Zhu Xi's Commentary on the Xicizhuan 繫辭傳 (Treatise on the Appended Remarks) Appendix of the Yijing 易經 (Scripture of Change)1
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Harem Fantasies and Music Videos: Contemporary Orientalist Representation
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2007 Harem Fantasies and Music Videos: Contemporary Orientalist Representation Maya Ayana Johnson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, and the Music Commons Recommended Citation Johnson, Maya Ayana, "Harem Fantasies and Music Videos: Contemporary Orientalist Representation" (2007). Dissertations, Theses, and Masters Projects. Paper 1539626527. https://dx.doi.org/doi:10.21220/s2-nf9f-6h02 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Harem Fantasies and Music Videos: Contemporary Orientalist Representation Maya Ayana Johnson Richmond, Virginia Master of Arts, Georgetown University, 2004 Bachelor of Arts, George Mason University, 2002 A Thesis presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Master of Arts American Studies Program The College of William and Mary August 2007 APPROVAL PAGE This Thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Maya Ayana Johnson Approved by the Committee, February 2007 y - W ^ ' _■■■■■■ Committee Chair Associate ssor/Grey Gundaker, American Studies William and Mary Associate Professor/Arthur Krrtght, American Studies Cpllege of William and Mary Associate Professor K im b erly Phillips, American Studies College of William and Mary ABSTRACT In recent years, a number of young female pop singers have incorporated into their music video performances dance, costuming, and musical motifs that suggest references to dance, costume, and musical forms from the Orient. -
Lale Yurtseven: Okay, It's Recording Now
Lale Yurtseven: Okay, it's recording now. So, is there anybody volunteering to take notes. Teresa Morris: I can, if you send me the recording. But it's not going to get to everybody, until the fall Lale Yurtseven: That's fine. Yeah. We yeah we I I will send you the recording. That would be great. Thank you very much to resource. So I'm going to put to resize here. Lale Yurtseven: You are without the H right to Risa Lale Yurtseven: Yes. Oh, ah, Lale Yurtseven: Yes, that's right. Lale Yurtseven: Okay. Lale Yurtseven: All right, so Lale Yurtseven: Let's just go through the rest of the agenda here so we can Judy just send them minutes from last Lale Yurtseven: week's meeting and I guess the prior one which should be just a short summary because all we really did was go through the Lale Yurtseven: draft policy will probably do that and fall to to decide. You think that we can do that push that to the Fall Meeting as well. Teresa Morris: We'll have to Lale Yurtseven: Yeah. Teresa Morris: And if you can send me the Lale Yurtseven: I'll send you the recording. Lale Yurtseven: Okay, okay. Yeah. Judy Lariviere: And just before we review the minutes from last time I started going through the recording and there was a lot. There was so much discussion. So I don't think there. It's not all captured in the minute, so I can go back. I started going through the courting. -
The Eight Houses a Preliminary Survey 1.2.1 © May 2002, Harmen Mesker
The Eight Houses A preliminary survey 1.2.1 © May 2002, Harmen Mesker Contents Introduction 2 List of tables The designer: Jīng Fáng 京房 2 Table 1. King Wen’s sequence of the trigrams 5 The system 4 Table 2. The Eight Palaces 5 The names of the hexagrams 5 Table 3. Jou Tsung Hwa's Quihun and Youhun 8 The yóu hún 遊魂 and the guī hún 歸魂 6 Table 4. Shì and yīng lines 10 The soul in Chinese society 6 Table 5. Hidden hexagrams 12 Jou Tsung Hwa and Miki Shima 8 Table 6. The Ten Stems 12 The Generation Line: shì yáo 世爻 9 Table 7. The Twelve Branches 12 Line relationships: shì yīng 世應 9 Table 8. The Five Phases 12 ‘Self’ and ‘Other’ lines in Sherril & Chu 10 Table 9. Stems, Branches and Phases associations Hidden hexagrams: fēifú 飛伏 11 with the lines of the Pure Hexagrams 13 Stems, Branches and Elements 12 Table 10. Flying Hexagrams in the Duànyì-tiānjī 19 The liùqīn 六親 Six Relationships 14 Table 11. Hidden hexagrams in the Duànyì-tiānjī 20 Wén Wáng bāguà 文王八卦 divination 15 Hidden hexagrams in Wén Wáng bāguà 15 The Duànyì-tiānjī 斷易天機 16 Jou Tsung Hwa’s The Tao of I Ching 16 A page from the Duànyì-tiānjī 17 Hidden hexagrams in the Duànyì-tiānjī 18 More hypotheses 20 The hypothesis used on other hexagrams 21 Conclusion 21 Bibliography 21 Notes 22 1 Introduction At the end of Wilhelm’s Yìjīng there is an appendix with the name ‘The hexagrams arranged by Houses’. -
“Daoism and Confucianism” In: Liu X. (Eds) Dao Companion to Daoist Philosophy
Lai Karyn. (2015) “Daoism and Confucianism” In: Liu X. (eds) Dao Companion to Daoist Philosophy. Dao Companions to Chinese Philosophy, vol 6. Springer, Dordrecht, pp. 489-511. This is the post-print version. The definitive version is to be found at: https://link-springer- com.wwwproxy1.library.unsw.edu.au/chapter/10.1007/978-90- 481-2927-0_21 This chapter relies on a distinction between Confucianism and Daoism made during the Han dynasty (漢朝: 206 BCE–220 CE) and further perpetuated in Chinese intellectual history. It examines the connections between pre-Qin (秦朝: 221– 206 BCE) Daoist and Confucian philosophies, focusing on their differences as well as similarities. While it has been traditionally accepted that there are many tensions, and even antagonism, between concepts and approaches in Daoist and Confucian thought, the discussion here also focuses on the historical linkages and philosophical continuities that at times blur the distinction between the two. The primary comparison here will be conducted at three levels: the individual within its environment, the socio-political world, and the cultivation of the self. These three levels of analysis are organized in three sections, from the more inclusive to the more specific. However, the sections are only theoretical divisions, since both Daoist and Confucian philosophies emphasize a concept of selfhood that focuses on an individual’s relationships with others, within a larger natural and cosmic environment. To more fully understand these comparisons, it is important also to examine the intellectual climate within which interactions between so- called Daoism and Confucianism took place. These details, including information gleaned from relatively recently discovered texts, are not merely tangential to our understanding of both philosophies. -
F I R I N G O P E R a T I O
Summer 2012 ▲ Vol. 2 Issue 2 ▲ Produced and distributed quarterly by the Wildland Fire Lessons Learned Center F I R I N G O P E R A T I O N S What does a good firing show look like? And, what could go wrong ? Once you By Paul Keller t’s an age-old truth. put fire down— Once you put fire down—you can’t take it back. I We all know how this act of lighting the match— you can’t when everything goes as planned—can help you accomplish your objectives. But, unfortunately, once you’ve put that fire on take it back. the ground, you-know-what can also happen. Last season, on seven firing operations—including prescribed fires and wildfires (let’s face it, your drip torch doesn’t know the difference)—things did not go as planned. Firefighters scrambled for safety zones. Firefighters were entrapped. Firefighters got burned. It might serve us well to listen to the firing operation lessons that our fellow firefighters learned in 2011. As we already know, these firing show mishaps—plans gone awry—aren’t choosey about fuel type or geographic area. Last year, these incidents occurred from Arizona to Georgia to South Dakota—basically, all over the map. In Arkansas, on the mid-September Rock Creek Prescribed Fire, that universal theme about your drip torch never distinguishing between a wildfire or prescribed fire is truly hammered home. Here’s what happened: A change in wind speed dramatically increases fire activity. Jackpots of fuel exhibit extreme fire behavior and torching of individual trees. -
The Heritage of Non-Theistic Belief in China
The Heritage of Non-theistic Belief in China Joseph A. Adler Kenyon College Presented to the international conference, "Toward a Reasonable World: The Heritage of Western Humanism, Skepticism, and Freethought" (San Diego, September 2011) Naturalism and humanism have long histories in China, side-by-side with a long history of theistic belief. In this paper I will first sketch the early naturalistic and humanistic traditions in Chinese thought. I will then focus on the synthesis of these perspectives in Neo-Confucian religious thought. I will argue that these forms of non-theistic belief should be considered aspects of Chinese religion, not a separate realm of philosophy. Confucianism, in other words, is a fully religious humanism, not a "secular humanism." The religion of China has traditionally been characterized as having three major strands, the "three religions" (literally "three teachings" or san jiao) of Confucianism, Daoism, and Buddhism. Buddhism, of course, originated in India in the 5th century BCE and first began to take root in China in the 1st century CE, so in terms of early Chinese thought it is something of a latecomer. Confucianism and Daoism began to take shape between the 5th and 3rd centuries BCE. But these traditions developed in the context of Chinese "popular religion" (also called folk religion or local religion), which may be considered a fourth strand of Chinese religion. And until the early 20th century there was yet a fifth: state religion, or the "state cult," which had close relations very early with both Daoism and Confucianism, but after the 2nd century BCE became associated primarily (but loosely) with Confucianism. -
The Old Master
INTRODUCTION Four main characteristics distinguish this book from other translations of Laozi. First, the base of my translation is the oldest existing edition of Laozi. It was excavated in 1973 from a tomb located in Mawangdui, the city of Changsha, Hunan Province of China, and is usually referred to as Text A of the Mawangdui Laozi because it is the older of the two texts of Laozi unearthed from it.1 Two facts prove that the text was written before 202 bce, when the first emperor of the Han dynasty began to rule over the entire China: it does not follow the naming taboo of the Han dynasty;2 its handwriting style is close to the seal script that was prevalent in the Qin dynasty (221–206 bce). Second, I have incorporated the recent archaeological discovery of Laozi-related documents, disentombed in 1993 in Jishan District’s tomb complex in the village of Guodian, near the city of Jingmen, Hubei Province of China. These documents include three bundles of bamboo slips written in the Chu script and contain passages related to the extant Laozi.3 Third, I have made extensive use of old commentaries on Laozi to provide the most comprehensive interpretations possible of each passage. Finally, I have examined myriad Chinese classic texts that are closely associated with the formation of Laozi, such as Zhuangzi, Lüshi Chunqiu (Spring and Autumn Annals of Mr. Lü), Han Feizi, and Huainanzi, to understand the intellectual and historical context of Laozi’s ideas. In addition to these characteristics, this book introduces several new interpretations of Laozi. -
The Analects of Confucius
The analecTs of confucius An Online Teaching Translation 2015 (Version 2.21) R. Eno © 2003, 2012, 2015 Robert Eno This online translation is made freely available for use in not for profit educational settings and for personal use. For other purposes, apart from fair use, copyright is not waived. Open access to this translation is provided, without charge, at http://hdl.handle.net/2022/23420 Also available as open access translations of the Four Books Mencius: An Online Teaching Translation http://hdl.handle.net/2022/23421 Mencius: Translation, Notes, and Commentary http://hdl.handle.net/2022/23423 The Great Learning and The Doctrine of the Mean: An Online Teaching Translation http://hdl.handle.net/2022/23422 The Great Learning and The Doctrine of the Mean: Translation, Notes, and Commentary http://hdl.handle.net/2022/23424 CONTENTS INTRODUCTION i MAPS x BOOK I 1 BOOK II 5 BOOK III 9 BOOK IV 14 BOOK V 18 BOOK VI 24 BOOK VII 30 BOOK VIII 36 BOOK IX 40 BOOK X 46 BOOK XI 52 BOOK XII 59 BOOK XIII 66 BOOK XIV 73 BOOK XV 82 BOOK XVI 89 BOOK XVII 94 BOOK XVIII 100 BOOK XIX 104 BOOK XX 109 Appendix 1: Major Disciples 112 Appendix 2: Glossary 116 Appendix 3: Analysis of Book VIII 122 Appendix 4: Manuscript Evidence 131 About the title page The title page illustration reproduces a leaf from a medieval hand copy of the Analects, dated 890 CE, recovered from an archaeological dig at Dunhuang, in the Western desert regions of China. The manuscript has been determined to be a school boy’s hand copy, complete with errors, and it reproduces not only the text (which appears in large characters), but also an early commentary (small, double-column characters). -
A Record of Collected Proofs of the Efficacy of the Diamond Sutra: Jin’Gang Bore Jing Jiyan Ji 金剛般若 經集驗記 Composed by Meng Xianzhong 孟獻忠, Adjutant of Zizhou 梓州司馬
_full_alt_author_running_head (neem stramien B2 voor dit chapter en nul 0 in hierna): Jin’gang bore jing jiyan ji _full_articletitle_deel (kopregel rechts, vul hierna in): Collected Proofs of the Efficacy of the Diamond Sutra _full_article_language: en indien anders: engelse articletitle: 0 Collected Proofs of the Efficacy of the Diamond Sutra 297 A Record of Collected Proofs of the Efficacy of the Diamond Sutra: Jin’gang bore jing jiyan ji 金剛般若 經集驗記 Composed by Meng Xianzhong 孟獻忠, Adjutant of Zizhou 梓州司馬 Roll One (with Preface) Prajñāis the mother of the wisdom of all Buddhas and the quintessence of the consummate path. Being the wellspring of the Dharma ocean, it is in fact the actual secret storehouse of the Tathāgata. When words are spoken, the path is severed; when the mind functions, the abode is destroyed.1 Being beyond name and appearance, as well as the elements and fields of cognitive experience, it is said to cognize and yet not grasp. It is free from seeing, hearing, feeling, and knowing. When discriminative consciousness expresses it, it becomes more distant. Without practice, there is no benefit; one thus perfects its merit. Without abiding, there is no defilement; one thus attains its wisdom. For those who in- vestigate its wonders, [wherever] they practice are places of the [Buddhist] path; for those who comprehend its principles, their undertakings are Bud- dhist practice. It extends to the twelve classics2 and the eighty-four thousand teachings,3 and equals the competing brilliance of the sun, moon, and 1 These verses come from roll 54 of the Dazhidu lun 大智度論 (Sk. -
Chinese Zodiac Animals Trail #Cnysunderland2021
Chinese Zodiac Animals Trail #CNYSunderland2021 Find out amazing facts about the 12 animals of the Chinese Zodiac and try some fun animal actions. 12th February 2021 is the start of the Year of the Ox, but how were the animals chosen and in which order do they follow each other? Find out more….. How did the years get their names? A long time ago in China, the gods decided that they wanted to name the years after animals. They chose twelve animals – dragon, tiger, horse, snake, pig, cockerel, rat, rabbit, goat, dog, ox and monkey. All of these wanted the first year to be named after them as they all thought themselves to be the most important. Can you imagine the noise when they were arguing? They made so much noise that they woke up the gods. After listening to all their arguments the gods decided to settle the matter by holding a race across a wide river. The years would be named according to the order in which the animals finished the race. The animals were very excited. They all believed that they would win – although the pig wasn’t quite so sure. During the race there were many changes in position, with different animals taking the lead. As they approached the river bank ox was in the lead with rat a very close second. Rat was determined to win but he was getting very tired. He had to think quickly. He managed to catch the ox’s tail and from there he climbed onto his back. Ox could see that he was winning but just as he was about to touch the bank, rat jumped over his head and landed on dry land. -
Fuzzy Flexible Flow Shops on More Than Two Machine Centers
The Subtle Path to Heterodoxy: Reflections on the Concept of ‘Yiduan’ in the Jinsilu Milan Hejtmanek1 ARTICLE INFO ABSTRACT Available Online October 2013 Neo-Confucian philosophy in - Key words: partook of a moral discourse that drew extensively on Song Chinese Heterodoxy; texts from the 11th and 12theth centuries. Korean Chosǒn Among period these, (1392 the Jinsilu1910) Korea; ; 1175 proved especially influential. This paper examines in detail a Neo-Confucianism; central(Reflections theme on of Things the Jinsilu: at Hand), heterodoxy compiled or by yiduan, Zhu Xi situatingand LüZuqian it both in Jinsilu.Chosǒn dynasty within the broader traditions of earlier Confucianism and as well as within the context of Neo-Confucian thought or daoxue as it was developed the 11th century, by the brothers Cheng Yi and Cheng Hao. It identifies three distinct, if overlapping conceptions of heterodoxy in the Jinsilu. The paper argues that the most pessimistic and aggressive attitude toward the danger of straying from the orthodox way and the condemning of those who had done so derived from Cheng Yi. His thought and sense of near dread concerning heterodoxy would prove highly influential in Chosǒn Korea. Introduction It is a remarkable feature of recorded human civilization that discourse drawn from a wide variety of times and places displays fierce struggles over what constitutes proper moral behavior and correspondingly what should be castigated as wrong and evil. Moral traditions in the West as diverse as Judaism, Islam, and in the East Buddhism, Hinduism, and Confucianism ha rhetorical strategies to argue both sides of complex ethical issues. The production and reproduction of dogma and its antithesis, heresy or heterodoxy, isve a bequeathed central activity prolific of any discourses system of deploying moral thought. -
Jade Huang and Chinese Culture Identity: Focus on the Myth of “Huang of Xiahoushi”
Journal of Literature and Art Studies, June 2016, Vol. 6, No. 6, 603-618 doi: 10.17265/2159-5836/2016.06.003 D DAVID PUBLISHING Jade Huang and Chinese Culture Identity: Focus on the Myth of “Huang of Xiahoushi” TANG Qi-cui, WU Yu-wei Shanghai Jiao Tong University, Shanghai, China This paper focus on the myth of “Huang of Xiahoushi” (夏后氏之璜), focusing on the distribution of Jade Huang (玉璜) since the early neolithic and its process of pluralistic integration. The paper explores the story of ethnic group, cultural identification and the significance of Jade Huang in the discourse construction of etiquette civilization behind the mythic narrative based on multi-evidence method and the local meaning of literature in ancient Chinese context. Keywords: Jade Huang, Huang of Xiahoushi, unified diversity, Chinese identity, etiquette civilization, multi-evidence method Introduction Modern archeological relics including potteries, jades and bronzes bring back the lost history; the process of how Chinese unified diversity took shape in general and the great tradition of jade culture in eight thousand in particular. The handed-down documents echo each other at a distance provide solid evidences for the origin of civilization of rite and music and the core values based on jade belief. Jade Huang is an important one of it. It is illuminated by numerous records about Jade Huang in ancient literature, as well as a large number of archaeology findings past 7,000 years. The paper seeks to focus on the following questions: what is the function of Jade Huang in historic and prehistoric period? Moreover, what is the function of “Huang of Xiahoushi”, which belonged to emperor and symbolized special power in historic documents and myths and legends in ancient china? Jade Huang: Etiquette and Literature Jade Huang (Yu Huang, Semi-circular/annular Jade Pendant) is a type of jade artifact which is seemed to be remotely related to etiquette and literature.