Stalin Years and Some of Its Most Active Participants
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Born and Bred 7 Clive Swift
Clive Swift Clive Swift is Reverend Brewer “Brewer lives life to the full,” explains Swift.“He knows all about the suffering and sadness in the world, and this makes him all the more determined to enjoy life. He likes a drink or two, follows the horses and dabbles in a bit of gambling, even winning a bob or two on occasion! He’s never married but he’s certainly had a few girlfriends, as he’s a bit of a ladies man. But the Bishop seems to know something about Brewer’s behaviour which is a cause for concern.” Reverend Brewer has seen a lot of life, so whenever anyone is in trouble or has a problem they go to him. “Brewer’s very sympathetic and wants life to be better for everyone. He would have been born towards the end of the 19th century and would have survived two world wars. He’s got lots of memories of the wars and is likely to have served in some capacity.” And he’s a popular resident in the village:“I think the character that Brewer is closest to is Mr Boynton, the shopkeeper.They are similar in age, although Boynton is self-educated whereas Brewer would have gone to university. But I think Brewer is sometimes a little bit hard on Wilf, the station- master, and in return Wilf doesn’t trust Brewer Clive Swift when they’re playing cards! Formerly married to writer Margaret Drabble, with whom he has three children – one of whom, “Brewer also has a great deal of respect for Arthur Joe, is a presenter on Gardener’s World. -
BBC Worldwide and ITV SVOD Service Britbox to Launch in Canada Early 2018
BBC Worldwide and ITV SVOD Service BritBox to Launch in Canada Early 2018 Service Will Feature Canadian Premieres of Compelling New Dramas Including Idris Elba’s ‘Five by Five,’ Jeff Pope's ‘The Moorside,’ and Jimmy McGovern's 'Reg,' SVOD Drama & Comedy Premieres ‘Maigret,’ ‘Broken,’ ‘Rev,’ ‘Mum,’ and ‘Inside No. 9,’ as Well as Season Premieres of Drama Favorites ‘Cold Feet’ and ‘Silent Witness’ Special ‘Now’ Category of Service to Offer Current Affairs Series ‘The Papers’ and ‘PMQ,’ along with Panel Show ‘QI,’ and Top UK Soaps ‘Casualty,’ ‘Emmerdale,’ and ‘Holby City’ as Soon as 24 Hours After UK Broadcast New York/London – Tuesday, December 12, 2017 – BritBox, the subscription video-on- demand (SVOD) streaming service from BBC Worldwide, the commercial arm of the BBC, and ITV, the UK’s biggest commercial broadcaster, will launch in Canada in early 2018. The service initially launched in the U.S. in March of this year. This unique streaming service will celebrate the very best of British TV, and offer the most comprehensive collection of British content in the market today. For decades, BBC and ITV have produced iconic British television series, and now Canadians will be able to access these programs in a single, curated service allowing fans to find the classic shows they love and discover new hit series. The BritBox proposition will feature: • An array of drama premieres never-before-seen in Canada, including Five by Five, produced by and starring Golden Globe® winner and Oscar® nominee Idris Elba (Luther), and the critically acclaimed series The Moorside, starring Gemma Whelan (Game of Thrones) and Siobhan Finneran (Downton Abby), and Reg, Jimmy McGovern's International Emmy® nominated and RTS winning drama starring Tim Roth (Twin Peaks) and Anna Maxwell Martin (Philomena). -
The Reflection of Sancho Panza in the Comic Book Sidekick De Don
UNIVERSIDAD DE OVIEDO FACULTAD DE FILOSOFÍA Y LETRAS MEMORIA DE LICENCIATURA From Don Quixote to The Tick: The Reflection of Sancho Panza in the Comic Book Sidekick ____________ De Don Quijote a The Tick: El Reflejo de Sancho Panza en el sidekick del Cómic Autor: José Manuel Annacondia López Directora: Dra. María José Álvarez Faedo VºBº: Oviedo, 2012 To comic book creators of yesterday, today and tomorrow. The comics medium is a very specialized area of the Arts, home to many rare and talented blooms and flowering imaginations and it breaks my heart to see so many of our best and brightest bowing down to the same market pressures which drive lowest-common-denominator blockbuster movies and television cop shows. Let's see if we can call time on this trend by demanding and creating big, wild comics which stretch our imaginations. Let's make living breathing, sprawling adventures filled with mind-blowing images of things unseen on Earth. Let's make artefacts that are not faux-games or movies but something other, something so rare and strange it might as well be a window into another universe because that's what it is. [Grant Morrison, “Grant Morrison: Master & Commander” (2004: 2)] TABLE OF CONTENTS 1. Acknowledgements v 2. Introduction 1 3. Chapter I: Theoretical Background 6 4. Chapter II: The Nature of Comic Books 11 5. Chapter III: Heroes Defined 18 6. Chapter IV: Enter the Sidekick 30 7. Chapter V: Dark Knights of Sad Countenances 35 8. Chapter VI: Under Scrutiny 53 9. Chapter VII: Evolve or Die 67 10. -
Reading Eisenstein's Capital
Sergei Eisenstein. Diary entry, February 23, 1928. Rossiiskii Gosudarstevennyi Arkhiv Literatury i Iskusstva ( Russian State Archive for Literature and Art). 94 https://doi.org/10.1162/grey_a_00251 Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/grey_a_00251 by guest on 01 October 2021 Dance of Values: Reading Eisenstein’s Capital ELENA VOGMAN “The crisis of the democracy shoUld be Understood as crisis of the conditions of exposition of the political man.” 1 This is how Walter Benjamin, in 1935, describes the decisive political conseqUences of the new medial regime in the “age of technological reprodUcibility.” Henceforth, the political qUestion of representation woUld be determined by aesthetic conditions of presentation. 2 In other words, what is at stake is the visibility of the political man, insofar as Benjamin argUes that “radio and film are changing not only the fUnction of the professional actor bUt, eqUally, the fUnction of those who, like the politician, present themselves before these media.” 3 Benjamin’s text evokes a distorting mirror in which the political man appears all the smaller, the larger his image is projected. As a resUlt, the contemporary capitalist conditions of reprodUction bring forth “a new form of selection”—an apparatUs before which “the champion, the star, and the dictator emerge as victors.” 4 The same condition of technological reprodUction that enables artistic and cUltUral transmission is inseparably tied to the conditions of capi - talist prodUction, on the one hand, and the rise of fascist regimes, on the other. Benjamin was not the first to draw an impetUs for critical analysis from this relationship. -
January 2021
TV & RADIO LISTINGS GUIDE JANUARY 2021 PRIMETIME For more information go to witf.org/tv Last month we presented an encore of Sanditon. There is not a new season to • share with you this month, which reminds me of a call I • took from a viewer recently. The viewer was disappointed by the news that recent series on Masterpiece would not be returning for a second season, with Beecham House being another example of this scenario. PBS and Masterpiece sign on to series in development early on. This mostly out of necessity because of the highly competi- tive market to acquire quality dramas and mysteries. In most cases, these series premiere across the pond ahead of the planned broadcast here. This month on Masterpiece we welcome a remake. All Creatures Great and Small begins January 10. The series is based on the books of James Alfred Wight, published under the pen name James Herriot. This is not the first JAN. 10 • 9pm adaptation that has broadcast on WITF. All Creatures Great and Small was adapted for television in the 1970s series on January 25 at 9:00pm with a at 1:00pm beginning January 10. You will and quickly became a favorite. The adven- repeat on January 30 at 5:00pm. also be able to find this program available tures as a veterinarian in 1930’s Yorkshire Finding Your Roots with Henry on-demand through the PBS Video app pbs.org/thechoice #TheChoicePBS just wrapped up its run in the United Louis Gates Jr. continues with a collec- for WITF Passport subscribers. -
Russian Byliny As Discursive Space
Putting Words in Their Mouths: Russian Byliny as 83 Discursive Space Putting Words in Their Mouths: Russian Byliny as Discursive Space Kate Christine Moore Koppy Marymount University and the University of the District of Columbia Community College Arlington, Virginia, United States of America Abstract This article follows the Melnitsa Animation Studio into the imagined medieval space of their bogatyr films. With particular focus on Melnitsa’s use of the Il’ia Muromets corpus in Илья Муромец и Соловей Разбойник [Il’ia and the Robber], we consider the complex set of conflicts among characters and ideas that reflect concepts of identity and social issues in contemporary Russia. In moments of cultural unrest, adaptations of canonical stories serve as a discursive space for the community to redefine itself. In the nineteenth, twentieth, and twenty-first centuries, the byliny [western Slavic heroic epics] have functioned as tools of cultural cohesion at critical moments of national self-redefinition. Most recently, the Студия анимационного кино Мельница [Melnitsa Animation Studio] (1) has adapted the byliny into animated films for children, in which stories of medieval princes, heroes, and villains become a discursive space for the exploration of social issues in the post-Soviet Russian Federation. Melnitsa’s 2007 film Il’ia and the Robber is the most recent example in a steady stream of adaptation and retelling of byliny from the time they were first printed to the present. Along that timeline, there are three moments in which adaptations flourish, and each of these coincides with a crucial moment of redefinition of Russian culture. The nineteenth century recording of these heroic epics, which adapts them from dynamic oral epics to written texts (2), was part of the wave of romantic nationalism that drove scholars across Europe to gather folkloric material as the feudal city-states of the medieval period coalesced into more stable nations. -
W Eapon in Viet Nam Yet—Mcnamara
^ * ■ TlM WMtiMr MMMt •« V. ft. Werthor ■■ ATflrage Dtdljr N«t PrcM Ran For the Week Ended AprtM . IMft Ormdoal cVeurUj toalftht, m * 4»: puHy Many. knMj 1 4 ,1 3 8 0^ W eapon In Viet Nam Yet—McNamara Events Says Cong In State fm A c tiv itie s Increasing Gunman Robs WASHINGTON (AP) — Orange Bank, Secretary of Defense Rob ert S. McNamara said to $3,900 Taken day Communist aggression against South Viet Nam ORANGE (AP)— A gun “ has grown progressively man wearing a brown rain more flagrant” but there is coat and a pearl gray cos- no military requirement sack hat held up a branch for the use of nuclear of the People’s Savings weapons. Flooded MiuisBippi Strain* Davenport, Iowa, Sand Bags Bank today and escaped in A regular North Vietnamese battalion of 400 to 600 men to a white convertible with i now in the South, he .said, ad ?3,900. ding that some 39,000 Commu- A bank spokesman said there ni.st.s in all have crosised the bor were no customers in the bank der to join in the fighting. Soggy Quad-Cities on Orange Center Road when The.se force.s, plus other Viet the man entered shortly after I Cong guerrillas already there, the 9 a.m. opening time. i have lost 89,000 men killed, the "Don’t fool around and nobody i secretary said. will get hurt,” the man said. McNamara, reporting on the He directed manager John O. Viet Nam fighting in a nows Monks to the tellers’ area at conference carried nationally by Await River Peak gunpoint and ordered the two radio and television, said the women tellers on duty to Ue on war is costing the United States the floor. -
Thedailynewsstjohnsnl19560
•. \ ••... i;~ .•• ,~,::'; . .::.. :;'. ;::.:.;. " , ' ., :H 8, 9,~ C,m.- Burtons of Banner' . Street. .'. m~~:",.~........ ,~, ~ 12.45 p.m. -Fisherman's Forecast. PRESENTS 7,00 p.m.- Rainoow Riddle • HUGO W 0 l F Man. THE DAILY, NEWS al'ailable at 7.15 p.m.-Dr. Paul. Charles Hutton & Sons ~--------------~---------------------~--------~--~---------------Vol 63. No. 56 ST. JOHN'S, NEWFOUNDLA~ID, FRIDAY, MARCH 9, 1956 (Price 5 cents) shing Winter Storm Pounds!_SE_AT_o_M_ee_tin_9 _En_ds: , rough Ontario And QuebecAsian Powers. Pledge ---'~'-, \ . To Battle Communism , : JI' : ,! ,~ EAL: By &TANLEY PRIDULE prol'cd" the quality oC their sc, crcation of a separate Pushlu· " I Early A. ,M. 'Blaze At pattery KARACHIE, Pakislal, (Reutcrs) curity Corccs and .mol·cd ahead speaking state in the northwest. The eight South East Asia trcaty with other measurcs to rcduce (An Afghan statemcnt in New I. : powers Thursday emphasizcd thcir thrcats to dcmocratic govcrnment Dclhi Thursday said any SEATO I ., •' aim to impro\'c living standards and social progress. dccision on the disputc would be i ' N Record and methods of fighting Commu· In its communique L~e SEATO considercd worthless.) Ii nist subversion in the area. council of ministers: 3. Announced decisions to set u=, i. A 2,OOO·word communique at the 1. Callcd for an early settlement a permanent international secre· Traffic end of three days of Lalks by the of the Kashmir dispute tilfough thc tariat in Bangkok. Thailand and i SEATO foreign ministers said Rus· Unitcd Nations or by direct India· establish II rcscarch service cen· i sia's recent shift in tactics was Pakistan negotiations. It noted a tre in Bangkok to report on Com· Tangle not accompanied by "any con· Uniled Nations resolution calling munist activities. -
Visual Metaphors for the People a Study of Cinematic Propoganda in Sergei Eisenstein’S Film
VIsual Metaphors for the people A Study of Cinematic Propoganda in Sergei Eisenstein’s Film ashley brown This paper attempTs To undersTand how The celebraTed and conTroversial figure of sergei eisensTein undersTood and conTribuTed To The formaTion of The sovieT union Through his films of The 1920s. The lens of visual meTaphors offer a specific insighT inTo how arTisTic choices of The direcTor were informed by his own pedagogy for The russian revoluTion. The paper asks The quesTions: did eisensTein’s films reflecT The official parTy rheToric? how did They inform or moTivaTe The public Toward The communisT ideology of The early sovieT union? The primary sources used in This pa- per are from The films Strike (1925), BattleShip potemkin (1926), octoBer (1928), and the General line (1929). eisensTein creaTed visual meTaphors Through The juxTaposi- Tion of images in his films which alluded To higher concepTs. a shoT of a worker followed by The shoT of gears Turning creaTed The concepT of indusTry in The minds of The audience. Through visual meTaphors, iT is possible To undersTand The moTives of eisensTein and The communisT parTy. iT is also possible, wiTh The aid of secondary sources, To see how Those moTives differed. “Language is much closer to film than painting is. For example, aimed at the “... organization of the psychology of the in painting the form arises from abstract elements of line and masses.”6 Works about Eisenstein in the field of film color, while in cinema the material concreteness of the image theory examine Eisenstein’s career in theater, the evolution within the frame presents—as an element—the greatest of his approach to montage, and his artistic expression.7 difficulty in manipulation. -
BRIEFING 'Assessment of Ten Years of Swedish and Dutch Policies on Prostitution' the Netherlands1
BRIEFING ‘Assessment of ten years of Swedish and Dutch policies on prostitution’ August 2012 The Netherlands1 In 1 October 2000, the Netherlands lifted the ban on brothels of 1911. Since then, several studies from the Scientific Research and Documentation Centre of the Ministry of Justice (WODC) and from the national police force (KLPD) have studied the impact of the decriminalization of procuring in the Netherlands. 1- The situation of persons in prostitution has worsened. The study ‘Daalder’2 carried out for the Ministry of Justice unveils that: • “There has been no significant improvement of the situation of persons in prostitution”. • “The prostitutes’ emotional well-being is now lower than in 2001 on all measured aspects”. • “The use of sedatives has increased”. • Options for leaving the industry were in high demand, while only 6% of municipalities offer assistance. 2- 50% to 90% of the women in licensed prostitution “work involuntarily”. These data were unveiled in 2008 by the national police force (KLPD) in a study on the sector of legalized prostitution entitled “Keeping up appearances”.3 In this study, the Dutch national police force gives a very worrying assessment of the law decriminalizing procuring. Direct cause of the study is the Sneep-case, where two Turkish-German procurers, together with 30 accomplices, were condemned for exploitation of and violence against more than 100 women in the Netherlands, in Germany and in Belgium. What is striking is that all the women, who have been exploited with extreme violence in the Netherlands, were in the legal, licensed, taxpaying and State sanctioned brothels. In Amsterdam, according to the national police, it is estimated that there are 8000 women in window prostitution; at least 4000 of them would then be exploited and abused every year. -
Soviet Cinema: Art and Politics from the Avant-Garde to the Return of the Stalinist Repressed
SOVIET CINEMA: ART AND POLITICS FROM THE AVANT-GARDE TO THE RETURN OF THE STALINIST REPRESSED PROF. DANIEL SCHWARTZ RUSS 395 WINTER 2021 COURSE DESCRIPTION The history of Soviet cinema traces the conflicting ideologies and social anxieties of the USSR. This course aims to acquaint students with these ideologies and anxieties through the films of major and minor Soviet directors. It offers a broad survey of the pivotal transformations of Soviet cinema from the pre-Soviet silent era through the Russian avant- garde (1920s), Socialist Realism (1930s and 40s), New Wave (1950s and 60s), Stagnation (1970s), Perestroika and the fall of communism (1980s). Special attention will be given to women and minority filmmakers including Larissa Shepitko, Kira Muratova, and Sergei Parajanov. Key questions we will ask include: How does film function as propaganda or entertainment? How does it foster a multi-ethnic Soviet community? What are the political implications of a film’s stylistic choices? By the end of the course, students will be able to situate Soviet films in their cultural, historical, and theoretical contexts. BASIC INFORMATION Professor: Daniel Schwartz ([email protected]) Office Hours: Thursday, 17:30 – 19:30, or by appointment. REQUIRED READING All Readings will be made available on My Courses Students must have read the readings before class meets / as necessary to complete assignments. REQUIRED FILMS Film for this class are available on various streaming platforms including Kanopy, YouTube, and Amazon. McGill has a subscription to Kanopy that is available to all students. Login at https://mcgill.kanopy.com. Unfortunately, McGill does not have online access to every film I wish to show for this course. -
Organizations. (M V.S
DOCUMENT RESUME ED 043 643 TE 002 090 TITLE Speech Courses in the Senior High School PrograAt A Guide for Teachers. INSTITUTION Detroit Public Schools, Mich. 01B DATE 66 NOTF 219p. 1.;DPS PRICE El:1PS Price MF-$1.00 NC-$11.05 DESCRIPTORS Acting, Cocurricular Activities, Course Descriptions, *Curriculum Guides, *Debate, *Drama, educational Objectives, Evaluation Criteria, Instructional Materials, Interviews, *Mass Media, Production Techniques, Publicize, Radio, Research Skills, Rhetoric, Secondary Education, Speect,es, *Speech Skills, Television, Theater Arts ABSTRACT This teacher guide to senior high school speech programs includes philosophy, objectives, course outlines, numerous sample materials, suggestions for projects and procedures, bibliographies, listings of suggested films, and evaluation materials f6r courses in (1)basic speech (e.g., voice and diction; action; rhetoric; advertising psychology; interoretation; and demonstration, persuasion, and impromptu speeches); (2) radio and television (e.g., broadcasting, interviews, and dramatic proAuction);(3) drama (p.a., theatre history, acting, stege lighting, costuming, make-un, and play direction) ;en? (4) debate (e.g. ,researching, argumentation, briefing, and outlining.) Suggestions for related extracurricular activities include a listing of local (Detroit) contests, festivals, dramatic productions, debates and discussions, and professional organizations. (M V.S. 11111M111 Of 11111111. 101.0110111 W111111 Of FK1 Of 114(001 DETROIT PUBLIC SCHOOLS THIS DOC1,114111 HAS 1111 Of/10010D