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Dissertação Final Corrigida
Universidade Estadual Paulista “Julio de Mesquita Filho” Instituto de Artes ALINE PIRES LUZ A ARTE PSICODÉLICA E SUA RELAÇÃO COM A ARTE CONTEMPORÂNEA NORTE-AMERICANA E INGLESA DOS ANOS 1960: uma dissolução de fronteiras São Paulo 2014 ALINE PIRES LUZ A ARTE PSICODÉLICA E SUA RELAÇÃO COM A ARTE CONTEMPORÂNEA NORTE-AMERICANA E INGLESA DOS ANOS 1960: uma dissolução de fronteiras Dissertação apresentada ao curso de Pós- Graduação em Artes, do Instituto de Artes da Universidade Estadual Paulista – UNESP, como requisito parcial para obtenção do título de Mestre em Artes Visuais, Área de concentração: História da Arte. Linha de Pesquisa: Abordagens Teóricas, Históricas e Culturais da Arte. Orientador: Prof. Dr. Omar Khouri. São Paulo 2014 ALINE PIRES LUZ A ARTE PSICODÉLICA E SUA RELAÇÃO COM A ARTE CONTEMPORÂNEA NORTE-AMERICANA E INGLESA DOS ANOS 1960: uma dissolução de fronteiras Dissertação aprovada como requisito parcial para obtenção do grau de Mestre em Artes Visuais no curso de Pós-Graduação em Artes, do Instituto de Artes da Universidades Estadual Paulista – UNESP, com área de concentração em História da Arte, pela seguinte banca examinadora: __________________________________________ Prof. Dr. Omar Khouri Instituto de Artes (UNESP) – Orientador. __________________________________________ Prof. Dr. Sérgio Mauro Romagnolo Instituto de Artes (UNESP) __________________________________________ Dr. Júlio César Mendonça Pontifícia Universidade Católica – PUC/SP São Paulo, 10 de Junho de 2014 RESUMO Tem-se por objetivo situar a produção de arte psicodélica vinculada ao movimento de contracultura da década de 1960, em relação à chamada arte contemporânea, que se iniciava no mesmo período e que pode ser tomada como uma arte que se deu no âmbito mainstream , por circular nas principais galerias, museus e fazer parte da História da Arte. -
Whole Earth Catalog
WHOLE EARTH CATALOG access to tools h^y' Spring 1969 #'?' amH •'"v; * : WHOLE EARTH CATALOG FUNCTION The WHOLE EARTH CA TALOG functions as an evaluation and access device. With it, the user should know better what is worth getting and where and how to do the getting. An item is listed in the CA TALOG if it is deemed: 1) Useful as a tool, 2) Relevant to independent education, 3) High quality or low cost, 4) Easily available by mail. CA TA L OG listings are continually revised according to the experience and suggestions of CAT A L OG users and staff. PURPOSE We are as gods and might as well get good at it. So far, remotely done power and glory--as via government, big business, formal education, church-has succeeded to the point where gross defects obscure actual gains. In response to this dilemma and to these gains a realm of intimate, personal power is developing-power of the individual to conduct his own education, find his own inspiration, shape his own environment, and share his adventure with whoever is interested. Tools that aid this process are sought and promoted by the WHOLE EARTH CATALOG. RETAINING SUBSCRIBERS Mark Albert San Francisco, California John Doss San Francisco, California Edmund Scientific Company Barrington, New Jersey Henry Jacobs & Associates Sausalito, California Edward Rosenfeld New York, New York St. George Bryan Maui, Hawaii Geoffrey Gates New York. New York Peter Cornell Berkeley, California Second Printing August 1969 © 1969 Portola Institute, Inc. All rights reserved under Pan-American and International copyright -
Fortean Times 338
THE X-FILES car-crash politics jg ballard versus ronald reagan cave of the witches south america's magical murders they're back: is the truth still out there? phantom fares japan's ghostly cab passengers THE WORLD’S THE WORLD OF STRANGE PHENOMENA WWW.FORTEANTiMES.cOM FORTEAN TiMES 338 chimaera cats • death by meteorite • flat earth rapper • ancient greek laptop WEIRDES NEWS T THE WORLD OF STRANGE PHENOMENA www.forteantimes.com ft338 march 2016 £4.25 THE SEcRET HiSTORy OF DAviD bOWiE • RETuRN OF THE x-FiLES • cAvE OF THE WiTcHES • AuTOMATic LEPREcHAuNSP • jAPAN'S GHOST ACE ODDITY from aliens to the occult: the strange fascinations of daVid b0Wie FA RES bogey beasts the shape-shifting monsters of british folklore mystery moggies on the trail of alien big MAR 2016 cats in deepest suffolk Fortean Times 338 strange days Japan’s phantom taxi fares, John Dee’s lost library, Indian claims death by meteorite, cretinous criminals, curious cats, Harry Price traduced, ancient Greek laptop, Flat Earth rapper, CONTENTS ghostly photobombs, bogey beasts – and much more. 05 THE CONSPIRASPHERE 23 MYTHCONCEPTIONS 05 EXTRA! EXTRA! 24 NECROLOG the world of strange phenomena 15 ALIEN ZOO 25 FAIRIES & FORTEANA 16 GHOSTWATCH 26 THE UFO FILES features COVER STORY 28 THE MAGE WHO SOLD THE WORLD From an early interest in UFOs and Aleister Crowley to fl irtations with Kabbalah and Nazi mysticism, David Bowie cultivated a number of esoteric interests over the years and embraced alien and occult imagery in his costumes, songs and videos. DEAN BALLINGER explores the fortean aspects and influences of the late musician’s career. -
Foreword to Healing with Entactogens: Therapist and Patient Perspectives on MDMA-Assisted Group Psychotherapy by Torsten Passie, M.D
MAPS Bulletin Annual Report Foreword to Healing with Entactogens: Therapist and Patient Perspectives on MDMA-Assisted Group Psychotherapy by Torsten Passie, M.D. RAPLH METZNER, PH.D. DURING THE 1980S, MDMA, WHICH WAS originally explored as an e!ective adjunct to psychotherapy, with remarkable anxiety-reducing e!ects and minimal if any visual or cognitive alterations, escaped out of the o"ces of a few dozen psychotherapists in the U.S. and Europe, and became the recreational party drug “Ecstasy,” consumed by thou- sands at all-night rave-dance events. Predictably, as the Ecstasy-fueled rave subculture grew in numbers, laws were passed in all relevant countries making possession of the drug illegal and thereby largely unavailable to therapists to use in their practice—even those (like myself) who had previously used it with good results. This story was an almost exact replay of the story of how LSD was introduced into the culture in the 1960s: At #rst, reports from psychiatric researchers showing dramatic evidence of its e!ectiveness as an adjunct to psycholytic therapy in a range of conditions, including alcoholism, various forms of neurosis, as well as the stimulation of religious experiences and the enhancement of creativity. Then, after enthusiastic Ralph Metzner, Ph.D. reports from the therapists who themselves experienced it and its availability in the underground market, the therapy drug LSD became the “acid” of long dance parties with light shows and psychedelic rock music, and was subsequently made illegal and therefore unavailable to established medical-psychiatric researchers. Now, another generation later, the mainstream culture seems to be opening up again to the therapeutic possibilities of these substances (and others like DMT, ibo- gaine, and ayahuasca) and serious research on possible applications is again being done in the U.S. -
216631157.Pdf
The Alternative Media Handbook ‘Alternative media’ are media produced by the socially, culturally and politically e xcluded: they are always independently run and often community-focused, ranging from pirate radio to activist publications, from digital video experiments to ra dical work on the Web. The Alternative Media Handbook explores the many and dive rse media forms that these non-mainstream media take. The Alternative Media Hand book gives brief histories of alternative radio, video and lm, press and activity on the Web, then offers an overview of global alternative media work through nu merous case studies, before moving on to provide practical information about alt ernative media production and how to get involved in it. The Alternative Media H andbook includes both theoretical and practical approaches and information, incl uding sections on: • • • • • • • • successful fundraising podcasting blogging publishing pitch g a project radio production culture jamming access to broadcasting. Kate Coyer is an independent radio producer, media activist and post-doctoral re search fellow with the Annenberg School for Communication at the University of P ennsylvania and Central European University in Budapest. Tony Dowmunt has been i nvolved in alternative video and television production since 1975 and is now cou rse tutor on the MA in Screen Documentary at Goldsmiths, University of London. A lan Fountain is currently Chief Executive of European Audiovisual Entrepreneurs (EAVE), a professional development programme for lm and television producers. He was the rst Commissioning Editor for Independent Film and TV at Channel Four, 198 1–94. Media Practice Edited by James Curran, Goldsmiths, University of London The Media Practice hand books are comprehensive resource books for students of media and journalism, and for anyone planning a career as a media professional. -
North American Artists' Groups, 1968–1978 by Kirsten Fleur Olds A
Networked Collectivities: North American Artists’ Groups, 1968–1978 by Kirsten Fleur Olds A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History of Art) in The University of Michigan 2009 Doctoral Committee: Professor Alexander D. Potts, Chair Professor Matthew N. Biro Associate Professor Rebecca Zurier Assistant Professor Kristin A. Hass © Kirsten Fleur Olds All rights reserved 2009 To Jeremy ii Acknowledgments This dissertatin truly resembles a “third mind” that assumed its own properties through collaborations at every stage. Thus the thanks I owe are many and not insignificant. First I must recognize my chair Alex Potts, whose erudition, endless patience, and omnivorous intellectual curiosity I deeply admire. The rich conversations we have had over the years have not only shaped this project, but my approach to scholarship more broadly. Moreover, his generosity with his students—encouraging our collaboration, relishing in our projects, supporting our individual pursuits, and celebrating our particular strengths—exemplifies the type of mentor I strive to be. I would also like to acknowledge the tremendous support and mentorship provided by my committee members. As I wrote, I was challenged by Rebecca Zurier’s incisive questions—ones she had asked and those I merely imagined by channeling her voice; I hope this dissertation reveals even a small measure of her nuanced and vivid historicity. Matt Biro has been a supportive and encouraging intellectual mentor from my very first days of graduate school, and Kristin Hass’sscholarship and guidance have expanded my approaches to visual culture and the concept of artistic medium, two themes that structure this project. -
Earth and Beyond in Tumultous Times: a Critical Atlas of the Anthropocene
Gál, Löffler (Eds.) Earth and Beyond in Tumultous Times EARTH BEYOND GÁL LÖFFLER Earth and Beyond in Tumultuous Times Future Ecologies Series Edited by Petra Löffler, Claudia Mareis and Florian Sprenger Earth and Beyond in Tumultuous Times: A Critical Atlas of the Anthropocene edited by Réka Patrícia Gál and Petra Löffler Bibliographical Information of the German National Library The German National Library lists this publication in the Deutsche Nationalbibliografie (German National Bibliography); detailed bibliographic information is available online at http://dnb.d-nb.de. Published in 2021 by meson press, Lüneburg, Germany www.meson.press Design concept: Torsten Köchlin, Silke Krieg Cover image: Mashup of photos by Edgar Chaparro on Unsplash and johndal on Flickr Copy editing: Selena Class The print edition of this book is printed by Lightning Source, Milton Keynes, United Kingdom. ISBN (Print): 978-3-95796-189-1 ISBN (PDF): 978-3-95796-190-7 ISBN (EPUB): 978-3-95796-191-4 DOI: 10.14619/1891 The digital editions of this publication can be downloaded freely at: www.meson.press. This Publication is licensed under the CC-BY-SA 4.0 International. To view a copy of this license, visit: http://creativecommons.org/licenses/by-sa/4.0/. Contents Series Foreword: Future Ecologies 9 Caucho 13 Mátyás Sirokai [ 1 ] Introduction 15 Réka Patrícia Gál and Petra Löffler Plant-time 45 Kornélia Deres [ 2 ] Memory Regimes and the Anthropocene: Tracing Causes and Responsibilities under Flood Risk Scenarios in Ancash, Peru 47 Tomás J. Usón Archipalego 73 -
The Enabling Environment for Free and Independent Media: Contribution to Transparent and Accountable Governance
University of Pennsylvania ScholarlyCommons Departmental Papers (ASC) Annenberg School for Communication January 2002 The Enabling Environment for Free and Independent Media: Contribution to Transparent and Accountable Governance Monroe Price University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/asc_papers Recommended Citation Price, M. (2002). The Enabling Environment for Free and Independent Media: Contribution to Transparent and Accountable Governance. USAID Office of Democracy and Governance Occasional Papers Series, Retrieved from https://repository.upenn.edu/asc_papers/65 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/asc_papers/65 For more information, please contact [email protected]. The Enabling Environment for Free and Independent Media: Contribution to Transparent and Accountable Governance Abstract Throughout the world, there is a vast remapping of media laws and policies. This important moment for building more democratic media is attributable to rapid-fire geo-political changes. These include a growing zest for information, the general move towards democratization, numerous pressures from the international community, and the inexorable impact of new media technologies. Whatever the mix in any specific state, media law and policy is increasingly a subject of intense debate. Shaping an effective democratic society requires many steps. The formation of media law and media institutions is one of the most important. Too often, this process of building media that advances democracy is undertaken without a sufficient understanding of the many factors involved. This study is designed to improve such understanding, provide guidance for those who participate in the process of constructing such media, and indicate areas for further study. -
Mini Review on Psychedelic Drugs: Illumination on the Hidden Aspects of Mind
Review Article Mini Review on Psychedelic Drugs: Illumination on the Hidden Aspects of Mind Lemlem Hussien Salih and Atul Kaushik* Department of Medicinal Chemistry, School of Pharmacy, Asmara College of Health Sciences, Asmara, Eritrea ABSTRACT Psychedelics constitute a class of psychoactive drugs with unique effects on consciousness. Psychedelic means mind/soul "revealing" and refers to the ability of these drugs to illuminate normally hidden aspects of mind or psyche. Many psychedelic agents occur in nature; others are synthetically produced. Naturally occurring psychedelic drugs have been inhaled, ingested, worshiped, and reviled since Address for prehistory. The phenomenology of the hallucinogenic experience is Correspondence extremely complex, sensory, emotional, cognitive, and spiritual, levels. Most psychedelic drugs structurally resemble with Department of neurotransmitters: acetylcholine, two catecholamines (nor Medicinal Chemistry, epinephrine and dopamine), and serotonin. These structural School of Pharmacy, similarities lead to three classes for categorizing psychedelic drugs: Asmara College of anticholinergic, catecholamine-like, and serotonin-like. And also a Health Sciences, fourth class of psychedelic drugs can be included, the psychedelic Asmara, Eritrea anesthetics. This mini review focuses on pharmacological and Tel.- +291-1-186041 medicinal aspects of this class. E-mail: atul_kaushik29 Keywords: Psychedelic drugs, Pharmacological features of @rediffmail.com psychedelic drugs, SAR of psychedelic drugs. INTRODUCTION "Rational consciousness...is but one produced. Naturally occurring psychedelic special type of consciousness, whilst all drugs have been inhaled, ingested, about it, parted from it by the filmiest of worshiped, and reviled since prehistory. screens; there lie potential forms of Native American shamans consumed consciousness entirely different."-William psychedelic plants such as the peyote cactus James. -
The Spirit of the Sixties: Art As an Agent for Change
Dickinson College Dickinson Scholar Student Scholarship & Creative Works By Year Student Scholarship & Creative Works 2-27-2015 The pirS it of the Sixties: Art as an Agent for Change Kyle Anderson Dickinson College Aleksa D'Orsi Dickinson College Kimberly Drexler Dickinson College Lindsay Kearney Dickinson College Callie Marx Dickinson College See next page for additional authors Follow this and additional works at: http://scholar.dickinson.edu/student_work Part of the American Art and Architecture Commons, and the Interdisciplinary Arts and Media Commons Recommended Citation Lee, Elizabeth, et al. The Spirit of the Sixties: Art as an Agent for Change. Carlisle, Pa.: The rT out Gallery, Dickinson College, 2015. This Exhibition Catalog is brought to you for free and open access by the Student Scholarship & Creative Works at Dickinson Scholar. It has been accepted for inclusion in Student Scholarship & Creative Works By Year by an authorized administrator of Dickinson Scholar. For more information, please contact [email protected]. Authors Kyle Anderson, Aleksa D'Orsi, Kimberly Drexler, Lindsay Kearney, Callie Marx, Gillian Pinkham, Sebastian Zheng, Elizabeth Lee, and Trout Gallery This exhibition catalog is available at Dickinson Scholar: http://scholar.dickinson.edu/student_work/21 THE SPIRIT OF THE SIXTIES Art as an Agent for Change THE SPIRIT OF THE SIXTIES Art as an Agent for Change February 27 – April 11, 2015 Curated by: Kyle Anderson Aleksa D’Orsi Kimberly Drexler Lindsay Kearney Callie Marx Gillian Pinkham Sebastian Zheng THE TROUT GALLERY • Dickinson College • Carlisle, Pennsylvania This publication was produced in part through the generous support of the Helen Trout Memorial Fund and the Ruth Trout Endowment at Dickinson College. -
Reports and Financial Statements As at 31 December 2017
Separate Financial Consolidated Financial Introduction Statements Statements I Reports and Financial Statements as at 31 December 2017 Reports and Financial Statements as at 31 December 2017 This document has been translated into English for the convenience of the readers. In the event of discrepancy, the Italian language version prevails. Contents Introduction 5 Separate Financial Statements as at 31 December 2017 15 Consolidated Financial Statements as at 31 December 2017 249 Corporate Directory 352 Introduction Corporate Offcers 6 Organisational Framework 7 Letter to the Shareholders 8 Financial Highlights 12 Separate Financial Consolidated Financial Introduction 6 Statements Statements Corporate Offcers Board of Directors Chairperson Monica Maggioni Directors Rita Borioni Arturo Diaconale Marco Fortis Carlo Freccero Guelfo Guelf Giancarlo Mazzuca Paolo Messa until 1 June 2017 Franco Siddi until 6 September 2017 as of 6 September 2017 Board Secretary Nicola Claudio Anna Rita Fortuna Board of Statutory Auditors Chairperson Biagio Mazzotta Standing Auditors Anna Maria Magro Roberto de Martino Alternate Auditors Pietro Floriddia M.M. Assunta Protopapa General Manager until 6 June 2017 as of 9 June 2017 Antonio Campo Dall’Orto Mario Orfeo External Auditor PricewaterhouseCoopers Separate Financial Consolidated Financial Introduction Statements Statements 7 Organisational Framework (short form) Chairperson Board of Directors of the Board Supervisory Internal Board Audit Head Offce(1) Editorial Area (2) Chief Digital Offcer (3) Chief Technology (4) Offcer Chief Financial Offcer (5) Finance & Planning Chief Operations Offcer Corporate TV Production e Support (6) Subsidiaries Rai Cinema Rai Com Rai Pubblicità Rai Way (1) Includes, inter alia, Governance and the Corporate Secretariat, covering the General Manager’s Staff and the Board & Corporate Secretary. -
Flying SAUCERERS O Re-Examining the Dawn of the Modern Era of Ufos
Flying SAUCERERS o Re-examining the dawn of the modern era of UFOs by The Emperor n my previous piece1 for Darklore (Volume 3) I looked at the odd connections between occultists and science Ifiction writers, at the core of which lay the strange duo of rocket scientist and occultist Jack Parsons, and science fiction author-come-religious guru L. Ron Hubbard. The overarching themes were: the influence of science fiction on Parsons’ occult (and rocketry) ideas, the possibly that some things were essentially fiction presented as fact (the Philadelphia Experiment, and perhaps even the Strategic Defense Initiative) and that some events in the their story were forms of the ‘Big Con’.2 Here we will be looking at ‘the Saucerers’: an oddly closely-knit group of men from the science fiction and occult communities who, Original UFO image: Smurrayinchester (GFDL licence) 94 DARKLORE Vol. 4 Flying Saucerers 95 through accident or design, managed to conjure the flying saucers Doctrine (1888),7 which claimed to synthesise the wisdom of the into existence. Specifically we’ll be examining the Extraterrestrial ancients. However, William Coleman looked at the sources and Hypothesis (ETH) that grew from this. For clarity’s sake: this is the found a lot to be concerned about: rather idea that aliens are visiting us in flying saucers and taking an interest than drawing on vast numbers of ancient in human affairs. There are, clearly, numerous theories that might texts, Blavatsky had copied large sections involve aliens or visitors from… elsewhere (perhaps in time, possibly from a limited number of relatively recent from another dimension) but this seems to be the general idea the books.8 man in the street has.