Music Complete Catalog 2015
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The Cambridge Singers Christmas Album directed by JOHN RUTTER AROLS AND CHRISTMAS MUSIC have always formed a part of the CCambridge Singers’ recorded repertoire, and this album picks out some of my The Cambridge Singers personal favourites. Most of the 23 items are taken from the two albums Christmas with the Cambridge Singers and Christmas Day in the Morning, and there are four previously unreleased tracks which were squeezed out of those two albums and which I am happy Christmas Album to have found space for here. There are three strands to the programme: traditional carols; choruses and motets; and composers’ carols. In fact these categories are not as separate as they might appear. Composers have always loved to take traditional melodies and incorporate them into their own compositions, sometimes considerably elaborating them in the process: think of all those L’homme armé masses or of Bach’s chorale treatments. The art of the arranger, widely thought of as a twentieth-century invention, is as old as composition itself. When we listen to a ‘traditional’ carol sung by a choir, we are in fact generally hear- ing the work of an identifiable composer who has arranged, in his own style, a melody by an unidentifiable or obscure composer from an earlier era. The earliest examples on this album are Victoria’s O magnum mysterium (1572), a four-voiced motet where the melodic outlines are based on a Gregorian chant, and Scheidt’s In dulci jubilo (1620), which takes one of the best-loved of all Christmas carols and turns it into a resplendent double-choir motet with two antiphonal trumpet parts. -
Preces and Responses” Has Been Performed Throughout the US and in England and Is Fast Becoming a Staple of the Evensong Repertoire
Evensong paraclete press PPM01351 $2.90 Selected Works Published by Paraclete Press Ashdown, Franklin D. My Song Is Love Unknown—PPM01313 SATB and Organ Morning Canticle—PPM01314 SATB with some divisi and Organ Bratt, C. Griffith Bread of the World—PPM01305 SATB and Organ Forster, Stuart It is a Good Thing to Give Thanks unto Preces and the Lord–PPM01317 SATB and Organ Galetar, Charles Humbly, I Adore Thee—PPM01318 SATB a cappella Responses Livingston, Donald O Sons and Daughters—PPM01320 SATB with some divisi, Organ, Brass, Timpani, and Percussion Westminster Abbey Lovelace, Austin Benedictus es Domine—PPM01306 SATB and Organ Copy Nelson, Daniel Wherever I May Wander—PPM01322 SATB and Piano Phillips, Craig Communion Service in G: Rite I—PPM01328 SATB a cappella with divisi James Buonemani Powell, Robert Concerto on Jesus Shall Reign—PPM01307 SATB, Congregation, Trumpets, and Organ Stearns, Peter Pindar Spirit of Mercy, Truth and Love—PPM01302 SATB and Organ Not Weidner, Raymond From the Rising of the Sun—PPM01308 SATB a cappella SATB a cappella Do with some divisi paraclete press P.O. Box 1568, Orleans, MA 02653 1-800-451-5006 www.paracletesheetmusic.com James Buonemani James Buonemani (b. 1956) began his musical career at age 13 when he was appointed Assistant Organist to then Director of Music William Ferris at Sacred Heart Cathedral, Rochester, NY. An early interest in composition won him first prize in a national competition for composers sponsored by Baylor University, at age 15. Since then he has composed music exclusively for the church, much of which can be found on his website MusicaBellaLuna.com. -
Adam Lay Ybounden Sebastian ADAMS
Adam Lay yBounden Sebastian ADAMS Commissioned by RTÉ lyric fm Adam Lay yBounden Adam Lay yBounden is a text written in England around 1400. Mediaeval thinkers believed that Adam (and other notable Old Testament figures) were stuck in limbo until the crucifixion of Christ, and this idea is the subject of the text, which is ‘macaronic’, meaning it combines different languages1. I got to know these words from a beautiful setting of them by Boris Ord which I used to sing as a choirboy in St Bartholomew’s Church in Dublin. The strange text is tense and explosive, and the idea that the whole story hinged on a stolen apple drew me in as a small child, and I looked forward to singing it every advent – I think I was by far my favourite carol. When I was commissioned to write a carol by RTÉ lyric fm, the text jumped at me as I began working on a frosty winter evening. My setting is dedicated to Malcolm Wisener, who was my choirmaster and without whom I could never have become a composer. Synopsis: Adam lay bound in limbo for so long that 4000 winters passed without his noticing. And his imprisonment was simply because of the apple that he took from Eve, according to the ancient books. But if Adam hadn’t eaten the apple, then Mary never would have become Queen of Heaven, because Christ would not have been born man and died for our sins. Because of this, the time when the apple was eaten is blessed, and we must praise God. -
Choral Evensong with Carols
THE CATHEDRAL AND METROPOLITICAL CHURCH OF CHRIST, CANTERBURY Choral Evensong with Carols Christmas Eve Thursday 24th December 2020 5.30pm Welcome to Canterbury Cathedral for this Service For your safety Please keep social distance at all times Please stay in your seat as much as possible Please use hand sanitiser on the way in and out Please avoid touching your face and touching surfaces Cover Image: The Nativity (Christopher Whall) South West Transept, Canterbury Cathedral Transept As part of our commitment to the care of the environment in our world, this Order of Service is printed on unbleached 100% recycled paper Please ensure that mobile phones are switched off. No form of visual or sound recording, or any form of photography, is permitted during Services. Thank you for your co-operation. An induction loop system for the hard of hearing is installed in the Cathedral. Hearing aid users should adjust their aid to T. Large print orders of service are available from the stewards and virgers. Please ask. Some material included in this service is copyright: © The Archbishops' Council 2000 © The Crown/Cambridge University Press: The Book of Common Prayer (1662) Hymns and songs reproduced under CCLI number: 1031280 Produced by the Music & Liturgy Department: [email protected] 01227 865281 www.canterbury-cathedral.org ORDER OF SERVICE All stand as the choir and clergy enter the Nave Welcome The Dean Please remain standing Introit O little one sweet, O little one sweet, O little one mild, O little one mild, thy Father’s purpose thou hast fulfilled; with joy thou hast the whole world filled; thou cam’st from heav’n to mortal ken thou camest here from heaven’s domain equal to be with us poor men, to bring men comfort in their pain, O little one sweet, O little one sweet, O little one mild. -
ORDINATION 2021.Pdf
WELCOME TO THE CATHEDRAL OF SAINT PAUL Restrooms are located near the Chapel of Saint Joseph, and on the Lower Level, which is acces- sible via the stairs and elevator at either end of the Narthex. The Mother Church for the 800,000 Roman Catholics of the Archdiocese of Saint Paul and Minneapolis, the Cathedral of Saint Paul is an active parish family of nearly 1,000 households and was designated as a National Shrine in 2009. For more information about the Cathedral, visit the website at www.cathedralsaintpaul.org ARCHDIOCESE OF SAINT PAUL AND MINNEAPOLIS SAINT PAUL, MINNESOTA Cover photo by Greg Povolny: Chapel of Saint Joseph, Cathedral of Saint Paul 2 Archdiocese of Saint Paul and Minneapolis Ordination to the Priesthood of Our Lord Jesus Christ E Joseph Timothy Barron, PES James Andrew Bernard William Duane Duffert Brian Kenneth Fischer David Leo Hottinger, PES Michael Fredrik Reinhardt Josh Jacob Salonek S May 29, 2021 ten o’clock We invite your prayerful silence in preparation for Mass. ORGAN PRELUDE Dr. Christopher Ganza, organ Vêpres du commun des fêtes de la Sainte Vierge, op. 18 Marcel Dupré Ave Maris Stella I. Sumens illud Ave Gabrielis ore op. 18, No. 6 II. Monstra te esse matrem: sumat per te preces op. 18, No. 7 III. Vitam praesta puram, iter para tutum: op. 18, No. 8 IV. Amen op. 18, No. 9 3 HOLY MASS Most Rev. Bernard A. Hebda, Celebrant THE INTRODUCTORY RITES INTROITS Sung as needed ALL PLEASE STAND Priests of God, Bless the Lord Peter Latona Winner, Rite of Ordination Propers Composition Competition, sponsored by the Conference of Roman Catholic Cathedral Musicians (2016) ANTIPHON Cantor, then Assembly; thereafter, Assembly Verses Daniel 3:57-74, 87 1. -
Ancient English Christmas Carols 1400 to 1700
Klirtetes THE NEW MEDIEVAL LIBRARY THE NEW MEDIEVAL LIBRARY THE CHATELAINE OF VERGI. Translated by ALICE KEMP- WELCH. With Introduction by L. BRANDIN. THE BOOK OF THE DUKE OF TRUE LOVERS. Translated and edited by ALICE KEMP- WELCH. OF THE TUMBLER OF OUR LADY. Translated and edited by ALICE KEMP-WELCH. THE LEGEND OF THE HOLY FINA, VIRGIN OF SANTO GEMINIANO. Translated and edited by M. MANSFIELD. THE BABEES' BOOK : Medieval Manners for the Young. Modern ised and edited by EDITH RlCKERT. THE BOOK OF THE DIVINE CONSOLATION OF SAINT ANGELA DA FOLIGNO. Translated by MARY G. STEECJ- MANN. With an Introduction by ALGAR THOROLD. EARLY ENGLISH ROMANCES OF LOVE. Edited by EDITH RlCKERT. EARLY ENGLISH ROMANCES OF FRIENDSHIP. Edited by EDITH RICKERT. THE CELL OF SELF-KNOW LEDGE : Seven Early English Mystical Treatises. Edited by EDMUND G. GARDNER, M.A. ANCIENT ENGLISH CHRISTMAS CAROLS MCCCC TO MDCC COLLECTED & ARRANGED BY EDITH RICKERT CHATTO &" WINDUS : LONDON NEW YORK : DUFFIELD 6f CO. 1910 r, TO E.Q.R. and F.E.R. MY SISTERS FOR WHOSE UNWEARIED ASSISTANCE IN THE PREPARATION OF THIS LITTLE VOLUME I AM DEEPLY GRATEFUL CONTENTS PART I CAROLS OF THE NATIVITY PAGE VIRGO ROSA VIRGINUM 3 ECCE ANCILLA DOMINI 28 IN DIE NATIVITATIS 41 O JESU PARVULE 59 GLORIA IN EXCELSIS DEO ...... 96 REGES DE SABA VENIENT no NUNC GAUDET ECCLESIA 121 APPENDIX I 131 APPENDIX II 139 NOTES 149 PART II CAROLS OF THE DIVINE MYSTERY MlRABILE MlSTERIUM 159 IN DULCI IUBILO ..... 203 ix CONTENTS PART III CAROLS OF YULETIDE FESTIVITY PAGE PROFACE 217 WASSAIL 243 CAPUT APRI DEFERO 256 VENI CORONABERIS 262 APPENDIX I 269 APPENDIX II 287 NOTES 299 GLOSSARY 303 INDEX TO FIRST LINES . -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
In Terra Pax
Lewisham Choral Society In terra pax Christmas music for choir and audience Piano & organ: Nico de Villiers Conductor: Dan Ludford-Thomas Holy Trinity Church, Sloane Street Saturday 19 December 2015 In terra pax Choir: Alleluya, a new work is come on hand Peter Wishart Angelus ad Virginem 14th century Irish carol arr. Willcocks A Maiden most gentle French traditional melody arr. Carter Choir and audience: Of the Father's heart begotten Piae Cantiones arr. Willcocks Choir: The Shepherds' Farewell From The Childhood of Christ by Hector Berlioz Il est né le divin enfant French traditional carol arr. Willcocks Joys seven English traditional carol arr. Stephen Cleobury Choir and audience: Silent night Franz Gruber arr. John Cullen Choir: Deck the hall Welsh traditional carol arr. Willcocks Wexford Carol Irish traditional carol arr. Rutter Star Carol John Rutter INTERVAL Please join us for seasonal refreshments at the rear of the church Choir: Make we joy David Morgan Choir and audience: Unto us is born a Son Piae Cantiones arr. Willcocks Choir: In Terra Pax Gerald Finzi Choir and audience: O come, all ye faithful John Wade arr. Willcocks Peace on earth and goodwill to all! Lewisham Choral Society welcome you this year to a new venue for our annual Christmas concert: the wonderful late nineteenth century Arts and Crafts church of Holy Trinity, Sloane Street. On this occasion our theme, In Terra Pax, Peace on Earth, is reflected in traditional music from around the British Isles and across the Channel: English, Welsh, Irish and French – along with classical music from England and France – to mark this festive season. -
The Choral Cycle
THE CHORAL CYCLE: A CONDUCTOR‟S GUIDE TO FOUR REPRESENTATIVE WORKS A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE DOCTOR OF ARTS BY RUSSELL THORNGATE DISSERTATION ADVISORS: DR. LINDA POHLY AND DR. ANDREW CROW BALL STATE UNIVERSITY MUNCIE, INDIANA MAY 2011 Contents Permissions ……………………………………………………………………… v Introduction What Is a Choral Cycle? .............................................................................1 Statement of Purpose and Need for the Study ............................................4 Definition of Terms and Methodology .......................................................6 Chapter 1: Choral Cycles in Historical Context The Emergence of the Choral Cycle .......................................................... 8 Early Predecessors of the Choral Cycle ....................................................11 Romantic-Era Song Cycles ..................................................................... 15 Choral-like Genres: Vocal Chamber Music ..............................................17 Sacred Cyclical Choral Works of the Romantic Era ................................20 Secular Cyclical Choral Works of the Romantic Era .............................. 22 The Choral Cycle in the Twentieth Century ............................................ 25 Early Twentieth-Century American Cycles ............................................. 25 Twentieth-Century European Cycles ....................................................... 27 Later Twentieth-Century American -
Lessons and Carols 2018
Lessons and Carols 2018 Lesson 1: Genesis 3:8-13 Reader: Sandy Bowles Adam Lay Ybounden – Sheldon Curry (15th c. medieval poem) Adam lay yBounden, bounden in a bond, (Adam was bound by bonds) Forwe thowsand wynter thowt he not to long (Four thousand winters, thought he not too long) And al was for an appil, appil tha he tok, (and all was for an apple, apple that he took) Ase clerk is fynden wretyn in here bok. (as the clerk (monk) has found written in the book (the Bible)) Allelu, alleluia. Sing alleluia. Ne hadde appil tak ben, Appil take ben (had the apple not been taken) Ne hadde neuer our laddde aben heuene quen, never would have Our Lady Mary been heavens queen And blyssid be the tyme that appil take was, (and blessed be the time that apple was taken) Therefore we mown syngyn, Deo gracias! Therefore we sing, Thanks be to God! Adam Lay Ybounden relates the events of Genesis, Chapter 3. According to a medieval tradition, Adam was held in bonds with the other patriarchs in the limbus patrum patriarchs limbo from the time of his death until the crucifixion of Christ (the "4000 winters"). The second verse ties Eves apple to Mary, who became the Queen of Heaven, and hails the apple taking the Fall for leading to our redemption, for which we sing a song of thanksgiving to God. Lesson 2: Isaiah 9:2, 6-7 Reader: Jack Grimm People Look East – Philip Dietterich (Besancon Carol Tune) People, look East. The time is near of the crowning of the year. -
Daf Leaether Strip Project Pitchfork
edition October - December 2015 free of charge, not for sale 19 quarterly published music magazine DAF LEAETHER STRIP PROJECT PITCHFORK BETTINA KÖSTER + POSIMONOVA DECODED FEEDBACK + KINEX KINEX THE ARCH + NO MORE + ONMENS - 1 - WOOL-E TOP 10 WOOL-E TAPES Wool-E Tapes is a spin-off of Wool-E Best Selling Releases Shop to release everything its owner (July/Aug/Sept 2015) likes, on tape INTERNATIONAL CASSETTE 1. SHE PAST AWAY STORE DAY (October 17th) Narin Yalnizlik (LP/CD) For the 3d instalment of International Cassette Store Day we will be 2. PURE GROUND releasing 4 tapes (see below). Sound Standard Of Living (LP/CD) & Vision and Charnier will promote 3. VOLKOVA their tape by means of a short gig Sangre (CD) in the shop. Check the website or 4. QUAL facebook for the exact timing. Sable (LP/CD) Upcoming: 5. DADA POGROM WET020 Unidentified Man - Dissociative Identity C50 Kolophonium (CD) WET021 Klankdal - Nachtkarkassen C85 6. VARIOUS WET022 Sound & Vision – Golden Years C26 Another Cold World (LP/CD) WET023 BARST (released on 1st 7. KVB November) Mirror Being (LP/CD) WET024 Charnier C25 8. MONNIK / ONRUST Still hot: Split Tape (MC) WET016 - MAYZ – The Void C67 WET017 - Howling Larsons - Midnight 9. L’AVENIR Folk C49 Etoiles (LP) WET018 - Kinex Kinex - Polytheistic 10. BLEIB MODERN Christmas C31 All Is Fair In Love And War(LP/CD) http://wool-e-tapes.bandcamp.com The Wool-E Shop - Emiel Lossystraat 17 - 9040 Ghent - Belgium VAT BE 0642.425.654 - [email protected] - 32(0)476.81.87.64 www.peek-a-boo-magazine.be - 2 - contents 04 CD reviews -
Sacred Music and Female Exemplarity in Late Medieval Britain
UNIVERSITY OF CALIFORNIA Los Angeles The Iconography of Queenship: Sacred Music and Female Exemplarity in Late Medieval Britain A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Musicology by Gillian Lucinda Gower 2016 © Copyright by Gillian Lucinda Gower 2016 ABSTRACT OF THE DISSERTATION The Iconography of Queenship: Sacred Music and Female Exemplarity in Late Medieval Britain by Gillian Lucinda Gower Doctor of Philosophy in Musicology University of California, Los Angeles, 2016 Professor Elizabeth Randell Upton, Chair This dissertation investigates the relational, representative, and most importantly, constitutive functions of sacred music composed on behalf of and at the behest of British queen- consorts during the later Middle Ages. I argue that the sequences, conductus, and motets discussed herein were composed with the express purpose of constituting and reifying normative gender roles for medieval queen-consorts. Although not every paraliturgical work in the English ii repertory may be classified as such, I argue that those works that feature female exemplars— model women who exemplified the traits, behaviors, and beliefs desired by the medieval Christian hegemony—should be reassessed in light of their historical and cultural moments. These liminal works, neither liturgical nor secular in tone, operate similarly to visual icons in order to create vivid images of exemplary women saints or Biblical figures to which queen- consorts were both implicitly as well as explicitly compared. The Iconography of Queenship is organized into four chapters, each of which examines an occasional musical work and seeks to situate it within its own unique historical moment. In addition, each chapter poses a specific historiographical problem and seeks to answer it through an analysis of the occasional work.