Film & Media Studies New Books Catalogue
April-December 2019 EBooks Contents EBook availability is indicated under each book entry:
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Bloomsbury Academic is a division of Bloomsbury Publishing Plc. Registered in England No. 01984336. FILM & MEDIA – Bloomsbury is the British Film Institute's publishing partner. BFI books and resources are for everyone passionate about film and moving image – from students and scholars to industry practitioners and general film enthusiasts. Covering all aspects of cinema, books include the flagship BFIFilm Classics series, concise Screen Guides, bestselling introductory textbooks such as The Cinema Book, and scholarly works including the award-winning Cultural Histories of Cinema series. www.bloomsbury.com/bfi
The German Cinema Book The Chinese Cinema Book Edited by Tim Bergfelder, University of Edited by Song Hwee Lim, The Chinese Southampton, UK, Erica Carter, King's College University of Hong Kong & Julian Ward, London, UK, Deniz Göktürk & Claudia Sandberg University of Edinburgh, UK British Film Institute This revised and updated edition introduces This revised and updated new edition provides German film history from its beginnings to the a comprehensive introduction to the history of present day, addressing key periods including early cinema in mainland China, Hong Kong and Taiwan, and silent cinema, Weimar cinema, Nazi cinema, as well as to disaporic and transnational Chinese the New German cinema, the Berlin School, and contemporary film-making, from the beginnings of cinema to the present day. film, as well as addressing all the major movements, studios, stars, Chapters by leading international scholars are grouped in thematic filmmakers and genres of German cinema in the 20th and 21st sections addressing key historical periods, film movements, genres, centuries. Contributions by leading international scholars are grouped stars and auteurs, and the industrial and technological contexts of into sections that focus on genre; stars; authorship; film production, cinema in Greater China. distribution and exhibition; theory and politics, including women's and queer cinema, and transnational cinema. UK November 2019 • US November 2019 • 464 pages • 80 bw illus PB 9781911239536 • £29.99 / $40.95 • HB 9781911239529 • £95.00 / $130.00 Individual eBook 9781911239543 UK September 2019 • US September 2019 • 688 pages • 118 bw illus Library eBook 9781911239550 PB 9781844575305 • £34.99 / $47.95 • HB 9781844575312 • £110.00 / $150.00 British Film Institute Individual eBook 9781911239420 Library eBook 9781911239413 British Film Institute
Porridge Richard Weight Silent Cinema Richard Weight's study of Porridge, the first sitcom A Guide to Study, Research and to be set in a prison, and the brainchild of writers Curatorship Dick Clement and Ian La Frenais, places it the Paolo Cherchi Usai, George Eastman Museum, context of 1970s social upheavals, exploring how Rochester, USA the series satirises structures of class and authority through the 'cons' (Norman Stanley Fletcher, played This new and greatly expanded edition provides a by Ronnie Barker, and his young cellmate Leonard Arthur Godber, comprehensive introduction to the study, research played by Richard Beckinsale) battles to outwit the prison officers and preservation of silent cinema from its heyday Mr Mackay and Mr Barrowclough. Weight also traces Porridge and in the early 20th century to its present day flourishing. Leading its sequel Going Straight's influences on the television comedy that silent cinema expert Paolo Cherchi Usai traces the history of the followed. moving image in its formative years, from Edison and Lumière’s first experiments to the dawn of ‘talkies’; provides a clear guide to the UK November 2019 • US November 2019 • 144 pages • 60 colour images basics of silent film technology; introduces the technical and creative PB 9781844573349 • £16.99 / $22.95 roles involved in its production, and presents silent cinema as a Individual eBook 9781911239369 performance event, rather than a passive viewing experience. Library eBook 9781911239352 Series: BFI TV Classics • British Film Institute
UK April 2019 • US April 2019 • 448 pages • 98 colour; 229 bw illus
PB 9781844575282 • £28.99 / $39.95 • HB 9781844575299 • £90.00 / $122.00 Individual eBook 9781911239130 Library eBook 9781911239147 Remembering British Television British Film Institute Audience, Archive and Industry Kristyn Gorton, University of York, UK & Joanne Garde-Hansen, University of Warwick, UK
The authors address how, in an age of convergence, Writing a Watertight Thesis when 'television' no longer means a box in the A Guide to Successful Structure and corner of the living room that we sit and watch Defence together, do we remember television of the Mike Bottery, University of Hull, UK & Nigel past? How do we gather and archive our memories? The authors Wright, University of Hull, UK explore these questions through interviews with tv producers, curators and archivists, and case studies of popular television series Writing a Watertight Thesis provides students with and fan communities such as Cold Feet and Doctor Who. Their a framework for developing a sound structure for discussion takes in museum exhibitions, popular televison nostalgia their thesis, which will ultimately make it watertight programming and 'vintage' tv websites. and defensible. The authors show that the key to making a thesis
watertight lies in selecting the central research question and the UK April 2019 • US April 2019 • 224 pages • 7 bw illus sub-research questions that together collectively answer this main PB 9781844576609 • £21.99 / $29.95 • HB 9781844576616 • £65.00 / $88.00 one. They draw on their extensive experience of supervising research Individual eBook 9781844576630 Library eBook 9781911239055 students throughout, and include examples of how successful theses British Film Institute have been made watertight along with questions to enable readers to do the same thing to their own thesis.
UK May 2019 • US May 2019 • 200 pages • 10 bw illus PB 9781350046948 • £21.99 / $29.95 • HB 9781350046955 • £65.00 / $88.00 Individual eBook 9781350046962 Bloomsbury Academic is a division of Bloomsbury Publishing Plc. Registered in England No. 01984336. Library eBook 9781350046986 1 Bloomsbury Academic Film Stars Series Editors: Martin Shingler and Susan Smith, both at the University of Sunderland, UK Each book in this major series focuses on an international film star, tracing the development of their star persona, their career trajectory and their acting and performance style. The series ranges across a wide historical and geographical spectrum, from silent to contemporary cinema and from Hollywood to Asian cinemas, and addresses both child and adult stardom.
George Clooney Madhuri Dixit Paul McDonald, Kings College London, UK Nandana Bose, FLAME University, India This book traces George Clooney's career from Nandana Bose's study traces Dixit's twenty-five year hit television medical drama ER to Oh Brother, career, exploring her star persona and her indelible Where Art Thou? (2000), Ocean's Eleven (2001) impact on Indian popular culture. With her unusual
British Film Institute and beyond. Paul McDonald argues that although career trajectory, Dixit has upended pre-existing Clooney's star persona has many similarities with models of female stardom, by marrying at the peak that of Classical Hollywood movie stars such as of her career, withdrawing from the limelight for Cary Grant, the actor, producer and activist is also a very 21st century years, and then returning to extend her career into her early fifties by transmedia celebrity. reinventing herself as a transmedia celebrity for a new generation. Bose examines Dixit's unique talent as a dancer and argues that she UK April 2019 • US April 2019 • 216 pages • 31 bw illus represents a traditional figure of femininity that resonated across class PB 9781844574940 • £18.99 / $25.95 and cultural hierarchies at a time of great economic and social change HB 9781844578559 • £60.00 / $80.00 Individual eBook 9781911239338 in India. Library eBook 9781911239321 • Series: Film Stars British Film Institute UK April 2019 • US April 2019 • 176 pages • 30 bw illus PB 9781844576296 • £16.99 / $22.95 Individual eBook 9781911239154 Library eBook 9781911239161 Series: Film Stars • British Film Institute FILM & MEDIA –
Indian Film Stars Latin American Film Industries Michael Lawrence, University of Sussex, UK Tamara L. Falicov, University of Kansas, USA In-depth case studies by leading scholars of Indian cinema provide Focusing on Argentina, Brazil and Mexico, this book an introduction to the diversity of stardom in Indian cinema, ranging situates Latin American film industries within the across cinema traditions, historical periods and film genres, and context of global film production, exhibition and encompassing stars including Kanan Devi, Dharmendra Singh Deol distribution, charting the changes that the industries and Shah Rukh Khan. have undergone from the sound era to the present day, and considering the challenges of procuring UK November 2019 • US November 2019 • 240 pages • Contains bw images funding, competition from Hollywood, state funding battles, and the PB 9781844578542 • £24.99 / $37.95 • HB 9781844578559 • £65.00 / $104.00 fickle nature of audiences, as well as censorship issues, competition Individual eBook 9781844578573 British Film Institute from television, and the transnational nature of Latin American film.
UK June 2019 • US June 2019 • 216 pages • 20 bw illus PB 9781844573103 • £22.99 / $31.95 • HB 9781844573110 • £70.00 / $94.00 Individual eBook 9781911239390 Library eBook 9781911239383 Series: International Screen Industries • British Film Institute
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Vertigo 2001: A Space Odyssey Pan’s Labyrinth La dolce vita 9781844574988 9781844572861 9781844576418 9781844573929
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2 www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • [email protected] FILM & MEDIA –
Media and Society Materialist Media Theory Edited by James Curran, Goldsmiths, University An Introduction of London, UK & David Hesmondhalgh, Grant Bollmer, North Carolina State University, USA University of Leeds, UK Our technologies rely on an ever-expanding infrastructure of wires, A new edition of this established textbook, popular routers, servers, and hard drives—a proliferation of devices that worldwide for its insightful and accessible essays reshape human interaction and experience beneath conscious from leading international academics on the most knowledge. And yet, in spite of a wealth of research outlining the pertinent issues in the media field today. With importance of the material effects of these changes there are few this updated edition, David Hesmondalgh joins James Curran and systematic summaries of the theoretical arguments that explain a leading team of international scholars to speak to current issues and challenge our contemporary technological reality. Materialist relating to media and gender, media and democracy, sociology of Media Theory: An Introduction is an overview of materialist theories Film and Media Textbooks / Film History news, the political impact of the media, popular culture, cultural of media and technology, designed to enable students to grapple industries, media and emotion, and other staple topics. The media with questions and problems that arise from media’s material and is in a state of ferment, and is undergoing far-reaching change. This infrastructural role in shaping culture, introducing, elaborating, and sixth edition tries to make sense of the media’s transformation, and its placing in dialogue four specific kinds of materialism: performative wider implications. materialism, spatio-temporal materialism, neurocognitive materialism, and vital materialism. UK May 2019 • US May 2019 • 384 pages PB 9781501340734 • £26.99 / $32.95 Individual eBook 9781501340741 UK September 2019 • US September 2019 • 224 pages Library eBook 9781501340758 PB 9781501337116 • £23.99 / $29.95 • HB 9781501337123 • £96.00 / $120.00 Bloomsbury Academic Individual eBook 9781501337109 Library eBook 9781501337093 Bloomsbury Academic
An Introduction to Film Analysis Technique and Meaning in Narrative Film Marxist Film Theory and Fight Michael Ryan, Temple University, USA & Melissa Lenos, Donnelly Club College, USA Anna Kornbluh, University of Illinois, USA An Introduction to Film Analysis, 2nd edition combines an Anna Kornbluh provides an overview of Marxist introduction to filmmaking technique with rigorous and approaches to film, with particular attention to comprehensive training in film interpretation. Starting off by three central concepts in Marxist theory in general instructing students as to the basic technical terms as well as in shot- that have special bearing on film:" the mode of by-shot analysis of film sequences, subsequent chapters examine production," "ideology," and "mediation." In different aspects of filmmaking such as composition, editing, camera explaining how these concepts operate and how they have been work, post-production, art direction, etc. Part 2 introduces students used and misused in film studies, the volume employs Fight Club as to the various critical approaches to film with new analysis on a case study to exemplify the practice of Marxist film theory. Adapted postcolonial, transnational and Affect Theory. With this 2nd edition, from a novel by Chuck Palahniuk, the film is a contemporary classic Michael Ryan add's a third section, consisting of several in-depth that has lent itself to significant re-interpretation with every shift in the analyses of films to put into practice what comes before: The Birds, political economic landscape since its debut. The Shining, and Vagabond. UK May 2019 • US May 2019 • 200 pages PB 9781501347306 • £14.99 / $19.95 • HB 9781501347290 • £55.00 / $75.00 UK September 2019 • US September 2019 • 384 pages • 363 color illus Individual eBook 9781501347313 PB 9781501318542 • £26.99 / $39.95 • HB 9781501318535 • £86.00 / $130.00 Library eBook 9781501347320 Individual eBook 9781501318559 Series: Film Theory in Practice • Bloomsbury Academic Library eBook 9781501318566 Bloomsbury Academic
Science Fiction Cinema and Virtuoso 1950s Britain Film Performance and the Actor's Magic Recontextualizing Cultural Anxiety Murray Pomerance, Independent scholar, Matthew Jones, De Montfort University, UK Canada For the last 50 years, discussion of 1950s science Elizabeth Taylor’s electrifying performance in Who’s fiction cinema has been dominated by the view Afraid of Virginia Woolf? The milkshake scene in that the genre reflected US paranoia about Soviet There Will be Blood. Leonardo DiCaprio’s turn as brainwashing and the nuclear bomb. However, classic films, such Arnie in What’s Eating Gilbert Grape? What makes as Invasion of the Body Snatchers (1956) and It Came from Outer these performances so special? Eloquently written and engagingly Space (1953), were regularly exported to countries across the world. laid out, Murray Pomerance answers the tough question as to Drawing on extensive archival research, Matthew Jones makes an what makes an exceptional, or virtuosic performance. Pomerance exciting and important intervention in the field by locating 1950s intensively explores virtuosic performance in film, ranging from American science fiction films alongside their domestic counterparts classical works through to contemporary production, and gives in their British contexts of release and reception. serious consideration to structural problems of dramatization and production, actorial methods and tricks, and contingencies that befall UK May 2019 • US May 2019 • 240 pages • 10 bw illus performers giving stand-out moments. PB 9781501352515 • £28.99 / $39.95 Previously published in HB 9781501322532 Individual eBook 9781501322563 UK May 2019 • US May 2019 • 368 pages • 44 bw illus Library eBook 9781501322549 PB 9781501350672 • £24.99 / $34.95 • HB 9781501350689 • £90.00 / $120.00 Bloomsbury Academic Individual eBook 9781501350696 Library eBook 9781501350702 Bloomsbury Academic
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Luis Buñuel On Women's Films A Life in Letters Across Worlds and Generations Edited by Jo Evans, University College London, Edited by Ivone Margulies, Hunter College, UK & Breixo Viejo, University College London, CUNY, USA & Jeremi Szaniawski, Independent UK Scholar, New Zealand Luis Buñuel: A Life in Letters provides access for the This edited collection covers a wide array of texts first time to an annotated English-language version by leading scholars in the field about female of around 250 of the most important and most filmmakers— trailblazers of second wave feminism widely relevant of these letters. Luis Buñuel (1900-1983) came to such as Agnès Varda, Barbara Loden, Cecilia Mangini, Chantal international attention with his first films, Un Chien Andalou (with Dalí, Akerman, as well as contemporary figures from all around the world. 1929) and L’Âge d’Or (1930): two still surprisingly avant-garde films The collection ascertains the continuing value of female auteur that established his position as the undisputed master of Surrealist perspectives on gender, feminine poetics, forms of embodiment such filmmaking. He corresponded with some of the most famous writers, as endurance, labor and sexuality as well as on new geopolitical, directors, actors and artists of his generation: Fellini, Truffaut, Vigo, national and transnational formations and history. Analyses of Aragon, Dalí, Unik, Paz, Cortázar, García Lorca, Fuentes, Deneuve, alternate expressions of moving image and genre hybrids broadens Film Directors / US Cinema Film Directors Moreau, and Rabal. the purview on female auteurship and engagement.
UK August 2019 • US August 2019 • 592 pages • 107 bw illus UK July 2019 • US July 2019 • 384 pages • 75 bw illus PB 9781501312588 • £28.99 / $39.95 • HB 9781501312571 • £95.00 / $130.00 PB 9781501332456 • £24.99 / $34.95 • HB 9781501332463 • £90.00 / $120.00 Individual eBook 9781501312601 Individual eBook 9781501332487 Library eBook 9781501312595 Library eBook 9781501332494 Bloomsbury Academic Bloomsbury Academic World English
The Late Films of Claude The Cinema of Jia Zhangke Realism and Memory in Chinese Film Chabrol Genre, Visual Expressionism and Cecília Mello, University of São Paulo, Brazil
FILM & MEDIA – Narrational Ambiguity An in-depth analysis of Jia’s unique body of work, from early films such as Platform (2000) to the Jacob Leigh, Royal Holloway, University of experimental quasi-documentary 24 City (2008) London, UK through to the audacious Mountains May Depart As a member of the French New Wave group of (2015). Mello suggests that Jia's particular form filmmakers who first came to prominence at the end of the 1950s, of realism is greatly shaped by other Chinese aesthetic traditions, Claude Chabrol has received the least amount of critical and scholarly allowing him to unearth memories both personal and collective, attention. Jacob Leigh fills this lacuna by focusing on the last nine still lingering within the ever-changing landscapes of contemporary feature films of Chabrol’s career, exploring his imagery, camerawork, China. Interweaving issues relating to cinema, painting, architecture, use of sound and music, and performances, revealing the stylistic opera, pop music, literature, geography and history, chapters address characteristics of his films while identifying the fundamental thematic the nature of the so-called ‘impure’ cinematographic art and the issues that lie at the heart of his career-length exploration of the complex representation of China through the ages. relationship between individuals and societies.
UK July 2019 • US July 2019 • 336 pages • 35 bw illus UK April 2019 • US April 2019 • 208 pages • 15 bw illus HB 9781784538156 • £85.00 / $115.00 PB 9781501351976 • £28.99 / $39.95 Individual eBook 9781350121713 Previously published in HB 9781501312496 Library eBook 9781350121706 Individual eBook 9781501312519 Series: Tauris World Cinema • Bloomsbury Academic Library eBook 9781501312502 Bloomsbury Academic
The City in American Cinema Hollywood and the Baby Boom Film and Postindustrial Culture A Social History Edited by Johan Andersson, King's College James Russell, De Montfort University, UK & Jim London, UK & Lawrence Webb, University of Whalley, De Montfort University, UK Sussex, UK Hollywood and the Baby Boom weaves together Cinema and cities have become increasingly interviews with leading filmmakers, archival research intertwined in the era of urban branding, cultural and the memories of hundreds of ordinary filmgoers industries, and ‘creative cities’. Spanning four to tell the full story of Hollywood’s relationship with decades of US urban history, from decline and crisis in the 1970s the boomers for the first time. The authors demonstrate the profound and 1980s to neoliberal restructuring, galloping globalization and influence of the boomers on the ways that movies were made, seen accelerated gentrification in the 1990s and beyond, this volume and understood since the 1950s. The result is a compelling new considers the complex, evolving relationship between moving image account that draws upon an unprecedented range of sources, and cultures and the urban environment in key cinematic cities such as offers new insights into the history of American movies. New York, Los Angeles, Boston and Detroit, with case studies of films
including Desperately Seeking Susan and Frances Ha. UK June 2019 • US June 2019 • 352 pages • 22 bw illus PB 9781501353901 • £28.99 / $39.95 UK June 2019 • US June 2019 • 288 pages • 30 bw illus Previously published in HB 9781501331497 HB 9781788313186 • £85.00 / $115.00 Individual eBook 9781501331503 Individual eBook 9781350115620 Library eBook 9781501331527 Library eBook 9781350115637 Bloomsbury Academic Series: International Library of the Moving Image • Bloomsbury Academic
4 www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • [email protected] FILM & MEDIA –
The History of American The Legacy of the New Wave in French Literature on Film Cinema Thomas Leitch, University of Delaware, USA Douglas Morrey, University of Warwick, UK From William Dickson’s Rip Van Winkle films (1896) This is the first volume to consider in detail the impact and influence to Baz Luhrmann’s big-budget production of of the New Wave in French cinema. Organized around a series of key The Great Gatsby (2013) and beyond, cinematic moments from the past 50 years of French cinema in order to show adaptations of American literature participate in a how the meaning and legacy of the New Wave have shifted over time rich and fascinating history. Unlike previous studies and how the priorities, approaches and discourses of filmmakers and of literature and film, which tend to privilege particular authors like film critics have changed over the years. Morrey tackles key concepts Edith Wharton and Nathaniel Hawthorne, or particular texts like such as the auteur, the relationship of form and content, gender and
Moby-Dick, particular literary periods like the American Renaissance, sexuality, intertextuality and rhythm. US / World Cinema or particular genres like the novel, this volume considers the multiple functions of filmed American literature as a cinematic genre in its own UK September 2019 • US September 2019 • 272 pages • 10 bw illus right—one that reflects the specific political and aesthetic priorities PB 9781501311932 • £24.99 / $34.95 • HB 9781501311949 • £90.00 / $120.00 Individual eBook 9781501311918 of different national and historical cinemas even as it plays a decisive Library eBook 9781501311901 role in defining American literature for a global audience. Bloomsbury Academic Additional resources include an online comprehensive chronology of American-Lit film adaptations spanning the history of the cinema, allowing students to follow the main trunk of analysis and to quickly
contextualize adaptations in film history, providing opportunities for independent research. Dancing with the Nation UK June 2019 • US June 2019 • 416 pages • 91 bw illus Courtesans in Bombay Cinema HB 9781628923735 • £120.00 / $180.00 Individual eBook 9781628923728 Ruth Vanita, University of Montana, USA Library eBook 9781628923711 Series: The History of World Literatures on Film • Bloomsbury Academic "This is a spectacular reassessment of India's cinematic courtesans; it provocatively challenges reigning stereotypes concerning gendered and ideological collectives. It offers new insights
into the interface between canonical texts and The Total Art performance, between art and labor." Associate Professor of Asian Italian Cinema from Silent Screen to Studies and the Director of the Hindi-Urdu Flagship at the University of Texas at Austin. Author of Reliving Karbala: Martyrdom in South Digital Image Asian Memory. Edited by Joseph Luzzi, Bard College, USA In this comprehensive guide, some of the world's UK August 2019 • US August 2019 • 232 pages PB 9781501357268 • £28.99 / $39.95 leading scholars consider the enduring appeal of Previously published in HB 9781501334429 Italian cinema. Readers will explore the work of Individual eBook 9781501334436 such directors as Federico Fellini, Michelangelo Library eBook 9781501334443 Bloomsbury Academic Antonioni, and Roberto Rossellini as well as subjects including the Italian silent screen, the political influence of Fascism on movies, lesser known genres such as the giallo (horror film), and the role of women in the Italian film industry. The Total Art explores recent developments in cinema studies such as digital performance, the Exploiting East Asian Cinemas role of media and the Internet, neuroscience in film criticism, and the Genre, Circulation, Reception increased role that immigrants are playing in the nation's cinema. Edited by Ken Provencher, Josai International UK November 2019 • US November 2019 • 384 pages • 100 bw illus University, Japan & Mike Dillon, California State PB 9781441195616 • £26.99 / $39.95 • HB 9781441174932 • £86.00 / $130.00 University, Fullerton, USA Individual eBook 9781441147561 Library eBook 9781441186423 Focusing on networks of circulation, distribution, Bloomsbury Academic and reception, this collection treats the exploitation cinemas of East Asia as mobile texts produced, consumed, and in many ways re-appropriated across national (and hemispheric) boundaries. As the processes of globalization have Eastern Approaches to Western Film decoupled products from their nations of origin, transnational taste Asian Reception and Aesthetics in Cinema cultures have declared certain works as "art" or "trash," regardless of how those works are received within their native locales. By Stephen Teo, Nanyang Technological University, Singapore charting the routes of circulation of notable films from Japan, China, Stephen Teo applies an ‘Eastern approach’ - arguments following and South Korea, Exploiting East Asian Cinemas contributes to principles of Eastern thought - to the analysis of the contents and transnationally-accepted formulations of what constitutes "East Asian narratives of a range of classic Western films, made in Europe and exploitation cinema." America by auteur directors including Hitchcock, Peckinpah, Ford, Welles and Dreyer. UK July 2019 • US July 2019 • 248 pages • 22 bw illus PB 9781501354892 • £28.99 / $39.95 Previously published in HB 9781501319655 UK July 2019 • US July 2019 • 304 pages • 30 bw illus Individual eBook 9781501319662 HB 9781784539825 • £85.00 / $115.00 Library eBook 9781501319679 Individual eBook 9781350113305 Series: Global Exploitation Cinemas • Bloomsbury Academic Library eBook 9781350113312 Series: Tauris World Cinema • Bloomsbury Academic
www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • [email protected] 5 International Library of the Moving Image
A Foreigner’s Cinematic Dream of Japan
Representational Politics and Shadows of War in the Japanese-German Coproduction New Earth (1937) Allegory in Iranian Cinema Iris Haukamp, Tokyo University of Foreign Studies, Japan The Aesthetics of Poetry and Resistance Michelle Langford, University of New South In early 1936, a German film team arrived in Japan to participate Wales, Australia
World Cinema World in a film co-production, intended to show the ‘real’ Japan to the world and to launch Japanese films into international markets. The Allegory in Iranian Cinema explores the allegorical two directors, one Japanese and the other German, clashed over aesthetics of Iranian cinema, explaining how these the authenticity of the represented Japan and eventually directed have emerged from deep cultural traditions and two versions, The Samurai’s Daughter and New Earth, based on a how they function as a strategy for ideological common script. Drawing on a wide range of Japanese and German resistance. She draws on cinematic, philosophical and cultural original sources, as well as a comparative analysis of the ‘German- concepts developed by thinkers such as Walter Benjamin, Gilles Japanese version’ and the elusive ‘Japanese-English version’, Iris Deleuze, Henri Bergson, and Vivian Sobchack to provide a theoretical Haukamp reveals the complexities of this international co-production. framework for detailed analyses of films by renowned directors such as Abbas Kiarostami, Mohsen Makhmalbaf, Majid Majidi, Rakhshan UK November 2019 • US November 2019 • 272 pages • 30 bw illus Bani-Etemad, Asghar Farhadi and Jafar Panahi. HB 9781501343537 • £96.00 / $120.00 Individual eBook 9781501343544 UK June 2019 • US June 2019 • 288 pages • 26 bw illus Library eBook 9781501343551 HB 9781780762982 • £85.00 / $115.00 Bloomsbury Academic Individual eBook 9781350113268 Library eBook 9781350113275
FILM & MEDIA – Series: International Library of the Moving Image • Bloomsbury Academic
Reimagining the Promised Land Israel and America in Post-war Hollywood Cinema The Mummy on Screen Rodney Wallis, University of New South Wales, Australia Orientalism and Monstrosity in Horror While Israel has seemingly been a minor presence in Hollywood Cinema cinema, Reimagining the Promised Land argues that there is a long history of Hollywood deploying images of Israel as a means of Basil Glynn, Middlesex University, UK articulating an idealized notion of American national identity. This This book explores the history of the Mummy argument is developed through readings of The Ten Commandments, movie, tracing the Mummy’s development on Black Sunday, The Delta Force, and more. The mobilization of Israel screen from silent cinema, through Universal that pervades this eclectic group of films effectively demonstrates Studio’s iconic presentation of the monster, to one of the more surreptitious ways in which Hollywood has historically Hammer Horror’s reimaginings. Basil Glynn argues that the Mummy constructed and circulated dominant notions of American national genre needs to be understood in terms of changing discourses of identity. race (in particular Orientalism), trangressive romance and monstrosity in order to appreciate its continued appeal to global industries and UK December 2019 • US December 2019 • 208 pages • 20 bw illus audiences in the face of critical hostility or indifference. HB 9781501350825 • £80.00 / $110.00 Individual eBook 9781501350832 Library eBook 9781501350849 UK November 2019 • US November 2019 • 256 pages • 15 bw illus Bloomsbury Academic HB 9781788314084 • £85.00 / $114.00 Individual eBook Library eBook 9781350129382 Series: International Library of the Moving Image • Bloomsbury Academic
Popular Tropes of Identity in Contemporary Russian The Origins of the Film Star Television and Film System Irina Souch, University of Amsterdam, The Netherlnds Persona, Publicity and Economics in Early Popular Tropes of Identity in Contemporary Russian Cinema Television and Film is an exploration of the radical Andrew Shail, Newcastle University, UK changes Russian cultural identity underwent in the Addressing the reasons why and how film 20 years after the fall of the Soviet Union in 1991. This exploration companies in North America and Europe created takes place by way of close readings of a select number of popular movie ‘stars,’ in the years 1909-1911, Andrew Shail responds to films and television series representing everyday life in contemporary Richard deCordova’s comprehensive and landmark account, which Russia. Author Irina Souch focuses on the ways ordinary people, argued that the development of the Hollywood star system was as portrayed in and engaging with the analysed films and series, indebted to precise collaboration between the American press and construct collective and individual identities, and define their the movie industry. Assembling evidence from a multitude of archival belonging in Russian society today. sources, Shail reveals how this key element of the movie industry actually originated in France. UK May 2019 • US May 2019 • 248 pages • 49 bw illus PB 9781501352508 • £28.99 / $39.95 UK May 2019 • US May 2019 • 336 pages • 99 bw illus Previously published in HB 9781501329067 HB 9781788312073 • £85.00 / $115.00 Individual eBook 9781501329043 Individual eBook 9781350111424 Library eBook 9781501329036 Library eBook 9781350111417 Bloomsbury Academic Series: International Library of the Moving Image • Bloomsbury Academic
6 www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • [email protected] FILM & MEDIA –
Adaptation for Screenwriters Making Sense of Mind-Game John Marland, York St. John University & Robert Edgar, York St Films John University, UK Narrative Complexity, Embodiment, and With this step-by-step writer's guide to the process of screen the Senses adaptation, you'll develop the critical and creative skills to translate a story from page to screen. You'll learn to: Simin Nina Littschwager, Independent Scholar, - interrogate a novel or short story to release its ‘inner film’ New Zealand - convert fictional prose into visual drama Mind-game films have been a prominent - overcome the obstacles presented by different media ‘languages’ phenomenon of the cinematic landscape from 1990-2010, when films like The Sixth Sense and Fight Club became critical and - approach key strategic decisions - both technical and interpretive commercial successes. With their unreliable narrators and ambiguous - draft and re-draft your plot, characters and dialogue twist endings, these films challenge traditional ways of narrative Screenwriting / Film Theory - professionally format and submit your finished script comprehension. While most scholarship has treated these complex films as puzzles that audiences solve with their cognitive skills, Simin UK December 2019 • US December 2019 • 200 pages • 100 bw illus. Nina Littschwager offers a fresh perspective by suggesting that they PB 9781350036673 • £16.99 / $22.95 Individual eBook 9781350036697 appeal to the body and the senses in equal measures and exploring Library eBook 9781350036680 how these complex narratives take their (embodied) spectators with Bloomsbury Academic them into such crises.
UK June 2019 • US June 2019 • 256 pages • 22 bw illus
HB 9781501337048 • £96.00 / $120.00 Individual eBook 9781501337055 Fiction and Imagination in Early Library eBook 9781501337062 Bloomsbury Academic Cinema A New Film History
Mario Slugan, University of Warwick, UK By combining philosophical aesthetics and new The Cinema of Things cinema history, Mario Slugan investigates how our default imaginative engagement with film changed Globalization and the Posthuman Object over the first two decades of cinema. He elucidates not only the Elizabeth Ezra, University of Stirling, UK importance of imagination for the understanding of early cinema, "Compelling at every turn, The Cinema of Things but also contributes to our understanding of what it means for a shows how the character of posthuman condition representational medium to produce fictions. Specifically, he argues in which we live owes much to the seventh art. that cinema provides a better model for understanding fiction than From Méliès to Andrew Stanton, or Feuillade literature. to Ridley Scott, cinema cheerfully turns human subjects into prosthetic devices, disposable commodities, or UK November 2019 • US November 2019 • 336 pages • 30 bw illus HB 9781788314121 • £85.00 / $114.00 useless waste. In dazzling readings of classical and contemporary Individual eBook 9781350115699 features, Ezra discerns the unspoken or disavowed dimensions Library eBook 9781350115682 of films that range from the Marx Brothers to Avatar. The book Bloomsbury Academic counts among the most powerful, courageously written, and urgently needed studies of cinema over the last decade." Tom Conley, Lowell Professor, Departments of Visual & Environmental Studies and Romance Languages, Harvard University, USA Live Cinema UK May 2019 • US May 2019 • 216 pages • 20 bw illus Cultures, Economies, Aesthetics PB 9781501352492 • £28.99 / $39.95 Previously published in HB 9781501328855 Edited by Sarah Atkinson, King's College, Individual eBook 9781501328831 London, UK & Helen W. Kennedy, University of Library eBook 9781501328824 Brighton, UK Bloomsbury Academic Live Cinema provides new insights and conceptualisations into the spaces, bodies, technologies, temporalities and textualities of live cinema experiences. Including work into outdoor screenings, drive- Crossover Stardom ins, sing-a-longs, sensory augmentations, fully immersive experiences and event-led distribution, the contributions span the independent Popular Male Music Stars in American to the mainstream, capturing the over-arching current state-of-the- Cinema field, as well as offering unique and in-depth insights into the various Julie Lobalzo Wright, University of London, UK, manifestations of live cinema economies and cultures. and King's College London, UK Crossover Stardom focuses on male music stars UK June 2019 • US June 2019 • 336 pages • 40 bw illus PB 9781501353970 • £28.99 / $39.95 who have attempted to achieve film stardom. Julie Previously published in HB 9781501324833 Lobalzo Wright starts with Bing Crosby, a significant Individual eBook 9781501324857 Hollywood star in the studio era; moving to Elvis Presley in the 1950s Library eBook 9781501324864 Bloomsbury Academic and 1960s, as the studio system collapsed; to Kris Kristofferson in the New Hollywood period of the 1970s; and ending with Will Smith and Justin Timberlake, in the contemporary era, when corporate conglomerates dominate Hollywood.
UK June 2019 • US June 2019 • 216 pages • 30 bw illus PB 9781501353987 • £28.99 / $39.95 Previously published in HB 9781628925807 Individual eBook 9781628925791 Library eBook 9781628925784 Bloomsbury Academic
www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • [email protected] 7 Film Thinks
Seeing into Screens Roland Barthes and Film Eye Tracking and the Moving Image Signs and Affects Edited by Tessa Dwyer, Monash University, Australia, Claire Perkins, Monash University, Patrick Ffrench, King's College London, UK
Film Theory Australia, Sean Redmond, Deakin University, Suspicious of what he called the spectator’s "sticky" Australia & Jodi Sita, Australian Catholic adherence to the screen, Roland Barthes had a University, Australia cautious attitude towards cinema. Falling into This collection offers new modes of reflective a hypnotic trance, the philosopher warned, an analysis into moving-image culture by bringing together empirical audience can become susceptible to ideology and research, neuroscience and conceptual screen theory. Engaging with "myth". In this book, Patrick Ffrench explains that although Barthes new technologies, embodiment, viewing environments and cognitive was wary of film, he engaged deeply with it. Barthes’ thought was, processing, Seeing into Screens explores how minds and moving- Ffrench argues, punctuated by the experience of watching films – and image media meet. Scholars explore a range of case studies from likewise his philosophy of photography, culture, semiotics, ethics and Gone Girl to La Jétee to CAVE (Cave Virtual Environment Systems) theatricality have been immensely important in film theory. and Web 2.0 banner advertising. Focusing particularly on the essays ‘The Third Meaning’ and ‘On Leaving the Cinema’ and the acclaimed book Camera Lucida, Ffrench UK July 2019 • US July 2019 • 288 pages • 44 bw illus examines Barthes’ writing and traces a persistent interest in films and PB 9781501354922 • £28.99 / $39.95 Previously published in HB 9781501329029 directors, from Fellini and Antonioni, to Eisenstein, the Marx Brothers Individual eBook 9781501329005 FILM & MEDIA – and Hitchcock. Library eBook 9781501328992 Bloomsbury Academic
UK November 2019 • US November 2019 • 256 pages • 15 bw illus HB 9781788310659 • £85.00 / $114.00 Individual eBook 9781350120525
Library eBook 9781350120518 Series: Film Thinks • Bloomsbury Academic The Comic Event Comedic Performance from the 1950s to the Present Stanley Cavell and Film Judith Roof, Rice University, USA Scepticism and Self-Reliance at the The Comic Event approaches comedy as dynamic Cinema phenomenon that involves the gathering of Catherine Wheatley, King's College London, UK elements of performance, signifiers, timings, tones, gestures, previous comic bits, and other In addition to his work on scepticism, morality, and self-conscious structures into an "event" that triggers, by virtue of the intentions and meanings of ordinary language, a "cut," an expected/unexpected resolution. Using examples from the American philosopher Stanley Cavell wrote mainstream comedy, The Comic Event progresses from the smallest fascinatingly about cinema, arguing that film can comic moment—jokes, bits—to the more complex—caricatures, uncover new ground for thinking through old philosophical problems. sketches, sit-coms, parody films, and stand-up routines. In seeing In this book, Catherine Wheatley draws upon Cavell’s explicitly film- comedy as a gathering event, Roof creates a theory of comedy that inspired works, key philosophical concepts and autobiographical explains the operation of a broad array of distinct comic occasions. writings, revealing the ways in which Cavell’s thinking was shaped by
the movies. UK July 2019 • US July 2019 • 240 pages PB 9781501354885 • £28.99 / $39.95 UK July 2019 • US July 2019 • 288 pages • 20 bw illus Previously published in HB 9781501335723 HB 9781788310253 • £85.00 / $115.00 Individual eBook 9781501335730 Individual eBook 9781350113220 Library eBook 9781501335747 Library eBook 9781350113237 Bloomsbury Academic Series: Film Thinks • Bloomsbury Academic
Global South Asia on Screen Capturing Digital Media John Hutnyk, Ton Duc Thang University, Vietnam Perfection and Imperfection in "Hutnyk has written a book that keeps faith with the project of radical critique. Paying Contemporary Film and Television careful attention to relations between semiotic Thomas J. Connelly, Ponoma College, USA detail and socio-political context, he traverses Why are blockbuster filmmakers continuing to a complex body of cultural production and shoot their movies on celluloid in the digital age cultural theory too often consigned to the of cinema? Are these filmmakers choosing the margins. Global South Asia on Screen tests every term in its photochemical process of celluloid images purely title, working through an array of films, TV series and other for aesthetics purposes? Or could their preference for celluloid media with a forensic eye that disconcerts and excites. Hutnyk’s have something to do with analogue’s intimate connection to the book challenges us to understand the reverb of colonial pasts fragility of the human? Capturing Digital Media critically investigates and postcolonial critiques in networked, politically-narrowed the relationship between the perfection of the digital form and presents." Scott McQuire, Professor of Media and Communications, the imperfection of the human, and how this dichotomy is shaping University of Melbourne, Australia aesthetic expression, spectatorship, subjectivity, and media ownership in recent cinema and television. UK November 2019 • US November 2019 • 272 pages PB 9781501324956 • £28.99 / $39.95 Previously published in HB 9781501324963 UK April 2019 • US April 2019 • 200 pages • 23 bw illus Individual eBook 9781501324987 HB 9781501345869 • £88.00 / $110.00 Library eBook 9781501324970 Individual eBook 9781501345883 Bloomsbury Academic Library eBook 9781501345876 World All Languages (excluding India/Indian subcontinent) Bloomsbury Academic
8 www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • [email protected] FILM & MEDIA –
Science News and the Public Some Things You Should Know Journalism for Science Democratisation in the Confessions of a TV Executive Post-Truth Era Truman Locke An Nguyen, Bournemouth University, UK & Stephen McIlwaine, Truman Locke is a television executive. His job - to formerly of the University of Newcastle, Australia seek out extraordinary people and stories to put As the rate of scientific discoveries and developments accelerates, it on TV - gives him a licence for adventure; freedom becomes increasingly difficult to understand and relate these events to go almost anywhere and do almost anything, to our everyday lives. Science, News, and the Public explores this so long as he's successful. But under mounting shift in science news communication. It demonstrates that journalism pressure, his manoeuvring and risk taking start to slip out of control, needs to change the way it deals with science if it is to maintain or jeopardizing everything. In Some Things You Should Know, this regain its role as a principal force that encourages discussion and talented but flawed anti-hero tells his own story - one of lies, crime Journalism and TV / Media Theory Journalism understanding of science in the public sphere. and complex relationships. It's a page-turning thriller, inspired by the realities of life in a glamorous but treacherous industry, exposing
UK November 2019 • US November 2019 • 224 pages them in a way no book ever has before. PB 9781780931968 • £21.99 / $29.95 Individual eBook 9781780932682 UK September 2019 • US September 2019 • 256 pages Library eBook 9781780932699 PB 9781350113404 • £14.99 / $19.95 Bloomsbury Academic Individual eBook 9781350113251 Library eBook 9781350113244 Bloomsbury Academic
Television Drama in Israel
Identities in Post-TV Culture Itay Harlap, Tel Aviv University, Israel Gender and Media in the Offering both a textual reading and discourse Broadcast Age analysis of contemporary Israeli television dramas, Women’s Radio Programming at the BBC, Itay Harlap adopts a case study approach in order CBC and ABC to address production, reception and technological Justine Lloyd, Macquarie University, Australia developments. Israeli TV has become one of the most important content sources on the international TV drama Gender and Media in the Broadcast Age market, with serials such as Homeland and Hostages bought by demonstrates how women as media producers international networks. and audiences in three countries with public service broadcasters (UK, Canada and Australia) have contributed to changes in our
UK April 2019 • US April 2019 • 224 pages • 30 bw illus understandings of public and private. Women’s participation in media PB 9781501351952 • £28.99 / $39.95 continues to be a key challenge to notions of the public sphere and Previously published in HB 9781501328930 the book concludes that profound changes initiated in the broadcast Individual eBook 9781501328916 Library eBook 9781501328909 era are unfinished in the age of digital media. Justine Lloyd offers rich Bloomsbury Academic and valuable evidence of the dynamic relationship between media texts, producers and audiences that is relevant to contemporary
debates about a growing gender ‘apartheid’ in a mediated culture.
Women Artists, Feminism and the Moving UK October 2019 • US October 2019 • 176 pages • 10 bw illus HB 9781501318764 • £96.00 / $120.00 Image Individual eBook 9781501318788 Contexts and Practices Library eBook 9781501318795 Bloomsbury Academic Edited by Lucy Reynolds, University of Westminster, UK In this groundbreaking book, a diverse range of leading scholars, activists, archivists and artists explore the histories, practices and concerns of women making film and video across the world, from the pioneering German animator Lotte Reiniger, to the influential Situation Comedy, Character, African American filmmaker Julie Dash and the provocative Scottish contemporary artist Rachel Maclean. and Psychoanalysis On the Couch with Lucy, Basil, and UK August 2019 • US August 2019 • 320 pages • 17 colour and 13 bw illus Kimmie HB 9781784537005 • £85.00 / $114.00 Individual eBook 9781350113282 D.T. Klika, Middlesex University, UK Library eBook 9781350113299 Series: International Library of the Moving Image • Bloomsbury Academic By putting the sitcom character on the analyst’s couch and closely examining the characters of Basil Fawlty, Lucy Ricardo and Kim from Australia’s Kath & Kim, D.T. Klika
reveals the essential elements that must exist in a sitcom before even the first joke is written. Original in its approach Situation Comedy, Regenerating Doctor Who Character and Psychoanalysis uncovers major findings about the Fan Reception and Evaluation sitcom as well as human behaviour and relationships that we find Paul Booth, DePaul University, USA & Craig Owen-Jones "arresting" and even "familial". It shines a light on what is at play in the sitcom that makes us laugh, and why we love the characters we Explores the (changing) definitions of quality as they apply to " " do, only to discover that this form of comedy is more complex than Doctor Who specifically, and to quality television and fandom " " we first thought. more generally. The authors examine the thin line between fandom specifically, and reception more generally, as it moves to interrogate UK July 2019 • US July 2019 • 224 pages • 12 bw illus the way Doctor Who fans and audiences re-interpret and re-assess PB 9781501354908 • £28.99 / $39.95 the value of key episodes, Doctors, companions, and eras of Who. Previously published in HB 9781501327414 Individual eBook 9781501327391 Library eBook 9781501327384 UK November 2019 • US November 2019 • 256 pages Bloomsbury Academic HB 9781350116764 • £85.00 / $115.00 Individual eBook 9781350116740 Library eBook 9781350116733 Series: Who Watching • Bloomsbury Academic
www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • [email protected] 9 Thinking Media
Work in Progress Society After Money Curatorial Labor in Twenty-First-Century A Dialogue American Fiction Project Society After Money Rieke Jordan, Goethe-University Frankfurt, Society After Money is based on the premise that
Media Theory Germany there might be a conflict between digital media/ "Part media archeology, part reader-response digital technology and the medium of money – criticism, part history of the present, part and perhaps new digital possibilities that allow sociological diagnosis of our time, Work alternative forms of economy. It criticizes what in Progress tells the story of three wondrous media objects is normally seen as self-evident and natural, namely that social that, together, raise ludic and far-reaching questions about coordination has to be done by the medium of money. We're left with today’s popular and media culture. In her deft and fine-grained a highly innovative collection of contributions that initiates a broader case studies, Rieke Jordan focuses not only on these objects social discourse on the role of money in the global society of the 21st themselves, but also and especially on the creative labor that they century. demand of their recipients." - Laura Bieger, University of Groningen, The Netherlands UK April 2019 • US April 2019 • 416 pages • 7 bw illus, 2 tables HB 9781501347375 • £95.00 / $130.00 Individual eBook 9781501347382 UK May 2019 • US May 2019 • 216 pages • 15 bw illus Library eBook 9781501347399 HB 9781501347726 • £96.00 / $120.00 Series: Thinking Media • Bloomsbury Academic Individual eBook 9781501347733 World All Languages (excluding Germany) FILM & MEDIA – Library eBook 9781501347740 Series: Thinking Media • Bloomsbury Academic
Secular Magic and the Moving Spectacular Posthumanism Image The Digital Vernacular of Visual Effects Mediated Forms and Modes of Drew Ayers, Eastern Washington University, USA Reception Drawing on and extending Cara Finnegan’s Max Sexton, University of Surrey, UK concept of "image vernaculars," Miriam Hansen’s "vernacular modernism," and a variety of work on Secular magic and the moving image have a history the posthuman, transhuman, and nonhuman, Drew of affinity. Max Sexton attempts to determine the Ayers explores contemporary VFX as speaking in a influence and status of secular magic within its various complex "vernacular posthumanism": as classical Hollywood cinema initiated modes of delivery in contemporary cinema and on television, and to viewers into the experience of modernism, so too does the VFX discover the interstices between them. Sexton provides a grounding image initiate viewers into digital, posthuman modes of thinking and in understanding magic's role as entertainment and spectacle, and being. Ayers’s innovate close-reading of popular, mass-market media offers a range of examples from the 2006 films The Illusionist and The objects—incorporating film, television, and video games—reveals the Prestige, to Penn and Teller on TV, to the real-time magic of street complex ways that these popular media fantasize about a transhuman performers, such as David Blaine and Dynamo. future while also subtly acknowledging the significant problems of that fantasy. UK June 2019 • US June 2019 • 192 pages PB 9781501353895 • £28.99 / $39.95 Previously published in HB 9781501320934 UK April 2019 • US April 2019 • 264 pages • 24 bw illus Individual eBook 9781501320965 HB 9781501340086 • £96.00 / $120.00 Library eBook 9781501320958 Individual eBook 9781501340093 Bloomsbury Academic Library eBook 9781501340109 Bloomsbury Academic
Steampunk The Digital Imaginary Gender, Subculture and the Neo-Victorian On The Emerging Shapes Of Literary, Cinematic and Database Art Claire Nally Roderick Coover, Temple University, USA In her interdisciplinary book, Claire Nally delves into this contemporary subculture, explaining how the Over the past half century, computing has profoundly altered the fashion, music, visual culture, literature and politics ways stories are imagined and told. Immersive, narrative, and of steampunk intersect with theories of gender database technologies transform creative practices and hybrid spaces and sexuality. Exploring and occasionally critiquing the ways in which revealing and concealing the most fundamental acts of human gender functions in the movement, she addresses a range of different invention: making stories. The Digital Imaginary illuminates these issues, including the controversial trope of the Victorian asylum; changes by bringing leading North American and European writers, gender and the graphic novel; the legacies of colonialism; science artists and scholars to engage in discussion about how new forms and the role of Ada Lovelace as a feminist steampunk icon. Drawing and structures change the creative process. Through interviews, upon interviews, theoretical readings and textual analysis, Nally asks: commentaries and meta-commentaries, this book brings fresh insight why are steampunks fascinated by our Victorian heritage, and what into the creative process form differing, disciplinary perspectives, strategies do they use to reinvent history in the present? provoking questions for makers and readers about meaning, interpretation and utterance.
UK June 2019 • US June 2019 • 256 pages • 10 bw illus HB 9781350113183 • £85.00 / $115.00 UK November 2019 • US November 2019 • 224 pages • 28 bw illus Individual eBook 9781350113190 HB 9781501347566 • £96.00 / $120.00 Library eBook 9781350113206 Individual eBook 9781501347580 Series: Library of Gender and Popular Culture • Bloomsbury Academic Series: Electronic Literature • Bloomsbury Academic
10 www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • [email protected] FILM & MEDIA –
Witness to Phenomenon Phase Media Group ZERO and the Development of Space, Time and the Politics of Smart New Media in Postwar European Art Objects Joseph D. Ketner II, Emerson College, USA James Ash, Newcastle University, UK Witness of Phenomenon articulates a fresh James Ash theorizes how smart objects, understood examination of the German Group Zero—Heinz as Internet-connected and sensor-enabled devices, Mack, Otto Piene, and Günter Uecker—and other are altering users’ experiences of their environments. new tendency artists, who rejected painting and Rather than networks connected by lines of introduced new art media in postwar Europe. They transformed the transmission, smart objects generate phases, understood as space- visual arts from the inanimate objet d’art to a sensory experience times that modulate the spatio-temporal intelligibility of both humans by adopting the ascendant philosophy of Phenomenology as their and non-humans. Examining a range of objects and services and Media Theory / New conceptual foundation. Drawing from a decade of research on drawing upon the work of Martin Heidegger, Gilbert Simondon, and unpublished archives of the artists and critics of this period, this Bruno Latour, Ash develops a conceptual vocabulary to contend that publication positions Group ZERO as a catalytic art moment in the smart objects do more than just enable a world of increased corporate transition from modern to contemporary art. control and surveillance: they also provide the tools to expose and re- order the very logics and procedures that created them. UK June 2019 • US June 2019 • 320 pages • 100 bw illus • PB 9781501353994 £28.99 / $39.95 UK June 2019 • US June 2019 • 224 pages Previously published in HB 9781501331176 PB 9781501353888 • £28.99 / $39.95 Individual eBook 9781501331190 Previously published in HB 9781501335600 Library eBook 9781501331183 Individual eBook 9781501335617 Series: International Texts in Critical Media Aesthetics • Bloomsbury Academic Library eBook 9781501335624 Bloomsbury Academic
British Radio Drama, 1945-1963 Hugh Chignell, Bournemouth University, UK News, Numbers and Public British Radio Drama, 1945-1963 reveals the quality and range of Opinion in a Data-Driven World avant-garde British radio drama. As young generations of radio Edited by An Nguyen, Bournemouth University, producers broadcast the work of Samuel Beckett and Eugene Ionesco UK post-World War II, this 'theatre of the absurd' triggered a renaissance News, Numbers and Public Opinion examines of writing and production featuring the work of Giles Cooper, only how data and statistics are gathered, used Rhys Adrian and Harold Pinter, as well as the launch of the BBC and represented in journalism, but also how they Radiophonic Workshop. Hugh Chignell places this 'golden age' of interact with individuals’ reasoning, knowledge BBC’s history in both the broader context of British post-war culture, acquisition and attitude formation in their public and private lives. as norms of morality and behavior were re-negotiated in the shadow Even as the contributors interrogate these issues, they further of the Cold War, and the transnational cultural flows established by explore what newsrooms and journalism schools can do to equip the internationalism of much radio drama. journalists with the essential knowledge and skills to competently assess and communicate statistics in today's data-driven world. UK September 2019 • US September 2019 • 224 pages A comprehensive, must-read collection for anybody interested in HB 9781501329692 • £96.00 / $120.00 Individual eBook 9781501329708 researching the interplay between journalism, statistics and society. Library eBook 9781501329715 Bloomsbury Academic UK June 2019 • US June 2019 • 304 pages • 10 bw illus PB 9781501354007 • £28.99 / $39.95 Previously published in HB 9781501330353 Individual eBook 9781501330360 Library eBook 9781501330377
Bloomsbury Academic Expanded Internet Art Twenty-First Century Artistic Practice and the
Informational Milieu From Sit-Ins to #revolutions Ceci Moss, Scripps College, USA Media and the Changing Nature of Expanded Internet Art is the first comprehensive art historical Protests study of "expanded" internet art practices. Charting the rise of a multidisciplinary approach to online artistic practice in the past Edited by Olivia Guntarik, RMIT University, decade, the text discusses recent currents in contemporary artistic Australia & Victoria Grieves-Williams, University practice that parallel the explosion of the internet through advances of Sydney, Australia such as social media, smart phones, and faster bandwidth. Internet As it closely examines the role that social and art is no longer determined solely by its existence on the web; rather, digital media play in enabling protests, this contemporary artists are making more art about informational culture book probes the interplay between historical and contemporary using various methods of both online and offline means. protests, emancipation and empowerment, and online and offline protest activities. Drawn from academic and activist communities, UK September 2019 • US September 2019 • 256 pages • 25 bw illus contributors look beyond often-studied mass action events in the US, PB 9781501347764 • £23.99 / $29.95 • HB 9781501347771 • £96.00 / $120.00 Individual eBook 9781501347788 UK, and Australia to also incorporate perspectives from overlooked Library eBook 9781501347795 regions such as Bahrain, Zimbabwe, and Romania. From illustrating Series: International Texts in Critical Media Aesthetics • Bloomsbury Academic the allure of political action to a closer look at how digital activists use new technologies to push for reform, this volume sheds new light on key questions within activism, from campaign organization to direct action.
UK December 2019 • US December 2019 • 256 pages • 20 bw illus HB 9781501336959 • £96.00 / $120.00 Individual eBook 9781501336966 Library eBook 9781501336973 Bloomsbury Academic
www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • [email protected] 11
Digital Media Ecologies Rage Inside the Machine Entanglements of Content, Code and Infrastructure The Prejudice of Algorithms, and How to Sy Taffel, Massey University, New Zealand Stop the Internet Making Bigots of Us All Digital Media Ecologies re-envisions the methodological approach of Robert Elliott Smith media ecology to go beyond the metaphor of a symbolic information Frighteningly often, the influence of technology environment that exists alongside a material world of tantalum, on our lives goes unchallenged by citizens and turtles and tornados. It illustrates the social, cultural, political governments. We comfort ourselves with the refrain and environmental impacts of contemporary media assemblages that technology has no morals. But is this statement through examples that include mining conflict-sustaining minerals, actually true? iOS jailbreaking, and the ecological footprint of contemporary computing infrastructures. Alongside foregrounding the deleterious Rage Inside the Machine reveals the mounting evidence that the social and environmental impacts of digital technologies, the book mechanical actors in our lives do indeed have, or at least express, morals: they’re just not the morals of the progressive modern society New Media / Animation considers numerous ways that these issues are being tackled by a heterogeneous array of activists, academics, hackers, scientists and that we imagined we were moving towards. This book demonstrates citizens using the same technological assemblages that ostensibly how non-scientific ideas are encoded into our technological cause these problems. infrastructure, challenging the assumption that technology is an apolitical, amoral force.
UK November 2019 • US November 2019 • 256 pages HB 9781501349249 • £96.00 / $120.00 UK August 2019 • 320 pages Individual eBook 9781501349256 HB 9781472963888 • £20.00 / $30.00 Library eBook 9781501349263 Individual eBook 9781472963895 Bloomsbury Academic Library eBook 9781472963901 Bloomsbury Business World English
Adventure Games Playing the Outsider Phantasmal Spaces FILM & MEDIA – Anastasia Salter, University of Central Florida, USA, Aaron A. Archetypical Venues in Computer Games Reed, Independent Scholar, USA & John Murray, University of California, Santa Cruz, USA Mathias Fuchs, Leuphana University of Lüneburg, Germany The genre of adventure games is frequently overlooked in favor of their first-person shooter and role-playing game counterparts. While Recognizable, recurring physical settings—spatial often forgotten by both the industry and academia, adventure games archetypes—exist in video games, serving not only have had (and continue to have) a wide influence on contemporary as points of reference and orientation, but also as games. In this examination of heirs to the genre’s legacy, Adventure implicit sources of content. Games: Playing the Outsider examines the genre from multiple Each chapter of Phantasmal Spaces brings to the fore an archetype perspectives, connecting technical analysis with critical commentary commonly found in old and new digital games, covering the ruin, and social context. the cave, the cloud, the portal, the road, the forest, and the island. Each of these is analyzed through the perspectives of aesthetics, UK September 2019 • US September 2019 • 192 pages • 13 bw illus games technology, psychoanalysis, and intertextuality. Gridding these HB 9781501346545 • £90.00 / $120.00 Individual eBook 9781501346569 tropes together with these analytical lenses provides the reader with Library eBook 9781501346552 a systematic framework to understand the complex considerations at Series: Approaches to Digital Game Studies • Bloomsbury Academic play in evocative game design.
UK June 2019 • US June 2019 • 176 pages • 17 bw illus, 2 tables HB 9781501332920 • £88.00 / $110.00
Individual eBook 9781501332937 Library eBook 9781501332944 Approaches to Videogame Bloomsbury Academic Discourse Lexis, Interaction, Textuality Edited by Astrid Ensslin, University of Alberta, Canada & Isabel Balteiro, Universidad de Cartoons in Hard Times Alicante, Spain The Animated Shorts of Disney and The first significant collection of research in Warner Brothers in Depression and War videogame linguistics, Approaches to Video Game Discourse features 1932-1945 an international array of scholars in linguistics and communication studies exploring lexis, interaction and textuality. With implications Tracey Mollet, University of Leeds, UK for meaningful game design and communication theory, this volume Cartoons in Hard Times provides a comprehensive examines in detail how video games function as means and objects analysis of the short subject animation released of communication; how they give rise to new vocabularies, textual by the Walt Disney and Schlesinger Studios genres and discourse practices; and how they serve as rich vehicles of from 1932 and 1945, one of the most turbulent periods in Unites ideological signification and social engagement. States history. Through a combination of content analysis, historical understanding and archival research, this book sheds new light on a UK May 2019 • US May 2019 • 336 pages • 30 tables, 19 bw illus hitherto unexplored area of animation, suggesting the ways in which HB 9781501338458 • £95.00 / $130.00 Disney and Warner Brothers animation engaged with historical, social, Individual eBook 9781501338465 Library eBook 9781501338472 economic and political changes in this era. Bloomsbury Academic UK April 2019 • US April 2019 • 216 pages • 100 bw illus PB 9781501351969 • £28.99 / $39.95 Previously published in HB 9781501328770 Individual eBook 9781501328756 Library eBook 9781501328749 Bloomsbury Academic
12 www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • [email protected] Animation: Key Films/Filmmakers FILM & MEDIA –
Animating Short Stories
Narrative Techniques and Visual Design Cheryl Briggs, University of Central Florida, USA Norman McLaren Whether you're a novice or advanced animator, Between the Frames Animating Short Stories provides practical Nichola Dobson, Edinburgh College of Art, UK techniques to bring your story to life. Cheryl Briggs Animator Norman McLaren is best known for his explores how to develop an initial concept and experimental films using pioneering techniques and structure a story. You'll learn the common pitfalls his work as founder of the animation department with strategies for conquering each, and learn about the technical of the National Film Board of Canada (NFB), but aspects of script writing as well as the techniques needed to create little mention is made of his Scottish heritage or his a visually compelling story. Animating Short Stories teaches you personal life. Nichola Dobson examines some of the key events and Animation how to create your storyboard and animatic with tutorials and people in his life through a close examination of his key works and his thorough discussions. Each technique is clearly illustrated with personal papers, and discusses how influential they were. By using examples from professional and student films covering a variety of archive material to discover his personal identity and close readings animation mediums. The companion website includes a short film of his films, Norman McLaren rediscovers one of the most important demonstrating key techniques. figures in animation history.
UK November 2019 • US November 2019 • 240 pages • 200 colour illus UK July 2019 • US July 2019 • 184 pages • 20 bw illus PB 9781472570154 • £29.99 / $40.95 • HB 9781350103924 • £95.00 / $128.00 PB 9781501354939 • £28.99 / $39.95 Individual eBook 9781350031517 Previously published in HB 9781501328817 Library eBook 9781472570161 Individual eBook 9781501328794 Bloomsbury Academic Library eBook 9781501328787 Series: Animation: Key Films/Filmmakers • Bloomsbury Academic
Screenwriting for Animation Paul Wells, Loughborough University, UK Toy Story Throughout Screenwriting for Animation, Paul Wells How Pixar Reinvented the Animated guides you through identifying promising concepts, Feature selecting an appropriate medium, establishing an appropriate tone, theme and plot, as well Edited by Susan Smith, University of Sunderland, as exploring narrative structures and character UK, Noel Brown, Liverpool Hope University, UK development. With case studies and interviews & Sam Summers, University of Sunderland, UK exploring the working methods of masters of the craft, including Toy Story (John Lasseter, 1995), Pixar’s first Adam Elliot, Bill Plympton and Joan C. Gratz, this is everything you feature-length production and Hollywood’s first need to get inspired and start writing! completely computer-generated animated film, is an international cultural phenomenon. Bringing together a diverse range of scholars UK November 2019 • US November 2019 • 208 pages • 100 bw illus and practitioners, the collection explore the themes, compositional PB 9781350019720 • £19.99 / $26.95 Individual eBook 9781350020900 techniques, cultural significance and industry legacy of this landmark Library eBook 9781350019737 in contemporary cinema. Topics range from industrial concerns, such Bloomsbury Academic as the film’s groundbreaking use of computer generated imagery and the establishment of Pixar as a major player in the animation world, to examinations of its music, aesthetics, and the role of toys in both the
film and its fandom. Beyond Stop-Motion Film UK July 2019 • US July 2019 • 256 pages Production, Style and Representation in Aardman PB 9781501354915 • £28.99 / $39.95 Previously published in HB 9781501324918 Animations Individual eBook 9781501324932 Edited by Annabelle Honess Roe, University of Surrey, UK Library eBook 9781501324925 Series: Animation: Key Films/Filmmakers • Bloomsbury Academic This volume brings together leading scholars from film studies and animation studies and children’s media and animation professionals
to explore the production practices behind this uniquely British animation studio, creators of much-loved figures such as Wallace and Gromit and Shaun the Sheep. Contributors address Aardman's Princess Mononoke creativity, the key personalities who have formed its ethos, its Understanding Studio Ghibli's Monster representations of ‘British-ness’ on screen and the implications of Princess traditional animation methods in a digital era. Edited by Rayna Denison, University of East Anglia, UK UK December 2019 • US December 2019 • 272 pages • 30 bw illus HB 9781350114555 • £85.00 / $114.00 Coinciding with the 20th anniversary of the release Individual eBook 9781350130302 of Princess Mononoke, Rayna Denison curates Library eBook 9781350130296 Bloomsbury Academic this new collection critically reflecting on the film’s significance within and beyond Japanese culture, engaging critically with the production, and re-production, processes involved in the making of Princess Mononoke; re-evaluating the film’s importance within Japanese animation culture; considering the relationship between the film and Japan as well as examining Princess Mononoke’s significance within a range of global cultures.
UK July 2019 • US July 2019 • 232 pages • 15 bw illus PB 9781501354878 • £28.99 / $39.95 Previously published in HB 9781501329760 Individual eBook 9781501329746 Library eBook 9781501329739 Series: Animation: Key Films/Filmmakers • Bloomsbury Academic
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