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12500 See Cardinal Spellman Ordain Refugee
THE VOICE «301 Biseayne Blvd., Miami 38, Flo. Return Requested VOICE Weekly Publication of the Diocese of Miami Covering the 16 Counties of South Florida VOL. IV NO. 25 Price $5 a year * . * 15 cents a copy SEPTEMBER 7, 1962 12,500 See Cardinal Spellman Ordain Refugee A Prince of the Church who is the dean of the American fatherland last year and finished his theological studies at the Sisters, Catholic and non-Catholic laymen. Americans, Cubans hierarchy came to Miami last Sunday to ordain to the Holy Montezuma Seminary in New Mexico. and natives of the Latin American nations united to assist at Priesthood the first Cuban refugee priest who recently completed Eight other members of the hierarchy participated in the the Low Mass celebrated before a large and beautiful altar ceremonies witnessed by more than 12,500, including priests and especially constructed in the Miami Beach Convention Hall. his studies in exile in the United States for the diocesan priest- In the words of Archbishop Paul J. Hallinan, Metropolitan of hood in Cuba. the Province of Atlanta, who spoke during a banquet honoring His Eminence, Francis Cardinal Spellman, who was making A special ordination supplement and tribute Cardinal Spellman, the ordination of Father Sanchez was a his first official visit to the Diocese of Miami, conferred the to Cardinal Spellman appears on Pages 13 to 20, symbol of the cooperation which exists between the Americans as Sacrament of Holy Orders on 27-year-old Father Daniel Sanchez, inclusive, in this issue of The Voice. "a priestly young man from Cuba was ordained by the Cardinal a native of the Diocese of Pinar del Rio in Cuba, who left his Archbishop of New York." (Voice Photos By Bill Sander* CAUTIONS AGAINST LOOKING FOR 'SENSATIONAL FORMULAS' Expect No New Doctrines From Council, Pope Says VATICAN CITY (NO — chitects, the first audience design a church "to meditate urgy before drafting your hand with the spirit of inti- the Church strives to do with Pope John XXIII said here granted here since Pope John on the Holy Scriptures and plans. -
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Edward P. Dozier: A history of Native- American discourse in anthropology. Item Type text; Dissertation-Reproduction (electronic) Authors Norcini, Marilyn Jane. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 07/10/2021 19:56:29 Link to Item http://hdl.handle.net/10150/187248 INFORMATION TO USERS This manuscript ,has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete mannscript and there are mjssjng pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note wiD indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and contim1jng from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. -
Steinhart Runaway Hollywood Chapter3
Chapter 3 Lumière, Camera, Azione! the personnel and practices of hollywood’s mode of international production as hollywood filmmakers gained more experience abroad over the years, they devised various production strategies that could be shared with one another. A case in point: in May 1961, Vincente Minnelli was preparing the production of Two Weeks in Another Town (1962), part of which he planned to shoot in Rome. Hollywood flmmaker Jean Negulesco communicated with Minnelli, ofering some advice on work- ing in Italy, where Negulesco had directed portions of Tree Coins in the Fountain (1954) and Boy on a Dolphin (1957) and at the time was producing his next flm, Jessica (1962): I would say that the most difcult and the most important condition of mak- ing a picture in Italy is to adapt yourself to their spirit, to their way of life, to their way of working. A small example: Tis happened to me on location. As I arrive on the set and everything is ready to be done at 9 o’clock—the people are having cofee. Now, your assistant also is having cofee—and if you are foolish enough to start to shout and saying you want to work, right away you’ll have an unhappy crew and not the cooperation needed for the picture. But if you have cofee with them, they will work for you with no time limit or no extra expense.1 Negulesco’s letter underscores a key lesson that Hollywood moviemakers learned overseas when confronted with diferent working hours, production practices, and cultural customs. -
A Cultural Analysis of the Russo-Soviet Anekdot
A CULTURAL ANALYSIS OF THE RUSSO-SOVIET ANEKDOT by Seth Benedict Graham BA, University of Texas, 1990 MA, University of Texas, 1994 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2003 UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Seth Benedict Graham It was defended on September 8, 2003 and approved by Helena Goscilo Mark Lipovetsky Colin MacCabe Vladimir Padunov Nancy Condee Dissertation Director ii Copyright by Seth Graham 2003 iii A CULTURAL ANALYSIS OF THE RUSSO-SOVIET ANEKDOT Seth Benedict Graham, PhD University of Pittsburgh, 2003 This is a study of the cultural significance and generic specificity of the Russo-Soviet joke (in Russian, anekdot [pl. anekdoty]). My work departs from previous analyses by locating the genre’s quintessence not in its formal properties, thematic taxonomy, or structural evolution, but in the essential links and productive contradictions between the anekdot and other texts and genres of Russo-Soviet culture. The anekdot’s defining intertextuality is prominent across a broad range of cycles, including those based on popular film and television narratives, political anekdoty, and other cycles that draw on more abstract discursive material. Central to my analysis is the genre’s capacity for reflexivity in various senses, including generic self-reference (anekdoty about anekdoty), ethnic self-reference (anekdoty about Russians and Russian-ness), and critical reference to the nature and practice of verbal signification in more or less implicit ways. The analytical and theoretical emphasis of the dissertation is on the years 1961—86, incorporating the Stagnation period plus additional years that are significant in the genre’s history. -
UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Suspended Subjects: The Politics of Anger in Asian American Literature Permalink https://escholarship.org/uc/item/7kx173md Author Ma, Nan Publication Date 2009 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Suspended Subjects: The Politics of Anger in Asian American Literature A Dissertation submitted in partial satisfaction of the requirement for the degree of Doctor of Philosophy in English by Nan Ma December 2009 Dissertation Committee: Dr. Traise Yamamoto, Chairperson Dr. Steven Gould Axelrod Dr. Katherine Kinney Copyright by Nan Ma 2009 The Dissertation of Nan Ma is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS This project is the culmination of a collaborative effort. Numerous thought- provoking seminars, stimulating texts, rich conversations and discussions with professors, colleagues, friends, family members and students have helped to shape and sharpen my ideas. I am indebted, first and foremost, to my teachers. My heartfelt appreciation goes to my committee members, who approach their teaching and research with dedication and passion and who serve as models for the kind of teacher and scholar that I wish to become. I would not have been able to come to UCR without Professor Traise Yamamoto’s help and encouragements. She has introduced me to the world of Asian American literature and helped me find a sense of home after many years of living in the U.S. Her intellectual verve and commitment to her students will continue to guide and inspire me. Professor Axelrod has always listened to my ideas and concerns, big or small, with attention and care. -
"Compulsion": the Fictionalization of the Leopold-Loeb Case and The
Northern Michigan University NMU Commons All NMU Master's Theses Student Works 5-2015 "Compulsion": The icF tionalization of the Leopold- Loeb Case and the Struggle for Creative Control of "The rC ime of the Century" Maria L. Zambrana Northern Michigan University, [email protected] Follow this and additional works at: https://commons.nmu.edu/theses Part of the Literature in English, North America, Ethnic and Cultural Minority Commons Recommended Citation Zambrana, Maria L., ""Compulsion": The ictF ionalization of the Leopold-Loeb Case and the Struggle for Creative Control of "The Crime of the Century"" (2015). All NMU Master's Theses. 41. https://commons.nmu.edu/theses/41 This Open Access is brought to you for free and open access by the Student Works at NMU Commons. It has been accepted for inclusion in All NMU Master's Theses by an authorized administrator of NMU Commons. For more information, please contact [email protected],[email protected]. Compulsion: The Fictionalization of the Leopold-Loeb Case and the Struggle for Creative Control of the “Crime of the Century” By M.L. ZAMBRANA THESIS Submitted to Northern Michigan University In partial fulfillment of the requirements For the degree of MASTER OF ARTS English Department Copyright May 2015 by M.L. Zambrana SIGNATURE APPROVAL FORM Title of Thesis: Compulsion: The Fictionalization of the Leopold-Loeb Case and the Struggle for Creative Control of “The Crime of the Century” This thesis by Maria L. Zambrana is recommended for approval by the student’s Thesis Committee and Department Head in the Department of English and by the Assistant Provost of Graduate Education and Research. -
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2 3 On his way to the store Gauri Banerjee, 64 years old and blind, knocked his head against a door and could see again after 20 years. But in the same moment he lost his hearing. Wolverhampton Express & Star (17 May 1995). 4 5 6 7 8 9 10 11 Hugh Williams was the only survivor of a vessel that sank in the Straits of Dover on 5 December 1660. One hundred and twenty-one years later to the day, another shipping disaster in the same waters claimed the lives of all on board, except a man with the seemingly charmed name of Hugh Williams. On 5 August 1820, when a picnic boat capsized on the Thames, all drowned with the exception of a five-year-old boy—Hugh Williams. Again about one hundred and twenty years later, on 10 July 1940, a British trawler was destroyed by a German mine. Only two men survived, an uncle and nephew, both named Hugh Williams. Plimmer, M. & King, B., Beyond Coincidence: Amazing Stories of Conincidence and the Mystery Behind Them (New York: St. Martin’s Press, 2007), 192. 12 13 Subject: killed by book On 10 Mar 2007, at 1:33 PM, Tom McCarthy wrote: Date: Monday, March 12, 2007 12:19 PM From: Tom McCarthy How bizarre, given that I’d just written to you about your “encyclopaedic” knowledge of Hitchcock in relation to his mother’s death. How did it happen? “Absalom, Absalom!” Is such a good book to die with—or rather break a leg. In fact, “As I Lay Dying” would be better, since someone breaks Tom x the same leg twice in that book. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
January, 1957. Austin-Sparks.Net - AWAT Volume 35 - Searchable
Austin-Sparks.Net - AWAT Volume 35 - Searchable January, 1957. Austin-Sparks.Net - AWAT Volume 35 - Searchable THIS MINISTRY THE OBJECT OF THE MINISTRY of this little paper, issued bi-monthly, is to contribute to the Divine end which is presented in the words of Ephesians iv. 13—".. till we all attain unto the unity of the faith, and of the knowledge (literally —full knowledge) of the Son of God, unto a full- grown man, unto the measure of the stature of the fulness of Christ: that we be no longer children..." It is not connected with any ' Movement ' Organization', ' Mission * or separate body of Christians, but is just a ministry to " all saints Its going forth is with the prayer and hope that it will so result in a fuller measure of Christ, a richer and higher level of spiritual life, that, while bringing the Church of God into a growing approximation to His revealed will as to its ' attainment', it may be better qualified to be used of Him in testimony in the nations, and to the completing of its own number by the salvation of those yet to be added by the Lord. This ministry is maintained by the Lord through the stewardship of those who value it There is no ' subscription', bat gifts can be sent to the Editor, 'A Witness and A Testimony', 13, Honor Oak Road, Forest Hill, London, S. E. 23, England. All cheques should be made payable to ' Witness and Testimony A/c\ The paper is sent only to those who personally desire it, and we count on friends to advise us if this is no longer the case, or if they change their address. -
Visuals: Some Salt in a Small Bowl and Several Other Bowls with Water in Them
Salt Visuals: some salt in a small bowl and several other bowls with water in them. Try to ensure that each bowl is different in size and design to all the others. I want to look at salt today, because when I first heard about salt in the Bible, I was puzzled. Why was it so important, and how was it used back then? http://en.wikipedia.org/wiki/Salt_in_the_Bible http://www.biblepages.net/fo14.htm http://voices.yahoo.com/meaning-salt-bible-5916376.html Overview Salt is versatile and unique. It is the only mineral we eat. It’s used on roads to keep them safe and in saline drip-feeds in hospitals; as a condiment on food and to soften hard water. It has over 14,000 uses and is referred to in The Bible more than thirty times. Some mentions from the Bible itself: 1. It was used to bring out flavour (Job 6:6): a mark of good taste! 2. It was used in cattle fodder (Isaiah 30:24): cattle farmers still put salt licks in fields to this day 3. It was used on grain offerings and burnt sacrifices (Leviticus 2:13; Ezekiel 43:24; Mark 9:49) 4. It was a sign that land was barren (Job 39:6; Psalm 107:34; Jeremiah 17:6) 5. The land of defeated cities was salted to dedicate them to a god and pronounce a curse (Judges 9:45) 6. Newborn babies were rubbed with it (Ezekiel 16:4). One source says this was a sign that they would be raised to have integrity and be truthful 7. -
Singing in the Ways of the Lord No
Sermon #1615 Metropolitan Tabernacle Pulpit 1 SINGING IN THE WAYS OF THE LORD NO. 1615 A SERMON DELIVERED ON THURSDAY EVENING, AUGUST 11, 1881, BY C. H. SPURGEON, AT THE METROPOLITAN TABERNACLE, NEWINGTON. “Yes, they shall sing in the ways of the Lord: for great is the glory of the Lord.” Psalm 138:5. ACCORDING to the context, this is spoken of kings. “All the kings of the earth shall praise You, O Lord, when they hear the words of Your mouth. Yes, they shall sing in the ways of the Lord.” It will be a novel spectacle to see kings singing in the ways of the Lord! As a rule, they have not much troubled themselves with singing, but they have often troubled those who love the ways of God and opposed them, both by their laws and by their example. There will yet be another order of things in the earth! These days will be shortened for the elect’s sake and the time shall come when kings shall fall down be- fore the King of kings and all people shall call Jesus blessed! Oh that the time may speedily arrive when a choir of kings shall, with loud voices, magnify the name of the Lord! Well, dear brothers and sisters that time has not come, and therefore let us sing all the more. If the kings have not begun to sing, let us sing! And well we may. We have full permission to do it, for the next verse encourages us—“Though the Lord is high, yet has He respect unto the lowly.” He will be just as pleased with the song of the peasant as with that of the prince—with the psalm of the workman as with that of the monarch! We, too, may come, though obscure and unknown, and we may bring our two mites which make a farthing—and if they are all the praise our soul can give—the Lord will count that we have not given less than kings have! Let us make up for royal silence. -
Investigating Salt Through Art Jewellery
Investigating Salt through Art Jewellery by Catherine Ferreira Thesis presented in partial fulfilment of the requirements for the degree of Master of Visual Arts in the Faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Nanette Veldsman March 2016 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis/dissertation electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Catherine Ferreira March 2016 Copyright © 2016 Stellenbosch University All rights reserved i Stellenbosch University https://scholar.sun.ac.za Abstract This thesis is a materialist investigation of salt as a vibrant material within the practice of art jewellery. My art jewellery practice, with salt as main material, serves as the basis of this art practice-based research study. I place emphasis on the vital materiality within matter, focusing on salt as catalyst within my practice and theory. Through detailed analysis of my practice, and of the primary role of salt as vibrant matter therein, I aim to investigate how a materialist perspective can generate an interdisciplinary approach within the practice of art jewellery. Salt was the catalyst that changed my practice to an interdisciplinary one, situated between art jewellery, alchemy, metallurgy and chemistry. As such my practice questions themes of wearability, appropriate materials and durability within jewellery practices.