Why Securing Platform Carriage Deals Is Vital for Britbox a Report Prepared by Oliver & Ohlbaum Associates Ltd
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Tuning Into the On-Demand Streaming Culture—Hollywood Guilds’ Evolution Imperative in Today’S Media Landscape
UCLA UCLA Entertainment Law Review Title Tuning Into the On-Demand Streaming Culture—Hollywood Guilds’ Evolution Imperative in Today’s Media Landscape Permalink https://escholarship.org/uc/item/2152q2t4 Journal UCLA Entertainment Law Review, 27(1) ISSN 1073-2896 Author Roth, Blaine Publication Date 2020 DOI 10.5070/LR8271048856 Peer reviewed eScholarship.org Powered by the California Digital Library University of California TUNING INTO THE ON-DEMAND STREAMING CULTURE— Hollywood Guilds’ Evolution Imperative in Today’s Media Landscape Blaine Roth Abstract Hollywood television and film production has largely been unionized since the early 1930s. Today, due in part to technological advances, the industry is much more expansive than it has ever been, yet the Hollywood unions, known as “guilds,” have arguably not evolved at a similar pace. Although the guilds have adapted to the needs of their members in many aspects, have they suc- cessfully adapted to the evolving Hollywood business model? This Comment puts a focus on the Writers Guild of America, Directors Guild of America, and the Screen Actors Guild, known as SAG-AFTRA following its merger in 2012, and asks whether their respective collective bargaining agreements are out-of- step with the evolution of the industry over the past ten years, particularly in the areas of new media and the direct-to-consumer model. While analyzing the guilds in the context of the industry environment as it is today, this Com- ment contends that as the guilds continue to feel more pronounced effects from the evolving media landscape, they will need to adapt at a much more rapid pace than ever before in order to meet the needs of their members. -
DEG Guide June 2020 Digital Entertainment Definitions Electronic Sell-Through (EST) – Refers to Digital Titles Priced for Sale
DEG Guide June 2020 Digital Entertainment Definitions Electronic Sell-through (EST) – Refers to digital titles priced for sale to consumers. Once a title is purchased, the consumer has the right to watch the title as many times as they like, on various devices. Video-on-Demand – Refers to digital titles priced for rental, with consumers’ paying for access to content for a limited term. • TVOD – Transactional Video-on-Demand. Refers to a discrete transaction fee for a limited viewing period. Rental terms may vary, but many popular services make rentals available for 30 days from the date of the transaction. Once viewing is started, the renter typically has access to view the title as many times as they like within 48 hours. iVOD – Transactional VOD delivered through an internet service, such as iTunes, Amazon Prime, Google Play or FandangoNow. cVOD – Transactional VOD delivered through a cable or satellite TV service. PVOD – Premium VOD. Refers to a premium priced rental transaction in an early home entertainment window prior to, concurrent with, or very soon after theatrical release. • SVOD* – Subscription Video-on-Demand. Consumers pay a monthly fee to access content including movies and TV shows on demand through SVOD services, such as Netflix, Hulu, CBS All Access and Disney+. • AVOD* – Ad-supported Video-on-Demand. Consumers have access to movies, TV shows and more on demand at no cost through these services, which include consumer advertising. PlutoTV and Tubi are examples of AVOD services. *Some services offer hybrid models in which content is available for free or at a low price with ads, but consumers also may opt out of seeing ads by paying more for their subscription. -
Video Trends Report Q2 2019
1 VIDEO TRENDS REPORT Q2 2019 © 2019 TiVo Corporation. Introduction 2 Survey Methodology Q2 2019 Survey Size INTRODUCTION 5,340 Geographic Regions U.S., Canada TiVo seeks real consumer opinions to uncover key trends relevant to TV providers, digital publishers, advertisers and consumer electronics manufacturers for our survey, which is administered quarterly and examined biannually in this Age of Respondents published report. We share genuine, unbiased perspectives and feedback from viewers to give video service providers 18+ and industry stakeholders insights for improving and enhancing the overall TV-viewing experience for consumers. TiVo has conducted a quarterly consumer survey since 2012, enabling us to monitor, track and identify key trends in viewing This survey was conducted in Q2 2019 by a leading habits, in addition to compiling opinions about video providers, emerging technologies, connected devices, OTT apps and third-party survey service; TiVo analyzed the results. content discovery features, including personalized recommendations and search. TiVo conducts this survey on a quarterly basis and publishes a biannual report evaluating and analyzing TiVo (NASDAQ: TIVO) brings entertainment together, making it easy to find, watch and enjoy. We serve up the best key trends across the TV industry. movies, shows and videos from across live TV, on-demand, streaming services and countless apps, helping people to watch on their terms. For studios, networks and advertisers, TiVo delivers a passionate group of watchers to increase viewership and engagement across all screens. Go to tivo.com and enjoy watching. For more information about TiVo’s solutions for the media and entertainment industry, visit business.tivo.com or follow us on Twitter @tivoforbusiness. -
JMAD Media Ownership Report
JMAD New Zealand Media Ownership Report 2014 Published: 2014 December 5 Author: Merja Myllylahti This New Zealand Ownership Report 2014 is the fourth published by AUT’s Centre for Journalism, Media and Democracy (JMAD). The report finds that the New Zealand media market has failed to produce new, innovative media outlets, and that all the efforts to establish non-profit outlets have proved unsustainable. The report confirms the general findings of previous reports that New Zealand media space has remained highly commercial. It also confirms the financialisation of media ownership in the form of banks and fund managers. The report also observes that in 2014 convergence between New Zealand mass media and the communications sector generally was in full swing. Companies, such as Spark (former Telecom NZ), started to compete head-to-head with the traditional broadcasters on the online on-demand video and television markets. The American online video subscription service Netflix is entering the NZ market in March 2015. Additionally, the report notes evidence of uncomfortable alliances between citizen media, politicians, PR companies and legacy media. As Nicky Hager’s Dirty Politics book revealed, the National Party and PR practitioners used the Whale Oil blog to drive their own agendas. Also, events related to Maori TV, TVNZ and Scoop raise questions about political interference in media affairs. It is now evident that the boundaries between mainstream media, bloggers, public relations practitioners and politicians are blurring. Key events and trends concerning New Zealand media Financialisation of mass media ownership confirmed Substantial changes in Fairfax, APN and MediaWorks ownership Competition heats up in online television and video markets Turbulence at Maori TV Blurred lines among politicians, bloggers, journalists and PR practitioners The JMAD New Zealand media ownership reports are available here: http://www.aut.ac.nz/study- at-aut/study-areas/communications/media-networks/journalism,-media-and-democracy-research- centre/journalists-and-projects 1 1. -
Born and Bred 7 Clive Swift
Clive Swift Clive Swift is Reverend Brewer “Brewer lives life to the full,” explains Swift.“He knows all about the suffering and sadness in the world, and this makes him all the more determined to enjoy life. He likes a drink or two, follows the horses and dabbles in a bit of gambling, even winning a bob or two on occasion! He’s never married but he’s certainly had a few girlfriends, as he’s a bit of a ladies man. But the Bishop seems to know something about Brewer’s behaviour which is a cause for concern.” Reverend Brewer has seen a lot of life, so whenever anyone is in trouble or has a problem they go to him. “Brewer’s very sympathetic and wants life to be better for everyone. He would have been born towards the end of the 19th century and would have survived two world wars. He’s got lots of memories of the wars and is likely to have served in some capacity.” And he’s a popular resident in the village:“I think the character that Brewer is closest to is Mr Boynton, the shopkeeper.They are similar in age, although Boynton is self-educated whereas Brewer would have gone to university. But I think Brewer is sometimes a little bit hard on Wilf, the station- master, and in return Wilf doesn’t trust Brewer Clive Swift when they’re playing cards! Formerly married to writer Margaret Drabble, with whom he has three children – one of whom, “Brewer also has a great deal of respect for Arthur Joe, is a presenter on Gardener’s World. -
[Narle.Ebook] Death in Disguise: a Midsomer Murders Mystery 3 Pdf Free
narle (Download) Death in Disguise: A Midsomer Murders Mystery 3 Online [narle.ebook] Death in Disguise: A Midsomer Murders Mystery 3 Pdf Free Par Caroline Graham ePub | *DOC | audiobook | ebooks | Download PDF Download Now Free Download Here Download eBook Détails sur le produit Rang parmi les ventes : #72527 dans eBooksPublié le: 2010-03-04Sorti le: 2010-03- 04Format: Ebook KindleNombre d'articles: 1 | File size: 73.Mb Par Caroline Graham : Death in Disguise: A Midsomer Murders Mystery 3 before purchasing it in order to gage whether or not it would be worth my time, and all praised Death in Disguise: A Midsomer Murders Mystery 3: Commentaires clientsCommentaires clients les plus utiles0 internautes sur 0 ont trouvé ce commentaire utile. POUR LE STYLEPar GalicSes intrigues sont parfois faiblardes, mais c'est pour son style et son "dry humor" que j'aime Caroline Graham, qui excelle également à camper des personnages. Présentation de l'éditeur'Simply the best detective writer since Agatha Christie' The Sunday TimesDiscover the novels that inspired the hit ITV series Midsomer Murders, seen and loved by millions. Featuring Detective Chief Inspector Barnaby and created by Caroline Graham, Death in Disguise is the third Midsomer Murders mystery, now featuring an exclusive foreword by John Nettles, ITV's DCI Tom Barnaby. Perfect for fans of Agatha Christie, James Runcie's The Grantchester Mysteries and Ann Granger.To the distaste of the Compton Dando villagers, the big house has been taken over by a group of New Age eccentrics. And when the first death is reported, no one is surprised . or disappointed. -
Video on Demand Attitudes & Opportunities
Video on Demand Attitudes & Opportunities A consumer study by: E-Poll Market Research January 2006 TABLE OF CONTENTS INTRODUCTION ....................................................................................................................................................................................................................... 3 METHODOLOGY....................................................................................................................................................................................................................... 4 EXECUTIVE SUMMARY.............................................................................................................................................................................................................. 5 DETAILED FINDINGS................................................................................................................................................................................................................. 7 VOD Consumer Segments.................................................................................................................................................................................................................................. 7 Awareness and Interest ..................................................................................................................................................................................................................................... 8 Future Intent and Pricing -
DOWNLOAD the ARVIG WIFI TV APP Watch on Your TV, Tablet, Computer and Smartphone
Contact: 888.992.7844 | [email protected] 24/7 Support: 877.290.0560 | [email protected] Chat Online: arvig.net | 7 days a week WiFi arvig.net/WiFiTV Delivered by Arvig® DOWNLOAD THE ARVIG WIFI TV APP Watch on your TV, tablet, computer and smartphone. Available in Google Play and App Store. MORE WAYS TO VIEW PERSONALIZED CLOUD DVR Works with your favorite It learns what you love and No more bulky boxes or wires. streaming devices; Amazon Fire TV, keeps those series and movies Access your recordings on Apple TV and more. front and center. virtually any device.* IT’S ALL HD REPLAY TV WATCH TV EVERYWHERE Auto detection gives Never miss another show. Watch up to the Anytime, anywhere! you the best TV past 72 hours of shows, movies, and sports Stream on almost view available. across most of our channel lineup.* any device.* Rochester Locals WiFi WIFI TV PLANS Delivered by Arvig® Essential Premium Packages Purchase á la Carte with Choice and 3 KIMT - CBS Rochester 7 The CW 609 This TV Complete WiFi Plans 4 KYIN - PBS Rochester 11 KTTC - NBC Rochester 5 KSMQ - PBS Rochester 12 KXLT - FOX Rochester HBO-Cinemax 6 KAAL - ABC Rochester 300 HBO 311 MoreMAX 301 HBO 2 312 MAX Latino 302 HBO Signature 313 5StarMAX 303 HBO Family 314 ThrillerMAX Choice Includes Essential Channels 304 HBO Comedy 315 MovieMAX 15 WGN - Chicago 47 CNN Headline News 81 HGTV 305 HBO Zone 316 OuterMAX 24 Lifetime 48 CNBC 83 Food Network 310 Cinemax 317 ActionMAX 25 USA Network 49 truTV 84 Travel Channel 26 TNT 50 Freeform 90 Bravo Showtime-TMC 27 TBS 53 Universal Kids 91 A&E -
Midsomer Murders Inside E
Henley as a base to explore the area Getting to Henley Henley Business School - 5 minutes by car or 30 minutes By Car – The town is easily accessible from the M4, M40, walking. Also known as Greenlands, the building is best A4130 and A4155. Car parks are well signed and visitors are viewed after a pleasant walk along the river on the opposite advised to park at the station. bank. The Business School was used as the Belvoir Hotel in the 2014 episode The Flying Club. By Train – Henley-on-Thames has a regular service from London Paddington and Reading. Hambleden Lock & Village – 10 minutes by car. Seen in The Animal Within, Stranglers in the Wood, Blood Will Out and By Bus – There are regular services to and from Maidenhead, other episodes. High Wycombe, Reading and Wallingford. Danesfield House – 15 minutes by car. Seen in Judgement Day and Blue Herrings Hotels, B&B’s & Guest Houses: Henley-on-Thames has a number of excellent hotels, high Fairmile Cemetery – 5 minutes by car. Seen in Last Year’s class B&B’s, guest houses and pub accomodation plus Model. caravan and camp sites nearby. www.southernoxfordshire.com Henley’s Murderous The Golden Ball Public House – Lower Assendon – Locations 5 minutes by car. Seen in A Worm in the Bud. Walking Stonor House, Village & The Quince Tree Public House – I 10 minutes by car. Various village locations seen in Blue Trail m a g Herrings, A Worm in the Wood and other episodes. CLASSICALLY e : © B e n FRENCH t Nettlebed – 10 minutes by car. -
BBC Worldwide and ITV SVOD Service Britbox to Launch in Canada Early 2018
BBC Worldwide and ITV SVOD Service BritBox to Launch in Canada Early 2018 Service Will Feature Canadian Premieres of Compelling New Dramas Including Idris Elba’s ‘Five by Five,’ Jeff Pope's ‘The Moorside,’ and Jimmy McGovern's 'Reg,' SVOD Drama & Comedy Premieres ‘Maigret,’ ‘Broken,’ ‘Rev,’ ‘Mum,’ and ‘Inside No. 9,’ as Well as Season Premieres of Drama Favorites ‘Cold Feet’ and ‘Silent Witness’ Special ‘Now’ Category of Service to Offer Current Affairs Series ‘The Papers’ and ‘PMQ,’ along with Panel Show ‘QI,’ and Top UK Soaps ‘Casualty,’ ‘Emmerdale,’ and ‘Holby City’ as Soon as 24 Hours After UK Broadcast New York/London – Tuesday, December 12, 2017 – BritBox, the subscription video-on- demand (SVOD) streaming service from BBC Worldwide, the commercial arm of the BBC, and ITV, the UK’s biggest commercial broadcaster, will launch in Canada in early 2018. The service initially launched in the U.S. in March of this year. This unique streaming service will celebrate the very best of British TV, and offer the most comprehensive collection of British content in the market today. For decades, BBC and ITV have produced iconic British television series, and now Canadians will be able to access these programs in a single, curated service allowing fans to find the classic shows they love and discover new hit series. The BritBox proposition will feature: • An array of drama premieres never-before-seen in Canada, including Five by Five, produced by and starring Golden Globe® winner and Oscar® nominee Idris Elba (Luther), and the critically acclaimed series The Moorside, starring Gemma Whelan (Game of Thrones) and Siobhan Finneran (Downton Abby), and Reg, Jimmy McGovern's International Emmy® nominated and RTS winning drama starring Tim Roth (Twin Peaks) and Anna Maxwell Martin (Philomena). -
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Britbox Materiality Assessment – Final Determination Relationship Between Britbox and the BBC’S Public Service Activities
BritBox materiality assessment – final determination Relationship between BritBox and the BBC’s Public Service activities Britbox materiality assessment – final determination – Welsh summary STATEMENT: Publication date: 19 September 2019 BritBox materiality assessment – final determination Overview This document explains our final decision on whether the BBC’s involvement in BritBox, a new subscription video on demand service with ITV, represents a ‘material change’ to its commercial activities. When the BBC engages in a new or significantly changed activity, the BBC’s Charter requires it to consider whether this is a material change to its commercial activities. If so, the change would require further detailed examination prior to launch. The BBC Board assessed the corporation’s proposed involvement in BritBox, and determined it was not material. Under the Charter, Ofcom must also consider this question, as part of our role to protect fair and effective competition. 1 BritBox materiality assessment – final determination What we have decided – in brief There is not a significant risk that the BBC’s proposed involvement in BritBox will distort the market or create an unfair competitive advantage. Our specific role is to consider whether this might happen as a result of the relationship between the BBC’s commercial activities, which would include the BBC’s involvement in BritBox, and its publicly-funded activities (the BBC’s ‘Public Service’). Although the BBC is only taking a 10% stake in BritBox, there is potential for issues to emerge as the venture develops. We already have measures in place to regulate the boundary between the Public Service and the BBC’s commercial activities and we can use these to address most concerns, if they materialise.