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Teoría Y Evolución De La Telenovela Latinoamericana
TEORÍA Y EVOLUCIÓN DE LA TELENOVELA LATINOAMERICANA Laura Soler Azorín Laura Soler Azorín Soler Laura TEORÍA Y EVOLUCIÓN DE LA TELENOVELA LATINOAMERICANA Laura Soler Azorín Director: José Carlos Rovira Soler Octubre 2015 TEORÍA Y EVOLUCIÓN DE LA TELENOVELA LATINOAMERICANA Laura Soler Azorín Tesis de doctorado Dirigida por José Carlos Rovira Soler Universidad de Alicante Facultad de Filosofía y Letras Departamento de Filología Española, Lingüística General y Teoría de la Literatura Octubre 2015 A Federico, mis “manos” en selectividad. A Liber, por tantas cosas. Y a mis padres, con quienes tanto quiero. AGRADECIMIENTOS. A José Carlos Rovira. Amalia, Ana Antonia, Antonio, Carmen, Carmina, Carolina, Clarisa, Eleonore, Eva, Fernando, Gregorio, Inma, Jaime, Joan, Joana, Jorge, Josefita, Juan Ramón, Lourdes, Mar, Patricia, Rafa, Roberto, Rodolf, Rosario, Víctor, Victoria… Para mis compañeros doctorandos, por lo compartido: Clara, Jordi, María José y Vicent. A todos los que han ESTADO a mi lado. Muy especialmente a Vicente Carrasco. Y a Bernat, mestre. ÍNDICE 1.- INTRODUCCIÓN. 1.1.- Objetivos y metodología (pág. 11) 1.2.- Análisis (pág. 11) 2.- INTRODUCCIÓN. UN ACERCAMIENTO AL “FENÓMENO TELENOVELA” EN ESPAÑA Y EN EL MUNDO 2.1.-Orígenes e impacto social y económico de la telenovela hispanoamericana (pág. 23) 2.1.1.- El incalculable negocio de la telenovela (pág. 26) 2.2.- Antecedentes de la telenovela (pág. 27) 2.2.1.- La novela por entregas o folletín como antecedente de la telenovela actual. (pág. 27) 2.2.2.- La radionovela, predecesora de la novela por entregas y antecesora de la telenovela (pág. 35) 2.2.3.- Elementos comunes con la novela por entregas (pág. -
ALL-TIME Individual STATISTICS ALL-TIME SCORING Order Based on Total Points
ALL-TIME individual STATISTICS ALL-TIME SCORING Order based on total points. Updated through 2019 season. Boomer Esiason, QB 1984-92, 97 ............. 5 0 0 0 0 0 — 0 — 0 30 Players active with Bengals as of July 21, 2020 are listed in bold. Eric Kattus, TE 1986-91 ............................ 0 5 0 0 0 0 — 0 — 0 30 Jon Kitna, QB 2001-05 .............................. 5 0 0 0 0 0 — 0 — 0 30 TD- TD- TD- TD- TD- TD- 2-PT. Pat McInally, P/WR 1976-85...................... 0 5 0 0 0 0 — 0 — 0 30 NAME, POS., YEARS R P PR KR INT FR* PAT* CON. FG S PTS Ken Riley, CB 1969-83 .............................. 0 0 0 0 5 0 — 0 — 0 30 Jim Breech, K 1980-92 .............................. 0 0 0 0 0 0 476 0 225 0 1151 Bernard Scott, RB/KOR 2009-13 ............... 4 0 0 1 0 0 — 0 — 0 30 Shayne Graham, K 2003-09 ...................... 0 0 0 0 0 0 248 0 177 0 779 Clint Stitser, K 2010 ................................... 0 0 0 0 0 0 8 0 7 0 29 Mike Nugent, K 2010-16 ............................ 0 0 0 0 0 0 247 0 157 0 718 Virgil Carter, QB 1970-73 .......................... 4 0 0 0 0 0 1 0 — 0 25 Doug Pelfrey, K 1993-99 ............................ 0 0 0 0 0 0 201 0 153 0 660 Brian Milne, RB 1996-99 ........................... 4 0 0 0 0 0 — 1 — 0 26 Horst Muhlmann, K 1969-74 ...................... 0 0 0 0 0 0 189 0 120 0 549 Rex Burkhead, RB 2013-16 ...................... -
The Disparate Impact of the NFL's Use of the Wonderlic Intelligence Test and the Case for a Football- Specific Estt Note
University of Connecticut OpenCommons@UConn Connecticut Law Review School of Law 2009 Fourth and Short on Equality: The Disparate Impact of the NFL's Use of the Wonderlic Intelligence Test and the Case for a Football- Specific estT Note Christopher Hatch Follow this and additional works at: https://opencommons.uconn.edu/law_review Recommended Citation Hatch, Christopher, "Fourth and Short on Equality: The Disparate Impact of the NFL's Use of the Wonderlic Intelligence Test and the Case for a Football-Specific estT Note" (2009). Connecticut Law Review. 38. https://opencommons.uconn.edu/law_review/38 CONNECTICUT LAW REVIEW VOLUME 41 JULY 2009 NUMBER 5 Note FOURTH AND SHORT ON EQUALITY: THE DISPARATE IMPACT OF THE NFL’S USE OF THE WONDERLIC INTELLIGENCE TEST AND THE CASE FOR A FOOTBALL-SPECIFIC TEST CHRISTOPHER HATCH Prior to being selected in the NFL draft, a player must undergo a series of physical and mental evaluations, including the Wonderlic Intelligence Test. The twelve-minute test, which measures “cognitive ability,” has been shown to have a disparate impact on minorities in various employment situations. This Note contends that the NFL’s use of the Wonderlic also has a disparate impact because of its effect on a player’s draft status and ultimately his salary. The test cannot be justified by business necessity because there is no correlation between a player’s Wonderlic score and their on-field performance. As such, this Note calls for the creation of a football-specific intelligence test that would be less likely to have a disparate impact than the Wonderlic, while also being sufficiently job-related and more reliable in predicting a player’s success. -
001. Schedule/Index/1
You spare no expense when it comes to showing off Fluffy’s team spirit, but you don’t have Colts Banking? Bank Like a Fan!® Get your Colts Banking account* exclusively from Huntington. s#OLTSCHECKSs#OLTS6ISA®#HECK#ARDs#OLTSCHECKBOOKCOVER /PENANACCOUNTTODAYAT#OLTS"ANKINGCOMORVISITABANKINGOFlCE Offi cial Bank of the Indianapolis Colts Clarian Health *Some fees may apply. Colts and the Colts’ horseshoe logos are trademarks of the Indianapolis Colts, Inc. Member FDIC. , ® Huntington®andBankLikeaFan!®are federally registered service marks of Huntington Bancshares Incorporated. ©2009 Huntington Bancshares Incorporated. 2009 SEASONPRESEASON SCHEDULE Date Opponent Time Friday, August 14 MINNESOTA VIKINGS 7:30 p.m. Thursday, August 20 PHILADELPHIA EAGLES 8:00 p.m. Saturday, August 29 at Detroit Lions 1:00 p.m. Thursday, September 3 at Cincinnati Bengals 7:30 p.m. REGULAR SEASON Sunday, September 13 JACKSONVILLE JAGUARS 1:00 p.m. Monday, September 21 at Miami Dolphins 8:30 p.m. Sunday, September 27 at Arizona Cardinals 8:20 p.m. Sunday, October 4 SEATTLE SEAHAWKS 1:00 p.m. Sunday, October 11 at Tennessee Titans 8:20 p.m. Sunday, October 18 OPEN DATE Sunday, October 25 at St. Louis Rams 1:00 p.m. Sunday, November 1 SAN FRANCISCO 49ers 1:00 p.m. Sunday, November 8 HOUSTON TEXANS 1:00 p.m. Sunday, November 15 NEW ENGLAND PATRIOTS 8:20 p.m. Sunday, November 22* at Baltimore Ravens 1:00 p.m. Sunday, November 29* at Houston Texans 1:00 p.m. Sunday, December 6* TENNESSEE TITANS 1:00 p.m. Sunday, December 13* DENVER BRONCOS 1:00 p.m. -
Player History, Continued)
(Player history, continued) PLAYER HISTORY — DRAFTS 1968 AFL EXPANSION DRAFT JAN. 21 1968 AFL/NFL DRAFT JAN. 30-31 1970 NFL DRAFT JAN. 27-28 PLAYER .................. POS. COLLEGE ........................... AFL TEAM RD. PLAYER ................... POS. COLLEGE ....................... SEL. # RD. PLAYER .................... POS. COLLEGE ....................... SEL. # Dan Archer* ...................... T Oregon ............................. Oakland Raiders 1 Bob Johnson....................... C Tennessee .................................. *2 1 Mike Reid ......................... DT Penn State .................................... 7 Estes Banks* .................. RB Colorado .......................... Oakland Raiders 1 (sent to Miami in trade on 12-26-67) ............................................ *27 2 Ron Carpenter .................. DT North Carolina State ................... 32 Joe Bellino ...................... RB Navy .................................. Boston Patriots 2a Bill Staley ....................... DE/T Utah State ................................. *28 3 Chip Bennett ..................... LB Abilene Christian ......................... 60 Jim Boudreaux ................ DT Louisiana Tech .................. Boston Patriots 2 (sent to Miami in trade on 12-26-67) ............................................ *54 4a Joe Stephens ..................... G Jackson State ............................. 85 Dan Brabham* ................ LB Arkansas .............................Houston Oilers 2b Tom Smiley....................... RB Lamar ....................................... -
NCAA Bowl Eligibility Policies
TABLE OF CONTENTS 2019-20 Bowl Schedule ..................................................................................................................2-3 The Bowl Experience .......................................................................................................................4-5 The Football Bowl Association What is the FBA? ...............................................................................................................................6-7 Bowl Games: Where Everybody Wins .........................................................................8-9 The Regular Season Wins ...........................................................................................10-11 Communities Win .........................................................................................................12-13 The Fans Win ...................................................................................................................14-15 Institutions Win ..............................................................................................................16-17 Most Importantly: Student-Athletes Win .............................................................18-19 FBA Executive Director Wright Waters .......................................................................................20 FBA Executive Committee ..............................................................................................................21 NCAA Bowl Eligibility Policies .......................................................................................................22 -
El Videoclip Como Paradigma De La Música Contemporánea, De 1970 a 2015
UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE CIENCIAS DE LA INFORMACIÓN DEPARTAMENTO DE COMUNICACIÓN AUDIOVISUAL Y PUBLICIDAD I TESIS DOCTORAL El videoclip como paradigma de la música contemporánea, de 1970 a 2015 MEMORIA PARA OPTAR AL GRADO DE DOCTORA PRESENTADA POR Lara García Soto DIRECTOR Francisco Reyes Sánchez Madrid, 2017 © Lara García Soto, 2016 Universidad Complutense de Madrid Facultad de CC. de la Información Comunicación Audiovisual y Publicidad I El videoclip como paradigma de la música contemporánea, de 1970 a 2015 Tesis doctoral presentada por: Lara García Soto. Tesis doctoral dirigida por: Francisco Reyes Sánchez. Madrid, 2015 El ejemplo, la fuerza y el esfuerzo, mis padres. La paciencia y apoyo, Adrián. La música, baile y mi inspiración, Michael Jackson. Gracias. ÍNDICE 1. Introducción y Objeto de estudio……………………………………1 2. Objetivos……………………………………………………………….6 3. Metodología………………………………………............................10 4. Orígenes……………………………………………………………….13 4.1. Cine sonoro y experiencias artísticas………………………13 4.2. Cine Musical…………………………………………………..18 4.3. Soundies y Scopitones……………………………………….25 4.4. La llegada de las películas rock, grabaciones de conciertos. Décadas de los 50 y 60……………………………………………29 4.5. El videoarte……………………………….............................38 4.6. La televisión y los programas musicales………………......41 4.6.1. La MTV………………………………………………...........48 4.6.2. Programas musicales en España………………………...57 4.6.3. Los canales temáticos de música y videoclips………….65 5. Historia de la música y relación con los videoclips……………….68 5.1. Los años 70…………………………………………………..69 5.2. Los años 80…………………………………………………..76 5.2.1. La televisión y los videoclips. Desarrollo del rap…..80 5.2.2. El primer muro. El PMRC…………………………….86 5.2.3. Continúa la evolución: música, tecnología y moda..89 5.2.4. -
A Different Perspective of Campus University Board Releases Concert Costs
Eastern Illinois University The Keep September 2003 9-9-2003 Daily Eastern News: September 09, 2003 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_2003_sep Recommended Citation Eastern Illinois University, "Daily Eastern News: September 09, 2003" (2003). September. 6. http://thekeep.eiu.edu/den_2003_sep/6 This Article is brought to you for free and open access by the 2003 at The Keep. It has been accepted for inclusion in September by an authorized administrator of The Keep. For more information, please contact [email protected]. September 9, 2003 N “Tell the truth TUESDAY and don’t be afraid.” VOLUME 87, NUMBER 12 THEDAILYEASTERNNEWS.COM Could Eastern upset Eastern faces the heavily favored Missouri team on Saturday; does Eastern have a chance? Page 12 SPORTS A different perspective of campus University Board releases concert costs N Figures for the first two University Board concerts were released Monday. By Avian Carrasquillo MANAGING EDITOR The University Board released the costs for its first two concerts of the school year. UB Chair Joe Atamian confirmed O.A.R., Of a Revolution, would per- form one show for $45,000, while Wayne Brady would perform two shows for $105,000. Atamian stressed that the fees released were that of the artists, and would not cover lighting, production and catering. “The offers went out at the end of the summer. They were pretty basic and nothing out of the ordinary,” he said. “We made an offer and they got back to us. The contracts were approved within a matter of weeks,” Atamian said. -
Cuando La Música Desapareció De Televisión. Historia, Evolución Y Análisis Narrativo Del Periodismo Musical En TVE Y TV3 Al
Cuando la música desapareció de televisión. Historia, evolución y análisis narrativo del periodismo musical en TVE y TV3 90) - 02 - Alícia Álvarez Vaquero http://hdl.handle.net/10803/404735 Generalitat 472 (28 de Catalunya núm. Rgtre. Fund. ió ADVERTIMENT. L'accés als continguts d'aquesta tesi doctoral i la seva utilització ha de respectar els drets de undac la persona autora. Pot ser utilitzada per a consulta o estudi personal, així com en activitats o materials F d'investigació i docència en els termes establerts a l'art. 32 del Text Refós de la Llei de Propietat Intel·lectual (RDL 1/1996). Per altres utilitzacions es requereix l'autorització prèvia i expressa de la persona autora. En qualsevol cas, en la utilització dels seus continguts caldrà indicar de forma clara el nom i cognoms de la persona autora i el títol de la tesi doctoral. No s'autoritza la seva reproducció o altres formes d'explotació efect uades amb finalitats de lucre ni la seva comunicació pública des d'un lloc aliè al servei TDX. Tampoc s'autoritza la presentació del seu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant als continguts de la tesi com als seus resums i índexs. Universitat Ramon Llull Universitat Ramon ADVERTENCIA. El acceso a los contenidos de esta tesis doctoral y su utilización debe respetar los derechos de la persona autora. Puede ser utilizada para consulta o estudio personal, así como en actividades o G: 59069740 G: materiales de investigación y docencia en los términos establecidos en el art. -
Fiu Athletic Communications
MEDIA INFO FIU ATHLETIC COMMUNICATIONS TYSON RODGERS Director of Athletic Communications (FB, WBB, SB, WSOC) Office: 305-348-2084 Cell: 662-418-2982 Email: [email protected] MIKE HOGAN Director of Athletic Communications (MBB, MSOC, VB, BEACH VB) Office: 305-348-1496 Cell: 813-469-0616 Email: [email protected] CHRIS SANTIAGO Senior Multimedia Producer MAKERS WANTED BAHAMAS BOWL CONTACT (Video Coordinator) Chris Pika serves as the media contact for the Makers Wanted Bahamas Bowl. He can be Office: 305.348.6666 reached at [email protected] or by phone at 678-908-4853. Email: [email protected] MEDIA EVENTS Monday, Dec. 17 - Makers Wanted Bahamas Bowl Team Welcome Reception Atlantis Royal Towers Lower Lobby 7:00 – 8:30 p.m. A.J. RICKETTS (Please contact Chris Pika at 678-908-4853 for access.) Multimedia Assistant/ Voice of the Panthers (TF, XC) Tuesday, Dec. 18 - Makers Wanted Bahamas Bowl Player Beach Bash & Dinner Cell: 850.898.4914 Atlantis Lagoon & West Beach 4:00 – 6:00 p.m. Email: [email protected] (Please contact Chris Pika at 678-908-4853 for access.) Wednesday, Dec. 19 - Community Relations Visit Ranfurly Homes for Children 1:30 – 2:30 p.m. TYLER BRAIN (Media encouraged to attend. Please contact Chris Pika at 678-908-4853 for access.) Athletic Communications Assistant (Secondary FB, BSB, WG) Wednesday, Dec. 19 - Makers Wanted Bahamas Bowl Youth Football Clinic Office: 305.348.2084 Cell: 256.616.3097 Robinson Stadium Practice Field 3:30 – 5:00 p.m. Email: [email protected] (Media encouraged to attend. Please contact Chris Pika at 678-908-4853 for access.) Thursday, Dec. -
INSIDE PRO FOOTBALL the Sports Xchange
Also check out: NFLDraftScout.com Powered by INSIDE PRO FOOTBALL The Sports Xchange Vol. 13 No. 12 March 21, 2004 AROUND THE LEAGUE: proach. After all, it is March, and every get back to actual football stuff." The first round of teams' offseason plans team is tied right now. The Cowboys and Henson targeted each are just about complete with most of the no- "It really isn't overpaying for players," other for the same reasons. table free agents having found new homes said Bears general manager Jerry Angelo, Dallas is not certain that current starter or re-upped with their former teams. whose Bears gave right tackle John Tait a Quincy Carter or backup Chad Hutchinson Rosters will continue to change shape six-year, $33 million contract that opened will develop into the franchise quarterback with teams still planning for the NFL Draft eyes around the league. "That's what players they have been looking for since Troy Aik- and post-June 1 cuts to fill holes. But Gi- cost. That is what the marketplace is. We're man retired in 2000. ants, Browns and Chargers fans are among competing with other teams, and we did Henson felt the questions about Carter and those likely scratching their heads by their what we felt we had to do, and we felt he Hutchinson made Dallas an ideal place for teams' lack of activity during the opening was a very critical piece to our plan." quick playing time. weeks of free agency. All three missed the Henson, who has not played football since playoffs last year, yet were decidedly quiet ============== his junior year at Michigan in 2000 and had as big-name free agents signed elsewhere. -
Rubén Blades
Rubén Blades Rubén Blades Bellido de Luna (born July 16, 1948), professionally known as Rubén Blades (Spanish pronunciation: [ruˈβen ˈblaðes], but [ˈbleðz] in Panama and within the family[1]), is a Panamanian salsa singer, songwriter, actor, Latin jazz musician, and activist, performing musically most often in the Afro-Cuban and Latin jazz genres. As songwriter, Blades brought the lyrical sophistication of Central American nueva canción and Cuban nueva trova as well as experimental tempos and politically inspired Nuyorican salsa to his music, creating thinking persons’ (salsa) dance music. Blades has composed dozens of musical hits, the most famous of which is “Pedro Navaja,” a song about a neighborhood thug who appears to die during a robbery (his song “Sorpresas” continues the story), inspired by “Mack the Knife.” He also composed and sings “Patria” (Fatherland), which many Panamanians consider their second national anthem. He is an icon in Panama and is much admired throughout Latin America and Spain, and managed to attract 18% of the vote in his failed attempt to win the Panamanian presidency in 1994. In September 2004, he was appointed minister of tourism by Panamanian president Martín Torrijos for a five-year term. He holds a Licenciado en Derecho law degree from the University of Panama and an LL.M in International Law from Harvard University. He is married to singer Luba Mason. Family history and early life Blades was born in Panama City, Panama, the son of Cuban musician and actress Anoland Díaz (real surname Bellido de Luna), and Colombian Rubén Darío Blades, Sr., a gifted athlete, percussionist and later a graduate of the Federal Bureau of Narcotics in Washington, DC.