Mahatma Gandhi's Satyagraha and Nonviolent Resistance
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Discussion Questions for Gandhi
Discussion Questions for Gandhi Some of the major characters to watch for: Mohandas Gandhi (aka “Mahatma” or “Bapu”), Kasturba Gandhi (his wife), Charlie Andrews (clergyman), Mohammed Jinnah (leader of the Muslim faction), Pandit Nehru (leader of the Hindu faction—also called “Pandi-gi”), Sardar Patel (another Hindu leader), General Jan Smuts, General Reginald Dyer (the British commander who led the Massacre at Amritzar), Mirabehn (Miss Slade), Vince Walker (New York Times reporter) 1. Gandhi was a truly remarkable man and one of the most influential leaders of the 20th century. In fact, no less an intellect than Albert Einstein said about him: “Generations to come will scarce believe that such a one as this ever in flesh and blood walked upon this earth.” Why him, this small, unassuming man? What qualities caused tens of millions to follow him in his mission to liberate India from the British? 2. Consider Gandhi’s speech (about 30 minutes into the film) to the crowd regarding General Smuts’s new law (fingerprinting Indians, only Christian marriage will be considered valid, police can enter any home without warrant, etc.). The crowd is outraged and cries out for revenge and violence as a response to the British. This is a pivotal moment in Gandhi’s leadership. What does he do to get them to agree to a non-violent response? Why do they follow him? 3. Consider Gandhi’s response to the other injustices depicted in the film (e.g., his burning of the passes in South Africa that symbolize second-class citizenship, his request that the British leave the country after the Massacre at Amritzar, his call for a general strike—a “day of prayer and fasting”—in response to an unjust law, his refusal to pay bail after an unjust arrest, his fasts to compel the Indian people to change, his call to burn and boycott British-made clothing, his decision to produce salt in defiance of the British monopoly on salt manufacturing). -
Complete List of Books in Library Acc No Author Title of Book Subject Publisher Year R.No
Complete List of Books in Library Acc No Author Title of book Subject Publisher Year R.No. 1 Satkari Mookerjee The Jaina Philosophy of PHIL Bharat Jaina Parisat 8/A1 Non-Absolutism 3 Swami Nikilananda Ramakrishna PER/BIO Rider & Co. 17/B2 4 Selwyn Gurney Champion Readings From World ECO `Watts & Co., London 14/B2 & Dorothy Short Religion 6 Bhupendra Datta Swami Vivekananda PER/BIO Nababharat Pub., 17/A3 Calcutta 7 H.D. Lewis The Principal Upanisads PHIL George Allen & Unwin 8/A1 14 Jawaherlal Nehru Buddhist Texts PHIL Bruno Cassirer 8/A1 15 Bhagwat Saran Women In Rgveda PHIL Nada Kishore & Bros., 8/A1 Benares. 15 Bhagwat Saran Upadhya Women in Rgveda LIT 9/B1 16 A.P. Karmarkar The Religions of India PHIL Mira Publishing Lonavla 8/A1 House 17 Shri Krishna Menon Atma-Darshan PHIL Sri Vidya Samiti 8/A1 Atmananda 20 Henri de Lubac S.J. Aspects of Budhism PHIL sheed & ward 8/A1 21 J.M. Sanyal The Shrimad Bhagabatam PHIL Dhirendra Nath Bose 8/A2 22 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam VolI 23 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vo.l III 24 J.M. Sanyal The Shrimad Bhagabatam PHIL Oriental Pub. 8/A2 25 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vol.V 26 Mahadev Desai The Gospel of Selfless G/REL Navijvan Press 14/B2 Action 28 Shankar Shankar's Children Art FIC/NOV Yamuna Shankar 2/A2 Number Volume 28 29 Nil The Adyar Library Bulletin LIT The Adyar Library and 9/B2 Research Centre 30 Fraser & Edwards Life And Teaching of PER/BIO Christian Literature 17/A3 Tukaram Society for India 40 Monier Williams Hinduism PHIL Susil Gupta (India) Ltd. -
Isymbols of Water and Woman on Selected Examples of Modern Bengali Literature in the Context of Mythological Tradition.*
© Wagadu Volume 3: Spring 2006 Symbols of Water and Woman iSymbols of Water and Woman on Selected Examples of Modern Bengali Literature in the Context of Mythological Tradition.* Blanka Knotková-Čapková As in many archaic mythological concepts, the four basic elements are represented in the Indian mythology as either male or female: air (wind) and fire are male principles, later personified as male deities – Agni and Vāyu; earth and water (river) are female. The metaphorization of woman as Water and Earthii has a strong essentialist aspect; it points to the symbol of the womb, the mysterious feminine source of life, the “cradle and grave”iii or “womb and tomb”, “the Great Mother symbolizing circularity of life and death” (cf. Kalnická, in Wilkoszewska 2001, 107), who also disposes with the ultimate power over life and death. As such, she personifies the female creative and dynamic cosmic energy, śakti. Together with her male counterpart (personified as male God Śiva), she represents the dual image of cosmical unity and harmony. In heterodox śaktism, she is worshipped as the ultimate spiritual principle, not dependent on the male principle; in śivaismiv, she is described as the left part of Śiva’s body. Śaktism also worships śakti in the metonymical image of yoni, the female genitals, the location of the sensual pleasure and the beginning of life (the way to / from the womb).v Some of the mythological personifications of śakti have been partially patriarchalized and “married” to the male Gods; a possible pre-Indo-European concept of an independent motherly deity (whose image was connected with the vegetation cycle, eternal recreation and rebirth). -
Bhagat Singh, and Shivaram Rajguru, Whose Conspiracy Led to the Assassination of Deputy Superintendent of Police, J
SWAPNIL SANSAR, ENGLISH WEEKLY,LUCKNOW, 21,MARCH, (07) Sukhdev Thapar, Freeom Fighter Sukhdev Thapar was an revolutionary. He was a senior member of Hindustan in New Delhi (8th April 1929), Sukhdev and his accomplices have been arrest - Socialist Republican Association. He was hanged on 23 March1931 at the age ed and convicted of their crime, going through the loss of life sentence as the of 23.Sukhdev Thapar, born (15 May 1907) in Ludhiana, Punjab, British India to verdict. On twenty-third March 1931, the 3 courageous revolutionaries, Bhagat Ramlal Thapar and Ralli Devi. Sukhdev's father died and he was brought up by Singh, Sukhdev Thapar and Shivaram Rajguru have been hanged, at the same his uncle Lala Achintram.Sukhdev Thapar was a member of the Hindustan time as their bodies were secretly cremated at the banks of the River Sutlej. Socialist Republican Association (HSRA), and organised revolutionary cells in Sukhdev Thapar turned into just 24 years vintage whilst he became a martyr for Punjab and other areas of North India.Sukhdev is best remembered for his his motherland, however, he will usually be remembered for his courage, patri - involvement in the Lahore Conspiracy Case of 18 December 1928 and its after - otism, and sacrifice of his existence for India's independence. Agency. math. He was an accomplice of Bhagat Singh, and Shivaram Rajguru, whose conspiracy led to the assassination of Deputy Superintendent of Police, J. P. Shivaram Hari Rajguru Saunders in 1928 in response to the vio - Shivaram Hari Rajguru was an revolutionary from Maharashtra, known mainly lent death of a veteran leader,On 23 March for his involvement in the assassination of a British Raj police officer.Rajguru 1931, the three men were hanged. -
GUJARAT UNIVERSITY Hisotry M.A
Publication Department, Guajrat University [1] GUJARAT UNIVERSITY Hisotry M.A. Part-I Group - 'A' In Force from June 2003, Compulsory Paper-I (Historiography, Concept, Methods and Tools) (100 Marks : 80 Lectures) Unit-1 : Meaning and Scope of Hisotry (a) Meaning of History and Importance of its study. (b) Nature and Scope of History (c) Collection and selection of sources (data); evidence and its transmission; causation; and 'Historicism' Unit-2 : History and allied Disciplines (a) Archaeology; Geography; Numasmatics; Economics; Political Science; Sociology and Literature. Unit-3 : Traditions of Historical Writing (a) Greco-Roman traditions (b) Ancient Indian tradition. (c) Medieval Historiography. (d) Oxford, Romantic and Prussion schools of Historiography Unit-4 : Major Theories of Hisotry (a) Cyclical, Theological, Imperalist, Nationalist, and Marxist Unit-5 : Approaches to Historiagraphy (a) Evaluation of the contribution to Historiography of Ranke and Toynbee. (b) Assessment of the contribution to Indian Historiography of Jadunath Sarkar, G.S. Sardesai and R.C. Majumdar, D.D. Kosambi. (c) Contribution to regional Historiography of Bhagvanlal Indraji and Shri Durga Shankar Shastri. Paper-I Historiography, Concept, Methods and Tools. Suggested Readings : 1. Ashley Montagu : Toynbee and History, 1956. 2. Barnes H.E. : History of Historical Writing, 1937, 1963 3. Burg J.B. : The Ancient Greek Historians, 1909. 4. Car E.H. : What is History, 1962. 5. Cohen : The meaning of Human History, 1947, 1961. 6. Collingwood R.G. : The Idea of History, 1946. 7. Donagan Alan and Donagan Barbara : Philosophy of History, 1965 8. Dray Will Iam H : Philosophy of History, 1964. 9. Finberg H.P.R. (Ed.) : Approaches to History, 1962. -
UNIT 20 PRELUDE to QUIT INDIA* Prelude to Quit India
UNIT 20 PRELUDE TO QUIT INDIA* Prelude to Quit India Structure 20.1 Introduction 20.2 Political Situation in India 1930-39 – A Background 20.3 British Imperial Strategy in India 20.4 Resignation of Ministries 20.5 Individual Satyagraha 20.6 Cripps Mission 20.7 Summary 20.8 Exercises 20.1 INTRODUCTION At the very outset of the World War II in September 1939, it became evident that India would be in the forefront of the liberation struggle by the subject countries. In fact, support to Britain in its war efforts rested on the assurance by the former that India would be freed from British subjection after the war. Imperial strategy as it was shaped in Britain was still stiff and rigid. Winston Churchill who succeeded Neville Chamberlain as the Prime Minister of Britain on 10 May 1940, declared that the aim of the war was, “victory, victory at all costs… for without victory, there is no survival… no survival for the British Empire…”. (Madhushree Mukerjee, 2010, p.3.) More than ever before, the mainstream political parties of India had to make their moves on the basis of both national politics and international developments. It is in this context that the Quit India Movement of 1942 heralded one of the most tumultuous phases in the history of the Indian national movement. The developments leading up to it were also momentous because of their long term ramification. In the course of this Unit, we will establish the pulls and pressures working on mainstream Indian politics and their regional manifestations prior to the beginning of the Quit India Movement of 1942. -
“In the Creator's Image: a Metabiographical Study of Two
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 18, Issue 4 (Nov. - Dec. 2013), PP 44-47 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org “In the Creator’s Image: A Metabiographical Study of Two Visual Biographies of Gandhi”. Preeti Kumar Abstract: A metabiographical analysis is concerned with the relational nature of biographical works and stresses how the temporal, geographical, intellectual and ideological location of the biographer constructs the biographical subject differently. The changing pictures of Gandhi in his manifold biographies raise questions as to how the subject’s identity is mediated to the readers and audience. Published in 2011, the Manga biography of Gandhi by Kazuki Ebine had as one of its primary sources the film Gandhi (1982) directed by Richard Attenborough. However, in spite of closely following the cinematic text, the Gandhi in Ebine’s graphic narrative is constructed differently from the protagonist of the source text. This paper analyses the narrative devices, the cinematic and comic vocabulary, the thematic concerns and the dominant discourses underlying the two visual biographies as exemplifying the cultural and ideological profile of the biographer. Key terms: Visual Biography, metabiography, Manga, Gandhi, ideology Biography, whether in books, theatre, television and film documentaries or the new media has become the dominant narrative mode of our time. The word „biography‟ literally means „life-writing‟ from the Medieval Greek: „bios‟ meaning „life‟ and „graphia‟ or „writing‟. The earliest definition of the term was offered by Dryden in his introduction to the Lives of Plutarch, in which he referred to “biography” as the “history of particular men‟s lives”. -
LOK SABRA DEBATES (English Version)
Mond.,. February 22, 1988 ~!I~b SIrles. Vol. XXXV. No,.1 PbalguDa 3, 1909 (Sab) LOK SABRA DEBATES (English Version) Tentb Session (Elghtb Lot Sabba) ( ~~ ~ PARLIAMENT L1Di~ARY ; N.. :e...... .10. ..' . ~ i\ .".., L)ato .........'3~.~8~~ 00.., ... ,..\\ ,. ~.,....... - ~ ..........,.,.,.,.'..,_. ",I (Vol XXXV contains Nos, J to 10) LOK SABRA SECllETAIlIAT NEW DELHI Price: RI. : 600 [ORJOINAL ENGUSH PROCEEDINGS INCLUDED IN ENOLISH VERSION AND ORIOINAL HINDI PROCEEDINQS INCLUDED IN HINDI VERSION WiLL BE DBA TBDAS AUTFfORITATlVS AND NOT THE TRANSLATION THERFOP.l CONTENTS (Eighth Series, Volume XXXv, Tenth Session, 1988/1909-10 (Saka)] No.1. Monday, February 22. 1988/Phalguna 3, 1909 (Saka) COLUMNS President's Address - Laid on the Table 1-20 Obituary References and Resolution on the 20-32 demise of Khan Abdul Ghaffar Khan ALPHABETICAL LIST OF MEMBERS EIGHTH LOK SABHA A Appalanarasimham, Shri P. (Anakapalfi) Shri (South Abbasi, Shri K.J. (Domariaganj) ArJun Singh, Defhi) Shri (Tenkasi) Abdul Ghafoor, Shri (Siwan) Arunachalam, M. Abdul Hamid, Shri (Dhubri) Ataur Rahman, Shri (8arpeta) Abdullah, Begum Akbar Jahan Athlthan, Shri R. Dhanuskodi (Tiruchen- (Anantnag) dur) Athwal, Shri Charanjit Singh (Ropar) Acharla, Shri Basudeb (8ankura) AdalkalaraJ, Shri L. (Tiruchirappalli) Awasthl, Shri Jagdish (Bilhaur) Agarwal, Shri Jai Prakash (Chandni Azad, Shri Bhagwat Jha (Bhagalpur) Chowk) Azad, Shri Ghulam Nabi (Washim) Ahmad, Shri Sarfaraz (Giridih) B Ahmed, Shrimati Abida (Bareilly) Baghel, Shri Pratapsinh (Ohar) Ahmed, Shri Saifuddin (Mangaldai) 8agun Sumbrul, Shri (Singhbhum) Akhtar Hasan. Shri (Kairana) 8alragl, Shri Balkavi (Mandsaur) Alkha Ram, Shri (Salumber) Bairwa, Shri Banwari Lal (Tonk) Anand Singh, Shri (Gonda) Baltha, Shri D.L. (Araria) AnJlah. Shrimatj Manemma (Secundera- bad) BaJpal, Dr. -
Champaran Satyagrah
CHAMPARAN SATYAGRAH Why in News? An exhibition titled “SWACHHAGRAHA” BAPU KO KARYANJALI, EK ABHIYAN, EK PRADARSHANI” was held in Delhi to mark the 100 years of historic Satyagraha in Champaran. About the Exhibition April 10th, 2018 marks 100 years of Mahatma Gandhi launched the the Champaran Satyagraha and was th celebrated through the “Satyagraha Champaran Satyagraha on 10 April, se Swachhagraha” campaign, which 1917, to give the country freedom is aimed at achieving Freedom From from foreign rule. Uncleanness. The Exhibition Is a tribute to Gandhiji for his FIRST experiment of Satyagraha at Champaran in India. Is to link the principles of Satyagraha with Swachhagraha. Is an attempt to sensitize future generations to contribute in Swachh Bharat Mission for a Clean India. About the Champaran Satyagrah (1917) The Champaran Satyagarh was A Historic Mass Movement The First Satyagraha and the First of 20th century led by Non-Violence action initiated Mahatma Gandhi. by Gandhi ji in India. The First Civil Disobedience of unjust order in India. Towards end of 19th century, German synthetic dye forced indigo out of market. Planters left with no option but to release peasants, tried to turn situation to their advantage, demanded enhancement in rent and other illegal dues for releasing peasants. Gandhi ji was invited by Rajkumar Shukla to look into the problems of the indigo planters of Champaran in Bihar. The Europeans forced peasants to grow indigo instead of food crops on 3/20 of their land under the Tinkathia System. The Peasants were left helpless as The peasants were forced to sell The price was calculated on the produce at prices fixed by the the basis of cultivated area Europeans that was too less. -
Friends of Gandhi
FRIENDS OF GANDHI Correspondence of Mahatma Gandhi with Esther Færing (Menon), Anne Marie Petersen and Ellen Hørup Edited by E.S. Reddy and Holger Terp Gandhi-Informations-Zentrum, Berlin The Danish Peace Academy, Copenhagen Copyright 2006 by Gandhi-Informations-Zentrum, Berlin, and The Danish Peace Academy, Copenhagen. Copyright for all Mahatma Gandhi texts: Navajivan Trust, Ahmedabad, India (with gratitude to Mr. Jitendra Desai). All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transacted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publishers. Gandhi-Informations-Zentrum: http://home.snafu.de/mkgandhi The Danish Peace Academy: http://www.fredsakademiet.dk Friends of Gandhi : Correspondence of Mahatma Gandhi with Esther Færing (Menon), Anne Marie Petersen and Ellen Hørup / Editors: E.S.Reddy and Holger Terp. Publishers: Gandhi-Informations-Zentrum, Berlin, and the Danish Peace Academy, Copenhagen. 1st edition, 1st printing, copyright 2006 Printed in India. - ISBN 87-91085-02-0 - ISSN 1600-9649 Fred I Danmark. Det Danske Fredsakademis Skriftserie Nr. 3 EAN number / strejkode 9788791085024 2 CONTENTS INTRODUCTION ESTHER FAERING (MENON)1 Biographical note Correspondence with Gandhi2 Gandhi to Miss Faering, January 11, 1917 Gandhi to Miss Faering, January 15, 1917 Gandhi to Miss Faering, March 20, 1917 Gandhi to Miss Faering, March 31,1917 Gandhi to Miss Faering, April 15, 1917 Gandhi to Miss Faering, -
Champaran Satyagraha: an Hisrtorical Retrospect
CHAMPARAN SATYAGRAHA: AN HISRTORICAL RETROSPECT Prof. Arunagshu Maity Department of History Taki Government College Taki, North 24 Pgs. Part-III, History Honours Paper-V Topic- Gadhis Satagraha Eperiet i Idia Satygraha Experiment in Champaran The Champaran Satyagraha of 1917 marks Mahatma Gadhis first suessful application of his ethod of Satagraha in India Centenary Celebartion of Champaran Satygraha On April 10, 2017 the Govt. Of India has started year-long celebrations to mark the Centenary of Mahatma Gadhis Chapara satyagrha . Important Sources and Historical Literature • B. B. Mishra (Ed.) - Select Documents on Mahatma Gandhi’s Movement in Champaran 1917-18’ • Rajendra Prasad – Satyagraha in Champaran • D. G. Tendulkar - Gandhi in Champaran • Judith Brown – Gandhi’s Rise to Power: Indian Politics 1915-1922 • Jacques Pouchepadass - Champaran and Gandhi: Planters, Peasants and Indian Politics Champaran in early twentieth Century • The district of Champaran covers 3,531 squre miles in north west Bihar and it had nearly two million inhabitants. Ninety Percent of the people directly dependent on Agriculture and only two percent lived in Motihari and Bettiah, the distrits to towns. Judith Brown I Bros aalsis, the Satyagraha enabled Gandhi to recruit suotrators - the western educated and vernacular elite of akard areas ad small towns in Indian political life. Gandhi Associates in Champaran Rajendra Prasad, J.B. Kripalani and Anugraha Narayan Sinha – people who played vital roles in Peasant mobilization in Champaran. [ Sittinfg from Left] Rajendra Prasad, Anugraha Narayan Sinha. Jacques Pochepadass The region had a long tradition of anti-planter discontent and agitatio. Gadhis participation was a result of the invitation given to him by Rajkumar Shukla, a peasant leader who had travelled to the Lucknow Congress (1916) to pursue Gandhi. -
Madhusudan Dutt and the Dilemma of the Early Bengali Theatre Dhrupadi
Layered homogeneities: Madhusudan Dutt and the dilemma of the early Bengali theatre Dhrupadi Chattopadhyay Vol. 4, No. 2, pp. 5–34 | ISSN 2050-487X | www.southasianist.ed.ac.uk 2016 | The South Asianist 4 (2): 5-34 | pg. 5 Vol. 4, No. 2, pp. 5-34 Layered homogeneities: Madhusudan Dutt, and the dilemma of the early Bengali theatre DHRUPADI CHATTOPADHYAY, SNDT University, Mumbai Owing to its colonial tag, Christianity shares an uneasy relationship with literary historiographies of nineteenth-century Bengal: Christianity continues to be treated as a foreign import capable of destabilising the societal matrix. The upper-caste Christian neophytes, often products of the new western education system, took to Christianity to register socio-political dissent. However, given his/her socio-political location, the Christian convert faced a crisis of entitlement: as a convert they faced immediate ostracising from Hindu conservative society, and even as devout western moderns could not partake in the colonizer’s version of selective Christian brotherhood. I argue that Christian convert literature imaginatively uses Hindu mythology as a master-narrative to partake in both these constituencies. This paper turns to the reception aesthetics of an oft forgotten play by Michael Madhusudan Dutt, the father of modern Bengali poetry, to explore the contentious relationship between Christianity and colonial modernity in nineteenth-century Bengal. In particular, Dutt’s deft use of the semantic excess as a result of the overlapping linguistic constituencies of English and Bengali is examined. Further, the paper argues that Dutt consciously situates his text at the crossroads of different receptive constituencies to create what I call ‘layered homogeneities’.