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KODACHROME 64 and 200 Films

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KODACHROME 64 and 200 Films TECHNICAL DATA / COLOR REVERSAL FILM June 2009 • E-88 A-00 Month 1996 KODACHROME 64 and 200 Films SIZES AVAILABLE —NOTICE— Sizes and catalogs numbers may differ from country to Discontinuance of KODACHROME Film country. See your dealer who supplies Kodak products. KODACHROME Film has been discontinued. Film will be sold while supplies last. STORAGE AND HANDLING Although there is no exact replacement, KODAK PROFESSIONAL EKTAR 100 and KODAK PROFESSIONAL Load and unload film in subdued light. EKTACHROME E100G Films are suggested alternatives. Store unexposed film in a refrigerator at 55°F (13°C) or lower in the original sealed package. To avoid moisture DESCRIPTION condensation on film that has been refrigerated, allow the film to warm up to room temperature before opening the KODACHROME 64 and 200 Films are color reversal films package. Process film as soon as possible after exposure. designed for processing in Process K-14 chemicals. These Protect transparencies from strong light, and store them in films are intended for exposure with daylight or electronic a cool, dry place. For more information, see KODAK flash. You can also expose them with tungsten illumination Publication No. E-30, Storage and Care of KODAK (3200 K) or photolamps (3400 K) using filters. Photographic Materials—Before and After Processing. KODACHROME 64 Film features extremely fine grain and extremely high sharpness. It is an excellent choice for a wide variety of applications. KODACHROME 200 Film EXPOSURE features fine grain and extremely high sharpness. With its Exposure Index Numbers faster speed, the film is ideal for low-light situations and Use the exposure index numbers below with cameras or light photo shoots requiring increased depth of field. meters marked for ISO or ASA speeds or exposure indexes. Use these films to produce color transparencies for Do not change the film-speed setting when metering through projection or viewing with 5000 K illumination. Duplicate a filter. Metering through filters may affect meter accuracy; transparencies can be made by direct printing. To make color see your meter or camera manual for specific information. prints, you can print transparencies onto color reversal paper. For critical work, make a series of test exposures. Or make internegatives for printing onto color negative paper. You can also scan transparencies for digital printing KODAK Exposure Index and for graphic arts and Photo CD applications. Light Source WRATTEN Gelatin Filter KR KL KODACHROME 64 Film / KR Daylight or None 64 200 • Excellent for outdoor, travel, and nature applications Electronic Flash •Extremely sharp Photolamp (3400 K) No. 80B 20 64 Tungsten (3200 K) No. 80A 16 50 • Extremely fine grain • Reproduces subtle color naturally • Archival KODACHROME 200 Film / KL • Well suited for fast action and low-light applications • Natural colors • 200 speed for stopping action and for use with telephoto lenses • Extremely high sharpness and fine grain • Archival ©Eastman Kodak Company, 2005 Daylight Fluorescent and High-Intensity Discharge Lamps Use the exposures in the table below for average frontlit Use the color-compensating filters and exposure adjustments subjects from 2 hours after sunrise to 2 hours before sunset. in the following charts as starting points to expose these films under fluorescent or high-intensity discharge lamps. KODACHROME 64 Film / KR For critical applications, make a series of test exposures Shutter Speed Lens under your actual conditions. Lighting Conditions (second) Opening To avoid the brightness and color variations that occur Bright/Hazy Sun on Sand or during a single alternating-current cycle, use exposure times 1/125 ƒ/16 Snow of 1/60 second or longer with fluorescent lamps; with high- Bright/Hazy Sun, Distinct 1/125 ƒ/11* intensity discharge lamps, use 1/125 second or longer. Shadows Weak, Hazy Sun, Soft 1/125 ƒ/8 Type of Fluorescent KODAK Color Exposure Shadows Lamp Compensating Filters Adjustment Cloudy Bright, No Shadows 1/125 ƒ/5.6 KODACHROME 64 Film Heavy Overcast or Open 1/125 ƒ/4 1⁄ Shade† Daylight 50R + 10M +1 3 stops * Use ƒ/5.6 for backlit close-up subjects. White 05C + 40M +1 stop † Subjects shaded from sun but lit by large area of clear sky. Warm White 20B + 20M +1 stop KODACHROME 200 Film / KL +1 1⁄ Warm White Deluxe 40B + 05C 3 Shutter Speed Lens stops Lighting Conditions (second) Opening Cool White 40M + 10Y +1 stop Bright/Hazy Sun on Sand or 2⁄ 1/250 ƒ/22 Cool White Deluxe 05B + 10M + 3 stop Snow Unknown Fluorescent 05C + 30M +1 stop Bright/Hazy Sun, Distinct 1/250 ƒ/16* Shadows KODACHROME 200 Film Weak, Hazy Sun, Soft 2⁄ 1/250 ƒ/11 Daylight 30R + 3 stop Shadows White 10B + 05M +2⁄ stop Cloudy Bright, No Shadows 1/250 ƒ/8 3 1⁄ Heavy Overcast or Open +1 3 1/250 ƒ/5.6 Warm White 40B + 05C Shade† stops * Use ƒ/8 for backlit close-up subjects. +1 1⁄ 3 † Subjects shaded from sun but lit by large area of clear sky. Warm White Deluxe 10B + 50C stops Electronic Flash Cool White 20M +1⁄ 3 stop Use the appropriate guide number in the following table as a Cool White Deluxe 05B + 20C +2⁄ 3 stop starting point for your equipment. First select the unit output Unknown Fluorescent 10B + 05C +2⁄ 3 stop closest to the number given by your flash manufacturer. Then find the guide number for feet or metres. To determine the lens opening, divide the guide number by the flash-to- KODAK Color High-Intensity Discharge Exposure subject distance. If transparencies are consistently too thin Compensating Lamp Adjustment (overexposed), use a higher guide number; if they are too Filters dense (underexposed), use a lower number. KODACHROME 64 Film General Electric Lucalox 70B + 30C 2⁄ Unit Guide Number (Distance in Feet/Metres) +2 3 stops Output General Electric Multi-Vapor 30R + 10M +1 stop (BCPS*) KR KL Deluxe White Mercury 30R + 30M +11⁄ 3 stops 350 32/10 60/18 Clear Mercury 120R + 20M + 3 stops 500 40/12 70/21 700 45/14 85/26 KODACHROME 200 Film 1000 55/17 100/30 General Electric Lucalox 50B + 70C +22⁄ 3 stops 1400 65/20 120/36 General Electric Multi-Vapor 20R + 10M +2⁄ 3 stop 2000 80/24 140/42 Deluxe White Mercury 10R + 30M +1 stop 2800 95/29 170/50 Clear Mercury 110R + 10M +2 2⁄ 3 stops 4000 110/33 200/60 Note: Consult the manufacturer of high-intensity lamps for 5600 130/40 240/70 ozone ventilation requirements and safety information on 8000 160/50 280/85 ultraviolet radiation. *BCPS=beam candlepower seconds. Some primary color filters were used in the previous tables to reduce the number of filters and keep the exposure 2 KODACHROME 64 and 200 Films • E-88 adjustment to a minimum. Red filters were substituted for SCANNING TRANSPARENCIES equivalent filtration in magenta and yellow. Blue filters were The KODACHROME Film family is characterized by sets substituted for equivalent filtration in cyan and magenta. of image dyes which perform very similarly when scanned. The scanner operator can set up one basic tone scale and Adjustments for Long Exposures color-correction channel for KODACHROME Films, and Use the adjustments in the following table when working then optimize the tone scale and gray balance for the with long exposure times. requirements of individual images. Calculated Exposure Time (Sec). Exposure increases include adjustment required PRINTING TRANSPARENCIES Film for KODAK Color Compensating Filters Code You can reproduce images made on KODACHROME Film 1/10,000 to 1/10 1 10 by using a variety of Kodak products. 1/100 +1⁄ stop KR None 3 Not recommended Duplicate Color Transparencies CC05R For duplicate transparencies, use— +1⁄ stop Not KL None 2 KODAK PROFESSIONAL EKTACHROME CC10Y recommended Duplicating Film EDUPE Note: This information applies only when exposing the films to daylight. The data are based on average emulsions Color Prints You can scan your image to a file and print digitally to— rounded to the nearest 1⁄ 2 stop and assume normal, recommended processing. Use the data only as a guide. For KODAK PROFESSIONAL PORTRA, SUPRA, and ULTRA ENDURA Papers critical applications, make tests under your conditions. KODAK PROFESSIONAL ENDURA Clear Display Material PROCESSING KODAK PROFESSIONAL ENDURA Transparency Have these films processed in Process K-14 chemicals. For Display Material a list of KODACHROME Film processing labs, go to www.kodak.com/go/k14. KODAK PROFESSIONAL ENDURA Metallic Paper KODACHROME 200 Film can be push-processed to gain film speed or compensate for underexposure. Before exposing your film, contact the lab where your film will be processed to discuss the push-processing levels they offer and the associated charges. Be sure to mark your film container with the EI number used and inform the lab that you want the appropriate push processing. When the film is push processed, the color balance will shift in the magenta-red direction, compensating for some of the greenish artificial illumination present in most stadiums and other large facilities. We do not recommend push processing of KODACHROME 64 Film. KODACHROME 64 and 200 Films • E-88 3 IMAGE STRUCTURE KODACHROME 64 Film Diffuse rms Granularity: 10 Read at a gross diffuse visual density of 1.0, using a 48-micrometre aperture, 12X magnification. CHARACTERISTIC CURVES MODULATION-TRANSFER CURVE 4.0 150 R G Exposure: Daylight 100 B 1/50 second 70 3.0 Process: K-14 50 Densitometry: Status A 30 20 Exposure: Daylight 2.0 10 Process: K-14 Densitometry: Diffuse visual DENSITY 7 5 RESPONSE (%) 3 1.0 2 1 12 3 4 5 10 20 50 100 200 600 SPATIAL FREQUENCY (cycles/mm) 0.0 3.0 2.0 1.0 0.0 1.0 F002_0489AC LOG EXPOSURE (lux-seconds) F002_0490AC SPECTRAL-SENSITIVITY CURVES SPECTRAL-DYE-DENSITY CURVES 2.0 Normalized dyes to form a visual density of 1.0 for a viewing illuminant of 3200 K.
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