DOCSLIB.ORG

Edinburgh University Student Newspaper

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Edinburgh University Student Newspaper 16.2.84 20p ....__ Edinburgh University Student Newspaper--... 2 THE STUDENT Thursday, 16th February 1984 News .. • News ... News . .. News. • • News ... New NEWS IN BRIEF NUS:No! again Rape increase Rector Arafat? ARAB LEADER VASSER Arafat ..m..---------.1 THE NUMBER OF rape cases has been nominated for the rector­ reported to Edinburgh police ship of Glasgow University. increased dramatically last year. However, he has yet to write to the figure for 1983 was 43 - a 72 confirm whether he wrn accept the per cent increase on the previous nomination. Unless his lette, year. A spokeswoman for the reaches Glasgow by Friday, Edinburgh Rape Crisis Centre sai<1 February 20, his name will be that this was more due to a greater scratched from the list of number of womeri coming forward candidates. to report assaults than to an actual increase. Pancake mania ON TUESDAY, MARCH 6, Walesa for Portobello will be the venue for the Dundee? Great Pancake Race. The race will POLISH HERO LECH Wa begin at 11 am and sets off from has been awarded an honorary the Promenade. There will be degree by Dundee University. races for men, women, children Although he has written to accept and presumably students. The the degree of Doctor of Law, ii la event is being organised by local unlikely that he will turn up businesses and entry is free. Now personally to receive the award is the opportunity to show what a given the current situation In tosser you really are. Poland. Cut, cut, close The ins and outs LOTHIAN REGION's new budget A telephone news service has proposals Involve spending cuts of just been launched by NUS. This __.__...,. aver £10m. Four primary schools, 24-hour tape recording of what is Photo by Fiona Milburn The victor and the vanquisnea two nursery schools and six going on in national student life is Student Centre Concourse were apathy, and for the anti-NUS, "well children's homes would be closed. available by phoning 01-263 57 13 No! That's what Edin­ markedly closer. Students at KB informed''. aooeared to be th e most 400 Jobs would be lost. Funding for anytime of night or day. This week were most adamantly opposed to popular remark. community education, repairs and they are drooling over the 5:1 burgh University Stud­ When the last result came in, a reaffiliation as results like 180 to 61 maintenance, List D schools and majority vote in Leeds University loud cheer went up as the victors ents' Association (ie you) and 89 to 8 clearly illustrate. This sheltered housing would be to stay in NUS. Ed inburgh's scurried off to the Middle Reading said to NUS affiliation. We latter result is worthy of particular slashed . The preliminary decision to stay out is also Room where a rather impressive comment. proposals were contained In mentioned in a somewhat have opted for retaining victory banquet had been It was the Agric students who documents leaked to The disgusted tone of voice. Fame at the status quo. The issue prepared. Meanwhile, the NUS Scotsman. voted 89 to 8 against the issue. last' is not likely to be voted on This is especially interesting given supporters went off to the bar and again until most of us that most of lhese students will, if quietly drowned their sorrows. I spoke to Susan Deacon, leader here have left the they succeed in their aspirations, Kelly v. Arafat eventually join the National of the "NUS-Yes" campaign. She Health Protest University. Michael admitted to being very dis­ GLASGOW'S LORD PROVOST, Farmers Union - probably the KEN SHOJI, SENIOR President, appointed, but she claimed a Dr Michael Kelly, is to stand as an Devlin reports on the most influential pressure group in has finally sent a letter of protest victory in that her campaign had independent candidate in count and gives some Britain. For farmers, national against NHS cuts lo Norman representation decides their won the arguments, merely losing Glasgow University's rectorial reactions to the result. the vote as a result of people's elections against Vasser Arafat. Fowler, MP, Social Services quality of life. There seems, Secretary. In II he em phasised instincts to always opt for the His decision follows a snub from The result was as follows: 4. 783 therefore, to be a contradiction in that students are particularly students voted , a slight decrease status quo. She stressed how hard the Labour Club who are giving the fact that these aspiring farmers de pendent on the Health Service all the campaigners had worked their backing to Arafat. Actor on the 1979 number -of 5,176. Of voted 10:1 against national and would be badly afl~cted by the that number, 2,344 voted against and thanked them for doing so. Omar Sharif is expected to turn up representation whilst they are present cuts. reaffiliation and only 1,439 said students. Tim Farley, tucking ,nto a plate on the campus on polling day to that they wanted to be a part of the of rather sumptuous looking food, support the Arab leader. Not a single polling station had National Union of Students. said that he fel t elated with the 5:2 anything other than a majority The count, which was done vote against. He was a bit dis­ against. As the result of the New Financial help station by station, didn't quite have appointed with the turn-out, but College (where the school of Gay Storm? A MONEY ADVICE Centre will the atmosphere of some of the was pleased that the issue can now divinity is housed) was written on A 'HUMOROUS' ARTICLE on open for the first time at the SAC counts in the past, largely be forgotten about for 4-5 years. the results board as 48:9 against, homosexual life in Paris which reception area of the Chaplaincy because the result was predicted So ends another issue. Good old Mike Conway was heard to say appeared in Glasgow University's well in advance, even by the pro­ radical Ed inburgh has done it Centre next Wednesday, February "there goes the moral argument". student newspaper has created an NUS faction who had realistically again and astounded the world at 22. Staff will be on hand from 12-2 This was the order of the night. uproar amongst the students resigned themselves to defeat. large with its impulsiveness: less pm to give advice and answer As each result came in , the hacks there. In the tolerant spirit we have Nevertheless, a degree of than half o f you voted, and of those enquiries on grants, housing evaluated the students associated come to expect of them, nearly600 excitement was generated as the only a fraction attended any benefits and other financial with the particular polling station have' signed a petition of protest to 24 results came in slowly but hustings. Maybe it's as well we matters. Twenty people re· and tried to judge why the the University's Guarc;Jian cal ling surely. didn't join NUS - we would have sponded to a plea for volunteers to students voted as they did. For the the article pornographic and Most of the results were been to too apathetic to haul staff the Centre which will pro-NUS faction this judgement emphatically "no", while other ourselves along to the con­ 'lewd'. The editor has apologised hopefully be of help to many generally entailed a comment on such as DHT basement and the ferences anyway! for any offence caused . students. Directors of Studies come under Another million slashe The Government's damage since the Education searching questions about their hammer spring offensive against Secretary, Sir Keith Joseph, first future expectations. Once the survey has been drawn asked via the University Grants He also noted recent sug• Are you dissatisfied up it will be circulated by the SAC Universities has begun. Council whether they could cope gestlons that each University with your Director of to gather statistical evidence on Edinburgh now faces a £1 with an annual cut of 1-2 per sent should be subject lo a strict Studies? If so you may Directors of Studies to enable the million cut, in real terms, over ten years. management and efficiency study. soon be able to make your University to address itself to the Reported financial penalties are " The outlook lo be Inferred," he main problems. There are unlikely from its 1984.:5 budget - a cruel blow to a University that said, "Is that the future of views felt in a forth­ to be any easy solutions as most more than two per cent of has made particularly strenuous Universities Is to be assessed In coming survey by the directors. through pressure of its annual grant, already efforts to live within Its new means, terms of narrowly-conceived University's Director of work, simply lack the time to battered by three years of and to find alternative sources of economic requirements, that they concern themselves more with cash. Edinburgh has been should be run more cheaply and Studies Working Party. their students. "sli mming-down". phenomenally successful In that they should, nevertheless, The Working Party was set up by In the interests of neutrality the Edinburgh's Principal, Dr John attracting research funds from produce more scientists and the University's Welfare Services Working Party's convener is an Burnett, announced the cut In a private sources - it received £11 technologists than at present - Committee after members of stall Edinburgh District Councillor, last-minute addition to a speech to million last year - and had a which costs morel" and the SAC brought the failings Nainsi Mainsbridge.
Load more

Recommended publications
  • View Or Download Full Colour Catalogue May 2021
    VIEW OR DOWNLOAD FULL COLOUR CATALOGUE 1986 — 2021 CELEBRATING 35 YEARS Ian Green - Elaine Sunter Managing Director Accounts, Royalties & Promotion & Promotion. ([email protected]) ([email protected]) Orders & General Enquiries To:- Tel (0)1875 814155 email - [email protected] • Website – www.greentrax.com GREENTRAX RECORDINGS LIMITED Cockenzie Business Centre Edinburgh Road, Cockenzie, East Lothian Scotland EH32 0XL tel : 01875 814155 / fax : 01875 813545 THIS IS OUR DOWNLOAD AND VIEW FULL COLOUR CATALOGUE FOR DETAILS OF AVAILABILITY AND ON WHICH FORMATS (CD AND OR DOWNLOAD/STREAMING) SEE OUR DOWNLOAD TEXT (NUMERICAL LIST) CATALOGUE (BELOW). AWARDS AND HONOURS BESTOWED ON GREENTRAX RECORDINGS AND Dr IAN GREEN Honorary Degree of Doctorate of Music from the Royal Conservatoire, Glasgow (Ian Green) Scots Trad Awards – The Hamish Henderson Award for Services to Traditional Music (Ian Green) Scots Trad Awards – Hall of Fame (Ian Green) East Lothian Business Annual Achievement Award For Good Business Practises (Greentrax Recordings) Midlothian and East Lothian Chamber of Commerce – Local Business Hero Award (Ian Green and Greentrax Recordings) Hands Up For Trad – Landmark Award (Greentrax Recordings) Featured on Scottish Television’s ‘Artery’ Series (Ian Green and Greentrax Recordings) Honorary Member of The Traditional Music and Song Association of Scotland and Haddington Pipe Band (Ian Green) ‘Fuzz to Folk – Trax of My Life’ – Biography of Ian Green Published by Luath Press. Music Type Groups : Traditional & Contemporary, Instrumental
    [Show full text]
  • Troiker 042010 Eng 1
    [EDITORIAL] Dear Troikers, In this issue of The Troiker we tried to look into the future, but we quickly decided not to get carried away, however tempting this may be. The future is ever-changing, dependant upon the roads we take today and the decisions we make right now. Behrad Khamesee, inventor of microscopic robots, spends his days doing his work, hardly preoccupied with the thought that ten years from now these robots will perform surgery at the cellular level. His life is here and now, enraptured with his invention and giving it his all. Ukranian inventor Igor Pasternak is busy working on a hybrid airplane and blimp. He may have the occasional reverie that his ‘flying mansion’ will one day become the most popular mode of transport, but he spends most of his time making this wonder a reality. Behind every new discovery stands a person enraptured by their idea taking pleasure in realizing it. This issue of our magazine isn’t just about the future, but the people who create it. The key interviews in this issue cover Troika’s strategy and development prospects. The ‘Profession’ column reveals the myths and reality of the work of compliance officers. The ‘Team’ section is about the magicians in the IT Department. Read, dare, create! Best regards, The Troiker Editorial Photo: Ivan Kurennoy Photo: Ivan №8 Founder Inspired by Custom Publishing Independent Media Sanoma Magazines Editorial adress Prepress The Closed Joint-Stock Gor Nakhapetian Director Custom Publishing Photo Editors 3 Polkovaya ul., bldg.1 ArtLion Company “Investment Inna Miloserdova Galina Ustinova Evgenia Starkova Moscow, Russia, 127018 Printhouse company “Troika Project Managers Project Manager Olga Razgovorova Tel.: +7 495 232 32 00 Graffiti Dialog” Ekaterina Semenova Olga Kumakhova www.gopublishing.ru Tel.: (495) 725-09-09 4 Romanov pereulok Marina Liubanskaya Art Director In the issue were used photos from www.graffiti.ru Moscow Russia 125009 Internal Communications Mariana Modyrka the fotobank of Troika Dialog.
    [Show full text]
  • Cinemahungaro.Pdf
    Ministério da Cultura apresenta Banco do Brasil apresenta e patrocina Produção Geração Praça Moscou: O Cinema Húngaro Contemporâneo O Ministério da Cultura e o Banco do Brasil apresentam Geração Praça Moscou: O Cinema Húngaro Contemporâneo. A mostra contempla um debate e dezesseis filmes produzidos nos anos 2000, que traçam um panorama da nova produção cinematográfica da Hungria. As películas, em sua maioria inéditas no Brasil, integraram diversos festivais internacionais e exibem um olhar sobre a geração pós-comunista do Leste Europeu. O filme Praça Moscou, que intitula a seleção, é um dos precursores desta expressão da nova realidade cinematográfica da Hungria. Ao realizar este projeto, o Centro Cultural Banco do Brasil reafirma sua proposta de promover programação que estimule reflexão por meio de temas importantes e polêmicos, além de apresentar ao público uma filmografia internacional pouco divulgada no país. Centro Cultural Banco do Brasil ISBN 978-85-85688-55-4 “Talvez seja a ironia que nos liga. Em nossos filmes, não há brincadeira e gargalhada. O humor é fruto do encarar o mundo.” György Pálfi, diretor, referindo-se aos cineastas de sua geração 1989 O ano de 1989 foi decisivo para o sistema socialista no Leste Europeu: em janeiro, Károly Grósz, o primeiro ministro da Hungria, anuncia que em algumas semanas começará o recuo das tropas soviéticas do país. O 41º presidente dos EUA assume oficialmente seu cargo; é George H. W. Bush, que viria a advogar pela necessidade do pluripartidarismo em uma posterior visita oficial à Alemanha Ocidental – a das eleições livres e da queda do Muro de Berlim.
    [Show full text]
  • Stilyagi (Crnnrrn) Review - ESCAPE from HOLLYWOOD I the International Cinema Addict's Definitive Resource 814ILL 4:T2 PM
    Stilyagi (Crnnrrn) Review - ESCAPE from HOLLYWOOD I the international cinema addict's definitive resource 814ILL 4:T2 PM Stilyagi (Crnilntlt) Review Published May 151h,2009 in Europe & Russia and Reviews. 4 Comments Musical comedy is hardly a genre most people would associate with modern Russian cinema. Traditionally known and respected for such somber and inquisitive works as Nikita Mikhalkov's Burnt by the Sun (1994), Andrei Zvyagintsev's The Return (2001), and Aleksei Balabanov's Cargo 200 (2OO7), post-Soviet Russian directors had generally focused on negative aspects of the Russian experience until the early 2000s, when waves of cash flowing from the country's oil and gas-fueled economic boom finally reached the film industry, resulting in the production of commercially-oriented blockbusters such as Night Watch (2OO4) and The 9th Company (2OO5). Continuing this trend and taking it in a new direction is Valeriy Todorovskiy's new frlm Stilyagi (Hipsters). Featuring an all-star cast, dynamic script and slick cinematography, Stilyagi takes the viewer on an epic joy ride through 1955 Moscow, two years after Stalin's death. At the height of the Cold War in the Soviet Union, the titular stilyagi were a bunch of Western-oriented hipsters who loved jazz, exhibited questionable morals and enjoyed dressing with style. Mels (Anton Shagin), a seemingly brainwashed member of the Communist youth group Komsomol, falls in love with Polza (Oksana Akinshina) while raiding an illegal underground nightclub . Polza invites Mels to join her and her friends on the "Broadway" and Mels is dumbfounded when he shows up to the party dressed plainly and looking apologetic.
    [Show full text]
  • Russian Cinema Now, an 11-Film Showcase of Contemporary Films, May 31— Jun 13
    BAMcinématek presents the 30th anniversary of Andrei Tarkovsky’s Nostalghia for two weeks in a new 35mm print, alongside Russian Cinema Now, an 11-film showcase of contemporary films, May 31— Jun 13 In association with TransCultural Express: American and Russian Arts Today, a partnership with the Mikhail Prokhorov Fund to promote cultural exchange between American and Russian artists and audiences Three North American premieres, three US premieres, and special guests including legendary Fugees producer John Forté and friends and acclaimed directors Sergei Loznitsa and Andrey Gryazev The Wall Street Journal is the title sponsor for BAM Rose Cinemas and BAMcinématek. Brooklyn, NY/May 10, 2013—From Friday, May 31 through Thursday, June 13, BAMcinématek presents a two-week run of Russian master Andrei Tarkovsky’s Nostalghia in a new 35mm print for its 30th anniversary, alongside Russian Cinema Now, a series showcasing contemporary films with special guests and Q&As. Both programs are part of TransCultural Express: American and Russian Arts Today, a collaborative venture to promote cultural exchange and the Mikhail Prokhorov Fund’s inaugural artistic alliance with a US performing arts institution. For more information on TransCultural Express, download the program press release. A metaphysical exploration of spiritual isolation and Russian identity, Tarkovsky’s (Solaris, Stalker) penultimate film Nostalghia (1983) follows Russian expat and misanthropic poet Andrei (Oleg Yankovsky, The Mirror) as he travels to Italy to conduct research on an 18th-century composer. In the course of his study, he is overcome by melancholy and a longing for his home country—a sentiment reflective of the exiled Tarkovsky’s own struggle with displacement, this being his first film made outside of the USSR (the film’s Italian title translates as “homesickness”).
    [Show full text]
  • Tarkovsky Is for Me the Greatest, the One Who Invented a New Language, True to the Nature of Film As It Captures Life As a Reflection, Life As a Dream.”
    stop press stop press stop press stop press stop press stop press stop press stop press stop press stop press stop press stop press Curzon Mayfair 38 Curzon Street 7 – 13 DECEMBER London W1J Features £10/£8 Curzon Members; www.curzoncinemas.com Documentaries £6.50 Box Office: 0871 7033 989 TARKOVSKY FESTIVAL – A RETROSPECTIVE As part of the celebration of the 75th Anniversary of one of the undisputed masters of world cinema, Andrei Tarkovsky (1932 – 1986), Curzon Cinemas and Artificial Eye present screenings of his feature films, documentaries about him, and the reading of a stage play related to his work. Most screenings will be introduced by an actor or member of the crew, followed by a Q&A. Related activities will take place across the capital. “Tarkovsky is for me the greatest, the one who invented a new language, true to the nature of film as it captures life as a reflection, life as a dream.” Ingmar Bergman FRI 7 DECEMBER 7PM OPENING GALA PLUS Q&A: THE SACRIFICE (PG) – NEW PRINT Director: Andrei Tarkovsky / Starring: Erland Josephson, Susan Fleetwood, Gudrun Gisladottir / Russia 1986 / 148 mins / Russian with English subtitles Tarkovsky's final film unfolds in the hours before a nuclear holocaust. Alexander is celebrating his birthday when a crackly TV announcement warns of imminent nuclear catastrophe. Alexander makes a promise to God that he will sacrifice all he holds dear, if the disaster can be averted. The next day dawns and everything is restored to normality, but Alexander must now keep his vow. We hope to welcome on stage lead actress Gudrun Gisladottir, and Layla Alexander-Garrett, the interpreter on THE SACRIFICE.
    [Show full text]
  • The Affirmative Aphasia of Tarkovsky's Mirror
    „ Я [не] могу говорить”: The affirmative aphasia of Tarkovsky’s Mirror Emma Zofia Zachurski Mine is not a pleasant story, it does not possess the gentle harmony of invented tales; like the lives of all men who have given up trying to deceive themselves, it is a mixture of nonsense, madness and dreams… Taken from the opening of Hermann Hesse’s novel Demian: The Story of Emil Sinclair’s Youth (1919), Andrei Tarkovsky encounters this passage in 19821 and retroactively calls it the epigraph to his 1975 film Зеркало (Mirror). Hesse’s ‘mixture’ is only too relevant to the content of Mirror. Tarkovsky’s own return to the past refuses ‘gentle harmony’ as it unfolds in a non-linear assemblage of dreamlike mise-en- scène, stark historical documentary footage, lyrical readings of poetry by the filmmaker’s father Arseny Tarkovsky and a disorienting casting of actors and the filmmaker’s family members in multiple roles. However, neither the Hesse passage nor the Tarkovsky film are only interested in content. They both also share a sensitivity to form, to their language– the nonsense through which they make sense. In text this may be the nonsense of written language standing in for the sensations of the tactile, the aural and the visual that define the events of the past. Offering no more than paper and pen for these sensory experiences, text becomes ‘non-sense’ indeed. Tarkovsky, however, is not limited to text. He has access to the senses, his camera can directly record sound and vision. If Tarkovsky has access to the senses, though, does he also have access to sense? Tarkovsky offers a response: “In general, I view words as noise made by man”2.
    [Show full text]
  • Star in 'Tsar'
    MOSCOW OCTOBER 2009 www.passportmagazine.ru Ballets Russes in Moscow Playground of the People – VDNKh Update on Russian Wines Peter Mamonov and Oleg Yankovsky star in ‘Tsar’ Contents 4 What’s On In October 7 October Holidays 8 Previews 11 Theater 11 12 Ballet Ballets Russes in Moscow 14 Film Peter Mamonov as Ivan the Terrible in Tsar 16 Art Moscow Biennale 14 20 Architecture VDNKh 22 Media The English Language Press 24 Travel Yakutia 24 28 Restaurant Review Osteria Montiroli 30 Wine Tasting Russian Wine Country Update 32 Book Review The Quest for Radovan Karadzic 30 33 Out & About 36 Real Estate Prospekt Mira 40 Community Football: From Journalist to Footballist 40 42 Columns Real Estate Relocation Financial Overview 45 Viewpoint Michael Romanov’s Diary Flintstone 45 48 Distribution List October 2009 3 Letter from the Publisher Beauty Center in Baltschug Kempinski Reopens The beauty salon: Beauty Center Baltschug has reopened. The center guarantees the highest standard of service, English-speaking staff and sensible pricing. This is exactly what business people who need the best possible service need! We provide excellent cosmetology (Kanebo- Sensai Sothys), medicinal spa-routines for hair (La Biosthetique), and an original massage routine – these are only a few of the services that we offer our clients. Happy hours means 20% off during weekdays from 11:00 to 13:00. Clients holding the Privilege Card Baltschug Kempin- ski card enjoy discounts on a continuous basis. Trafalgar Ball The 10th Trafalgar Ball will be held on Saturday October 24 in the ballroom of the Marriott Grand Hotel.
    [Show full text]
  • Eisenstein and Tarkovsky
    Eisenstein and Tarkovsky By Marina L. Levitina Fall 2007 Issue of KINEMA EISENSTEIN AND TARKOVSKY: AN UNEXPECTED CONNECTION For the majority of film scholars, the names of Tarkovsky and Eisenstein represent an opposition between two radically different approaches to the art of cinema. This opposition has been established by Tarkovsky himself, when he wrote: I am radically opposed to the way Eisenstein used the frame to codify intellectual formulae. My own method of conveying experience to the audience is quite different. Of course it has tobe said that Eisenstein wasn’t trying to convey his own experience to anyone, he wanted to put across ideas, purely and simply; but for me that sort of cinema is utterly inimical. Moreover, Eisenstein’s montage dictum, as I see it, contradicts the very basis of the unique process whereby a film affects the audience.(1) Here, Tarkovsky was referring to Eisenstein’s earlier films such as Strike, Battleship Potemkin, and October, all made in the 1920s when Eisenstein was developing his theory of ”intellectual montage.” Behind this theory was an idea that two shots edited together can produce a third, new meaning which derives from a ”collision” between the two original shots. Thus, a filmmaker can in effect use film shots as a kind of hieroglyphs, which make up a new language.(2) Using this linguistic aspect of cinema, according to Eisenstein’s theoretical writings of the 1920s, provides a filmmaker with an ability to influence the viewers’ thought processes, guiding them in a premeditated intellectual direction.(3) Tarkovsky, on the other hand, was a proponent of a natural temporal flow within individual shots as the main formative element of cinema.
    [Show full text]
  • March 24, 2009 (XVIII:10) Andrei Tarkovsky, NOSTALGHIA, 1983 125 Minutes
    March 24, 2009 (XVIII:10) Andrei Tarkovsky, NOSTALGHIA, 1983 125 minutes Directed by Andrei Tarkovsky Screenplay by Andrei Tarkovsky &Tonino Guerra Produced by Franco Casati Cinematography by Giuseppe Lanci Film Editing by Erminia Marani and Amedeo Salfa Oleg Yankovsky...Andrei Gorchakov Erland Josephson...Domenico Domiziana Giordano...Eugenia Patrizia Terreno...Andrei's Wife Laura De Marchi...Chambermaid Delia Boccardo...Domenico's Wife Milena Vukotic...Civil Servant Raffaele Di Mario Rate Furlan Livio Galassi Elena Magoia Piero Vida Holmes and Dr. Watson: The Hound of the Baskervilles (1981), Tot samyy Myunkhgauzen/Theat Munchhausen (1979), ANDREI TARKOVSKY (April 4, 1932, Zavrazhe, Ivanono, Povorot/The Turning Point (1978), Moy laskovyy i nezhnyy zver/A USSR—December 29, 1986, Paris, France, lung cancer) directed Hunting Accident (1978), Sladkaya zhenshchina/A Sweet Woman 11 films: Offret/The Sacrifice (1986), Nostalghia (1983), Tempo (1976), Sentimentalnyy roman (1976), Zerkalo/The Mirror (1975), di viaggio/Voyage in Time (1983), Stalker (1979), Zerkalo/The Premiya (1974), Rasplata/Reckoning (1970), and O lyubvi/A Mirror (1975), Solyaris/Solaris (1972), Andrey Rublyov/Andrei Ballad of Love (1966). Rublev (1966), Ivanovo detstvo/Ivan’s Childhood (1962), Katok i skripka/The Skating Rink and the Violin (1961), Segodnya ERLAND JOSEPHSON (June 15, 1923, Stockholm, Stockholms län, uvolneniya ne budet/There Will Be No Leave Today (1959), and Sweden) has been in several Ingmar Bergman films. He has 98 Ubiytsy/The Killers (1958). acting credits,
    [Show full text]
  • E] Book Contents
    The Eskimo Republic For John Powles, former Project Manager of the Centre for Political Song at Glasgow Caledonian University, and for Thurso Berwick. Other books written or co-written by Ewan McVicar include One Singer One Song Cod Liver Oil & The Orange Juice [with Hamish Imlach] Streets Schemes & Stages [with Mary McCabe] Traditional Scottish Songs & Music [with Katherine Campbell] Doh Ray Me When Ah Wis Wee Lang Legged Beasties One Black Isle Night The Eskimo Republic Scots political folk song in action 1951 to 1999 Ewan McVicar Gallus Publishing Linlithgow All rights reserved. The moral right of the author has been asserted. First published in Great Britain in 2010 by Gallus Publishing 84 High Street Linlithgow EH49 7AQ 01506 847935 [email protected] No part of this book may be produced or transmitted in any form or by any other means without permission in writing from the publisher, except by a reviewer who wishes to quote brief passages. This book was researched, created and published through a Writers Bursary grant in 2008 from the Scottish Arts Council, to whom full thanks are given. All interview texts are the copyright of those interviewed, who are thanked for their generous giving of time, knowledge and thoughts. Particular thanks are due to John Powles, Ian Davison, Stuart McHardy and Geordie McIntyre. Song texts are the copyright of the named creators or their heirs. Particular thanks to Marion Blythman, Kaetzel Henderson, Janette McGinn, Meic Stephens, the families of Norman MacCaig and John MacEvoy, Ian Davison and Seylan Baxter to quote from the relevant works.
    [Show full text]
  • Mediaobrazovanie) Media Education (M Ediaobrazovanie
    Media Education (Mediaobrazovanie) Has been issued since 2005. ISSN 1994–4160. E–ISSN 1994–4195 2020, 60(1). Issued 4 times a year EDITORIAL BOARD Alexander Fedorov (Editor in Chief ), Prof., Ed.D., Rostov State University of Economics (Russia) Imre Szíjártó (Deputy Editor– in– Chief), PhD., Prof., Eszterházy Károly Fõiskola, Department of Film and Media Studies. Eger (Hungary) Ben Bachmair, Ph.D., Prof. i.r. Kassel University (Germany), Honorary Prof. of University of London (UK) Oleg Baranov, Ph.D., Prof., former Prof. of Tver State University Elena Bondarenko, Ph.D., docent of Russian Institute of Cinematography (VGIK), Moscow (Russia) David Buckingham, Ph.D., Prof., Loughborough University (United Kingdom) Emma Camarero, Ph.D., Department of Communication Studies, Universidad Loyola Andalucía (Spain) Irina Chelysheva, Ph.D., Assoc. Prof., Anton Chekhov Taganrog Institute (Russia) Alexei Demidov, head of ICO “Information for All”, Moscow (Russia) Svetlana Gudilina, Ph.D., Russian Academy of Education, Moscow (Russia) Tessa Jolls, President and CEO, Center for Media Literacy (USA) Nikolai Khilko, Ph.D., Omsk State University (Russia) Natalia Kirillova, Ph.D., Prof., Ural State University, Yekaterinburg (Russia) Sergei Korkonosenko, Ph.D., Prof., faculty of journalism, St– Petersburg State University (Russia) Alexander Korochensky, Ph.D., Prof., faculty of journalism, Belgorod State University (Russia) W. James Potter, Ph.D., Prof., University of California at Santa Barbara (USA) Robyn Quin, Ph.D., Prof., Curtin University, Bentley, WA (Australia) Alexander Sharikov, Ph.D., Prof. The Higher School of Economics, Moscow (Russia) Vladimir Sobkin, Acad., Ph.D., Prof., Head of Sociology Research Center, Moscow (Russia) Kathleen Tyner, Assoc. Prof., Department of Radio– Television– Film, The University of Texas at Austin (USA) Svetlana Urazova, PhD., Assoc.
    [Show full text]