PROGRAM REPORT 434 Jewellery and Metalwork Start Term: No Specified End Date End Term: No Specified End Date Program Status: Approved Action Type: N/A Change Type: N/A Discontinued: No Latest Version: Yes Printed: 03/30/2015 1 Program Outline 434- Jewellery and Metalwork Program Details 434 - Jewellery and Metalwork Start Term: No Specified End Date End Term: No Specified End Date Program Details Code 434 Title Jewellery and Metalwork Start Term No Specified End Date End Term No Specified End Date Total Credits Institution Nunavut Faculty Inuit Languages and Cultures Department Jewelry and Metalwork (and all fine arts) General Information Eligible for RPL No Description The Program in Jewellery and Metalwork will enable students to develop their knowledge and skills of jewellery and metalwork production in a professional studio atmosphere. To this end the program stresses high standards of craftship and creativity, all the time encouraging and exposing students to a wide range of materials, techniques and concepts. This program is designed to allow the individual student to specialize in an area of study of particular interest. There is an emphasis on creative thinking and problem-solving throughout the program.The first year of the program provides an environment for the students to acquire the necessary skills that will enable them to translate their ideas into two and three dimensional jewellery and metalwork. This first year includes courses in: Drawing and Design, Inuit Art and Jewellery History, Lapidary and also Business and Communications. -
Lapidary Journal Jewelry Artist March 2012
INDEX TO VOLUME 65 Lapidary Journal Jewelry Artist April 2011-March 2012 INDEX BY FEATURE/ Signature Techniques Part 1 Resin Earrings and Pendant, PROJECT/DEPARTMENT of 2, 20, 09/10-11 30, 08-11 Signature Techniques Part 2 Sagenite Intarsia Pendant, 50, With title, page number, of 2, 18, 11-11 04-11 month, and year published Special Event Sales, 22, 08-11 Silver Clay and Wire Ring, 58, When to Saw Your Rough, 74, 03-12 FEATURE ARTICLES Smokin’*, 43, 09/10-11 01/02-12 Argentium® Tips, 50, 03-12 Spinwheel, 20, 08-11 Arizona Opal, 22, 01/02-12 PROJECTS/DEMOS/FACET Stacking Ring Trio, 74, Basic Files, 36, 11-11 05/06-11 DESIGNS Brachiopod Agate, 26, 04-11 Sterling Safety Pin, 22, 12-11 Alabaster Bowls, 54, 07-11 Create Your Best Workspace, Swirl Step Cut Revisited, 72, Amethyst Crystal Cross, 34, 28, 11-11 01/02-12 Cut Together, 66, 01/02-12 12-11 Tabbed Fossil Coral Pendant, Deciphering Chinese Writing Copper and Silver Clay 50, 01/02-12 Linked Bracelet, 48, 07-11 12, 07-11 Stone, 78, 01/02-12 Torch Fired Enamel Medallion Site of Your Own, A, 12, 03-12 Easier Torchwork, 43, 11-11 Copper Wire Cuff with Silver Necklace, 33, 09/10-11 Elizabeth Taylor’s Legendary Wire “Inlay,” 28, 07-11 Trillion Diamonds Barion, 44, SMOKIN’ STONES Jewels, 58, 12-11 Coquina Pendant, 44, 05/06-11 Alabaster, 52, 07-11 Ethiopian Opal, 28, 01/02-12 01/02-12 Turquoise and Pierced Silver Ametrine, 44, 09/10-11 Find the Right Findings, 46, Corrugated Copper Pendant, Bead Bracelet – Plus!, 44, Coquina, 42, 01/02-12 09/10-11 24, 05/06-11 04-11 Fossilized Ivory, 24, 04-11 -
The Most Important Collection of Period Jewels to Be Offered at Christie's New York
For Immediate Release 20 March 2008 Contact: Sara Fox +1 212 636 2680 [email protected] THE MOST IMPORTANT COLLECTION OF PERIOD JEWELS TO BE OFFERED AT CHRISTIE’S NEW YORK Rare Jewels and Gemstones: The Eye of a Connoisseur 15 April 2008 New York — Christie’s is honored to announce the most spectacular and comprehensive collection of period jewels from the 17th century through modern day in the April 15th evening sale in New York, Rare Jewels and Gemstones: The Eye of a Connoisseur. With 115 lots, this extraordinary collection expects to realize record prices for historical jewels, iconic emblems of the Art Nouveau and Art Deco periods and also one of the most important pink diamonds ever to be offered for sale at auction. François Curiel, Christie’s Chairman of Jewellery, commented, "When I reflect upon all that I have seen during my 40-year Christie's career, both at auction and privately, this collection strikes me as unparalleled to virtually any other in the world for its provenance, breadth, size and rarity. Never before have I seen assembled together such a great number of quintessential jewels from the 17th and 18th centuries, all the way to the Art Nouveau and Art Deco periods, and into the 21st century. This unique ensemble represents a walk through some of history’s most prominent figures and their jewels." Empress Eugénie’s Brooch Leading the historically prominent works offered in this collection is a sensational antique diamond bow brooch, by François Kramer which was made for Empress Eugénie and later owned by the Astor family of New York (estimate: $4-6 million). -
Neycraft Centrifugal Casting Machine to Be Free from Defects in Material and Workmanship for a Period of Two Years from the Date of Sale
CRUCIBLE SLIDE LEVER COUNTER BALANCE WEIGHT SILICA CRUCIBLE WINDING & LOCKING WARRANTY INVESTMENT FLASK KNOB FLASK RECEIVER WARRANTY: Except with respect to those components parts and uses which are described herein, ASSEMBLY DENTSPLY Neytech warrants the Neycraft Centrifugal Casting Machine to be free from defects in material and workmanship for a period of two years from the date of sale. DENTSPLY Neytech’s liability under this warranty is limited solely to repairing or, at DENTSPLY Neytech’s option, replacing those products included within the warranty which are returned to DENTSPLY Neytech within the applicable warranty period (with shipping charges prepaid), and which are determined by DENTSPLY Neytech to be defective. This warranty shall not apply to any product which has been subject to misuse; negligence; or accident; or misapplied; or modified; or repaired by unauthorized persons; or improperly installed. INSPECTION: Buyer shall inspect the product upon receipt. The buyer shall notify DENTSPLY Neytech in writing of any claims of defects in material and workmanship within thirty days after the buyer discovers or should have discovered the facts upon which such a claim is based. Failure of the SAFETY SHELL buyer to give written notice of such a claim within this time period shall be deemed to be a waiver of such claim. MOUNTING BASE DISCLAIMER: The provisions stated herein represent DENTSPLY Neytech’s sole obligation and exclude all other remedies or warranties, expressed or implied, including those related to MERCHANTABILITY and FITNESS FOR A PARTICULAR PURPOSE. LIMITATION OF LIABILITY: Under no circumstances shall DENTSPLY Neytech be liable to the buyer for any incidental, consequential or special damages, losses or expenses. -
METAL ENAMELING Leader Guide Pub
Arts & Communication METAL ENAMELING Leader Guide Pub. No. CIR009 WISCONSIN 4-H PUBLICATION HEAD HEART HANDS HEALTH Contents Before Each Meeting: Checklist ..............................1 Adhesive Agents or Binders ....................................6 Facilities Tools, Materials and Equipment Safety Precautions..................................................6 Resource Materials Kiln Firing and Table-Top Units Expenses Metal Cutting and Cleaning Planning Application of Enamel Colors Youth Leaders Other Cautions Project Meeting: Checklist ......................................3 Metal Art and Jewery Terms ...................................7 Purposes of 4-H Arts and Crafts ...........................................8 Components of Good Metal Enameling Futher Leader Training Sources of Supplies How to Start Working Prepare a Project Plan Bibiography ............................................................8 Evaluation of Projects Kiln Prearation and Maintenance ...........................6 WISCONSIN 4-H Pub. No. CIR009, Pg. Welcome! Be sure all youth are familiar with 4H158, Metal Enameling As a leader in the 4-H Metal Enameling Project, you only Member Guide. The guide suggests some tools (soldering need an interest in young people and metal enameling to be irons and propane torches), materials and methods which are successful. more appropriate for older youth and more suitable for larger facilities (school art room or spacious county center), rather To get started, contact your county University of Wisconsin- than your kitchen or basement. Rearrange these recommen- Extension office for the 4-H leadership booklets 4H350, dations to best suit the ages and abilities of your group’s Getting Started in 4-H Leadership, and 4H500, I’m a 4-H membership and your own comfort level as helper. Project Leader. Now What Do I Do? (also available on the Wisconsin 4-H Web Site at http://www.uwex.edu/ces/4h/ As in any art project, a generous supply of tools and pubs/index.html). -
Studio Member Magazine of the PMC Guild PMC
Studio Member Magazine of the PMC Guild PMC Summer 2005 · Volume 8, Number 2 Studio Summer 2005 · Volume 8, Number 2 Member Magazine of the PMC Guild PMC On the Cover: Gang blade from PMC Tool and Supply/Darway features Design Studio, leaf cutters and rolling tool from Celie Fago, and tool kit from New Mexico Clay. Background image is Elaine Luther working on her butterfly pendant... see page 7 4 Word Art Studio PMC This beginner's project by Debbie Fehrenbach using rubber stamps is PMC Guild ideal for teaching the technique. P.O. Box 265, Mansfield, MA 02048 www.PMCguild.com 6 Butterfly Inlay Pendant Volume 8, Number 2 • Summer 2005 Editor—Suzanne Wade Elaine Luther demonstrates the use of some of her favorite tools Technical Editor—Tim McCreight in this pendant project. Art Director—Jonah Spivak Advertising Manager—Bill Spilman Studio PMC is published by the PMC Guild Inc. 10 The Tool Trade • How to SUBMIT WORK to Studio PMC… For some PMC artists, developing and selling tools has become We welcome your PMC photos, articles and ideas. You may submit by mail or electronically. Please include your name, address, e-mail, a welcome addition to their PMC careers. phone, plus a full description of your PMC piece and a brief bio. Slides are preferred, but color prints and digital images are OK. By Mail: Mail articles and photos to: Studio PMC, 11 Tools, Tools, Tools P.O. Box 265, Mansfield, MA 02048. Electronically: E-mail articles in the body of the e-mail, or as Studio PMC's First Tool Buyers' Guide! A treasure trove of tools attachments. -
Property from the Portland Collection at Christie's In
For Immediate Release Monday, 8 November 2010 Press Contact: Hannah Schmidt +44 (0) 207 389 2964 [email protected] Matthew Paton +44 (0) 207 389 2965 [email protected] PROPERTY FROM THE PORTLAND COLLECTION AT CHRISTIE’S IN NOVEMBER & DECEMBER Magnificent Jewels, Fabergé, Old Masters and Sculpture The Duchess of Portland in The Combat between Carnival and Lent by Pieter Brueghel II coronation robes, 1902 (Brussels 1564- 1637/8 Antwerp) © gettyimages: Hulton Archive Estimate: £2,000,000–3,000,000 London – Christie’s announce an historic opportunity for connoisseurs around the globe in late November and early December, when a magnificent selection of jewellery, Fabergé, old master paintings and sculpture will be offered from collections of the Dukes of Portland, in a series of auctions in London. 22 lots will be showcased in four auctions over two weeks: Russian Art on Tuesday 29 November; Jewels: The London Sale on Wednesday 1st December; Old Masters & 19th Century Art on Tuesday 7th and 500 Years: Decorative Arts Europe on Thursday 9th. Highlights are led by the re-appearance of The Combat between Carnival and Lent by Pieter Brueghel II (Brussels 1564-1637/8 Antwerp) (estimate: £2,000,000– 3,000,000), illustrated above, a sumptuous antique diamond and natural pearl brooch, with three drops, 1870 (estimate: £500,000-700,000) and an exceptionally rare terracotta bust of John Locke, 1755, by Michael Rysbrack (1694-1770) (estimate: £600,000-900,000). With estimates ranging from £4,000 to £3 million, Property from The Portland Collection is expected to realise in excess of £6 million. -
JMD How to Enamel Jewelry
PRESENTS How to Enamel Jewelry: Expert Enameling Tips, Tools, and Techniques Jewelry Making Daily presents How to Enamel Jewelry: Expert Enameling Tips, Tools, and Techniques 7 3 21 ENAMELING TIPS BY HELEN I. DRIGGS 12 10 TORCH FIRED ENAMEL ENAMELING MEDALLION NECKLACE BY HELEN I. DRIGGS BY HELEN I. DRIGGS ENAMELED FILIGREE BEADS BY PAM EAST I LOVE COLOR! In jewelry making, enamel is one of the most In “Enameled Filigree Beads,” Pam East walks you through a versatile sources of pure, luscious color – powdered glass you simple technique of torch firing enamel onto a premade bead can apply with great precision onto silver, gold, copper, and using a handheld butane torch instead of an enameling kiln. other jewelry metals. With enamels, you can paint with a broad The enamel adds color to the bead, while the silver filigree brush or add minute and elaborate detail to pendants, brace- creates the look of delicate cells like those in cloisonné enamel lets, earrings, and more. You can work in rich, saturated tones work. And in “Torch Fired Enamel Medallion Necklace,” Helen or in the subtlest of pastels. You can create a world of sharp Driggs shows you how to create your own torch fired enamel contrast in black and white or one entirely of shades of gray. “cabochons,” how to tab set those cabs, and how to stamp You can even mimic the colors of the finest gemstones, but you and patinate the surrounding metalwork, which you can put can also produce hues and patterns you’d never find among the together using the chain of your choice. -
The Garnet Carbuncle in Early Medieval Europe
City University of New York (CUNY) CUNY Academic Works School of Arts & Sciences Theses Hunter College Spring 5-15-2020 Sacred Blood and Burning Coal: The Garnet Carbuncle in Early Medieval Europe Sinead L. Murphy CUNY Hunter College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/hc_sas_etds/591 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Sacred Blood and Burning Coal: The Garnet Carbuncle in Early Medieval Europe by Sinead Murphy Submitted in partial fulfillment of the requirements for the degree of Master of Arts Art History, Hunter College The City University of New York Spring 2020 May 15th, 2020 Cynthia Hahn Date Thesis Sponsor May 15th, 2020 Maria Loh Date Second Reader i Table of Contents List of Illustrations ii Introduction: Garnets in the Merovingian Period…………………………………………………1 Chapter 1: Garnet in Classical and Early Medieval Texts……………………………………….11 I. Carbuncle and Anthrax in Classical and Early Medieval Lapidaries II. Carbuncle in Scripture and Christian Lapidaries III. Pagan Influence on the Christian Symbolism of Garnets Chapter 2: Garnets in Everyday Life…………………………………………………………….34 I. Garnet Jewelry in Frankish Costume II. Garnet Ecclesiastical Objects Chapter 3: The Role of Garnets in Christian Funerary Ritual…………………………………...49 I. Prayers for the Dead II. Grave Goods and Dressed Burials III. Metaphorical Representations of Carbuncle Conclusion……………………………………………………………………………………….59 Bibliography……………………………………………………………………………………..60 Illustrations………………………………………………………………………………………64 i List of Illustrations Fig. 1: Pair of quatrefoil mounts, Early Byzantine, 2nd half of 5th century. -
The 18Th Century Back in Fashion
the palace of veRsailles presents the 18th century back in fashion guide to the exhibition and the grand trianon 8 july – 9 OCTOBer organised with the Grand trianon floor plan the 18th century back in fashion couturiers and fashion designers at the grand trianon The Grand Trianon and the Musée Galliera, the fashion museum of the City of Paris, present in a poetic confrontation costumes from the 18th century and masterpieces of haute couture and fashion design from the 20th and 21st centuries. The 18th century with its floating dresses, its voluminous skirts, flounces and furbelows, its silhouettes of minor marquis in three-piece suits and its immense hairstyles have never ceased to inspire the world of haute couture. The Enlightenment, the age of French Europe according to the famous saying, continues to fascinate. The political and cultural prestige of France was at its highest, when wit, lightness and elegance metamorphosed into a veritable art of fine living. Since 1800, the fashion world has continued to refer back to the 18th century for both women’s and men’s clothing as well as for its textiles and accessories. Like mirrors reflecting each other, the garments exhibited, from haute couture to ready-to-wear, propose Self-guided architecture tour a modern reading of that extravagant century. Each designer adapts the period to his/her sensibility. Some a self-guided architectural tour takes you through the grand quote the 18th century shapes almost literally, while trianon’s most notable places at the same time as the "18th century others deconstruct them, expand their dimensions and back in fashion" exhibition. -
GLY 4310C Lab 2 CLASS: SILICATE Subclass: Inosilicates Amphibole
GLY 4310C Lab 2 CLASS: SILICATE Subclass: Inosilicates Amphibole group Mineral Name H G Color Cleavage, Luster Other Notes Streak Color Fracture, or Properties Parting ANTHOPHYLLITE 5.5 3.3 purplish, uneven fracture vitreous to divergent habit brownish-gold/white silky TREMOLITE 4.5 2.4 white-beige/white splintery fracture vitreous LW-bright orange reticulated habit SW-dull orange TREMOLITE, variety Hexagonite 5.5 3.5 lavender, good basal cleavage silky reticulated habit dark green, yellow/white ACTINOLITE 5.5 3.5 gray green/ uneven fracture vitreous white HORNBLENDE 5.0 3.0 black/green 2 dirs. at 60 vitreous acid reaction due to calcite impurities GLAUCOPHANE 5.0 2.8 blue gray/blue uneven fracture silky to dull acid reaction due to calcite impurities RIEBECKITE 5.5 (3.5) black/black poor basal cleavage vitreous fibrous 1 GLY 4310C Lab 2 CLASS: SILICATE Subclass: Phyllosilicates Serpentine Group Mineral Name H G Color Cleavage, Luster Other Notes Streak Color Fracture, or Properties Parting ANTIGORITE 4.5 2.4 jade green/gray uneven fracture greasy slight acid associated with reaction due pyrite to impurity CHRYSOTILE (2.5) (3.2) white/white uneven fracture silky asbestiform GARNIERITE 5.0 purple/ jagged fracture vitreous light green Subclass: Phyllosilicates Clay Mineral Group Mineral Name H G Color Cleavage, Luster Other Notes Streak Color Fracture, or Properties Parting KAOLINITE 2.0 2.6 white/white uneven fracture earthy to sticks to tongue; does not greasy absorb liquid PYROPHYLLITE 2.5 2.9 silver,gold,red, splintery fracture vitreous -
Diamond Dan's Mineral Names Dictionary
A Dictionary of Mineral Names By Darryl Powell Mineral Names What do they mean? Who created them? What can I learn from them? This mineral diction‐ ary is unique because it is illustrated, both with mineral drawings as well as pictures of people and places after which some minerals are named. The people pictured on this page have all made a con‐ tribution to what is formally called “mineral nomenclature.” Keep reading and you will discover who they are and what they did. In 1995, Diamond Dan Publications pub‐ lished its first full book, “A Mineral Collector’s Guide to Common Mineral Names: Their Ori‐ gins & Meanings.” Now it is twenty years later. What you will discover in this issue and in the March issue is a re‐ vised and improved version of this book. This Mineral Names Dictionary contains mineral names that the average mineral collector will encounter while collecting minerals, attending shows and visiting museum displays. In addition to the most common min‐ eral names, there are some unofficial names which you will still find on labels. Each mineral name has a story to tell or a lesson to teach. If you wanted to take the time, each name could become a topic to study. Armalcolite, for example, could quickly be‐ come a study of a mineral, first discovered on the moon, and brought back to earth by the astronauts Armstrong, Aldrin and Collins (do you see parts of their names in this mineral name?) This could lead you to a study of American astronauts landing on the moon, what it took to get there and what we discovered by landing on the moon.