Iliana Matos (Cuba/Canada), Eliot Fisk (Boston, U.S.), Marcin Dylla (Poland), and Many More

Total Page:16

File Type:pdf, Size:1020Kb

Iliana Matos (Cuba/Canada), Eliot Fisk (Boston, U.S.), Marcin Dylla (Poland), and Many More MIAMI INTERNATIONAL GUITART FESTIVAL 2018 Celebrating Miami’s Cuban Heritage February 19-25 A lo Cubano at CONCERTS - LECTURES - MASTERCLASSESCONCERTS COMPOSITION COMPETITIONLECTURES LUTHIERSMASTERCLASSES EXPO LUTHIERS EXPO COMPOSITION & CONCERT ARTIST PERFORMANCE COMPETITIONS Miami International GuitART Festival 2018 Production Personnel Festival Director: Mesut Özgen Events Manager: Nathalie Brenner Financial Analyst: Edda Juarez Marketing Coordinator: Michelle Vires CARTA Finance Director: Lilia Silverio-Minaya Coordinator of Admin. Services: Sunem Roque School of Music Office Manager: Olivia Schonert Technical Manager: Paul Steinsland Web Master: Hansel de Haro SPECIAL THANKS TO Mark B. Rosenberg President, Florida International University Kenneth G. Furton Provost and Executive Vice President, FIU Brian Schriner Dean, FIU College of Architecture + the Arts Robert B. Dundas Director, FIU School of Music Jorge Duany Director, FIU Cuban Research Institute Karen S. Fuller Artistic Director, FIU School of Music Burç Ceylan Consul General, Turkish Consulate General in Miami Ahmet Yıldız Vice Consul, Turkish Consulate General in Miami Adam Ganuza Arts Program Officer, John S. and James L. Knight Foundation A note to our audiences: James Webb Please keep your program Director, Stocker AstroScience Center during the festival, as we have printed a finite ADDITIONAL THANKS TO number of festival Michael S. Stock program books. Radio Host, WLRN Folk and Acoustic Thank you. Eliana Hernandez Facilities Scheduler, Graham University Center Sam Desmet Guitarist/Scholar/Writer Florida International University is an Equal Opportunity/Access Employer and Institution | TDD via FRS 1-800-955-8771 MIAMI INTERNATIONAL GUITART FESTIVAL 2018 WELCOME! Welcome to the third edition of MIGF at the FIU School of Music. It is my honor and privilege to serve as Artistic Director of MIGF. Thanks to the generous Knight Arts Challenge Award from the John S. and James L. Knight Foundation, we are celebrating Miami’s Cuban heritage and dedicating this year’s festival to Cuban music. The MIGF has been a successful annual event thanks to all the guest artists, our generous sponsors at all levels, our tireless student volunteers, and our audiences. Without you, it wouldn’t have been possible for us to accomplish this tremendous task of organizing a major international festival and making it a successful contribution to the lives of South Florida residents and to the music and guitar world. Thank you so much for sharing our excitement and joy of being part of this great festival. We present you an extraordinary group of artists from Cuba and all around the world in 2018, including one of Cuba’s most influential musicians, virtuoso guitarist and composer Eduardo Martín along with René Izquierdo (Cuba/U.S.), Iliana Matos (Cuba/Canada), Eliot Fisk (Boston, U.S.), Marcin Dylla (Poland), and many more. A lo cubano, the festival opening concert, on Monday, February 19th, will feature several festival artists performing solo and chamber works by Cuban composers, as well as U.S. premieres by Fredrick Kaufman and Orlando Jacinto Garcia. We will be honoring the musical legacy of Maestro Leo Brouwer with a Tribute Concert, featuring the FIU Symphony Orchestra under the direction of Javier Jose Mendoza, who will also premiere a new guitar concerto by Carlos Rafael Rivera, commissioned by the MIGF, with soloists Marcin Dylla and René Izquierdo. Eduardo Martín will be closing the festival with his duo partner daughter Galy Martín, joined by another Cuban virtuoso, Iliana Matos. The MIGF annual composition competition concluded with the winning composition “Three Portals” by Cengiz Eren (Turkey) this year. Additionally, I am pleased to announce the inaugural Concert Artist Performance Competition (CAPC) which welcomes guitarists of all ages and nationalities. In addition to presenting concerts, the festival artists will present masterclasses and lectures, which will give you informative and entertaining opportunities to study with master musicians and learn more about the guitar music, technique, repertoire, recording, and music business. You can also see and try out wonderful guitars presented by the international guitar makers and vendors during the Luthiers Expo. I hope you enjoy all the exciting events during the seven-day festival, as we celebrate Miami’s Cuban heritage through music, our beloved instrument, and Art in general. Sincerely, Mesut Özgen Artistic Director and Founder MIAMI INTERNATIONAL GUITART FESTIVAL 2018 ¡BIENVENIDOS! Bienvenidos a la tercera edición del MIGF en la FIU School of Music. Es un honor y un privilegio servir como el Director Artístico del MIGF. Gracias al generoso premio (Knights Arts Challenge Award) ofrecido por la Fundación John S. y James L. Knight, celebramos este año el patrimonio cubano de Miami y le dedicamos el festival a la música cubana. Gracias a la alta calidad de los artistas invitados, a nuestros generosos patrocinadores, al trabajo incansable de estudiantes voluntarios, y a nuestra audiencia, el MIGF, en ya su tercera edición, ha siempre gozado de éxito. Sin ustedes no hubiéramos podido lograr esta hercúlea tarea de organizar un festival internacional de gran escala y hacer un aporte en la vida cultural de los residentes del sur de la Florida, y en el mundo de la guitarra y la música en general. Gracias por compartir nuestro entusiasmo siendo parte de este gran festival. Les presentamos un extraordinario conjunto de artistas de Cuba y del mundo. Entre estos artistas están Eduardo Martín, guitarrista virtuoso, compositor, y uno de los músicos mas influyentes de Cuba, René Izquierdo (Cuba/E.U.), Iliana Matos (Cuba/Canadá), Eliot Fisk (Boston, E.U.), Marcin Dylla (Polonia), y muchos más. En A lo cubano, el concierto inaugural del lunes 19 de febrero, se presentarán piezas para solistas y para conjuntos de cámara de compositors cubanos, así como las premieres de composiciones de Fredrick Kaufman y Orlando Jacinto García. Le rendiremos honor al legado musical del Maestro Leo Brouwer con un concierto tributo, Tribute Concert, el miércoles 21 de febrero, con la presentación del FIU Symphony Orchestra bajo la dirección de Javier José Mendoza. El FIU Symphony Orchestra tambien participará En Rivera Concierto a Tres,el viernes 23 de febrero, en donde se estrenará un nuevo concierto para guitarra de Carlos Rafael Rivera, comisionado por el MIGF y con Marcin Dylla y René Izquierdo como solistas. En el concierto de clausura, el domingo 25 de febrero, Eduardo Martín compartirá el escenario con su hija y compañera de duo Galy Martín, y con otra virtuosa cubana, Iliana Matos. El ganador de esta edición de nuestra competencia anual de composición es Cengiz Eren (Turquia), con “Three Portals”. Este año es mi honor el inaugurar la serie de competencias Concert Artist Performance Competition (CAPC), en la que pueden participar guitarristas de todas las edades y nacionalidades. Además de los conciertos, los artistas invitados impartirán clases magistrales y conferencias, en las que ustedes tendrán la oportunidad de aprender de músicos maestros sobre diversos temas como el repertorio y la técnica guitarrística, técnicas de grabación, y el negocio de la música. En el Luthiers Expo tambien tendrán la oportunidad de probar algunas de las mejores guitarras en el mercado. Espero que disfruten de los grandes eventos durante este festival, en el que celebramos el patrimonio cubano de Miami a través de la música, nuestro querido instrumento, y el arte en general. Sinceramente, Mesut Özgen Fundador y Director Artístico TABLE OF CONTENTS 2018 MIAMI INTERNATIONAL GUITART FESTIVAL 1 Welcome from Festival Director Mesut Özgen 4 Schedule of Events 5 Message from FIU President Mark B. Rosenberg 5 Message from FIU Provost and Executive Vice President Kenneth G. Furton 5 Message from FIU CARTA Dean Brian Schriner 5 Message from FIU School of Music Director Robert B. Dundas 6 Concert Programs 20 Educational Events: Lectures 21 Educational Events: Composers Panel 21 Educational Events: Composition Competition 21 Educational Events: Concert Artist Performance Competition 22 Educational Events: Master Classes 23 Artist Biographies 38 Luthiers Expo 39 Sponsors Miami International GuitART Festival 2018 3 SCHEDULE OF EVENTS 2018 MIAMI INTERNATIONAL GUITART FESTIVAL Monday, February 19 7:30 p.m. Opening Concert: A LO CUBANO – WPAC Concert Hall (170) Tuesday, February 20 8:30 a.m. - 11:00 a.m. Master Class: Rene Izquierdo – WPAC Concert Hall (170) 11:00 a.m. - 12:15 pm Lecture: David Dolata – WPAC Instrumental Hall (157) 4:00 p.m. - 5:30 p.m. Concert: Nutavut Ratanakarn – WPAC Concert Hall (170) 7:30 p.m. Concert: Adam Levin – WPAC Concert Hall (170) Wednesday, February 21 8:30 a.m. - 11:00 a.m. Master Class: Adam Levin – WPAC Concert Hall (170) 11:00 a.m. - 12:15 pm Lecture: Martin Pedreira Rodriguez – WPAC Instrumental Hall (157) 2:00 p.m. - 3:15 pm Lecture: Frank Koonce – WPAC Instrumental Hall (157) 7:30 p.m. Leo Brouwer Tribute Concert – WPAC Concert Hall Thursday, February 22 8:30 a.m. - 11:00 a.m. Master Class: Martin Pedreira Rodriguez – WPAC Concert Hall (170) 11:00 a.m. - 12:15 pm Lecture: Momcilo Aleksandric – WPAC Instrumental Hall (157) 4:00 p.m. - 5:30 p.m. Concert: Edel Muñoz – WPAC Concert Hall (170) 5:30 p.m. - 6:30 p.m. Competition Registration & Orientation – WPAC Recital Hall (150) 7:30 p.m. Concert: Eliot Fisk – WPAC Concert Hall (170) Friday, February 23 8:00 a.m. - 12:30 p.m. Competition Preliminary Round (closed to public) – WPAC Concert Hall (170) 1:00 p.m. - 6:00 p.m. Luthiers Expo – WPAC Instrumental Hall (157) 1:30 p.m. - 2:45 pm Lecture: Sean Samimi – WPAC Recital Hall (150) 3:00 p.m. - 6:00 p.m. Master Class: Eliot Fisk – WPAC Recital Hall (150) 7:30 p.m. Concert: Concierto A Tres – WPAC Concert Hall (170) Saturday, February 24 9:00 a.m. - 5:00 p.m. Luthiers Expo – WPAC Instrumental Hall (157) 9:30 a.m. - 12:15 p.m.
Recommended publications
  • ALÍ ARANGO Guitar Recital
    Laureate Series • Guitar Alí Arango 2014 Winner ‘Alhambra’ International Guitar Competition GUITAR RECITAL BROUWER • CLERCH • DEL PUERTO • ARANGO • DE LUCÍA Alí Arango Alí Arango: Guitar Recital Guitar Recital This selection presents a wide variety of music from eighteen I wrote Danza Característica around Cuban eminent guitarists who are also distinguished composers. themes. I have always felt a desire to transcend the mere Historically the acknowledged great guitarists of history repetition of popular dances…Where do we see the Leo Brouwer (b. 1939): prior to the twentieth century were players who invariably transcendence of the dance? In Ravel’s marvellously Danzas Rituales y Festivas (First Series) (2012-2014) 15:17 performed their own works. This tradition has not been ostentatious fantasy La Valse. This is my concept in the 1 I. Danza de los Altos Cerros 4:15 lost even if an important aspect of Andrés Segovia’s Ritual and Festive Dances without intending to dilute the 2 II. Habanera Trunca 5:21 mission in the twentieth century was to encourage popular feeling inherent in the folklore heritage.’ 3 III. Guajira 5:41 composers who were not guitarists to write for the El Decamerón Negro (The Black Decameron) (1981) instrument (a movement continued by Julian Bream and refers to a collection of African stories by Leo Frobenius Brouwer: El Decamerón Negro (1981) 17:44 John Williams, among others). From such activities a (1873-1938), German ethnologist, archaeologist, and 4 I. Balada de la Doncella Enamorada 6:57 quantity of high quality music was created. traveller. Brouwer’s representation of one of the legends 5 II.
    [Show full text]
  • Television Academy Awards
    2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth.
    [Show full text]
  • Beethoven to Drake Featuring Daniel Bernard Roumain, Composer & Violinist
    125 YEARS Beethoven to Drake Featuring Daniel Bernard Roumain, composer & violinist TEACHER RESOURCE GUIDE 87TH Annual Young People’s Concert William Boughton, Music Director Thank you for taking the NHSO’s musical journey: Beethoven to Drake Dear teachers, Many of us were so lucky to have such dedicated and passionate music teachers growing up that we decided to “take the plunge” ourselves and go into the field. In a time when we must prove how essential the arts are to a child’s growth, the NHSO is committed to supporting the dedication, passion, and excitement that you give to your students on a daily basis. We look forward to traveling down these roads this season with you and your students, and are excited to present the amazing Daniel Bernard Roumain. As a gifted composer and performer who crosses multiple musical genres, DBR inspires audience members with his unique take on Hip Hop, traditional Haitian music, and Classical music. This concert will take you and your students through the history of music - from the masters of several centuries ago up through today’s popular artists. This resource guide is meant to be a starting point for creation of your own lesson plans that you can tailor directly to the needs of your individual classrooms. The information included in each unit is organized in list form to quickly enable you to pick and choose facts and activities that will benefit your students. Each activity supports one or more of the Core Arts standards and each of the writing activities support at least one of the CCSS E/LA anchor standards for writing.
    [Show full text]
  • Mark Small at Acoustic Guitar
    Ageless Ardor Guitarist/composer/teacher Benjamin Verdery has taken the eclectic road BY MARK SMALL enjamin Verdery inhabits his own festivals throughout the U.S., Canada, (Wisconsin State University), Kim Perlak exclusive territory in the classical guitar Europe, the Caribbean, South America, and (Berklee College of Music), Michael Nicolella B world. Among the virtuosi of the Baby Asia. In addition to his prodigious work as a (Cornish College of the Arts), Matthew Rohde Boomer generation, it’s not hard to make a case solo recitalist, a partial list of his collabora- (Kithara Project), Scott Borg (Montgomery that Verdery has explored the most diverse tors includes guitar titan John Williams and College), and more. musical terrain. The repertoire on the 15 albums classical flutist Rie Schmidt (Verdery’s wife), The week before the COVID-19-mandated in his catalog ranges from works by masters such 12-string expert Leo Kottke, former Police social distancing, the ever upbeat and gregari- as Bach, Strauss, Mozart, and others, to the most guitarist Andy Summers, Celtic guitarist ous Verdery couldn’t mask his enthusiasm for adventurous composers of contemporary classi- William Coulter, new age composer/key- Scenes from Ellis Island, his latest album of cal landscape. He has also made five albums boardist Craig Peyton, mixed vocal artist original music, during a wide-ranging conversa- featuring his own works and his arrangements of Mark Martin, and hip-hop singer Billy Dean tion in his teaching studio at Yale’s Leigh Hall. songs by Prince, Jimi Hendrix, traditional folk Thomas. Classical guitarists such as Williams, tunes and hymns, musical settings for Buddhist David Russell, the Assad Brothers, and the RAIN, ELLIS ISLAND, AND ARISTOTLE texts, and more.
    [Show full text]
  • Téléchargez La Version
    sm14-9_Cover_NoUPC.qxd 5/26/09 11:40 PM Page 1 www.scena.org sm14-9_pXX_layout_ADS.qxd 5/26/09 6:02 PM Page 2 sm14-9_pXX_layout_ADS.qxd 5/26/09 6:02 PM Page 3 ESPRIT ZEN Marie-Nicole Lemieux Philippe Jaroussky 6 titres dans Rinaldo Alessandrini la collection et autres Esprit Les albums Esprit Baroque, Esprit Sacré, Esprit Mélancolique, Esprit Zen, Esprit Ibé- rique et Esprit Romantique réunissent des œuvres exceptionnelles interprétées avec 99 brio par Marie-Nicole Lemieux, Philippe 12 ch. Jaroussky, Rinaldo Alessandrini et plusieurs autres. EXCLUSIVITÉ ARCHAMBAULT ! THE BEST OF BEATLES BAROQUE, DIANE DUFRESNE CHANTE KURT WEILL ET FORESTARE NOUVEAUTÉ Les pop ATMA Classique : trois CD ATMA pour le prix d’un. Forestare avec Richard Desjardins, Diane Dufresne chante Kurt 99 Weill, et les plus grands succès de la sé- 16 rie Beatles Baroque avec Les Boréades. pour les Parfait pour l’été ! 3 CD 1499 1099 MARI KODAMA, KENT NAGANO NAREH ARGHAMANYAN BEETHOVEN LISZT, RACHMANINOV Piano Concertos Nos. 1 & 2 Sonates 99 DVD 9ch. Autres titres également en vente ITALY, SWITZERLAND : FRANCE : PARIS, BURGUNDY, SOUTHERN TYROL AND TICINO PROVENCE, LOIRE... Musique de Beethoven Musique de Chopin CD 1499 4999 v 21CD MAGDALENA KOZENÁ, BERGONZI, DOMINGO, VENICE BAROQUE ORCHESTRA SCOTTO, FRENI ET AUTRES VIVALDI Verdi : Great Operas from La Scala Opera & Oratorios Arias La culture du divertissement 15 MAGASINS s!RCHAMBAULTCAss 15 LIBRAIRIES SERVICE AUX INSTITUTIONS ET ENTREPRISESs!RCHAMBAULT SIECA AGRÉÉES sm14-9_p4_TOC 5/27/09 12:41 PM Page 4 RÉDACTEURS FONDATEURS
    [Show full text]
  • 1998 Jan-Feb
    Boston Classical Guitar Society Volume 5, Number 3 newsletterJanuary/February ‘98 Letter to Members Upcoming BCGS-Sponsored Events Greetings, Concerts I hope everyone’s holi- Sunday, March 8, 3:00 p.m. days were full of good Recital by winners of the 6th Annual Guitar Competition cheer, and each of you at the Brookline Music School. found at least one new guitar in your stocking. Sunday, April 5, 3:00 p.m. The Virtual Consort at the First Church, Unitarian It was most gratifying to Universalist, Jamaica Plain. note the level of musi- cianship exhibited at the Performance Parties New England Guitar Saturday, January 24, 2:00 p.m., 271 School St., Acton. Competition which was Saturday, Feb. 28, 2:00 p.m. 196 Broadway, Wakefield. held again at The Boston Conservatory in **BCGS is seeking space to meet for performance parties! November. The BCGS If you have room for a group of 6-12 individuals and are inter- congratulates Jeremy ested in hosting the occasional gathering, call Gloria Vachino Bass and Socrates at (781) 224-4203. Leptos, the high school and college first prize winners. We will And remember....performance parties are for everyone, from be presenting the two winners in concert soon and I hope many beginners on upward. Come play your favorite piece, perform a of you will be able to come to see these promising young duet with another guitarist, or come just to listen!** artists. See the Calendar for full details on the above events. Plans are already underway for the next BCGS Guitar Mini- Fest and many exciting ideas have been discussed.
    [Show full text]
  • Politizace Ceske Freetekno Subkultury
    MASARYKOVA UNIVERZITA FAKULTA SOCIÁLNÍCH STUDIÍ Katedra sociologie POLITIZACE ČESKÉ FREETEKNO SUBKULTURY Diplomová práce Jan Segeš Vedoucí práce: doc. PhDr. Csaba Szaló, Ph.D. UČO: 137526 Obor: Sociologie Imatrikulační ročník: 2009 Brno, 2011 Čestné prohlášení Prohlašuji, ţe jsem diplomovou práci „Politizace české freetekno subkultury“ vypracoval samostatně a pouze s pouţitím pramenů uvedených v seznamu literatury. ................................... V Brně dne 15. května 2011 Jan Segeš Poděkování Děkuji doc. PhDr. Csabovi Szaló, Ph.D. za odborné vedení práce a za podnětné připomínky, které mi poskytl. Dále děkuji RaveBoyovi za ochotu odpovídat na mé otázky a přístup k archivu dokumentů. V neposlední řadě děkuji svým rodičům a prarodičům za jejich podporu v průběhu celého mého studia. ANOTACE Práce se zabývá politizací freetekno subkultury v České Republice. Politizace je v nahlíţena ve dvou dimenzích. První dimenzí je explicitní politizace, kterou můţeme vnímat jako aktivní politickou participaci. Druhou dimenzí je politizace na úrovni kaţdodenního ţivota. Ta je odkrývána díky re-definici subkultury pomocí post- subkulturních teorií, zejména pak Maffesoliho konceptem neotribalismu a teorie dočasné autonomní zóny Hakima Beye. Práce se snaţí odkrýt obě úrovně politizace freetekno subkultury v českém prostředí pomocí analýzy dostupných dokumentů týkajících se teknivalů CzechTek, CzaroTek a pouličního festivalu DIY Karneval. Rozsah práce: základní text + poznámky pod čarou, titulní list, obsah, rejstřík, anotace a seznam literatury je 138 866 znaků. Klíčová slova: freetekno, politizace, dočasná autonomní zóna, DAZ, neo-kmen, neotribalismus, CzechTek, subkultura, post-subkultury ANNOTATION The presented work focuses on the politicization of the freetekno subculture in the Czech Republic. The politicization is perceived in two dimensions. The first dimension is the explicit politicization, which could be represented as the active political participation.
    [Show full text]
  • Aniello D Esiderio
    ... a century guitarist... ANIELLO DESIDERIO “Il Fenomeno” 16.30 …il genere di musicista che sembra essere scomparso tempo fa, Aniello Desiderio porta con sé il pubblico con entusiasmo, come i grandi virtuosi Paganini, Regondi o Giuliani fecero nell’800: si vive un suo concerto con il fiato sospeso attraverso cambi timbrici, arpeggi e scale di straordinaria brillantezza e eleganza come una Ferrari… Stuttgarter Zeitung… Nato a Napoli nel 1971 inizia lo studio della chitarra classica all’età di 6 chitarra anni. I suoi maestri sono stati Pietro Piscitelli, Bruno Battisti D’Amario e Stefano Aruta; frequentando per diversi anni masterclass tenute dal compositore cubano Leo Brouwer. Si è diplomato nel 1992 con il Massimo 01 dicembre ore ore 01 dicembre dei voti e la lode presso il Conservatorio “A. Vivaldi” di Alessandria. Ha tenuto il suo primo concerto all’ età di 8 anni. La sua carriera internazionale inzia nel 1989. Si è esibito in tutto il mondo: Svizzera, Giappone, USA, Canada, Danimarca, Finlandia, Grecia, Germania, Turchia, Francia, Irlanda, Norvegia, Svezia, Spagna, Venezuela, Brasile, Cuba, Messico, Austria, domenica Polonia, Russia, Indonesia, Ungheria, Colombia, Olanda, Italia. Si è esibito sia come solista sia con diverse orchestre: Berliner Philarmonie e I Virtuosi di Mosca diretti dal M° Vladimir Spivakov. Dal 2005 è Professore presso L’Accademia Internazionale di Musica a Koblenz (Germania). Ganna Da Novembre 2009 tiene un corso annuale di Alto di Perfezionamento presso il Conservatorio di Musica “Domenico Cimarosa”. Dal 2009 è testimonial delle Corde per Chitarra “D’Addario”. Badia Dal 2010 è in tour con una delle leggende della chitarra classica Angel Romero con il quale si esibisce in duo.
    [Show full text]
  • 2008 Convention Program Book
    F6 Flute,HighWinds 36th Annual National Flute Association Convention August 7-10,2008 Kansas City, MO 2 nfaonline.org JIM WALKER DEPENDS ON YAMAHA. Congratulations on receiving the National Flute Association Lifetime Achievement Award ©2008 Yamaha Corporation of America. All rights reserved. www.yamaha.com nfaonline.org 3 2 Shaker Road #D107 · Shirley, MA 01464 USA www.burkart.com See us at booths 209 & 211 4 nfaonline.org Welcome to Kansas City, F6 Flute—High Winds!— the 36th annual convention of the National Flute Association our officers, board of directors, CEO Phyllis YPemberton, and her staff welcome you and are delighted that you are here. We look forward to greeting each of you! We are grateful to program chair Jonathan Patti Adams Keeble, who has spent the past two years creating this high-energy whirlwind of events for all of us to enjoy. His imaginative planning, organizational skills, and great humor through it all have been wondrous to behold. We thank him, the local volunteer committee in Kansas City, and all of the NFA’s innumerable and indefatigable volunteer committees who, with their remarkable work throughout the year, have made this convention possible. Have you ever experienced the exhibit hall at our conventions? It is an amazing F6 vortex of sights and sounds, with displays from the world’s finest flute manufacturers, music publishers, and innovators. These exhibitors are showcasing for you the latest technological marvels of our industry, and we are grateful to each of them for their participation. In the exhibit hall, you’ll also find my N’Awlins neighbors, exhibits manager extraordinaire, Jim Magee, and his assistant, Patti McCleney.
    [Show full text]
  • Society for Ethnomusicology 60Th Annual Meeting, 2015 Abstracts
    Society for Ethnomusicology 60th Annual Meeting, 2015 Abstracts Walking, Parading, and Footworking Through the City: Urban collectively entrained and individually varied. Understanding their footwork Processional Music Practices and Embodied Histories as both an enactment of sedimented histories and a creative process of Marié Abe, Boston University, Chair, – Panel Abstract reconfiguring the spatial dynamics of urban streets, I suggest that a sense of enticement emerges from the oscillation between these different temporalities, In Michel de Certeau’s now-famous essay, “Walking the City,” he celebrates particularly within the entanglement of western imperialism and the bodily knowing of the urban environment as a resistant practice: a relational, development of Japanese capitalist modernity that informed the formation of kinesthetic, and ephemeral “anti-museum.” And yet, the potential for one’s chindon-ya. walking to disrupt the social order depends on the walker’s racial, ethnic, gendered, national and/or classed subjectivities. Following de Certeau’s In a State of Belief: Postsecular Modernity and Korean Church provocations, this panel investigates three distinct urban, processional music Performance in Kazakhstan traditions in which walking shapes participants’ relationships to the past, the Margarethe Adams, Stony Brook University city, and/or to each other. For chindon-ya troupes in Osaka - who perform a kind of musical advertisement - discordant walking holds a key to their "The postsecular may be less a new phase of cultural development than it is a performance of enticement, as an intersection of their vested interests in working through of the problems and contradictions in the secularization producing distinct sociality, aesthetics, and history. For the Shanghai process itself" (Dunn 2010:92).
    [Show full text]
  • Emmy Nominations
    2021 Emmy® Awards 73rd Emmy Awards Complete Nominations List Outstanding Animated Program Big Mouth • The New Me • Netflix • Netflix Bob's Burgers • Worms Of In-Rear-Ment • FOX • 20th Century Fox Television / Bento Box Animation Genndy Tartakovsky's Primal • Plague Of Madness • Adult Swim • Cartoon Network Studios The Simpsons • The Dad-Feelings Limited • FOX • A Gracie Films Production in association with 20th Television Animation South Park: The Pandemic Special • Comedy Central • Central Productions, LLC Outstanding Short Form Animated Program Love, Death + Robots • Ice • Netflix • Blur Studio for Netflix Maggie Simpson In: The Force Awakens From Its Nap • Disney+ • A Gracie Films Production in association with 20th Television Animation Once Upon A Snowman • Disney+ • Walt Disney Animation Studios Robot Chicken • Endgame • Adult Swim • A Stoopid Buddy Stoodios production with Williams Street and Sony Pictures Television Outstanding Production Design For A Narrative Contemporary Program (One Hour Or More) The Flight Attendant • After Dark • HBO Max • HBO Max in association with Berlanti Productions, Yes, Norman Productions, and Warner Bros. Television Sara K. White, Production Designer Christine Foley, Art Director Jessica Petruccelli, Set Decorator The Handmaid's Tale • Chicago • Hulu • Hulu, MGM, Daniel Wilson Productions, The Littlefield Company, White Oak Pictures Elisabeth Williams, Production Designer Martha Sparrow, Art Director Larry Spittle, Art Director Rob Hepburn, Set Decorator Mare Of Easttown • HBO • HBO in association with wiip Studios, TPhaeg eL o1w Dweller Productions, Juggle Productions, Mayhem Mare Of Easttown • HBO • HBO in association with wiip Studios, The Low Dweller Productions, Juggle Productions, Mayhem and Zobot Projects Keith P. Cunningham, Production Designer James F. Truesdale, Art Director Edward McLoughlin, Set Decorator The Undoing • HBO • HBO in association with Made Up Stories, Blossom Films, David E.
    [Show full text]
  • Dancecult Bibliography: Books, Articles, Theses, Lectures, and Films About Electronic Dance Music Cultures
    City University of New York (CUNY) CUNY Academic Works Publications and Research CUNY Graduate Center 2010 Dancecult Bibliography: Books, Articles, Theses, Lectures, and Films About Electronic Dance Music Cultures Eliot Bates CUNY Graduate Center How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_pubs/408 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] archive.today Saved from http://www.dancecult.net/bibliography.php search 3 Sep 2013 05:47:40 UTC webpage capture history All snapshots from host www.dancecult.net Linked from en.wikipedia.org » Talk:Trance (music genre)/Archive 1 Webpage Screenshot share download .zip report error or abuse Electronic dance music cultures bibliography Help expand this bibliography by submitting new references to dancecult! Complete list [sort by document type] [printable] [new entries] Abreu, Carolina. 2005. Raves: encontros e disputas. M.A. Thesis (Anthropology), University of São Paulo. [view online] Albiez, Sean and Pattie, David (eds.). 2010. Kraftwerk: Music Non Stop. New York / London: Continuum. [view online] Albiez, Sean. 2003. "'Strands of the Future: France and the birth of electronica'." Volume! 2003(2), 99-114. Albiez, Sean. 2003. "Sounds of Future Past: from Neu! to Numan." In Pop Sounds: Klangtexturen in der Pop- und Rockmusik, edited by Phleps, Thomas & von Appen, Ralf. Bielefeld: Transcript Verlag, 129-152. Albiez, Sean. 2005. "Post Soul Futurama: African American cultural politics and early Detroit Techno." European Journal of American Culture 24(2), 131-152.
    [Show full text]