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Corpus Christi College the Pelican Record
CORPUS CHRISTI COLLEGE THE PELICAN RECORD Vol. LI December 2015 CORPUS CHRISTI COLLEGE THE PELICAN RECORD Vol. LI December 2015 i The Pelican Record Editor: Mark Whittow Design and Printing: Lynx DPM Limited Published by Corpus Christi College, Oxford 2015 Website: http://www.ccc.ox.ac.uk Email: [email protected] The editor would like to thank Rachel Pearson, Julian Reid, Sara Watson and David Wilson. Front cover: The Library, by former artist-in-residence Ceri Allen. By kind permission of Nick Thorn Back cover: Stone pelican in Durham Castle, carved during Richard Fox’s tenure as Bishop of Durham. Photograph by Peter Rhodes ii The Pelican Record CONTENTS President’s Report ................................................................................... 3 President’s Seminar: Casting the Audience Peter Nichols ............................................................................................ 11 Bishop Foxe’s Humanistic Library and the Alchemical Pelican Alexandra Marraccini ................................................................................ 17 Remembrance Day Sermon A sermon delivered by the President on 9 November 2014 ....................... 22 Corpuscle Casualties from the Second World War Harriet Fisher ............................................................................................. 27 A Postgraduate at Corpus Michael Baker ............................................................................................. 34 Law at Corpus Lucia Zedner and Liz Fisher .................................................................... -
Working Group on Human Sexuality
IssuesTEXTwithoutPreface.qxp:Resourcbishops.qxp 20/11/2013 11:35 Page i The House of Bishops Working Group on human sexuality Published in book & ebook formats by Church House Publishing Available now from www.chpublishing.co.uk IssuesTEXTwithoutPreface.qxp:Resourcbishops.qxp 20/11/2013 11:35 Page ii Published in book & ebook formats by Church House Publishing Available now from www.chpublishing.co.uk IssuesTEXTwithoutPreface.qxp:Resourcbishops.qxp 20/11/2013 11:35 Page iii Report of the House of Bishops Working Group on human sexuality November 2013 Published in book & ebook formats by Church House Publishing Available now from www.chpublishing.co.uk IssuesTEXTwithoutPreface.qxp:Resourcbishops.qxp 20/11/2013 11:35 Page iv Church House Publishing All rights reserved. No part of this Church House publication may be reproduced or Great Smith Street stored or transmitted by any means London or in any form, electronic or mechanical, including photocopying, SW1P 3AZ recording, or any information storage and retrieval system without written permission, which should be sought ISBN 978 0 7151 4437 4 (Paperback) from [email protected] 978 0 7151 4438 1 (CoreSource EBook) 978 0 7151 4439 8 (Kindle EBook) Unless otherwise indicated, the Scripture quotations contained GS 1929 herein are from the New Revised Standard Version Bible, copyright Published 2013 for the House © 1989, by the Division of Christian of Bishops of the General Synod Education of the National Council of the Church of England by Church of the Churches of Christ in the -
The Empire Exhibition of 1938: the Last Durbar, Edinburgh, 1988
A COLLECTION OF WORDS IBROX WRITERS GROUP AT HOUSE FOR AN ART LOVER Exhibition open daily 14/04/17-26/4/17, 10am-4pm This exhibition marks the end of a project between the Ibrox Writers Group and House for an Art Lover which has taken place as part of our Heritage Programme. This project has taken place between January - April 2017. The writers responded to the content of the Heritage Centre which is in the former stables and dovecot buildings of Ibroxhill House and now situated at ART PARK House for an Art Lover. The Heritage Centre facility showcases the history of the local area including the 1938 Empire Exhibition, shipbuilding and much more. Each writer has responded to the content of the Heritage Centre in their own way. They were inspired through group meetings, talks and personal research. The exhibition showcases a selection of works created during the project to read and listen to and includes a publication of works. In addition to this exhibition you can join the writers for a coffee morning and readings at Ibrox Library on Friday 28/04/17, 10:30am-12pm. Grant aided by Glasgow City Heritage Trust. IBROX WRITERS Ibrox Writers Group are a creative writing group who meet on Fridays, 10am - 12pm at Ibrox Library. They write, read, support and advise, drink tea and visit inspiring places. Open to all abilities, they are always happy to welcome new members. If you are interested in joining, send a letter including your contact details to: FAO Ibrox Writers Group, Ibrox Library, 1 Midlock Street, Glasgow, G51 1SL Search Ibrox Writers to follow them on Facebook. -
Chronicles of the Family Baker"
Chronicles of the Family by Lee C.Baker i ii Table of Contents 1 THE MEDIEVAL BAKERS........................................................................................1 2 THE BAKERS OF SISSINGHURST.........................................................................20 3 THE BAKERS OF LONDON AND OXFORD ............................................................49 4 THE BAKERS AT HOTHFIELD ..............................................................................58 5 COMING OUT OF ENGLAND.................................................................................70 6 THE DAYS AT MILFORD .......................................................................................85 7 EAST HAMPTON, L. I. ...........................................................................................96 8 AMAGANSETT BY THE SEA ................................................................................114 9 STATEN ISLAND AND NEW AMSTERDAM ..........................................................127 10 THE ELIZABETH TOWN PIONEERS ....................................................................138 11 THE BAKERS OF ELIZABETH TOWN AND WESTFIELD ......................................171 12 THE NEIGHBORS AT NEWARK...........................................................................198 13 THE NEIGHBORS AT RAHWAY ...........................................................................208 14 WHO IS JONATHAN BAKER?..............................................................................219 15 THE JONATHAN I. BAKER CONFUSION -
JAMES USSHER Copyright Material: Irish Manuscripts Commission
U3-030215 qxd.qxd:NEW USH3 3/2/15 11:20 Page i The Correspondence of JAMES USSHER Copyright material: Irish Manuscripts Commission Commission Manuscripts Irish material: Copyright U3-030215 qxd.qxd:NEW USH3 3/2/15 11:20 Page iii The Correspondence of JAMES USSHER 1600–1656 V O L U M E I I I 1640–1656 Commission Letters no. 475–680 editedManuscripts by Elizabethanne Boran Irish with Latin and Greek translations by David Money material: Copyright IRISH MANUSCRIPTS COMMISSION 2015 U3-030215 qxd.qxd:NEW USH3 3/2/15 11:20 Page iv For Gertie, Orla and Rosemary — one each. Published by Irish Manuscripts Commission 45 Merrion Square Dublin 2 Ireland www.irishmanuscripts.ie Commission Copyright © Irish Manuscripts Commission 2015 Elizabethanne Boran has asserted her right to be identified as the author of this work in accordance with the Copyright and Related Rights Act 2000, Section 107. Manuscripts ISBN 978-1-874280-89-7 (3 volume set) Irish No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission of the publisher. The index was completed with the support of the Arts andmaterial: Social Sciences Benefaction Fund, Trinity College, Dublin. Copyright Typeset by December Publications in Adobe Garamond and Times New Roman Printed by Brunswick Press Index prepared by Steve Flanders U3-030215 qxd.qxd:NEW USH3 3/2/15 11:20 Page v S E R I E S C O N T E N T S V O L U M E I Abbreviations xxv Acknowledgements xxix Introduction xxxi Correspondence of James Ussher: Letters no. -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Mobilizing the Metropolis: Politics, Plots and Propaganda in Civil War London, 1642-1644 Permalink https://escholarship.org/uc/item/3gh4h08w Author Downs, Jordan Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Mobilizing the Metropolis: Politics, Plots and Propaganda in Civil War London, 1642-1644 A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History by Jordan Swan Downs December 2015 Dissertation Committee: Dr. Thomas Cogswell, Chairperson Dr. Jonathan Eacott Dr. Randolph Head Dr. J. Sears McGee Copyright by Jordan Swan Downs 2015 The Dissertation of Jordan Swan Downs is approved: ___________________________________ ___________________________________ ___________________________________ ___________________________________ Committee Chairperson University of California, Riverside Acknowledgements I wish to express my gratitude to all of the people who have helped me to complete this dissertation. This project was made possible due to generous financial support form the History Department at UC Riverside and the College of Humanities and Social Sciences. Other financial support came from the William Andrew’s Clark Memorial Library, the Huntington Library, the Institute of Historical Research in London, and the Santa Barbara Scholarship Foundation. Original material from this dissertation was published by Cambridge University Press in volume 57 of The Historical Journal as “The Curse of Meroz and the English Civil War” (June, 2014). Many librarians have helped me to navigate archives on both sides of the Atlantic. I am especially grateful to those from London’s livery companies, the London Metropolitan Archives, the Guildhall Library, the National Archives, and the British Library, the Bodleian, the Huntington and the William Andrews Clark Memorial Library. -
Artymiuk, Anne
UHI Thesis - pdf download summary Today's No Ground to Stand Upon A Study of the Life and Poetry of George Campbell Hay Artymiuk, Anne DOCTOR OF PHILOSOPHY (AWARDED BY OU/ABERDEEN) Award date: 2019 Awarding institution: The University of Edinburgh Link URL to thesis in UHI Research Database General rights and useage policy Copyright,IP and moral rights for the publications made accessible in the UHI Research Database are retained by the author, users must recognise and abide by the legal requirements associated with these rights. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement, or without prior permission from the author. Users may download and print one copy of any thesis from the UHI Research Database for the not-for-profit purpose of private study or research on the condition that: 1) The full text is not changed in any way 2) If citing, a bibliographic link is made to the metadata record on the the UHI Research Database 3) You may not further distribute the material or use it for any profit-making activity or commercial gain 4) You may freely distribute the URL identifying the publication in the UHI Research Database Take down policy If you believe that any data within this document represents a breach of copyright, confidence or data protection please contact us at [email protected] providing details; we will remove access to the work immediately and investigate your claim. Download date: 29. Sep. 2021 ‘Today’s No Ground to Stand Upon’: a Study of the Life and Poetry of George Campbell Hay Anne Artymiuk M.A. -
Title Page R.J. Pederson
Cover Page The handle http://hdl.handle.net/1887/22159 holds various files of this Leiden University dissertation Author: Pederson, Randall James Title: Unity in diversity : English puritans and the puritan reformation, 1603-1689 Issue Date: 2013-11-07 Chapter 3 John Downame (1571-1652) 3.1 Introduction John Downame (or Downham) was one of the greatest exponents of the precisianist strain within Puritanism during the pre-revolutionary years of the seventeenth century, a prominent member of London Puritanism, and renowned casuist.1 His fame rests chiefly in his nineteen published works, most of which were works of practical divinity, such as his four-part magnum opus, The Christian Warfare (1604-18), and his A Guide to Godlynesse (1622), a shorter, though still copious, manual for Christian living. Downame was also known for his role in publishing two of the most popular theological manuals: Sir Henry Finch’s The Summe of Sacred Divinitie (1620), which consisted of a much more expanded version of Finch’s earlier Sacred Doctrine (1613), and Archbishop James Ussher’s A Body of Divinitie (1645), which was published from rough manuscripts and without Ussher’s consent, having been intended for private use.2 Downame also had a role in codifying the Westminster annotations on the Bible, being one of a few city ministers to work on the project, though he never sat at the Westminster Assembly.3 Downame’s older brother, 1 Various historians from the seventeenth century to the present have spelled Downame’s name differently (either Downame or Downham). The majority of seventeenth century printed works, however, use “Downame.” I here follow that practice. -
Representations of Scotland in Edwin Morgan's Poetry
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 Representations of Scotland in Edwin Morgan's poetry Theresa Fernandez Mendoza-Kovich Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Literature in English, British Isles Commons Recommended Citation Mendoza-Kovich, Theresa Fernandez, "Representations of Scotland in Edwin Morgan's poetry" (2002). Theses Digitization Project. 2157. https://scholarworks.lib.csusb.edu/etd-project/2157 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. REPRESENTATIONS OF SCOTLAND IN EDWIN MORGAN'S POETRY A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition by Theresa Fernandez Mendoza-Kovich September 2002 REPRESENTATIONS OF SCOTLAND IN EDWIN MORGAN'S POETRY A Thesis Presented to the Faculty of California State University, San Bernardino by Theresa Fernandez Mendoza-Kovich September 2002 Approved by: Renee PrqSon, Chair, English Date Margarep Doane Cyrrchia Cotter ABSTRACT This thesis is an examination of the poetry of Edwin Morgan. It is a cultural analysis of Morgan's poetry as representation of the Scottish people. ' Morgan's poetry represents the Scottish people as determined and persistent in dealing with life's adversities while maintaining hope in a better future This hope, according to Morgan, is largely associated with the advent of technology and the more modern landscape of his native Glasgow. -
"Dae Scotsmen Dream O 'Lectric Leids?" Robert Crawford's Cyborg Scotland
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2013 "Dae Scotsmen Dream o 'lectric Leids?" Robert Crawford's Cyborg Scotland Alexander Burke Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the English Language and Literature Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/3272 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. i © Alexander P. Burke 2013 All Rights Reserved i “Dae Scotsmen Dream o ‘lectric Leids?” Robert Crawford’s Cyborg Scotland A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English at Virginia Commonwealth University By Alexander Powell Burke Bachelor of Arts in English, Virginia Commonwealth University May 2011 Director: Dr. David Latané Associate Chair, Department of English Virginia Commonwealth University Richmond, Virginia December, 2013 ii Acknowledgment I am forever indebted to the VCU English Department for providing me with a challenging and engaging education, and its faculty for making that experience enjoyable. It is difficult to single out only several among my professors, but I would like to acknowledge David Wojahn and Dr. Marcel Cornis-Pope for not only sitting on my thesis committee and giving me wonderful advice that I probably could have followed more closely, but for their role years prior of inspiring me to further pursue poetry and theory, respectively. -
A Descriptive Catalogue of the Manuscripts in the Library of Corpus Christi College, Cambridge
252 CATALOGUE OF MANUSCRIPTS [114 114. PARKER'S CORRESPONDENCE. \ ~, ' [ L . jT ames vac. Codex chartaceus in folio, cui titulus, EPISTOL^E PRINCIPUM. In eo autem continentur, 1. Epistola papae Julii II, ad Henricum VIII. in qua regem orat ut eum et sedem apostolicam contra inimicos defendat, data 14 Martii 1512, p. 4. 2. Henry VIII's recommendatory letter for Dr. Parker to be master of Corpus Christi College, dated Westminster ultimo Nov. anno regni 36°. original, p. 5. 3. Letter from queen Katherine [Parr] recommending Randall Radclyff to the bayliwick of the college of Stoke, dated Westm. 14 Nov. 36 Hen. VIII. p. 7. 4. Warrant for a doe out of the forest of Wayebrige under the sign manual of Henry VIII. dated Salisbury Oct. 13, anno regni 36, p. 8. 5. Letter from queen Elizabeth to the archbishop directing him to receive and entertain the French ambassador in his way to London. Richmond May 14, anno regni 6*°. p. 13. 6. From the same, commanding the archbishop to give his orders for a general prayer and fasting during the time of sickness, and requiring obedience from all her subjects to his directions, dated Richmond Aug. I, anno regni 5*°. p. 15. 7. From the same, directing the archbishop and other commissioners to visit Eaton-college, and to enquire into the late election of a provost, dated Lea 22 Aug. anno regni 3*°. p. 21. 8. Visitatio collegii de Eaton per Mattheum Parker archiepiscopum Cantuariensem, Robertum Home episcopum Winton et Anthonium Cooke militem, facta 9, 10 et 11 Sept. 1561, p. -
Edwin Morgan's Early Concrete Poetry
ELEANOR BELL Experimenting with the Verbivocovisual: Edwin Morgan's Early Concrete Poetry In The Order of Things: An Anthology of Scottish Sound, Pattern and Goncrete Poems, Ken Cockburn and Alec Finlay suggest that with the advent of con- crete poetry, 'Scotland connected to an international avant-garde movement in a manner barely conceivable today'. The 'classic phase' of concrete poetry in Scotiand, they note, begins around 1962, and, referencing Stephen Scobie, they point out that it should probably be regarded as an experiment in late modernism in its concerns with 'self-refiexiveness, juxtaposition and simultanism'.^ Some of the chief concerns of concrete poetry were therefore to expand upon the conceptual possibilities of poetry itself, instüling it with a new energy which could then radiate off the page, or the alternative medium on which it was presented. Both Edwin Morgan and Ian Hamilton Finlay were instantly drawn to these contrasts between the word, its verbal utterance and its overaU visual impact (or, as termed in Joyce's Finnegans Wake, its 'verbivocovisual presentements', which the Brazüian Noigandres later picked up on). Although going on to become the form's main pro- ponents within Scotiand, Morgan and Finlay recognised from early on that its Scottish reception most likely be frosty (with Hugh MacDiarmid famously asserting that 'these spatial arrangements of isolated letters and geo- metricaüy placed phrases, etc. have nothing whatever to do with poetry — any more than mud pies can be caüed architecture').^ Both poets none- theless entered into correspondence with key pioneering practitioners across the globe, and were united in their defence of the potential and legitimacy of the form.