DOCSLIB.ORG

Wholeearth1987bk Article

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Wholeearth1987bk Article IGNAL /NFORMATION VIRUSES Page 50 Z-V/NDERGROUND CASSETTE CULTURE page 110 •!!^/fEROX AND MAIL ART Pages 42 & 84 bUNTERESPIONAGE TOOLS Page 61 YPERCARD SOFTWARE Pagel02 NTELLIGENCE DRUGS page 56 ^^iOLE EARTHI DEPARTMENTS/REVIEWS LANGUAGE 13 Chinese Word Processors 91 A Writer's Time AUDIO MUSIC 19 Go Public! 109 Digital Samplers n Computers & Music n The Complete Manual of Pirate Radio 112 Cheapest Synthesizers 23 Tele-Recorder 150 n Cheapest Transcriber 113 Portable Studio n Composer/Performer n Panasonic Answering Machine 114 Homegrown Music 27 The Radio Papers n Uncle Van's Chord Book 29 Pacific Radio Archive 115 How to Build a Small Budget Recording • New Dimensions Radio Studio From Scratch VISUALS n Modern Recording Techniques 38 Cricket Draw/Adobe Illustrator 116 The Art of Electronic Music n CODA 39 Verbum n Boeing Graph 117 The Absolute Sound D Jam Session/Studio Session 40 Suterisms D MIX Bookshelf n The Anatomy of the Image Maps 41 Visual Anthropology n Instant Litter FILM AND VIDEO 45 Up To Your Ass in Alligators/Work Hard 121 Off-Hollywood D Canyon Cinema and You Shall Be Rewarded n Target Video D Canon PC-20 Personal Copier 122 Working With Video n Television Production Handbook n Deep Dish TV INFORMATION CULTURE 123 Sony Camcorder n The Bare Bones 59 High Frontiers a Reality Hackers Camera Course n Video Goals 60 Megabrain n The Three-Pound Universe BODY ART 69 Fund for Open Information and Accountability n Stockwell Reading List 124 Tattoo n The Tattoo Historian 125 The Decorated Body COMMUNICATIONS n Obsolete Body Suspensions 76 Share-Right n How to Look It Up Online GATE FIVE ROAD 80 Information Highways 134 Backscatter 81 The Media Lab 138 Gossip 87 Fax 140 Reader Services n Adopt a Library 97 Build Your Own IBM Compatible n Cheap IBM Clones 141 Masthead n Financial Report 101 The Tomorrow Makers 142 Unclassifieds n The River That Flows Uphill 144 Thank You 145 Hohday Gift Order Whole Earth Review D Issue Na 57 O December 1, 1987 (ISSN 0749-5056) (USPS 077-150). Published quarterly by POINT, a California nonprofit corporation. Editorial office: 27 Gate Five Road, Sausalito, CA 94965:415/332-1716. Subscriptions $20 per year; single copies $5. Inquire for first class and international air rates. Second-class postage paid at Sausalito, California, and at additional mailing offices. Claims for missing issues will not be honored later than six months after publication. Back issues are available on microfilm and as xerographic reprints from University Microfilms International, Serials Bid Coordinator, 300 Zeeb Road, Ann Arbor, MI 48106. Whole Earth Review is indexed by Access: The Supplementary Index to Periodicals, Alternative Press Index, Magazine Index, Consumers Index, and Humanities Index. Copyright © 1987 by POINT. All rights reserved. Subscription circulation: 20,310. Newsstand circulation: 29,130. POSTMASTER: Send address changes to Whole Earth Review, Box 15187, Santa Ana, CA 92705. Number 57 FEATURES Winter 1987 Introduction: 73 Computers and Nonprofits Information Takeover Easing the transition by Kevin Kelly by Steve Johnson I Want To Xerox My Dreams 11 Tlie Bulletin Board Proletariat by Jeanne Carstensen by Kevin Kelly Untranslatable Words Virtual Communities by Howard Rheingold The computer network as electronic watering hole by Howard Rheingold 14 Bio-Acoustics Habitat ambience and ecological balance by Bernard L. Krause, Ph.D. 16 Tools for Environmental Recordin; by Bernard L. Krause, Ph.D. 20 The Art of the Interview by Lloyd Kahn Look Ma, No Computer by Sallie Tisdale 24 No More Pissy Rock Stations Leaking Down On Our Heads 92 One Highly Evolved (But Cheap!) Community radio via satellite Personal Computer Toolbox by Lorenzo Milam by Art Kleiner Live Radio Art 98 If Software Companies Ran the Country ... by Bonnie Barnett by Jay Kinney 30 Sketchy Ideas 102 Whole Earth Hyperlog by Bill Ritchey Beginning a communication medium called Stackware 34 Visual Thinking by Kevin Kelly by Howard Rheingold 36 Fractals and Such 104 Bettered by the Borrower Shamelessly psychedelic The ethics of musical debt, computer graphics by John Oswald by Robert Horvitz 110 Cassette Culture 42 Xerox Art Home-recorded music by Tom Patrick thrives in the underground 46 'Zines: Your Right To Rave by JonPareles by Jeanne Carstensen 111 Cassette Activism 48 Information as an Artist's Material by David Ciaffardini by Judy Malloy 118 Virtual Reality 50 Memetics Computers encourage The science of information viruses substitution of by H Keith Hensen symbols for the world by Yaakov Garb 56 May You Never Sleep Intelligence-enhancing drugs 126 Dreamwork by R. U. Sirius by Howard Rheingold 61 An Intelligent Guide to Intelligence 128 Interactive Literature (of the espionage variety) by David Shaw by Robert Horvitz 130 Sharing the Uncertainty 70 H-Bomb Ti-uck Watch Health in the Information Age by Nathaniel Batchelder by Tom Ferguson, M.D. INFORMATION TAKEOVER KITIXKLIIY "Ihe pnilitcralion and .:on\ei)|>enc« ideas become the voin of the realm, government and Ihe militarv-indus- at rommunication channels i» a tech­ and ideas can be multiplied and trial complex are amazed, contused, nical Kvolution. It'b also a political spread to the masses in the miracu­ and anxious because thev lan no revolution." lous way of tishes and loaves, then lunger lontrtil the course of inluriiia- paradoxes reign, and paradoxical will tion an) more than the little gov lan. Thaf s btcivart Brand's explanation of be the politics. The iii\.ui( has its own li!c. Ihe po- the sustained lervor intubing a loose Ittiial n-v ision begun by a comiiiuni- undeiground ot social visionarieb, ar- Almost every claim about Ihe inlor- latuiii undergniund like computer tists and maverick barkers. As our ination revolution is sleadfasll\ true. nelwoiks (see "Ihe Bulletin Kn.iul »ociet\ shifts from one governed by Small computris inevitably combine I'nilftarijt, p. 7") is to M kiio-\ I- materials to one regulated by infor­ into oppnessivv big bmlhers; small edge the htandint; ol Ihis olher Ihini; mation, those who contnil informa­ computers inevitably empower in­ now living ainoni; us the ciiiuit of tion have political power. Rut con- dividuals. Global communications inliiimation IrollinK information is a slippery make the wiirld smaller; global inloi^ thing. Ihe technologies uf camera, mation makes the universe bigger. Charting the current is partiall) what copier, computer dismantle the time- Art is btunted by machine; artists are Jeanne Carstensen (managing editor honnred notions ot ownenhip. When liberated b) machines. I'he paperless ol Ihe f ssi-n/ii./ Whoh I mil' Ciilalnf;) office in the baik woods generates and I have done in ihis issue. We've more tree-led paper than ever. All used the most veP'atile te<.hn»logt wc true. All contributing to a fluctuating have to date, paper and ink \ou II reality. notice gaps in our crude survev. The bugaboos about copvright and When (he cuircnt comes vour wav, who owns ideas (see ' Betteivd by the send a signal back with what we've Kormwer," p. 1II4I is one example ot missed. this oscillating signal. Being first New Vork publishing doesn't see with an ideji doesn't guarantee power. anvthing of this invisible uprising. Neither does being the laigest. Big We st-nl a couple uf proposals to l*ublisher's Kciw, and gut back a shrug. We're sitting on Ihive times the I amount we couM fit into 144 pages, l^rhaps il s time we slapped it all into a lOugh, home-brewed, reader^ WANT TO written, sell-published, lunky, oi-er- si/e (.Jtalog. Again. XEROX MY Krhaps we are whistling in Ihe daik. If the task of pnnidiiig at i ess to a knowledge econuim strikes you as DREAAAS necessarv, write us. It's a new sfiLiel\ ot thf sonsos, a trre piiem ol lonlu-iiiin and all posiibili- Iv. I ars, liini;ues, eves, lingers, mist-s, hijins- (lur senstir\ ninite is strelihing into spair V\e re heaiin); miirr, see­ ing more. s,i\ iPt; iniiiv, tn more peo­ ple — >as!ri - across airtva\es. nireft the not of signaU (hat assault us wrrv and V reens. day'' \cw skills must bo learned and the ever-evolving context in which we Inmrnidtiiin travels so last that spare communiLale must be n'cviiluaied al- b (ibMileto, as Mi I uhan piiitiied out. musi dail^ We 'are' wheivwr iiui sensory extcn- sionti in awake - the London slock I'm a little afraid ot mv ow ii culture's discovers new surtaces. New contain- market, the war in the Btrsian C>ulf, love ^fiair with (ommiinications tech- en. \ew skin. It's bv 'pi iv ing" that the persnn nef>A fo us in bed. The trick nnlogy. The mediuin, atler all, is not artists ,ind other innovdlbis eventujily It not til lot>c oneself in the wires, not (he whole message. It's what we sav, oux the R.'al language > out ul media, to ^kip awai on the perpetually nill- and how well. It's Ihe soul we bring so thai 'nc-d:,i keep cm working on a iiig ai!wavcb. To alwavs ioel Ihe warm to our machines that will ihange ihe human stale. breath stretihipi; out lu vou tmm world. An old lesson'* Sif ^ik- Nil IS .ihou*. expinrition' in arrois the pillow the lonimii-ni- aliiins giasnoot' usen But there is much fun to be had in try to pertect ihei' unJ"istanding fat iiom making communiraliun ea- this I burning of Ihe senses. 1 want ot (heir tools, and s>i no! be used sieii the new media of the "informa­ t(i Xenix my dreams.
Load more

Recommended publications
  • Dissertação Final Corrigida
    Universidade Estadual Paulista “Julio de Mesquita Filho” Instituto de Artes ALINE PIRES LUZ A ARTE PSICODÉLICA E SUA RELAÇÃO COM A ARTE CONTEMPORÂNEA NORTE-AMERICANA E INGLESA DOS ANOS 1960: uma dissolução de fronteiras São Paulo 2014 ALINE PIRES LUZ A ARTE PSICODÉLICA E SUA RELAÇÃO COM A ARTE CONTEMPORÂNEA NORTE-AMERICANA E INGLESA DOS ANOS 1960: uma dissolução de fronteiras Dissertação apresentada ao curso de Pós- Graduação em Artes, do Instituto de Artes da Universidade Estadual Paulista – UNESP, como requisito parcial para obtenção do título de Mestre em Artes Visuais, Área de concentração: História da Arte. Linha de Pesquisa: Abordagens Teóricas, Históricas e Culturais da Arte. Orientador: Prof. Dr. Omar Khouri. São Paulo 2014 ALINE PIRES LUZ A ARTE PSICODÉLICA E SUA RELAÇÃO COM A ARTE CONTEMPORÂNEA NORTE-AMERICANA E INGLESA DOS ANOS 1960: uma dissolução de fronteiras Dissertação aprovada como requisito parcial para obtenção do grau de Mestre em Artes Visuais no curso de Pós-Graduação em Artes, do Instituto de Artes da Universidades Estadual Paulista – UNESP, com área de concentração em História da Arte, pela seguinte banca examinadora: __________________________________________ Prof. Dr. Omar Khouri Instituto de Artes (UNESP) – Orientador. __________________________________________ Prof. Dr. Sérgio Mauro Romagnolo Instituto de Artes (UNESP) __________________________________________ Dr. Júlio César Mendonça Pontifícia Universidade Católica – PUC/SP São Paulo, 10 de Junho de 2014 RESUMO Tem-se por objetivo situar a produção de arte psicodélica vinculada ao movimento de contracultura da década de 1960, em relação à chamada arte contemporânea, que se iniciava no mesmo período e que pode ser tomada como uma arte que se deu no âmbito mainstream , por circular nas principais galerias, museus e fazer parte da História da Arte.
    [Show full text]
  • Whole Earth Catalog
    WHOLE EARTH CATALOG access to tools h^y' Spring 1969 #'?' amH •'"v; * : WHOLE EARTH CATALOG FUNCTION The WHOLE EARTH CA TALOG functions as an evaluation and access device. With it, the user should know better what is worth getting and where and how to do the getting. An item is listed in the CA TALOG if it is deemed: 1) Useful as a tool, 2) Relevant to independent education, 3) High quality or low cost, 4) Easily available by mail. CA TA L OG listings are continually revised according to the experience and suggestions of CAT A L OG users and staff. PURPOSE We are as gods and might as well get good at it. So far, remotely done power and glory--as via government, big business, formal education, church-has succeeded to the point where gross defects obscure actual gains. In response to this dilemma and to these gains a realm of intimate, personal power is developing-power of the individual to conduct his own education, find his own inspiration, shape his own environment, and share his adventure with whoever is interested. Tools that aid this process are sought and promoted by the WHOLE EARTH CATALOG. RETAINING SUBSCRIBERS Mark Albert San Francisco, California John Doss San Francisco, California Edmund Scientific Company Barrington, New Jersey Henry Jacobs & Associates Sausalito, California Edward Rosenfeld New York, New York St. George Bryan Maui, Hawaii Geoffrey Gates New York. New York Peter Cornell Berkeley, California Second Printing August 1969 © 1969 Portola Institute, Inc. All rights reserved under Pan-American and International copyright
    [Show full text]
  • Fortean Times 338
    THE X-FILES car-crash politics jg ballard versus ronald reagan cave of the witches south america's magical murders they're back: is the truth still out there? phantom fares japan's ghostly cab passengers THE WORLD’S THE WORLD OF STRANGE PHENOMENA WWW.FORTEANTiMES.cOM FORTEAN TiMES 338 chimaera cats • death by meteorite • flat earth rapper • ancient greek laptop WEIRDES NEWS T THE WORLD OF STRANGE PHENOMENA www.forteantimes.com ft338 march 2016 £4.25 THE SEcRET HiSTORy OF DAviD bOWiE • RETuRN OF THE x-FiLES • cAvE OF THE WiTcHES • AuTOMATic LEPREcHAuNSP • jAPAN'S GHOST ACE ODDITY from aliens to the occult: the strange fascinations of daVid b0Wie FA RES bogey beasts the shape-shifting monsters of british folklore mystery moggies on the trail of alien big MAR 2016 cats in deepest suffolk Fortean Times 338 strange days Japan’s phantom taxi fares, John Dee’s lost library, Indian claims death by meteorite, cretinous criminals, curious cats, Harry Price traduced, ancient Greek laptop, Flat Earth rapper, CONTENTS ghostly photobombs, bogey beasts – and much more. 05 THE CONSPIRASPHERE 23 MYTHCONCEPTIONS 05 EXTRA! EXTRA! 24 NECROLOG the world of strange phenomena 15 ALIEN ZOO 25 FAIRIES & FORTEANA 16 GHOSTWATCH 26 THE UFO FILES features COVER STORY 28 THE MAGE WHO SOLD THE WORLD From an early interest in UFOs and Aleister Crowley to fl irtations with Kabbalah and Nazi mysticism, David Bowie cultivated a number of esoteric interests over the years and embraced alien and occult imagery in his costumes, songs and videos. DEAN BALLINGER explores the fortean aspects and influences of the late musician’s career.
    [Show full text]
  • Foreword to Healing with Entactogens: Therapist and Patient Perspectives on MDMA-Assisted Group Psychotherapy by Torsten Passie, M.D
    MAPS Bulletin Annual Report Foreword to Healing with Entactogens: Therapist and Patient Perspectives on MDMA-Assisted Group Psychotherapy by Torsten Passie, M.D. RAPLH METZNER, PH.D. DURING THE 1980S, MDMA, WHICH WAS originally explored as an e!ective adjunct to psychotherapy, with remarkable anxiety-reducing e!ects and minimal if any visual or cognitive alterations, escaped out of the o"ces of a few dozen psychotherapists in the U.S. and Europe, and became the recreational party drug “Ecstasy,” consumed by thou- sands at all-night rave-dance events. Predictably, as the Ecstasy-fueled rave subculture grew in numbers, laws were passed in all relevant countries making possession of the drug illegal and thereby largely unavailable to therapists to use in their practice—even those (like myself) who had previously used it with good results. This story was an almost exact replay of the story of how LSD was introduced into the culture in the 1960s: At #rst, reports from psychiatric researchers showing dramatic evidence of its e!ectiveness as an adjunct to psycholytic therapy in a range of conditions, including alcoholism, various forms of neurosis, as well as the stimulation of religious experiences and the enhancement of creativity. Then, after enthusiastic Ralph Metzner, Ph.D. reports from the therapists who themselves experienced it and its availability in the underground market, the therapy drug LSD became the “acid” of long dance parties with light shows and psychedelic rock music, and was subsequently made illegal and therefore unavailable to established medical-psychiatric researchers. Now, another generation later, the mainstream culture seems to be opening up again to the therapeutic possibilities of these substances (and others like DMT, ibo- gaine, and ayahuasca) and serious research on possible applications is again being done in the U.S.
    [Show full text]
  • 216631157.Pdf
    The Alternative Media Handbook ‘Alternative media’ are media produced by the socially, culturally and politically e xcluded: they are always independently run and often community-focused, ranging from pirate radio to activist publications, from digital video experiments to ra dical work on the Web. The Alternative Media Handbook explores the many and dive rse media forms that these non-mainstream media take. The Alternative Media Hand book gives brief histories of alternative radio, video and lm, press and activity on the Web, then offers an overview of global alternative media work through nu merous case studies, before moving on to provide practical information about alt ernative media production and how to get involved in it. The Alternative Media H andbook includes both theoretical and practical approaches and information, incl uding sections on: • • • • • • • • successful fundraising podcasting blogging publishing pitch g a project radio production culture jamming access to broadcasting. Kate Coyer is an independent radio producer, media activist and post-doctoral re search fellow with the Annenberg School for Communication at the University of P ennsylvania and Central European University in Budapest. Tony Dowmunt has been i nvolved in alternative video and television production since 1975 and is now cou rse tutor on the MA in Screen Documentary at Goldsmiths, University of London. A lan Fountain is currently Chief Executive of European Audiovisual Entrepreneurs (EAVE), a professional development programme for lm and television producers. He was the rst Commissioning Editor for Independent Film and TV at Channel Four, 198 1–94. Media Practice Edited by James Curran, Goldsmiths, University of London The Media Practice hand books are comprehensive resource books for students of media and journalism, and for anyone planning a career as a media professional.
    [Show full text]
  • North American Artists' Groups, 1968–1978 by Kirsten Fleur Olds A
    Networked Collectivities: North American Artists’ Groups, 1968–1978 by Kirsten Fleur Olds A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History of Art) in The University of Michigan 2009 Doctoral Committee: Professor Alexander D. Potts, Chair Professor Matthew N. Biro Associate Professor Rebecca Zurier Assistant Professor Kristin A. Hass © Kirsten Fleur Olds All rights reserved 2009 To Jeremy ii Acknowledgments This dissertatin truly resembles a “third mind” that assumed its own properties through collaborations at every stage. Thus the thanks I owe are many and not insignificant. First I must recognize my chair Alex Potts, whose erudition, endless patience, and omnivorous intellectual curiosity I deeply admire. The rich conversations we have had over the years have not only shaped this project, but my approach to scholarship more broadly. Moreover, his generosity with his students—encouraging our collaboration, relishing in our projects, supporting our individual pursuits, and celebrating our particular strengths—exemplifies the type of mentor I strive to be. I would also like to acknowledge the tremendous support and mentorship provided by my committee members. As I wrote, I was challenged by Rebecca Zurier’s incisive questions—ones she had asked and those I merely imagined by channeling her voice; I hope this dissertation reveals even a small measure of her nuanced and vivid historicity. Matt Biro has been a supportive and encouraging intellectual mentor from my very first days of graduate school, and Kristin Hass’sscholarship and guidance have expanded my approaches to visual culture and the concept of artistic medium, two themes that structure this project.
    [Show full text]
  • Earth and Beyond in Tumultous Times: a Critical Atlas of the Anthropocene
    Gál, Löffler (Eds.) Earth and Beyond in Tumultous Times EARTH BEYOND GÁL LÖFFLER Earth and Beyond in Tumultuous Times Future Ecologies Series Edited by Petra Löffler, Claudia Mareis and Florian Sprenger Earth and Beyond in Tumultuous Times: A Critical Atlas of the Anthropocene edited by Réka Patrícia Gál and Petra Löffler Bibliographical Information of the German National Library The German National Library lists this publication in the Deutsche Nationalbibliografie (German National Bibliography); detailed bibliographic information is available online at http://dnb.d-nb.de. Published in 2021 by meson press, Lüneburg, Germany www.meson.press Design concept: Torsten Köchlin, Silke Krieg Cover image: Mashup of photos by Edgar Chaparro on Unsplash and johndal on Flickr Copy editing: Selena Class The print edition of this book is printed by Lightning Source, Milton Keynes, United Kingdom. ISBN (Print): 978-3-95796-189-1 ISBN (PDF): 978-3-95796-190-7 ISBN (EPUB): 978-3-95796-191-4 DOI: 10.14619/1891 The digital editions of this publication can be downloaded freely at: www.meson.press. This Publication is licensed under the CC-BY-SA 4.0 International. To view a copy of this license, visit: http://creativecommons.org/licenses/by-sa/4.0/. Contents Series Foreword: Future Ecologies 9 Caucho 13 Mátyás Sirokai [ 1 ] Introduction 15 Réka Patrícia Gál and Petra Löffler Plant-time 45 Kornélia Deres [ 2 ] Memory Regimes and the Anthropocene: Tracing Causes and Responsibilities under Flood Risk Scenarios in Ancash, Peru 47 Tomás J. Usón Archipalego 73
    [Show full text]
  • The Enabling Environment for Free and Independent Media: Contribution to Transparent and Accountable Governance
    University of Pennsylvania ScholarlyCommons Departmental Papers (ASC) Annenberg School for Communication January 2002 The Enabling Environment for Free and Independent Media: Contribution to Transparent and Accountable Governance Monroe Price University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/asc_papers Recommended Citation Price, M. (2002). The Enabling Environment for Free and Independent Media: Contribution to Transparent and Accountable Governance. USAID Office of Democracy and Governance Occasional Papers Series, Retrieved from https://repository.upenn.edu/asc_papers/65 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/asc_papers/65 For more information, please contact [email protected]. The Enabling Environment for Free and Independent Media: Contribution to Transparent and Accountable Governance Abstract Throughout the world, there is a vast remapping of media laws and policies. This important moment for building more democratic media is attributable to rapid-fire geo-political changes. These include a growing zest for information, the general move towards democratization, numerous pressures from the international community, and the inexorable impact of new media technologies. Whatever the mix in any specific state, media law and policy is increasingly a subject of intense debate. Shaping an effective democratic society requires many steps. The formation of media law and media institutions is one of the most important. Too often, this process of building media that advances democracy is undertaken without a sufficient understanding of the many factors involved. This study is designed to improve such understanding, provide guidance for those who participate in the process of constructing such media, and indicate areas for further study.
    [Show full text]
  • Mini Review on Psychedelic Drugs: Illumination on the Hidden Aspects of Mind
    Review Article Mini Review on Psychedelic Drugs: Illumination on the Hidden Aspects of Mind Lemlem Hussien Salih and Atul Kaushik* Department of Medicinal Chemistry, School of Pharmacy, Asmara College of Health Sciences, Asmara, Eritrea ABSTRACT Psychedelics constitute a class of psychoactive drugs with unique effects on consciousness. Psychedelic means mind/soul "revealing" and refers to the ability of these drugs to illuminate normally hidden aspects of mind or psyche. Many psychedelic agents occur in nature; others are synthetically produced. Naturally occurring psychedelic drugs have been inhaled, ingested, worshiped, and reviled since Address for prehistory. The phenomenology of the hallucinogenic experience is Correspondence extremely complex, sensory, emotional, cognitive, and spiritual, levels. Most psychedelic drugs structurally resemble with Department of neurotransmitters: acetylcholine, two catecholamines (nor Medicinal Chemistry, epinephrine and dopamine), and serotonin. These structural School of Pharmacy, similarities lead to three classes for categorizing psychedelic drugs: Asmara College of anticholinergic, catecholamine-like, and serotonin-like. And also a Health Sciences, fourth class of psychedelic drugs can be included, the psychedelic Asmara, Eritrea anesthetics. This mini review focuses on pharmacological and Tel.- +291-1-186041 medicinal aspects of this class. E-mail: atul_kaushik29 Keywords: Psychedelic drugs, Pharmacological features of @rediffmail.com psychedelic drugs, SAR of psychedelic drugs. INTRODUCTION "Rational consciousness...is but one produced. Naturally occurring psychedelic special type of consciousness, whilst all drugs have been inhaled, ingested, about it, parted from it by the filmiest of worshiped, and reviled since prehistory. screens; there lie potential forms of Native American shamans consumed consciousness entirely different."-William psychedelic plants such as the peyote cactus James.
    [Show full text]
  • The Spirit of the Sixties: Art As an Agent for Change
    Dickinson College Dickinson Scholar Student Scholarship & Creative Works By Year Student Scholarship & Creative Works 2-27-2015 The pirS it of the Sixties: Art as an Agent for Change Kyle Anderson Dickinson College Aleksa D'Orsi Dickinson College Kimberly Drexler Dickinson College Lindsay Kearney Dickinson College Callie Marx Dickinson College See next page for additional authors Follow this and additional works at: http://scholar.dickinson.edu/student_work Part of the American Art and Architecture Commons, and the Interdisciplinary Arts and Media Commons Recommended Citation Lee, Elizabeth, et al. The Spirit of the Sixties: Art as an Agent for Change. Carlisle, Pa.: The rT out Gallery, Dickinson College, 2015. This Exhibition Catalog is brought to you for free and open access by the Student Scholarship & Creative Works at Dickinson Scholar. It has been accepted for inclusion in Student Scholarship & Creative Works By Year by an authorized administrator of Dickinson Scholar. For more information, please contact [email protected]. Authors Kyle Anderson, Aleksa D'Orsi, Kimberly Drexler, Lindsay Kearney, Callie Marx, Gillian Pinkham, Sebastian Zheng, Elizabeth Lee, and Trout Gallery This exhibition catalog is available at Dickinson Scholar: http://scholar.dickinson.edu/student_work/21 THE SPIRIT OF THE SIXTIES Art as an Agent for Change THE SPIRIT OF THE SIXTIES Art as an Agent for Change February 27 – April 11, 2015 Curated by: Kyle Anderson Aleksa D’Orsi Kimberly Drexler Lindsay Kearney Callie Marx Gillian Pinkham Sebastian Zheng THE TROUT GALLERY • Dickinson College • Carlisle, Pennsylvania This publication was produced in part through the generous support of the Helen Trout Memorial Fund and the Ruth Trout Endowment at Dickinson College.
    [Show full text]
  • Reports and Financial Statements As at 31 December 2017
    Separate Financial Consolidated Financial Introduction Statements Statements I Reports and Financial Statements as at 31 December 2017 Reports and Financial Statements as at 31 December 2017 This document has been translated into English for the convenience of the readers. In the event of discrepancy, the Italian language version prevails. Contents Introduction 5 Separate Financial Statements as at 31 December 2017 15 Consolidated Financial Statements as at 31 December 2017 249 Corporate Directory 352 Introduction Corporate Offcers 6 Organisational Framework 7 Letter to the Shareholders 8 Financial Highlights 12 Separate Financial Consolidated Financial Introduction 6 Statements Statements Corporate Offcers Board of Directors Chairperson Monica Maggioni Directors Rita Borioni Arturo Diaconale Marco Fortis Carlo Freccero Guelfo Guelf Giancarlo Mazzuca Paolo Messa until 1 June 2017 Franco Siddi until 6 September 2017 as of 6 September 2017 Board Secretary Nicola Claudio Anna Rita Fortuna Board of Statutory Auditors Chairperson Biagio Mazzotta Standing Auditors Anna Maria Magro Roberto de Martino Alternate Auditors Pietro Floriddia M.M. Assunta Protopapa General Manager until 6 June 2017 as of 9 June 2017 Antonio Campo Dall’Orto Mario Orfeo External Auditor PricewaterhouseCoopers Separate Financial Consolidated Financial Introduction Statements Statements 7 Organisational Framework (short form) Chairperson Board of Directors of the Board Supervisory Internal Board Audit Head Offce(1) Editorial Area (2) Chief Digital Offcer (3) Chief Technology (4) Offcer Chief Financial Offcer (5) Finance & Planning Chief Operations Offcer Corporate TV Production e Support (6) Subsidiaries Rai Cinema Rai Com Rai Pubblicità Rai Way (1) Includes, inter alia, Governance and the Corporate Secretariat, covering the General Manager’s Staff and the Board & Corporate Secretary.
    [Show full text]
  • Flying SAUCERERS O Re-Examining the Dawn of the Modern Era of Ufos
    Flying SAUCERERS o Re-examining the dawn of the modern era of UFOs by The Emperor n my previous piece1 for Darklore (Volume 3) I looked at the odd connections between occultists and science Ifiction writers, at the core of which lay the strange duo of rocket scientist and occultist Jack Parsons, and science fiction author-come-religious guru L. Ron Hubbard. The overarching themes were: the influence of science fiction on Parsons’ occult (and rocketry) ideas, the possibly that some things were essentially fiction presented as fact (the Philadelphia Experiment, and perhaps even the Strategic Defense Initiative) and that some events in the their story were forms of the ‘Big Con’.2 Here we will be looking at ‘the Saucerers’: an oddly closely-knit group of men from the science fiction and occult communities who, Original UFO image: Smurrayinchester (GFDL licence) 94 DARKLORE Vol. 4 Flying Saucerers 95 through accident or design, managed to conjure the flying saucers Doctrine (1888),7 which claimed to synthesise the wisdom of the into existence. Specifically we’ll be examining the Extraterrestrial ancients. However, William Coleman looked at the sources and Hypothesis (ETH) that grew from this. For clarity’s sake: this is the found a lot to be concerned about: rather idea that aliens are visiting us in flying saucers and taking an interest than drawing on vast numbers of ancient in human affairs. There are, clearly, numerous theories that might texts, Blavatsky had copied large sections involve aliens or visitors from… elsewhere (perhaps in time, possibly from a limited number of relatively recent from another dimension) but this seems to be the general idea the books.8 man in the street has.
    [Show full text]