Erwin Schulhoff
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Tate Report 2010-11: List of Tate Archive Accessions
Tate Report 10–11 Tate Tate Report 10 –11 It is the exceptional generosity and vision If you would like to find out more about Published 2011 by of individuals, corporations and numerous how you can become involved and help order of the Tate Trustees by Tate private foundations and public-sector bodies support Tate, please contact us at: Publishing, a division of Tate Enterprises that has helped Tate to become what it is Ltd, Millbank, London SW1P 4RG today and enabled us to: Development Office www.tate.org.uk/publishing Tate Offer innovative, landmark exhibitions Millbank © Tate 2011 and Collection displays London SW1P 4RG ISBN 978-1-84976-044-7 Tel +44 (0)20 7887 4900 Develop imaginative learning programmes Fax +44 (0)20 7887 8738 A catalogue record for this book is available from the British Library Strengthen and extend the range of our American Patrons of Tate Collection, and conserve and care for it Every effort has been made to locate the 520 West 27 Street Unit 404 copyright owners of images included in New York, NY 10001 Advance innovative scholarship and research this report and to meet their requirements. USA The publishers apologise for any Tel +1 212 643 2818 Ensure that our galleries are accessible and omissions, which they will be pleased Fax +1 212 643 1001 continue to meet the needs of our visitors. to rectify at the earliest opportunity. Or visit us at Produced, written and edited by www.tate.org.uk/support Helen Beeckmans, Oliver Bennett, Lee Cheshire, Ruth Findlay, Masina Frost, Tate Directors serving in 2010-11 Celeste -
Marta Hegemann, Ausgehend Von Zweidimensiona Len, Silhouettenhaften Figurationen Aus Häuserkuben, Segelbooten, Tischlampen, Drachen, Vögeln Etc
ven/Ret Marut. ln der Wohnung am Hildepoldplatz formierte sich die .,Gruppe Stu pid" und installierte dort von 1919-20 die Dauerausstellung desselben Titels. Diese erste kleine Privatschau stellt den Auftakt der Ausstellungsbeteiligungen Marta He gemanns dar, deren vorläufiger Schlußpunkt das Jahr 1989 bildet, dieTeilnehme an der Ausstellung des Kölnischen Kunstvereins an läßlich des 150. Jubiläums .,Vom Ma ler Bock zur schönen Gärtnerin". Abstraktsurreale Arbeiten und Figurenkompositionen der 1920er und 1930er Jahre Von 1919 bis 1933 erarbeitete Marta Hegemann, ausgehend von zweidimensiona len, silhouettenhaften Figurationen aus Häuserkuben, Segelbooten, Tischlampen, Drachen, Vögeln etc. ihre originäre Bildsprache, die immer wieder das Thema Frau in Einzel- und Doppelvarianten paraphrasiert, wobei sie die ausschließlich jungen Frauen oftmals mit ihren charakteristischen Berufsattributen ausstattete und in addi tiver Gestaltungsweise so disparate emblematische Bildelemente wie Hände, Beine, Häuser, Windmühlen, Vögel, Katzen, Segelboote etc. zusammenfügte. Anskizzierte Hildegard Reinhardt Häuser, Wände und Treppenabsätze suggerieren eine Räumlichkeit, die die streng Marta Hegemann zweidimensionalen Arbeiten der Frühzeit um 1920 vermissen lassen. Marta Hegemann Einleitung Daß Marta Hegemann die Thematik der weibliche Figurenkompositionen bereits Dem in den 1960er Jahren erwachten Interesse an de'r Aufarbeitung bildkünstleri• Mitte der 1920er Jahre in vollgültigen Bildformulierungen verarbeitete, beweisen die scher Aktivitäten der 1920er -
Ketterer Kunst
Home Categories Submit Release Archive News / Feeds About Us 09-26-2014 08:14 PM CET - Arts & Culture Print PDF Email Search GO 60th Anniversary Auction – Modern Classics to Today - Fantastic Finale Press release from: Ketterer Kunst More Releases from Ketterer Kunst Rare Books Auction Biblical Rarities Pop Art 60th Anniversary Special Auction Legendary Andy Warhol Jubilee Auctions Modern A. Macke, Unter den Lauben von Thun. Gouache, 1913. Contemporary Art Top art at top 14.4 x 19.4 in. Estimate: EUR prices 600.000-800.000 All 84 Releases Christian Louboutin The finest edit of luxury fashion. €475.00 Comments about openPR Munich, 26 September, 2014, (kk) – The jubilee auctions on December 5 and 6 make for the grand finale of the company's I can't but agree to the positive anniversary year. Masterpieces with estimates in 5- to 6-digit realms by renowned artists such as Macke, statements about your portal: Nolde, Kirchner, Richter and Shiraga are the highlights of this auction which has the following sections: easy to use, clear layout, very 1) Modern Classics good search function, and quick 2) Post War editing! 3) Contemporary Art Jens O'Brien, Borgmeier Media Communication on 1) Modern Classics This section is led by August Macke's gouache 'Unter den Lauben von Thun (Ein Spaziergängermotiv)' which carries an estimate of EUR 600,000-800,000. Macke had already used the theme of promenading people under the arcaded sidewalks of Thun in earlier works. However, the mere focus on the colors' Your Press Releases on values and their importance for the optical effect was new and had decisive impact on the expression’s Google News density. -
Alexander Glazunov
Call & Response 2011 Music With Exotic Influences Glazunov, Schulhoff, Bloch, Debussy & Jeffery Cotton Listener’s Guide Join us for a performance of music inspired by the Exotic Call & Response 2011 Concert May 5, 2011, Herbst Theatre, San Francisco Details inside… Call & Response 2011: Music with exotic influences Concert Thursday, May 5, 2011 Herbst Theatre at the San Francisco War Memorial 401 Van Ness Avenue at McAllister Street San Francisco, CA 7:15pm Pre-Performance Lecture by composer Jeffery Cotton 8:00pm Performance Buy tickets online at: www.cityboxoffice .com or by calling City Box Office: 415-392-4400 Page Contents 3 The Concept: evolution of music over time and across cultures 4 Jeffery Cotton 6 Alexander Glazunov 8 Erwin Schulhoff 10 Ernest Bloch 12 Claude Debussy 2 Call & Response: The Concept Have you ever wondered how composers, modern composers at that, come up with their ideas? How do composers and other artists create new work? Our Call & Response program was born out of the Cypress String Quartet’s commitment to sharing with you and your community this process in music and all kinds of other artwork. We present newly created music based on earlier composed pieces. Why “Call & Response”? We usually associate the term “call & response” with jazz and gospel music, the idea being that the musician plays a musical “call” to which another musician “responds,”—a way of creating a new sound relating in some way to the original. In this program, the “call” is that of Cypress String Quartet searching for connections across musical, historical, and social boundaries. -
Ziering-Conlon Initiative for Recovered Voices Showcase and Competition Spring 2019
Ziering-Conlon Initiative for Recovered Voices Showcase and Competition Spring 2019 The competition is open to all Colburn School students enrolled for the Spring 2019 semester in the Conservatory, Music Academy, and Community School of Performing Arts. Divisions Prizes Pre-college (Music Academy and Community All finalists will receive a cash award (minimum School) $150 for each student). Solo musicians or College (Conservatory) members of a group judged by the adjudicating panel to be the most outstanding in the pre- Accompanists college and college divisions will receive a Pre-college entrants performing solo repertoire minimum of $1,500 each. with piano may engage a professional accompanist. Pianists in chamber ensembles About the Initiative must be students. All college entrants must LA Opera Music Director James Conlon formed be students in the Conservatory (this includes the groundbreaking Recovered Voices project collaborating pianists). to shine a spotlight on the music by composers suppressed by the Nazi regime. In honor of Deadline his efforts, the Ziering-Conlon Initiative for Entries to be submitted no later than March Recovered Voices sponsors seminars, academic 11, 2019 via YouTube video. Those selected conferences, and competitions in an effort to for the live, public finals on Monday evening, present a deeper understanding of the history March 25, will be notified no later than 9 pm of the music from the first half of the 20th on Tuesday, March 19. All entrants must be century. available to perform at the March 25 finals. Ziering-Conlon Initiative for Recovered Voices Showcase and Competition Spring 2019 List of Repertoire Submitting Your Video Performance The works on the provided list were selected When recording your performances, place as representative, and all are approved for this the video-recording device in such a way that showcase competition. -
Focus 2020 Pioneering Women Composers of the 20Th Century
Focus 2020 Trailblazers Pioneering Women Composers of the 20th Century The Juilliard School presents 36th Annual Focus Festival Focus 2020 Trailblazers: Pioneering Women Composers of the 20th Century Joel Sachs, Director Odaline de la Martinez and Joel Sachs, Co-curators TABLE OF CONTENTS 1 Introduction to Focus 2020 3 For the Benefit of Women Composers 4 The 19th-Century Precursors 6 Acknowledgments 7 Program I Friday, January 24, 7:30pm 18 Program II Monday, January 27, 7:30pm 25 Program III Tuesday, January 28 Preconcert Roundtable, 6:30pm; Concert, 7:30pm 34 Program IV Wednesday, January 29, 7:30pm 44 Program V Thursday, January 30, 7:30pm 56 Program VI Friday, January 31, 7:30pm 67 Focus 2020 Staff These performances are supported in part by the Muriel Gluck Production Fund. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and use of recording equipment are not permitted in the auditorium. Introduction to Focus 2020 by Joel Sachs The seed for this year’s Focus Festival was planted in December 2018 at a Juilliard doctoral recital by the Chilean violist Sergio Muñoz Leiva. I was especially struck by the sonata of Rebecca Clarke, an Anglo-American composer of the early 20th century who has been known largely by that one piece, now a staple of the viola repertory. Thinking about the challenges she faced in establishing her credibility as a professional composer, my mind went to a group of women in that period, roughly 1885 to 1930, who struggled to be accepted as professional composers rather than as professional performers writing as a secondary activity or as amateur composers. -
Maurice Allemand OR HOW MODERN ART CAME to SAINT-ÉTIENNE (1947-1966) a Story of the Collections / Nov
maurice allemand OR HOW MODERN ART CAME TO SAINT-ÉTIENNE (1947-1966) A STORY OF THE COLLECTIONS / NOV. 30TH 2019 - JAN. 3RD 2021 press kit PRESS CONTACT Lucas Martinet [email protected] Tél. + 33 (0)4 77 91 60 40 Agence anne samson communications Federica Forte [email protected] Tel. +33 (0)1 40 36 84 40 Clara Coustillac [email protected] Tél. +33 (0)1 40 36 84 35 USEFUL INFO MAMC+ Saint-étienne Métropole rue Fernand Léger 42270 Saint-Priest-en-Jarez Tél. +33 (0)4 77 79 52 52 mamc.saint-etienne.fr Maurice Allemand in 1960 in front of the Musée d’Art et d’Industrie de Saint-Étienne with Reclining Figure by Henry Moore (1958), temporary [email protected] exhibition One Hundred Sculptors from Daumier to the Present Day. Photo credit: Geneviève Allemand / MAMC+ OR HOW MODERN maurice allemand the Curator’s foreword ART CAME TO SAINT-ÉTIENNE (1947-1966) The foundations of the exceptional collection of modern art at the MAMC+ were laid after the Second World War A STORY OF THE COLLECTIONS by Maurice Allemand (1906-1979), director of the musée d’Art et d’Industrie from 1947 to 1966, at that time the NOV. 30TH 2019 - JAN. 3RD 2021 only museum in Saint-Étienne. This art collection is now part of the MAMC+, created in 1987, and a pioneer of regional modern art museums. The story recounting the genie of the institution is retraced from largely unpublished archives. They provide an alternative understanding of the founding of the collection and allow to rediscover, next to the masterpieces, artists who are little known today, and some one hundred works which have not been on display for twenty years. -
Derda Berlin
DERDA BERLIN KATALOG ART ON PAPER 05.03.2016 – 01.05.2016 VIERTER KATALOG DER GALERIE DERDA BERLIN Thomas Derda Fasanenstrasse 58 D‐10719 Berlin‐Wilmersdorf www.derdaberlin.com ALLE ABGEBILDETEN ARBEITEN SIND VERKÄUFLICH. PREISE AUF ANFRAGE. Copyright Texte: Thomas Derda und Ralf Kemper (Fotos sind ausschließlich für diesen Verkaufskatalog und nicht weiter verwendbar) KÖLNER PROGRESSIVE Der Kunstkritiker Ernst Kallai hielt Franz Wilhelm Seiwert und Heinrich Hoerle für zwei der stärksten Vertreter einer neuen Generation von deutschen Malern, welche aus der kubistisch‐ expressionistischen Tradition hervorgegangen sind ‐ zu Recht. Das Kölner Museum Ludwig präsentierte zuletzt 2008 eine große Ausstellung unter dem Titel „köln progressiv 1920‐33. seiwert‐ hoerle‐arntz“. Umso mehr freuen wir uns, hier eine Werkgruppe kleiner Meisterwerke im Rahmen dieser Ausstellung präsentieren zu können (Kat. Nrn. 1‐6). Einmal mehr wird die Verbindung zu Berlin‐Wilmersdorf über die Zeitschrift „Die Aktion“ von Franz Pfemfert hergestellt, zu der beide zahlreiche Cover und Illustrationen beisteuerten, zumeist als originalgraphische Holzschnitte. 1. FRANZ WILHELM SEIWERT (1894 – 1933) „Arbeiter vor der Fabrik“ Bleistift auf Papier, 23,0 x 18,0 cm, 1922 Aus dem Besitz Stanislav Kubicki´s. F. W. Seiwert, 1894 in Köln geboren, bildet mit Heinrich Hoerle und Gerd Arntz den Kern der Kölner Progressiven und gibt später deren Sprachrohr, die Zeitschrift a‐z heraus, in der u.a. Artikel über Malewitsch, Severini, Modigliani und Brancusi erscheinen. 1919 gehört Seiwert kurz zur Gruppe der Kölner Dadaisten (Gruppe D) und stellt im Kunstverein zusammen mit Max Ernst, Johannes Baargeld, Hans Arp, Paul Klee, Heinrich Hoerle, Angelika Hoerle und Anton Räderscheidt aus. 1920/21 reist er nach Berlin und freundet sich mit dem Maler und Essayisten Stanislav Kubicki an, aus dessen Besitz unsere Arbeit stammt. -
A Survey of Czech Piano Cycles: from Nationalism to Modernism (1877-1930)
ABSTRACT Title of Dissertation: A SURVEY OF CZECH PIANO CYCLES: FROM NATIONALISM TO MODERNISM (1877-1930) Florence Ahn, Doctor of Musical Arts, 2018 Dissertation directed by: Professor Larissa Dedova Piano Department The piano music of the Bohemian lands from the Romantic era to post World War I has been largely neglected by pianists and is not frequently heard in public performances. However, given an opportunity, one gains insight into the unique sound of the Czech piano repertoire and its contributions to the Western tradition of piano music. Nationalist Czech composers were inspired by the Bohemian landscape, folklore and historical events, and brought their sentiments to life in their symphonies, operas and chamber works, but little is known about the history of Czech piano literature. The purpose of this project is to demonstrate the unique sentimentality, sensuality and expression in the piano literature of Czech composers whose style can be traced from the solo piano cycles of Bedřich Smetana (1824-1884), Antonín Dvořák (1841-1904), Leoš Janáček (1854-1928), Josef Suk (1874-1935), Bohuslav Martinů (1890-1935) to Erwin Schulhoff (1894-1942). A SURVEY OF CZECH PIANO CYCLES: FROM ROMANTICISM TO MODERNISM (1877-1930) by Florence Ahn Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Musical Arts 2018 Advisory Committee: Professor Larissa Dedova, Chair Professor Bradford Gowen Professor Donald Manildi Professor -
On the Trail of Jewish Music Culture in Leipzig
Stations Mendelssohn-Haus (Notenspur-Station 2) On the trail of Jewish Mendelssohn House (Music Trail Station 2) / Goldschmidtstraße 12 The only preserved house and at the same time the deathbed of Felix Mendelssohn Bartholdy (1809-1847), conductor of Leipzig’s Gewandhaus and founder of the rst German conservatory. music culture in Leipzig Musikverlag C.F.Peters / Grieg-Begegnungsstätte (Notenspur-Station 3) C.F.Peters Publishers/Grieg Memorial Centre (Music Trail Station 3) / Talstraße 10 Headquarters of the Peters’ Publishing Company since 1874, expropriated by the National Socialists in 1939; Henri Hinrichsen, the publishing manager and benefactor, was murdered in Auschwitz Concentration Camp in 1942. Wohnhaus von Gustav Mahler (Notenbogen-Station 4, Notenrad-Station 13) Gustav Mahler’s Residence (Music Walk Station 4, Music Ride Station 13) / Gustav-Adolf-Str.aße12 The opera conductor Gustav Mahler (1869-1911) lived in this house from 1887 till 1888 and composed his Symphony No.1 here. Wohnhaus von Erwin Schulho (Notenbogen-Station 6) Erwin Schulho ‘s Residence (Music Walk Station 6) / Elsterstraße 35 Composer and pianist Erwin Schulho (1894-1942) lived here during his studies under the instruction of Max Reger between 1908 and 1910. Schulho died in Wülzburg Concentration Camp in 1942. Hochschule für Musik und Theater „Felix Mendelssohn Bartholdy“ - Max Reger (Notenbogen-Station 9, Notenrad-Station 3) Leipzig Conservatory named after its founder Felix Mendelssohn Bartholdy (Music Walk Station 9, Music Ride Station 3) / Grassistraße 8 The main building of the Royal Conservatory founded by Mendelssohn, inaugurated in 1887; place of study and instruction of prominent Jewish musicians such as Salomon Jadassohn, Barnet Licht, Wilhelm Rettich, Erwin Schulho , Günter Raphael and Herman Berlinski. -
MAHLERFEST XXXIV the RETURN Decadence & Debauchery | Premieres Mahler’S Fifth Symphony | 1920S: ARTISTIC DIRECTOR
August 24–28, 2021 Boulder, CO Kenneth Woods Artistic Director SAVE THE DATE MAHLERFEST XXXV May 17–22, 2022 * Gustav Mahler Symphony No. 2 in C Minor Boulder Concert Chorale Stacey Rishoi Mezzo-soprano April Fredrick Soprano Richard Wagner Die Walküre (The Valkyrie), Act One Stacey Rishoi Mezzo-soprano Brennen Guillory Tenor Matthew Sharp Bass-baritone * All programming and artists subject to change KENNETH WOODS Mahler’s First | Mahler’s Musical Heirs Symphony | Mahler and Beethoven MAHLERFEST.ORG MAHLERFEST XXXIV THE RETURN Decadence & Debauchery | Premieres Mahler’s Fifth Symphony | 1920s: ARTISTIC DIRECTOR 1 MAHLERFEST XXXIV FESTIVAL WEEK TUESDAY, AUGUST 24, 7 PM | Chamber Concert | Dairy Arts Center, 2590 Walnut Street Page 6 WEDNESDAY, AUGUST 25, 4 PM | Jason Starr Films | Boedecker Theater, Dairy Arts Center Page 9 THURSDAY, AUGUST 26, 4 PM | Chamber Concert | The Academy, 970 Aurora Avenue Page 10 FRIDAY, AUGUST 27, 8 PM | Chamber Orchestra Concert | Boulder Bandshell, 1212 Canyon Boulevard Page 13 SATURDAY, AUGUST 28, 9:30 AM–3:30 PM | Symposium | License No. 1 (under the Hotel Boulderado) Page 16 SATURDAY, AUGUST 28, 7 PM | Orchestral Concert Festival Finale | Macky Auditorium, CU Boulder Page 17 Pre-concert Lecture by Kenneth Woods at 6 PM ALL WEEK | Open Rehearsals, Dinners, and Other Events See full schedule online PRESIDENT’S GREETING elcome to MahlerFest XXXIV – What a year it’s been! We are back and looking to the future with great excitement and hope. I would like to thank our dedicated and gifted MahlerFest orchestra and festival musicians, our generous supporters, and our wonderful audience. I also want to acknowledge the immense contributions of Executive Director Ethan Hecht and Maestro Kenneth Woods that not only make this festival Wpossible but also facilitate its evolution. -
Literaturverzeichnis
Literaturverzeichnis Primärliteratur HansArp Textsammlungen und selbstiindige Veröffentlichungen die wolkenpumpe. Hannover: Steegemann 1920. Der Pyramidenrock. Erlenbach-Zürich, München: Rentsch 1924. On My Way. Poetry and Essays 1912... 1947. New York: Wittenborn, Schultz 1948. Worttriiume und schwarze Sterne. Auswahl aus den Gedichten der Jahre 1911-1952. Wiesbaden: Limes 1953. Unsern tiiglichen Traum ... Erinnerungen und Dichtungen aus den Jahren 1914-1954. Zürich: Arche 1955. Gesammelte Gedichte, Bd. I: Gedichte 1903-1930. Zürich: Arche 1963. [Zusammen mit Sophie Taeuber-Arp]: Zweiklang. Hrsg. von Ernst Schei- degger. Zürich: Arche 1960. Unselbstiindige Veröffentlichungen ,.aus dem >cacadou superieur<<<. In: die schammade 1 (1920), o. P. ,.Declaration«. In: Dada au grand air - Der Sängerkrieg in Tiroll (1921), o. P. lohannes Theodor Baargeld / Al/red F. Gruenwald Textsammlungen und selbstiindige Veröffentlichungen Texte vom Zentrodada. Hrsg. von Walter Vitt. 2. Aufl., Siegen: Universi tät-Gesamthochschule Siegen 1990. (,.Vergessene Autoren der Mo dernec, Bd. 30). UnselbsUlndige Veröffentlichungen ,.Dominanten zu Herrn Hillers >Herrenhaus<<<. In: Die Aktion 8 (1918), H. 37/38, Sp. 475-476. [Ohne Autorenangabe]: ,.Februar in Mitteleuropa«. In: Der Ventilator 1 (1919), H. 4, S. 6. 216 Literaturverzeichnis ,.Fürunheilbare Sozialdemokraten«. In: Die Aktion 9 (1919), H. 37/38, Sp. 628-630. ,.Ich lobe die Vergewaltigung«. In: Die Aktion 9 (1919), H. 49/50, Sp. 813. ,.BULLETIN D .... schlagt das warme Ei aus der Hand!" .... «. In: Bulletin D 1 (1919), o. P. ,.Röhrensiedelung oder Gotik«. In: die schammade 1 (1920), o. P. ,.Bimbamresonnanz 1.«. In: die schammade 1 (1920), o. P. ,.Bimmelresonnanz Ik In: die schammade 1 (1920), o. P. [Unter dem Pseudonym Zentrodada]: ,.Das Appetitschnittchen«. In: die schammade 1 (1920), o.