Banging the Drum
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Mow!,'Mum INN Nn
mow!,'mum INN nn %AUNE 20, 1981 $2.75 R1-047-8, a.cec-s_ Q.41.001, 414 i47,>0Z tet`44S;I:47q <r, 4.. SINGLES SLEEPERS ALBUMS COMMODORES.. -LADY (YOU BRING TUBES, -DON'T WANT TO WAIT ANY- POINTER SISTERS, "BLACK & ME UP)" (prod. by Carmichael - eMORE" (prod. by Foster) (writers: WHITE." Once again,thesisters group) (writers: King -Hudson - Tubes -Foster) .Pseudo/ rving multiple lead vocals combine witt- King)(Jobete/Commodores, Foster F-ees/Boone's Tunes, Richard Perry's extra -sensory sonc ASCAP) (3:54). Shimmering BMI) (3 50Fee Waybill and the selection and snappy production :c strings and a drying rhythm sec- ganc harness their craziness long create an LP that's several singles tionbackLionelRichie,Jr.'s enoughtocreate epic drama. deep for many formats. An instant vocal soul. From the upcoming An attrEcti.e piece for AOR-pop. favoriteforsummer'31. Plane' "In the Pocket" LP. Motown 1514. Capitol 5007. P-18 (E!A) (8.98). RONNIE MILSAI3, "(There's) NO GETTIN' SPLIT ENZ, "ONE STEP AHEAD" (prod. YOKO ONO, "SEASON OF GLASS." OVER ME"(prod.byMilsap- byTickle) \rvriter:Finn)(Enz. Released to radio on tape prior to Collins)(writers:Brasfield -Ald- BMI) (2 52. Thick keyboard tex- appearing on disc, Cno's extremel ridge) {Rick Hall, ASCAP) (3:15). turesbuttressNeilFinn'slight persona and specific references tc Milsap is in a pop groove with this tenor or tit's melodic track from her late husband John Lennon have 0irresistible uptempo ballad from the new "Vlaiata- LP. An air of alreadysparkedcontroversyanci hisforthcoming LP.Hissexy, mystery acids to the appeal for discussion that's bound to escaate confident vocal steals the show. -
AUSTRALIAN OFFICIAL JOURNAL of TRADE MARKS 30 August 2012
Vol: 26, No. 33 30 August 2012 AUSTRALIAN OFFICIAL JOURNAL OF TRADE MARKS Did you know a searchable version of this journal is now available online? It's FREE and EASY to SEARCH. Find it on our website (www.ipaustralia.gov.au) by using the "Journals" link on the home page. The Australian Official Journal of Trademarks is part of the Official Journal issued by the Commissioner of Patents for the purposes of the Patents Act 1990, the Trade Marks Act 1995 and Designs Act 2003. This Page Left Intentionally Blank (ISSN 0819-1808) AUSTRALIAN OFFICIAL JOURNAL OF TRADE MARKS 30 August 2012 Contents General Information & Notices IR means "International Registration" Amendments and Changes Application/IRs Amended and Changes. 11860 Registrations/Protected IRs Amended and Changed. 11860 Applications for Extension of Time . 11859 Applications for Amendment . 11859 Applications/IRs Accepted for Registration/Protection . 11452 Applications/IRs Filed Nos 1508213 to 1510359. 11423 Applications/IRs Lapsed, Withdrawn and Refused Lapsed. 11861 Withdrawn. 11862 Cancellations of Entries in Register . 11866 Notices . 11859 Opposition Proceedings . 11857 Removal/Cessation of Protection for Non-use Proceedings . 11866 Renewal of Registration/IR . 11866 Trade Marks Registered/Protected . 11857 Trade Marks Removed from the Register/IRs Expired . 11868 This Page Left Intentionally Blank For Information on the following please see our website: www.ipaustralia.gov.au or contact our Customer Service Network on 1300651010 Editorial enquiries Contact information Freedom of Information ACT Professional Standards Board Sales Requests for Information under Section 194 (c) Country Codes Trade Mark and Designs Hearing Sessions INID (Internationally agreed Numbers for the Indentification of Data) ‘INID’ NUMBERS in use on Australian Trade Mark Documents ‘INID’ is an acronym for Internationally agreed Numbers for the Identification of Data’ (200) Data Concerning the Application. -
A Historical Study of Mental Health Programming in Commercial and Public Television from 1975 to 1980
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1985 A Historical Study of Mental Health Programming in Commercial and Public Television from 1975 to 1980 Jan Jones Sarpa Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the Education Commons Recommended Citation Sarpa, Jan Jones, "A Historical Study of Mental Health Programming in Commercial and Public Television from 1975 to 1980" (1985). Dissertations. 2361. https://ecommons.luc.edu/luc_diss/2361 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1985 Jan Jones Sarpa A HISTORICAL STUDY OF MENTAL HEALTH PROGRAMMING IN COMMERCIAL AND PUBLIC TELEVISION FROM 1975 TO 1980 by Jan Jones Sarpa A Dissertation Submitted to the Faculty of the Graduate School of L~yola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Doctor of Education January 1985 Jan Jones Sarpa Loyola University of Chicago A HISTORICAL STUDY OF MENTAL HEALTH PROGRAMMING IN COMMERCIAL AND PUBLIC TELEVISION FROM 1975 TO 1980 There has been little to no research on the subject of mental health programming on television. This dissertation was undertaken to help alleviate this void and to discover trends and answer questions about such programming. The medium of television was researched specifically due to its access (98 percent of all U.S. -
Sustainability— What Matters?
sustainability — what matters? published by Governance & Accountability Institute, Inc. 845 Third Avenue, Suite 644 New York, New York 10022 646.430.8230 [email protected] www.ga-institute.com sustainability — what matters? 2014 | published by Governance & Accountability Institute, Inc. 845 Third Avenue, Suite 644 New York, New York 10022 646.430.8230 [email protected] www.ga-institute.com authors and architects Hank Boerner — Chairman, Chief Strategist and Co-Founder Governance & Accountability Institute, Inc. Louis D. Coppola — Executive Vice President and Co-Founder Governance & Accountability Institute, Inc. primary researchers Laura Ana Jardieanu Santiago Viteri Table of sustainability — what matters? Contents OVERVIEW page 1 Most Material | Least Material In Reporters' Views 2 Background | Sustainability Reporting Trends 3 Materiality 4 Timing 5 Methodology 6 • Scoring 6 • Sectors 7 • Sector Scoring 8 • Sector Difference Scores 8 • Additional Categories and Aspect Ranks 9 And Now The Results | Top 10 / Bottom 10 9 SECTORS Agriculture 10 Automotive 15 Aviation 20 Chemicals 25 Commercial Services 30 Computers 35 Conglomerates 40 Construction 45 Construction Materials 50 Consumer Durables 55 Energy 60 Energy Utilities 65 Equipment 70 Financial Services 75 Food and Beverage 80 Forest and Paper 85 Healthcare Products 90 Healthcare Services 95 Household and Personal Products 100 Logistics 105 Media 110 Metals Products 115 Mining 120 Public Agency 125 Sustainability – What Matters? | Governance & Accountability Institute, Inc. -
Group Presentation January 2021 Group Presentation / January 2021 2021.01.27 — 2
GROUP PRESENTATION / JANUARY 2021 2021.01.27 — 1 GROUP PRESENTATION JANUARY 2021 GROUP PRESENTATION / JANUARY 2021 2021.01.27 — 2 1 ABOUT LVMH 2 COMMITMENTS 3 KEY FIGURES 4 GOVERNANCE GROUP PRESENTATION / JANUARY 2021 2021.01.27 — 3 ABOUT LVMH GROUP PRESENTATION / JANUARY 2021 2021.01.27 — 4 Foreword A FAMILY-RUN Group, LVMH is led by BERNARD ARNAULT since 1987. LVMH strives to ensure the long-term development of each of its 70 HOUSES in keeping with their IDENTITY, their HERITAGE and their EXPERTISE. The LVMH group is the ONLY GROUP present in all FIVE MAJOR SECTORS of the luxury market: Wines & Spirits, Fashion & Leather Goods, Perfumes & Cosmetics, Watches & Jewelry and Selective Retailing. GROUP PRESENTATION / JANUARY 2021 2021.01.27 — 5 In 2020, LVMH represents: €44.7 163,000 5,003 Billion in revenue Employees Stores GROUP PRESENTATION / JANUARY 2021 2021.01.27 — 6 The LVMH spirit LVMH has successfully preserved a FAMILY SPIRIT that places priority on a LONG-TERM VISION. The Group’s vocation is to ensure the DEVELOPMENT of each of its Houses while respecting their IDENTITIES and their autonomy, providing the RESOURCES needed to create, produce and market their products and services through carefully selected channels. These creations make our Houses AMBASSADORS OF A DISTINCTIVELY REFINED « ART DE VIVRE ». GROUP PRESENTATION / JANUARY 2021 2021.01.27 — 7 The THREE FUNDAMENTAL VALUES articulated by Bernard Arnault are shared by every member of LVMH. Those three imperatives constitute the pillars of our PERFORMANCE and LONG-TERM SUCCESS. BE CREATIVE DELIVER CULTIVATE & innovative excellence an entrepreneurial spirit Creativity and innovation are part of our DNA. -
F Orum De La Mo De É Dition 4 L E S Temp S De La Mo De #1 Le
#1 Le temps de la création 10h – 10h30 Sidney Toledano Président-directeur général de LVMH Fashion Group Diplômé de l’École Centrale de Paris, Sidney Toledano débute sa carrière chez Nielsen International, puis Kickers et Lancel. En 1994, Sidney Toledano rejoint la Maison Les temps de la mode temps Les Christian Dior Couture en tant que Directeur de la division cuir, puis est nommé Directeur géné- ral en charge du développement international. En 1998, il est nommé Président-directeur général de Christian Dior Couture. Il est aussi nommé Vice- président, Directeur général et Administrateur de Christian Dior S.E. En février 2018, Sidney Toledano est nommé Président-directeur général de LVMH Fashion Group, un pôle qui regroupe plusieurs marques prestigieuses (Celine, Givenchy, Loewe, Emilio Pucci, Kenzo, Marc Jacobs, Nicholas Kirkwood, Rossimoda, Jean Patou). Il est membre du Comité Exécutif de LVMH. Sidney Toledano est Vice- président et Administrateur de l’Institut Français de la Mode et du Comité Colbert. Il est membre du Comité de Direction de la Chambre Syndicale de la Haute Couture et du Comité Exécutif de la Fédération de la Haute Couture et de la Mode. Il est Chevalier dans l’Ordre National de la Légion d’Honneur et Officier dans l’Ordre National du Mérite. Il a également été décoré du Wissam Al-Arch au grade d’Officier par Sa Majesté le Roi Mohammed VI du Maroc en 2007. Forum de la mode édition 4 #2 Le temps d’une conception raisonnée 10h30 – 11h30 Marianne Romestain Pierre Arnaud Grenade Directrice de l’offre et des achats – Global CEO – Ba&sh Groupe Galeries Lafayette Après une première expérience en tant que Directeur Internatio- Diplomée de l’École Nationale nal chez Oxbow, Pierre-Arnaud de la Statistique et de l’Adminis- Wa rejoint Morgan où il devient tration Économique (ENSAE) et Deputy Managing Director en de l’Université Paris IX-Dauphine, charge des opérations. -
Louis Vuitton Casestudy.Pdf
Case study Introduction Louis Vuitton (Louis Vuitton), he is history's most prominent French designers of leather goods, in 1854 in Paris, opened his own name the first suitcase shop. A century later, Louis Vuitton luggage and leather goods to become one of the best areas of the brand, and become a symbol of high society. Today, the Louis Vuitton brand has not only limited to the design and sale of high-end leather goods and luggage, but to become involved in fashion, accessories, shoes, bags, jewelry, watches, media, wine and other areas of the giant trend indicators. LV suitcase from the early T stage in Paris a year now constantly changing LV fashion show, LV (Louis Vuitton) is able to stand in the international fashion industry has been the top position, proud home of luxury brands out, in its own unique brand DNA. History 1821 – Louis Vuitton, founder of the famous fashion house was born in the eastern French province of Franche-Comte. 1837 – 16-year-old Louis packed his bags and left for the nobility of Paris. 1852 – Napoleon III ascended to the throne, and Louis Vuitton was selected as the Queen’s box- maker and packer. 1853 – Louis has won the trust of the black-lashed Nepalese Queen. 1854 – Louis opened his first leather goods stores in Paris. 1885 – He expanded his store overseas, from Paris to London. 1890 – The invention of the brand’s exclusive lock. 1896 – Louis Vuitton’s son George took the shorthand of his father’s name, L and V, and intertwined it with a flower pattern design creating the renowned monogram canvas still well known today. -
Masked Marvels
THINKTANK RETAIL NICK GRAHAM SHOCKER ON WHY MEN MEN’S WEARHOUSE ARE THE NEW OUSTS GEORGE ZIMMER. WOMEN. PAGE MW2 WIND IN THEIR SAILS PAGE MW4 CREATURES OF THE WIND GETS NEW INVESTOR. PAGE 2 APPEAL EXPECTED Dolce and Gabbana Guilty in Tax Trial By LUISA ZARGANI SPRING 2014 MILAN — Guilty. That was the verdict handed down to Domenico MILAN Dolce and Stefano Gabbana, as well as four other MEN’S defendants, here Wednesday afternoon in the design- COLLECTION ers’ long-running tax evasion case. Judge Antonella THURSDAY, JUNE 20, 2013 ■ WOMEN’S WEAR DAILY ■ $3.00 PREVIEW Brambilla sentenced the designers and accountant Luciano Patelli to one year and eight months in jail, WWD plus legal expenses. Dolce’s brother Alfonso, gen- eral director Cristiana Ruella and fi nance director Giuseppe Minoni were sentenced to one year and four months in jail plus legal expenses. There is little chance the designers and the other defendants will serve any jail time because the sen- tences are below the two-year minimum generally re- quired in Italy to do so. The defendants were also charged with paying the Revenue Agency a provisional fi ne of 500,000 euros, or $668,650 at current exchange. The plaintiff solicitor Gabriella Valadia at the end of May asked for a provision- al fi ne of 10 million euros, or $13 million, citing damages to the image of the Revenue Service. Valadia at the time claimed that tax evasion “shows a system that is not cred- ible and effi cacious, it hurts the credibility of the Italian fi scal system, aggravated by the fact that the individuals at the center of the trial are so famous.” The court’s fi ne is separate from one imposed by the Revenue Agency of more than 400 million euros, or $535 million at current exchange, at the end of March. -
The Clash and Mass Media Messages from the Only Band That Matters
THE CLASH AND MASS MEDIA MESSAGES FROM THE ONLY BAND THAT MATTERS Sean Xavier Ahern A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill © 2012 Sean Xavier Ahern All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis analyzes the music of the British punk rock band The Clash through the use of media imagery in popular music in an effort to inform listeners of contemporary news items. I propose to look at the punk rock band The Clash not solely as a first wave English punk rock band but rather as a “news-giving” group as presented during their interview on the Tom Snyder show in 1981. I argue that the band’s use of communication metaphors and imagery in their songs and album art helped to communicate with their audience in a way that their contemporaries were unable to. Broken down into four chapters, I look at each of the major releases by the band in chronological order as they progressed from a London punk band to a globally known popular rock act. Viewing The Clash as a “news giving” punk rock band that inundated their lyrics, music videos and live performances with communication images, The Clash used their position as a popular act to inform their audience, asking them to question their surroundings and “know your rights.” iv For Pat and Zach Ahern Go Easy, Step Lightly, Stay Free. v ACKNOWLEDGMENTS This thesis would not have been possible without the help of many, many people. -
A Combat for Couture Command of Luxury Labels
DePaul Journal of Art, Technology & Intellectual Property Law Volume 24 Issue 1 Fall 2013 Article 3 Human v. House: A Combat for Couture Command of Luxury Labels Carly Elizabeth Souther Follow this and additional works at: https://via.library.depaul.edu/jatip Recommended Citation Carly E. Souther, Human v. House: A Combat for Couture Command of Luxury Labels, 24 DePaul J. Art, Tech. & Intell. Prop. L. 49 (2013) Available at: https://via.library.depaul.edu/jatip/vol24/iss1/3 This Lead Article is brought to you for free and open access by the College of Law at Via Sapientiae. It has been accepted for inclusion in DePaul Journal of Art, Technology & Intellectual Property Law by an authorized editor of Via Sapientiae. For more information, please contact [email protected]. Souther: Human v. House: A Combat for Couture Command of Luxury Labels HUMAN V. HOUSE: A COMBAT FOR COUTURE COMMAND OF LUXURY LABELS Carly Elizabeth Souther* ABSTRACT As an industry that thrives on-rather than succumbs to- adversity, the couture corporate world demands innovation and encourages risks. When combined with successful marketing and savvy business practices, these risks can result in large payoffs, which exist, primarily, due to the nature of the global fashion market.' Endless consumption drives the market, rewarding fashion houses that cater to current trends with top-line growth and damning those whom fail to suffer decreased net earnings. In order to remain a viable player in the fashion industry, the house must have the resources to market and manufacture the product in a timely manner, as well as incur the costs if a collection is poorly received. -
Reference Points
Editor in Chief Giuliano Deidda Issue #45 January/February 2017 STYLE Q&A THE TOPIC FASHION & CINEMA TREND ALWAYS LOOK MUSIC BOWS TO UNIFORM MAKES THE SEASON’S GUIDE What Are You FORWARD FASHION THE MAN BY WGSN Looking At A chat with Paul Smith on the occasion A relationship which has changed To each his uniform Traditional menswear meets of his return to Pitti Uomo a lot lately sportswear Page 14 Page 18 Page 20 Page 26 FASHION&CINEMA REFERENCE POINTS Jacket Dolce&Gabbana, shirt Salvatore Ferragamo, bow tie Lanieri An elegant tribute to a famous dance from 1990 inspired by fashion magazines. Page 42 TREND Formal 2.0 Roy Roger’s A new life for the menswear classics in the next Fall Winter season. Page 22 ACCESSORIES Paint Me Down Jude Law in Genius (Photo Courtesy of Eagle Pictures) f fashion as a system for a more cosmopolitan lifestyle. In the moment, recently seen in the film Tie Salvatore Ferragamo finds itself at a moment this panorama, each man’s personal Genius as (and not by chance) the writer From head to toe, the most of a certain confusion, style is free to broaden, in line with the Thomas Wolfe, and above all, as the lead characterful accessories of the theI masculine aesthetic on the other individual demands of a life made up of in the Paolo Sorrentino masterpiece, Spring Summer season. Page 50 hand lives in a most interesting business meetings and social functions. The Young Pope. The actor has, in the dimension of continual evolution. As As a result of this, men are more sure most brilliant way, taken on the most in the past, this change comes from of themselves and are not afraid to dare. -
2014 Half-Year Review
2014 HALF-YEAR REVIEW 28 August 2014 32 Hoche - Paris BUILDING THE FUTURE IS OUR GREATEST ADVENTURE French société anonyme with share capital of €319,157,468 - Registered office: 32, avenue Hoche, 75008 Paris, France Registration No. 572 015 246 Paris - APE code: 7010Z 2014 HALF-YEAR REVIEW Correction to the document published on 28 August 2014: a few minor changes have been made to the paragraphs related to Alstom (pages 34 and 35). BOUYGUES French Société Anonyme with share capital of €335,613,887 Registered office: 32, avenue Hoche, 75008 Paris, France Registration No. 572 015 246 Paris – APE code: 7010Z BOUYGUES/2014 Half-year Review CONTENTS Board of Directors ................................................................................................................. 1 Half-year review of operations .............................................................................................. 3 Condensed consolidated first-half financial statements .......................................................... 38 Certificate of responsibility .................................................................................................... 71 Auditors’ report on the first-half financial statements ............................................................ 72 BOUYGUES/2014 Half-year Review BOARD OF DIRECTORS Since 20 May 2014, the Board of Directors has included two directors representing employees. They are Raphaëlle Deflesselle and Michel Bardou, both appointed by the Group Management Committee. The appointment follows an amendment