Bodhisattva of Compassion the Mystical Tradition of Kuan Yin 1St Edition Pdf
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Guanyin Goddess of The
143 CHAPTERS GUANYIN, GODDESS OF THE SEA While some early forms ofSongzi Guanyin appear to have originated with a white-robed female sitting on an island and surrounded by water, the form now known as Nanhai (South seas) Guanyin is generally considered to have become popular between the twelfth and sixteenth centuries with the association ofPutuo Island as the island home of Guanyin. Paintings ofNanhai Guanyin frequently depict her as a sea goddess, riding on waves or on a fish. This form is believed to bring protection to anyone who travels on the South China Sea. Yet, as seen in the previous chapter Nanhai Guanyin appears to have developed from a water-moon form which did not symbolize protection from the sea. So where did the notion of a goddess of the sea originate? Is there any iconographical evidence to indicate that Guanyin was worshipped in this form before N anhai Guanyin came into existence? Belief in Guanyin's efficacy as a saviour from the sea goes back to the beginning of the cult and the protection from the Perils as descnbed in the Lotus Siitra. There was not, however, in the early stages of the cult, any particular image associated with this function. Various forms with a maritime theme have appeared over time, Aoyu (Big fish) Guanyin, depicts Guanyin standing, or riding, on a large fish, Yulan (Fishbasket) Guanyin, holds a basket offish in her hand and a form known as Guanyin Crossing the Sea, rides on a small boat amongst the ocean waves. Nanhai Guanyin appears to have absorbed elements from each of these forms. -
Zen Painting & Calligraphy
SAN FRANCISCO PUBLIC LIBRARY 1223 02649 4907 amiEDUE [ SEPT 2 1997, 1I- —g—' 1» "> f ^ ' Bk Printed in USA . /30 CT - 8 1991 'painting £*- Calligraphy An exhibition of works of art lent by temples, private collectors, and public and private museums in Japan, organized in collaboration with the Agency for Cultural Affairs of the Japanese Government. Jan Fontein & Money L. Hickman of fine Arti, Boston Distributed by New York Graphic Society, Greenwich, Connecticut Copyright © 1970 by Museum of Fine Arts, Boston, Massachusetts All rights reserved ISBN 0-87846-001-2 Library of Congress Catalogue Card No. 76-127853 Typeset in Linofilm Palatino by Wrightson Typographers, Boston Printed by The Meriden Gravure Co., Meriden, Conn. Designed by Carl F. Zahn Dates of the Exhibition: November 5-December 20,1970 709-5,F737z Fontein, Jan Zen painting et v calligraphy Cover illustration: 20. "Red-Robed" Bodhidharma, artist, unknown, ca. 1271 Title page illustration: 48. Kanzan and Jittoku, traditionally attributed to Shubun (active second quarter of 15th century) (detail) S.F. PUBLIC LIBRARY 3 1223 02649 4907 I Contents Foreword vii Preface ix Acknowledgments xi Chronology xii Introduction xiii The Beginnings of Ch'an Buddhism, xiii Chinese and Indian Thought in Ch'an Buddhism, xiv The Northern and Southern Schools, xvi The Earliest Form of Ch'an Art, xvi The Consolidation and Expansion of the Ch'an Sect, xvii Kuan-hsiu (832-912): The Birth of Ch'an Art, xix Ch'an Literature and Koan, xxi Ch'an Art during the Northern Sung Period (960-1126), XXII Ch'an -
Phagpa Lokes'vara of the Potala Ian Alsopkathmandu
Asianart.com | Articles Asianart.com offers pdf versions of some articles for the convenience of our visitors and readers. These files should be printed for personal use only. Note that when you view the pdf on your computer in Adobe reader, the links to main image pages will be active: if clicked, the linked page will open in your browser if you are online. This article can be viewed online at: http://asianart.com/articles/phagpa Pagpawati Jowo's Rescue Story Excerpt from Chapter 6 of G. Childs' The Rising Mist Phagpa Lokes'vara of the Potala Ian AlsopKathmandu December 14, 1999 originally published in Orientations, April 1990 _______________________________________________________ In The Newark Museum collection is a small ivory figure representing a form of Avalokites'vara of a type that has long puzzled historians of Himalayan art (Fig. 1). Figures displaying the stylistic eccentricities of this bodhisattva are, as evidenced here, relatively common. These stylistic eccentricities can be briefly catalogued as: a high three-lobed crown of rather simple design; the hair in an elaborate chignon which spills in two long buns on either side of the head and crown, and bell-like earrings. The images also show a remarkable lack of ornamentation; they stand on a small, square base in a relatively stiff pose, with, when complete, the right hand in varada mudra (gesture of bestowal) and the left close to the thigh in a gesture of holding a (missing) lotus. Figures of this distinctive type can be found in many private and museum collections and almost every broad-based collection Fig. -
I Love Korea!
I Love Korea! TheThe story story of of why why 33 foreignforeign tourists tourists fellfell in in love love with Korea. Korea. Co-plannedCo-planned by bythe the Visit Visit Korea Korea Committee Committee & & the the Korea Korea JoongAng JoongAng Daily Daily I Love Korea! The story of why 33 foreign tourists fell in love with Korea. Co-planned by the Visit Korea Committee & the Korea JoongAng Daily I Love Korea! This book was co-published by the Visit Korea Committee and the Korea JoongAng Daily newspaper. “The Korea Foreigners Fell in Love With” was a column published from April, 2010 until October, 2012 in the week& section of the Korea JoongAng Daily. Foreigners who visited and saw Korea’s beautiful nature, culture, foods and styles have sent in their experiences with pictures attached. I Love Korea is an honest and heart-warming story of the Korea these people fell in love with. c o n t e n t s 012 Korea 070 Heritage of Korea _ Tradition & History 072 General Yi Sun-sin 016 Nature of Korea _ Mountains, Oceans & Roads General! I get very emotional seeing you standing in the middle of Seoul with a big sword 018 Bicycle Riding in Seoul 076 Panmunjeom & the DMZ The 8 Streams of Seoul, and Chuseok Ah, so heart breaking! 024 Hiking the Baekdudaegan Mountain Range Only a few steps separate the south to the north Yikes! Bang! What?! Hahaha…an unforgettable night 080 Bukchon Hanok Village, Seoul at the Jirisan National Park’s Shelters Jeongdok Public Library, Samcheong Park and the Asian Art Museum, 030 Busan Seoul Bicycle Tour a cluster of -
Scripture and Fiction: an Aesthetic Approach to the Little Pilgrim
Colby College Digital Commons @ Colby Honors Theses Student Research 2013 Scripture and Fiction: An Aesthetic Approach to The Little Pilgrim Brian Russo Colby College Follow this and additional works at: https://digitalcommons.colby.edu/honorstheses Part of the Asian Studies Commons, East Asian Languages and Societies Commons, and the Religion Commons Colby College theses are protected by copyright. They may be viewed or downloaded from this site for the purposes of research and scholarship. Reproduction or distribution for commercial purposes is prohibited without written permission of the author. Recommended Citation Russo, Brian, "Scripture and Fiction: An Aesthetic Approach to The Little Pilgrim" (2013). Honors Theses. Paper 702. https://digitalcommons.colby.edu/honorstheses/702 This Honors Thesis (Open Access) is brought to you for free and open access by the Student Research at Digital Commons @ Colby. It has been accepted for inclusion in Honors Theses by an authorized administrator of Digital Commons @ Colby. Scripture and Fiction: An Aesthetic Approach to The Little Pilgrim Author: Brian Russo Advisor: Nikky Singh Date: 5/20/13 Table of Contents: Preface …………………………………………………………………….. 3 Introduction …………………………………………………………….. 4-7 Chapter I: Scripture & Fiction ……………………………...……….. 8-14 Chapter II: The Fundamentals of Buddhism ……………………… 15-32 Chapter III: Metaphors of Liberation ……………………………... 33-50 Chapter IV: Pedagogy & Paradox …………………………………. 51-63 Chapter V: The Dance of Fiction and Reality……………………… 64-83 Chapter VI: Ethics and Politics of the Bhodhisattva Ideal ……….. 84-88 Conclusion: …………………………………………………………... 89-91 Appendix: Bibliography …………………………………………...... 92-93 The Little Pilgrim Plot Summary ………………………………….. 94-103 The Masters & The Spiritual Achievements Each Exemplifies ... 104-108 2 Preface I first encountered Buddhism when I rode my bicycle to the Mun Su Sah Korean Zen Temple only minutes from my home in Wakefield, Massachusetts. -
Buddha in the Crown This Page Intentionally Left Blank Buddha in the Crown Avalokitesvara in the Buddhist Traditions of Sri Lanka
Buddha in the Crown This page intentionally left blank Buddha in the Crown Avalokitesvara in the Buddhist Traditions of Sri Lanka JOHN CLIFFORD HOLT New York Oxford OXFORD UNIVERSITY PRESS 1991 Oxford University Press Oxford New York Toronto Delhi Bombay Calcutta Madras Karachi Petaling Jaya Singapore Hong Kong Tokyo Nairobi Dar es Salaam Cape Town Melbourne Auckland and associated companies in Berlin Ibadan Copyright © 1991 by John Clifford Holt Published by Oxford University Press, Inc. 200 Madison Avenue, New York, NY 10016 Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Library of Congress Cataloging-in-Publication Data Holt, John, 1948- Buddha in the crown : Avalokitesvara in the Buddhist traditions of Sri Lanka / by John Clifford Holt. p. cm. Includes bibliographical references (p. ). ISBN 0-19-506418-6 1. Avalokitesvara (Buddhist deity)—Sri Lanka. I. Title. BQ4710.A84S724 1991 294.3 '4211 '095493 dc20 90-6835 1 3 5 7 9 8 6 4 2 Printed in the United States of America on acid-free paper In Memory of Winifred Wick Holt This page intentionally left blank PREFACE Buddha in the Crown has been written primarily for students of religion. The argument I have set forth about the nature of religious change in Sri Lanka is one that need not be regarded as culture-specific, but one that can be tested in a number of other religio-historical contexts. -
Korean Buddhism Full
Korean Buddhism From Wikipedia, the free encyclopedia Jump to: navigation, search An image of Shakyamuni Buddha at a Seokguram Temple in South Korea Part of a series on Buddhism Dharma Wheel.svg History[show] Dharma Concepts [show] Practices[show] Nirv??a[show] Traditions Canons [show] Outline Portal icon Buddhism portal v t e Korean Buddhism is distinguished from other forms of Buddhism by its attempt to resolve what it sees as inconsistencies in Mahayana Buddhism. Early Korean monks believed that the traditions they received from foreign countries were internal ly inconsistent. To address this, they developed a new holistic approach to Budd hism. This approach is characteristic of virtually all major Korean thinkers, an d has resulted in a distinct variation of Buddhism, which is called Tongbulgyo ( "interpenetrated Buddhism"), a form that sought to harmonize all disputes (a pri nciple called hwajaeng or ûúîµ) by Korean scholars.[1] Korean Buddhist thinkers refined their predecessors' ideas into a distinct form. As it now stands, Korean Buddhism consists mostly of the Seon lineage, primarily represented by the Jogye and Taego orders. Seon has a strong relationship with other Mahayana traditions that bear the imprint of Chinese Ch'an teachings, as w ell as the closely related Japanese Zen. Other sects, such as the modern revival of the Cheontae lineage, the Jingak order (a modern esoteric sect), and the new ly formed Won, have also attracted sizable followings. Korean Buddhism has also contributed much to East Asian Buddhism, especially -
South Korea's Christian Military Chaplaincy in the Korean
Volume 11 | Issue 18 | Number 1 | Article ID 3935 | May 05, 2013 The Asia-Pacific Journal | Japan Focus South Korea’s Christian Military Chaplaincy in the Korean War - religion as ideology? 朝鮮戦争における韓国軍キリスト教チャ プレン制度—イデオロギーとしての宗教 Vladimir Tikhonov first Constitution (1948) promised workers a share in company profits iik( kyunjŏm), the reality of mass pauperism and hunger wages was only too obvious (Sŏ 2007: 22-43). One of the ways of compensating for the evident lack Summary: The present paper examines the of socio-economic progress was to emphasise military chaplaincy in the context of a problem the “freedom and democracy” in South Korea – which has long intrigued researchers, namely as opposed to what South Korean the reasons for the rapid growth of the propagandists termed the “totalitarian regime” Christian (Protestant and Catholic) churches in in the North. But the claims to “democracy” 1950-80s South Korea compared to Japan or Taiwan. The author suggests that, whereas a were belied by the authoritarian behaviour of general answer to the question may be the use South Korea’s first president, Syngman Rhee of Christianity as a de facto state ideology in (Yi Sŭngman), whose regime was by 1952 the years 1948-1960 and its functioning as an routinely characterized as “dictatorial” even by ideology of capitalist modernisation in the his conservative opponents from the 1960s-80s, a particularly important part of parliamentary Democratic Party (Pak 1998). government-induced Christianization of South Facing a serious deficit of compelling ideology Korea was the institution of military chaplaincy. – aside from rabid anti-Communism and In 1951-1968, Christians – despite being a primordealist invocations of “Korean blood and numerical minority! – monopolized the glory” (Sŏ 1998) – the newborn pro-American chaplaincy in the military, and fully utilised this monopoly, “solacing” vulnerable youth forcibly regime turned to religious symbols to conscripted for military service and making substitute for secular ideological tools. -
Korean Heritage
K O R E A N Summer 2014 | Vol. 7 No. 4 HERITAGE WINTER 2014 Vol. 7 No. 4 Vol. ISSN 2005-0151 KOREAN 2 | 1 HERITAGE Quarterly Magazine of the Cultural Heritage Administration KOREAN HERITAGE WINTER 2014 Cover Black symbolizes winter. The symbolism KOREAN originates from the traditional “five directional HERITAGE winter 2014 | Vol 7 No.4 colors” based on the ancient Chinse thought of wusing or ohaeng in Korean. Tha five col- ors were associated with seasons and other phenomena in nature including the fate of hu- mans. The cover design features a traditional Korean musical instrument, gayageum. For more stories on this, see page 32. KOREAN HERITAGE is also available on the website (http://English.cha.go.kr) and smart devices. 2 | 3 KOREAN HERITAGE CHA News Vignettes A Korean Folk Game Korea’s Community Band Music Inscribed on the UNESCO List Yut nori, a Fortune-telling Game for All Yut nori is a traditional board game played with four wooden sticks, transmitted from The colorful, infectiously joyous rustic performing art Nongak, a highlight of Korean the Three Kingdoms Period. The board game usually takes place between two individuals countryside festivals and celebrations since the 1900s, has successfully entered the and also between two or three teams. Yut games are played customarily from during the UNESCO Representative List of Intangible Cultural Heritage of Humanity. The season of celebrations ushering in the new year, between New Year’s Day and Daeboreum inscription was made at the 9th Intergovernmental Committee for the Safeguarding of on the fifteenth day of the first lunar month. -
Mindfulness Meditation Pilgrimage Itinerary | September 8 – 22, 2019
Dharma Journeys | Mindfulness Meditation Pilgrimage Itinerary | September 8 – 22, 2019 Mindfulness Meditation Pilgrimage to Tibet with Michael Gregory Leadership: Michael Gregory is the Overview: We’ll begin in Chengdu, one of China’s most exciting and progressive Director of Mindfulness Meditation cities. Our journey ends in Nepal’s ancient city of Kathmandu, nestled at 4600 Centers throughout the US. He has led hundreds of meditation retreats feet in the Himalayan foothills. In between, we visit Lhasa home of the exquisite on almost every subject matter Jokhang temple and majestic Potala Palace, Gyantse, Shigatse, Everest Base related to Dharma, in addition to Camp and then take the rough, twisting road down into Kathmandu. leading meditative pilgrimages throughout Thailand, Tibet, Bhutan, Distinct from a luxury vacation or sightseeing tour, our journey is meant as an Nepal, and India. Michael was immersion into the Buddhist worldview, a contemplative pilgrimage — providing ordained as a monk in the Thai Forest tradition, the Burmese Mahasi an ‘opportunity of a lifetime’ to connect directly with the Tibetan tradition. tradition, and then was ordained in Throughout our journey, we will experience Tibet’s culture as we explore the the Tibetan tradition by H.E. Gylatsab variety of ways in which Buddhist practitioners express themselves. Prepare to Rinpoche at Rumtek monastery enter the stream of countless pilgrims who have traveled to Lhasa over hundreds in Sikkim. He has practiced in the Thai Forest tradition of Ajahn of years to circumambulate, pray, meditate, make offerings, and receive blessings Chah, the Anapanasati tradition of at these venerated monuments imbued with power and meaning. -
1.Buddha in the Crown Avalokitesi^Vara in the Buddhist
Buddha in the Crown This page intentionally left blank Buddha in the Crown Avalokitesvara in the Buddhist Traditions of Sri Lanka JOHN CLIFFORD HOLT New York Oxford OXFORD UNIVERSITY PRESS 1991 Oxford University Press Oxford New York Toronto Delhi Bombay Calcutta Madras Karachi Petaling Jaya Singapore Hong Kong Tokyo Nairobi Dar es Salaam Cape Town Melbourne Auckland and associated companies in Berlin Ibadan Copyright © 1991 by John Clifford Holt Published by Oxford University Press, Inc. 200 Madison Avenue, New York, NY 10016 Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Library of Congress Cataloging-in-Publication Data Holt, John, 1948- Buddha in the crown : Avalokitesvara in the Buddhist traditions of Sri Lanka / by John Clifford Holt. p. cm. Includes bibliographical references (p. ). ISBN 0-19-506418-6 1. Avalokitesvara (Buddhist deity)—Sri Lanka. I. Title. BQ4710.A84S724 1991 294.3 '4211 '095493 dc20 90-6835 1 3 5 7 9 8 6 4 2 Printed in the United States of America on acid-free paper In Memory of Winifred Wick Holt This page intentionally left blank PREFACE Buddha in the Crown has been written primarily for students of religion. The argument I have set forth about the nature of religious change in Sri Lanka is one that need not be regarded as culture-specific, but one that can be tested in a number of other religio-historical contexts. -
FIVE NIGHTS/SIX DAYS TOUR Jagalchi Market Gukje Market Taejongdae Recreation Area
FIVE NIGHTS/SIX DAYS TOUR Jagalchi Market Jagalchi Market, located on the shoreside road in Busan's Jung-gu, is Korea's largest seafood market, selling both live and dried fish. After the Korean War the market solidified itself as a fish market. Most of the people who sell fish are women, so the vendors here are called Jagalchi Ajumma, "ajumma" meaning middle-aged or married woman in Korean. This market represents Busan and is famous throughout the country. If you visit, you can eat fresh raw fish right at the market. Even these days you can see women selling mackerel, sea squirts (ascidians) and whale meat on wooden boxes along the road outside of the market and along the shore. Every year in October the Jagalchi Cultural Tourism Festival is held, and it is easy to visit because of the convenient transportation provided by subway. Jagalchi Market is where you can see the lifestyle of the Busan locals. Gukje Market Following the Korean War, refugees who fled to Busan set up stalls in order to make a living, and this was the beginning of the Gukje Market (gukje meaning "international" in Korean). The Gukje Market is one of Korea’s largest markets; each alleyway is crowded with stalls, and it connects to Bupyeong Market, Kkangtong Market, and other smaller markets. The market stocks such a wide variety of goods, that you can find almost everything you need right here. Taejongdae Recreation Area Designated as a Busan monument, along with Oryukdo Island, Taejongdae represents Busan, and is especially famous for its rock beach.