DOCSLIB.ORG

In Terra Pax

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
In Terra Pax Lewisham Choral Society In terra pax Christmas music for choir and audience Piano & organ: Nico de Villiers Conductor: Dan Ludford-Thomas Holy Trinity Church, Sloane Street Saturday 19 December 2015 In terra pax Choir: Alleluya, a new work is come on hand Peter Wishart Angelus ad Virginem 14th century Irish carol arr. Willcocks A Maiden most gentle French traditional melody arr. Carter Choir and audience: Of the Father's heart begotten Piae Cantiones arr. Willcocks Choir: The Shepherds' Farewell From The Childhood of Christ by Hector Berlioz Il est né le divin enfant French traditional carol arr. Willcocks Joys seven English traditional carol arr. Stephen Cleobury Choir and audience: Silent night Franz Gruber arr. John Cullen Choir: Deck the hall Welsh traditional carol arr. Willcocks Wexford Carol Irish traditional carol arr. Rutter Star Carol John Rutter INTERVAL Please join us for seasonal refreshments at the rear of the church Choir: Make we joy David Morgan Choir and audience: Unto us is born a Son Piae Cantiones arr. Willcocks Choir: In Terra Pax Gerald Finzi Choir and audience: O come, all ye faithful John Wade arr. Willcocks Peace on earth and goodwill to all! Lewisham Choral Society welcome you this year to a new venue for our annual Christmas concert: the wonderful late nineteenth century Arts and Crafts church of Holy Trinity, Sloane Street. On this occasion our theme, In Terra Pax, Peace on Earth, is reflected in traditional music from around the British Isles and across the Channel: English, Welsh, Irish and French – along with classical music from England and France – to mark this festive season. And in addition to these pieces which the choir will sing for you, we follow our own tradition by adding a number of familiar carols which we strongly encourage you to join us in singing, accompanied by descants and harmonies from the choir and directed by our Director of Music, Dan Ludford-Thomas, accompanied by his Assistant, Nico de Villiers. In Terra Pax is also the title of the main work which the choir will sing for you tonight. Gerald Finzi wrote this piece in 1954 but sadly died only two years later, after a short illness. In 1990 I was fortunate enough to attend a music festival in Abingdon which celebrated Finzi's music and gave me the chance to sing another of his works, under the direction of Gerald's eldest son, Christopher. And another festival event allowed me to visit not only the church in Ashmansworth which contains a memorial to the composer, but also his last home in the same village. I well remember sitting on the lawn in the summer sunshine in the company of Gerald's widow Joy and next to her husband's orchard, where he had cultivated some rare varieties of apple, thus ensuring their survival for posterity. We also celebrate tonight the life of another multi-talented man, Sir David Willcocks, who died earlier this year at the age of 95. Last Christmas I wrote in our concert programme about the “bible” for modern-day carol singers: Carols for Choirs, a series of volumes for which Sir David was co-editor for over 25 years. But of course he was so much more than this, having been a choral conductor, composer, arranger, organist and musical administrator. Under his guidance the choir of King's College, Cambridge and the Bach Choir rose to international pre-eminence and the broadcasts of his Festival of Nine Lessons and Carols at King's were seen and heard by millions across the globe. He worked with many leading British composers, including Vaughan Williams, Britten, Howells and Tippett. And to add to all that, he was a war hero decorated with the Military Cross by Field Marshal Montgomery. So it seems only right that we should sing some of Sir David's famous carol arrangements tonight. And one last celebration: we shall also perform an original carol and an arrangement by one of Sir David's collaborators in Carols for Choirs, John Rutter, to mark his 70th birthday this year! Alleluya, a new work is come on hand Peter Wishart (1921-84) The words of this carol come from the 15th century Selden Carol Book, among 8,000 books and manuscripts bequeathed to the Bodleian Library, Oxford by the jurist and scholar John Selden (1584-1654), who had represented Oxford University in Parliament for thirteen years. In 1953 the English composer Peter Wishart produced this setting of the words and dedicated it to the Birmingham Singers' Club. He had read music at Birmingham University, then moving to Paris shortly after the War to study with Nadia Boulanger. He returned to Birmingham to teach at the city's School of Music, later becoming Professor of Music at Reading University in 1977. Alleluya! A new work is come on hand Through might and grace of Godè's son To save the lost of ev'ry land. For, now is free that erst was bound, We may well sing Alleluya! Now is fulfillèd the prophecy Of David and of Jeremy And also of Isaiah. Sing we therefore both loud and high, Alleluya! Alleluya, this sweetè song Out of a green branch it sprung; God send us the life that lasteth long! Now joy and bliss be him among That thus can sing Alleluya! Angelus ad virginem 14th century Irish carol arranged by Sir David Willcocks (1919-2015) Angelus ad Virginem (or in its original English title Gabriel, From Heven King, Was To The Maide Sende) was a popular medieval carol, whose text is a poetic version of the Hail Mary and the Annunciation to the Virgin Mary. Probably Franciscan in origin, it was brought to Britain by French friars in the 13th century. It appears in Geoffrey Chaucer's Miller's Tale, where the scholar Nicholas sings it in Latin to the accompaniment of his psaltery: And over all there lay a psaltery Whereon he made an evening's melody, Playing so sweetly that the chamber rang; And Angelus ad virginem he sang; And after that he warbled the King's Note: Often in good voice was his merry throat. The tune arranged by David Willcocks is believed to be from Ireland and date from the 14th century. Angelus ad virginem Gabriel to Mary came, Subintrans in conclave. And entered at her dwelling, Virginis formidinem With his salutation glad, Demulcens, inquit, "Ave ! Her maiden fears dispelling Ave, regina virginum, ”All hail, thou queen of virgins bright! Coeli terraeque Dominum God, Lord of earth and heaven's height, Concipies et paries intacta, Thy very Son, shall soon be born in Salutem hominum ; pureness, Tu porta coeli facta The Saviour of mankind. Medella criminum". Thou art the gate of heaven bright, The sinners' healer kind.” Quomodo conciperem, “How could I a mother be quae virum non cognovi? That am to man a stranger? Qualiter infringerem, How should I my strong resolve, quae firma mente vovi? My solemn vows endanger?” "Spiritus sancti gratia “Pow'r from the Holy Ghost on high Perficiet haec omnia; Shall bring to pass this mystery. Ne timeas, sed gaudeas, Then have no fear: Be of good cheer, Secura, quod castimonia Believing that still thy chastity Manebit in te pura In God's Almighty keeping Dei potentia." Shall all unsullied be.” Ad haec virgo nobilis Then to him the maid replied, Respondens inquit ei; With noble mien supernal "Ancilla sum humilis “Lo! the humble handmaid I Omnipotentis Dei. Of God the Lord eternal Tibi coelesti nuntio, With thee, bright messenger of heav'n, Tanta secreti conscio, By whom this wondrous news is giv'n, Consentiens et cupiens I well agree and long to see Videre factum quod audio, Fulfilled Thy gracious prophecy. Parata sum parere As God my Lord doth will it, Dei consilio". So be it unto me!” Eia Mater Domini, Hail! Thou Mother of the Lord, Quae pacem reddidisti Who bring'st of gifts the rarest, Angelis et homini, Peace to angels and to men Cum Christum genuisti; When Christ the Lord thou barest! Tuum exora filium Do thou, we pray, entreat thy Son Ut se nobis propitium For us our long'd redemption Exhibeat, et deleat peccata; Himself to win and from our sin Praestans auxilium Release us; His succour for to give Vita frui beta That, when we hence are taken, Post hoc exilium. We too in heav'n may live. A Maiden most gentle French traditional melody arranged by Andrew Carter (1939-) The original melody of this carol is that of a very traditional Marian hymn from the French Pyrenees, associated with the shrine of Lourdes. But it also has connections with the English shrine of Walsingham, and the lyrics originate this side of the Channel, being a paraphrase of words by the 8th century monk, author and scholar, the Venerable Bede. The contemporary English composer Andrew Carter made this arrangement and added its organ accompaniment. Carter dedicated the carol to the sisters of St Mary's Convent in York, a city with which he has had a long association from singing at the Minster to directing the music at a local grammar school and founding and directing the Chapter House Choir. Along with many of his numerous carol settings, A Maiden most gentle has been included in the annual broadcast of the Festival of Nine Lessons and Carols from King's College, Cambridge. A maiden most gentle and tender we sing; Of Mary the mother of Jesus our King. Ave Maria. How bless'd is the birth of her heavenly child, Who came to redeem us in Mary so mild.
Load more

Recommended publications
  • Download CD Booklet
    The Cambridge Singers Christmas Album directed by JOHN RUTTER AROLS AND CHRISTMAS MUSIC have always formed a part of the CCambridge Singers’ recorded repertoire, and this album picks out some of my The Cambridge Singers personal favourites. Most of the 23 items are taken from the two albums Christmas with the Cambridge Singers and Christmas Day in the Morning, and there are four previously unreleased tracks which were squeezed out of those two albums and which I am happy Christmas Album to have found space for here. There are three strands to the programme: traditional carols; choruses and motets; and composers’ carols. In fact these categories are not as separate as they might appear. Composers have always loved to take traditional melodies and incorporate them into their own compositions, sometimes considerably elaborating them in the process: think of all those L’homme armé masses or of Bach’s chorale treatments. The art of the arranger, widely thought of as a twentieth-century invention, is as old as composition itself. When we listen to a ‘traditional’ carol sung by a choir, we are in fact generally hear- ing the work of an identifiable composer who has arranged, in his own style, a melody by an unidentifiable or obscure composer from an earlier era. The earliest examples on this album are Victoria’s O magnum mysterium (1572), a four-voiced motet where the melodic outlines are based on a Gregorian chant, and Scheidt’s In dulci jubilo (1620), which takes one of the best-loved of all Christmas carols and turns it into a resplendent double-choir motet with two antiphonal trumpet parts.
    [Show full text]
  • The Carol and Its Context in Twentieth-Century England Sean Vogt
    The Carol and Its Context in Twentieth-century England Sean Vogt loria in excelsis deo, et in terra G pax hominibus (“Glory to God in the highest and on earth peace to all people”), Luke 2:14, was likely the fi rst carol ever heard, sung by the angels over the fi elds of Bethlehem. It would be more than a millennium before the next documented account of carol singing. In this case, it happened in Greccio, Italy, where St. Francis made the fi rst Christ- mas crèche (crib) in 1223, in response to the Manichaeism1 of the eleventh and twelfth centuries—recreating the stable, even obtaining an ox and ass. People from around the village began to gather around St. Francis’s biblical re-creation. As a result, the people “poured out their hearts in praises to God; and the friars sang new canticles…”2 The dawn of the Protestant Reforma- tion brought carol singing—amongst a myriad of other activities—to an abrupt halt. The Reformation during the six- teenth and seventeenth centuries re- sulted in a fragmented church. The Lu- therans viewed the feast of Christmas as a popish abuse. Since the Calvinist Gustav Holst (early 1920s) in front of movement was quite popular, Christmas Queen’s Hall (©Holst Birthplace Museum/ was consequently unpopular in England. Cheltenham Art Gallery & Museum) Christmas Day was abolished by Parlia- ment from 1644–1660; The Book of Com- Christmas Carols New and Old (1871) mon Prayer had no seasonal hymns. It being just a few examples. was not until the Supplement to the New From the Piae Cantiones, which itself Version of the Psalms (1700) that interest contained medieval carols, to the Vic- in carols was rekindled.
    [Show full text]
  • 100 Carols for Choirs Table of Contents
    100 Carols for Choirs Table of Contents Adam lay ybounden, Warlock In the bleak mid-winter, Holst All my heart this night rejoices, Ebeling In the bleak mid-winter, Darke Alleluya, a new work is come on hand, Infant holy, infant lowly, Willcocks Wishart The Infant King, Willcocks Angels, from the realms of glory, It came upon the midnight clear, Willcocks Willcocks Jesus child, Rutter Angelus ad virginem, Willcocks Jesus Christ is risen today, Willcocks As with gladness men of old, Willcocks Jesus Christ the apple tree, Poston Ave plena gracia, Maxwell Davies Jingle, bells, Pierpont/Willcocks Away in a manger, Kirkpatrick/Willcocks Joy to the world, Mason/Rutter A babe is born, Mathias Joys seven, Cleobury Birthday Carol, Willcocks King Jesus hath a garden, Wood The cherry tree carol, Willcocks Kings of Orient, Hopkins/Willcocks Child in a manger, Rutter Lo! he comes with clouds descending, A child is born in Bethlehem, Willcocks Willcocks Christmas night, Rutter Lo, how a Rose e'er blooming, Praetorius Coventry carol, Rutter Longfellow's carol, Percival Coventry carol, Shaw Lord of the Dance, Carter/Willcocks Cradle song, Rutter Lute-book lullaby, Ballet/Shaw The crown of roses, Tchaikovsky A maiden most gentle, Carter Deck the hall, Willcocks Mary's Lullaby, Rutter Ding dong! merrily on high, Willcocks A merry Christmas, Warrell Ding dong! merrily on high, Wood Myn lyking, R. R. Terry The first Nowell, Willcocks Nativity carol, Rutter Gabriel to Mary came, Willcocks A New Year carol, Britten Gabriel's message, Willcocks O come, all ye faithful, Wade/Willcocks God rest you merry, gentlemen, Willcocks O come, o come, Emmanuel, Willcocks Good King Wenceslas, Willcocks O little one sweet, J.
    [Show full text]
  • Carols for Choirs: Vocal Score Free
    FREE CAROLS FOR CHOIRS: VOCAL SCORE PDF David Willcocks,John Rutter | 208 pages | 23 Oct 1980 | Oxford University Press | 9780193535732 | English, French, Latin | Oxford, United Kingdom Free Choir Sheet Music - Go To Product. Sign In. Musicnotes features the world's largest online digital sheet music catalogue with overarrangements available to print and play instantly. Plus, organize your music into folders and set lists and much more! At a Glance. Musicnotes Pro Send a Gift Card. Toggle Carols for Choirs: Vocal Score. Save on Every Order! Musicnotes Pro. Become a Member Today! Instrument All Instruments Choir. For any instrument. See All Instruments. Scoring Choral Ensemble. Chamber Ensemble. See All Scoring. Genre Avant-Garde. See All Genres. Newest Sheet Music. Most Popular Sheet Music. Average Rating. Browse All Sheet Music. My Account. About Musicnotes. Subscribe to our Newsletter Stay Connected. We think your country is: United States Change Country. Carols for Choirs: Vocal Score House I Live In. Garrett Breeze. Come from Away. Traditional Christmas Carol. Carol of the Bells. Peter J. Nearer, My God, To Thee. BYU Vocal Point. Savior, Redeemer of My Soul. Rob Gardner. May the Road Rise to Meet You. Lori True. Just As I Am. Travis Cottrell. Avinu Malkeinu. Max Janowski. Pie Jesu. On Eagle's Wings. Michael Joncas. He Will Hold Me Fast. The Little Carols for Choirs: Vocal Score Boy. And So It Goes. Billy Joel. For All He's Done. Greater Vision. You Will Be Found. Dear Evan Hansen. You Raise Me Up. Josh Groban. This Is Me. The Greatest Showman. All Are Welcome.
    [Show full text]
  • 100 Carols for Choirs: Paperback Free
    FREE 100 CAROLS FOR CHOIRS: PAPERBACK PDF David Willcocks,John Rutter | 388 pages | 07 Jan 1988 | Oxford University Press | 9780193532274 | English, French, German, Latin | Oxford, United Kingdom Carols For Choirs - Paperback: Arr. (David Willcocks): SATB | If you have changed your email address then contact us and we will update your details. Would you like to proceed to the App store to download the Waterstones App? We have recently updated our Privacy Policy. The site uses cookies to offer you a better experience. By continuing to browse the site you accept our Cookie Policy, you can change your settings at any time. Applied filters Choral Music. Page Prev of 91 Next. Review ratings. Geographic region. Educational qualifications. Key Stage 3. Added to basket. Add to Basket. View basket 100 Carols for Choirs: Paperback. Common Worship Psalter with Chants. Carols for Choirs 1. The John Rutter Piano Album. Making of Handel's Messiah, The. A New Heaven. I Saw Eternity the 100 Carols for Choirs: Paperback Night. Carols for Choirs 2. O Sing unto the Lord. European Sacred Music. Feel the 100 Carols for Choirs: Paperback. Carols of Comfort and Joy. Carols for Choirs 3. Carols for Choirs 4. Sacred Choruses. Four Coronation Anthems. Choir Boy. The Oxford and Cambridge Services. For the Time Being. The Novello Book of Carols. English Church Music. Not registered? Remember me? Forgotten password Please enter your email address below and we'll send you a link to reset your password. Not you? Reset password. Download Now Dismiss. 100 Carols for Choirs: Paperback reserve online and pay at the counter when you collect.
    [Show full text]
  • An Evening of Carols
    The South Dakota School of Mines and Technology presents the thirty-third annual Holiday Cathedral Choral Concert Concert Choir University Choir Master Chorale directed by James D. Feiszli An evening of carols Cathedral of Our Lady of Perpetual Help, Rapid City, SD December 5 & 6, 2015, 7:30pm Carols evolved from folkdance traditions. Sung at winter and spring solstice celebrations, carols existed before pre- Christian times. The early church overlaid pre-Christian celebrations with Christian holidays (“holy-days”), but the elements of boisterous joy and dance remained in the songs that became popular with the uneducated populace of Western Europe. Since the general populace did not speak, read, or write Latin, macaronic carols (songs using both Latin and the local language) arose. Nativity plays in the Middle Ages frequently used carols to teach biblical doctrine to the illiterate. This development is partially responsible for the spread of the carol through Europe. As Europe emerged from the Middle Ages and Renaissance, the influence of the Church waned – particularly after the Reformation and the secularism of the Enlightenment. Holiday celebrations became associated with other ancient traditions which, in turn, led to a re-birth of carols as Christian musicians and clergy sought to reclaim the awe and joy of the Christmas season. The four-part hymn-like carols of the nineteenth century became what most of us think about when we hear the term. Tonight we present an entire concert of carols both old and modern from Europe and the U.S. I – Candlelight Carols Jesus Christ the Apple Tree ……………….….. Elizabeth Poston Infant Holy, Infant Lowly ………………………… David Willcocks Carol of the Drum ………………..…………… Katherine K.
    [Show full text]
  • Christmas Is Not Just for Christmas
    Christmas is not just for Christmas An exploration of the Christmas Story and its meaning, as told by members of the congregation at the Festival of Nine Lessons and Carols held at York Minster on Christmas Eve 2007 Rachel Phillips M.A. Thesis submitted to the University of Nottingham for the degree of Master of Philosophy July 2011 Abstract This thesis explores the content and meaning of the Christmas Story, as expressed by members of the congregation at York Minster on Christmas Eve 2007. The work was developed through a Pilot Study in York Minster and Derby Cathedral over Christmas 2006, involving telephone and email interviews and Focus Group discussions. This enabled a questionnaire to be developed for use at York Minster‟s Festival of Nine Lessons and Carols, held on Christmas Eve 2007; the questionnaires invited Respondents to tell the Christmas Story in their own words and to say what they thought the Christmas Story means. Completed questionnaires were analysed using grounded theory, and themes of the Respondents‟ understanding emerged. These themes are explored in relation to passages of Scripture read in the service and to carols sung in the service. The explicit and implicit theology of the Respondents is then compared with orthodox Christian belief, as set out in the Nicene Creed, in order to explore how Respondents‟ understanding did or did not correlate with what the Church of England believes. There is then reflection on issues which those constructing Christmas carol services might usefully take in to account. The thesis concludes by proposing theories for testing in further research.
    [Show full text]
  • Composer Arranged by Category Instrumentation Condition Location Note 1 the Holy City Adams, Stephen Salter, Sumner Choir SATB A
    Quantity Title Composer Arranged by Category Instrumentation Condition Location Note 1 The Holy City Adams, Stephen Salter, Sumner Choir SATB and Piano (2) Good Drawers (A) 28! If I Go Not Away Adams, Thomas Choir Tenor solo, SATB and Organ (3) Satisfactory Drawers (A) 20! Miserere (Psalm LI) Allegri, Gregorio Atkins, Igor Choir SSATB (3) Satisfactory Drawers (A) 36! Blessed Be The Lord God Amner, John Greening, Anthony (ed.) Choir SATB and Organ (1) Great Drawers (A) 1 Two Christmas Carols 3rd Set: Oh, Little Children Lead Us Now & Hark! All Around The Welkin Rings Anderson, W.H. Choir SATB and Piano (2) Good Drawers (A) 22! Ave Maria ("Give Ear Unto My Prayer") Arcadelt, Jacques Choir SATB (and Organ) (2) Good Drawers (A) 14! The Gentle Silver Swan Arcadelt, Jacques Parkinson, John A. (ed.) Choir SATB (2) Good Drawers (A) 1 Pie Jesu Archer, Malcolm Choir SATB and Piano (2) Good Drawers (A) 11! Magnificat and Nunc Dimittis in A Arnold, Dr. Samuel Choir SATB and Organ (3) Satisfactory Drawers (A) 41! Magnificat and Nunc Dimittis in A Arnold, Samuel Ley, H.G. (ed.) Choir SATB (and Organ) (4) Bad Drawers (A) + a loose page 1 Salvator Mundi Ashfield, Robert Choir SATB and Organ (2) Good Drawers (A) 28! Alleluya Psallat Aston, Peter Choir SATB (3) Satisfactory Drawers (A) 1 And I Saw A New Heaven Aston, Peter Choir Soprano solo, SATB (and Organ) (1) Great Drawers (A) 39! For I Went With The Multitude Aston, Peter Choir SATB and Organ (2) Good Drawers (A) 1 Praise Ye The Lord Aston, Peter Choir SATB and Organ (2) Good Drawers (A) 1 There Was
    [Show full text]
  • A Festival of Nine Lessons & Carols
    A FESTIVAL OF NINE LESSONS & CAROLS SUNDAY, DECEMBER 21, 2014 S T . P A U L ’ S E PISCOPAL C HURCH F AIRFIELD , C ONNECTICUT 2 ELCOME TO THIS SERVICE , which anticipates the great feast of the Nativity of Our Lord and Savior Jesus Christ. The liturgy of Lessons and Carols was first used in the chapel of WKing’s College, Cambridge, on Christmas Eve, 1918, with the candle-lit splendor of the chapel, the prayers and scripture readings, the great hymns and the soaring music of the choir and organ standing in eloquent contrast to the darkness of a cold winter night and the tragic shadows of the recently concluded Great War. The intervening years have seen the worldwide broadcast of this service become a much beloved Christmas tradition. As in 1918, we in our own day turn again to these sacred words and songs in a world troubled by war, natural disaster, violence, and economic uncertainty. Tonight’s service is offered in the spirit of that first service at King’s, as a light shining in the darkness; with fervent prayer for peace, goodwill and understanding among all people rising amidst the strains of glorious hymns and carols. Although much of the music at this service is sung by the choir, the congregation plays a central role. Please listen intently, pray and sing with your heart, mind, and voice, as indicated below. Again, welcome ! Of course, a major part of this service involves the joining together of everyone in making a joyful noise to the Lord. Should your child be further inspired to the making of extended joyful noise while others are trying to listen, we do ask that you escort your little one to the gathering area or outside for a brief moment or two until he or she becomes more contemplative.
    [Show full text]
  • Concert Programme
    Winter Concert 2012 Karl Jenkins The Armed Man: A Mass For Peace Victoria - O Magnum Mysterium Vaughan Williams - Fantasia on Christmas Carols Britten - A Boy was Born Conductor: Cathal Garvey Saturday 15th December 2012, 7:30pm St Nicolas Church, Newbury Conductor: Cathal Garvey Baritone Soloist: Joe Corbett Organist: Steve Bowey Muezzin: Abderrahim Aboutaj Musicians from Southern Sinfonia The solo parts in movements 8 and 13 of The Armed Man will be sung by the following members of the choir Sopranos: Debbie Murphy and Margaret Owen Altos: Margaret Baker, Leonie Cooke and Penny Daly Tenors: Mike Barthorpe and Mat Evans Bass: Greg Choules 2 The Programme Joy to the World! - Lowell Mason, arr. Carl Rochford A Boy was Born - Benjamin Britten Torches - John Joubert Coventry Carol - Arr. Martin Shaw Wexford Carol - Arr. John Rutter Sussex Carol - Arr. David Willcocks O Magnum Mysterium - Tomás Luis de Victoria The Shepherds' Farewell - Hector Berlioz Today the Virgin - John Tavener Fantasia on Christmas Carols - Ralph Vaughan Williams Interval The Armed Man: A Mass For Peace - Karl Jenkins 3 Programme Notes by Jane Hawker Joy to the World! Lowell Mason (1792–1872) A prolific writer of hymns, Isaac Watts first published the words for Joy to the World! in 1719. Based on Psalm 98, they rejoice in the triumphant return of Christ at the Second Coming. An American composer, Lowell Mason, arranged Watt's lyrics in 1839 using a tune reminiscent of Handel. This 1998 arrangement is by Carl Rochford. A Boy was Born Benjamin Britten (1913–1976) This is the first movement in a set of Choral Variations first performed in 1934.
    [Show full text]
  • St. Andrew Presbyterian Church a Service of Lessons and Carols
    Welcome! Prayer Concerns This Week Margaret Plunkett e proclaim that ALL people are created St. Andrew Presbyterian Church in the image of God and affirm that Arminta Jacobson W Matt Hogarth Denton, Texas each person is a beloved child of God, worthy Steven Hill, son of Doug and Carol Hill of God’s love and grace. We welcome all, Stephanie Proctor, friend of Darcy Loveless Third Sunday in Advent celebrating our differences while finding unity Brad Burks, brother-in-law of Juli Carradine December 11, 2016, 10:30 a.m. in Christ. No matter who you are or where you Jack Strutton, father of David Strutton Beth Hindman Lofton, daughter of Jannette Hindman and Steve Hindman are on life’s journey, you are welcome here. A complete list of the ongoing prayer concerns is available in the Narthex. A Service of Lessons and Carols Join us in the Narthex following worship so that we can get acquainted. The refreshments Name Tags Prelude Let the merry organ sound Colin Mawby are provided this month by the Pastor’s Sunday If you ordered a new magnetic name tag, you can pick it up in the Mighty Acts classroom. Those who have not paid, please see Lynn Carrico. School Class. Welcome and Announcements The session, our governing body, will be in Flower Roster the parlor immediately following the 10:30am The flower roster is now available for sign up for 2017. Please put your name and contact Ringing of the Bell Rachel Odei worship service to receive new members. number. You will be contacted before your date for bulletin information.
    [Show full text]
  • Darkness to Light
    Darkness to Light Worship, Prayer and Christian Formation at Ely Cathedral Advent, Christmas and Epiphany Darkness to Light A Journey of Hope and Transformation at Ely Cathedral At the darkest time of the year, we turn in urgent expectation towards the light that is coming. We look for the dawning of a renewed relationship between God and humanity. During these seasons of Advent, Christmas and Epiphany we move from waiting to fulfilment, darkness to light, celebrating the coming of Jesus, light of the world, as frail infant and as eternal redeemer of the whole of creation - our Lord Jesus Christ, who was, and is, and is to come. Worship is offered daily, all are welcome. Monday - Saturday 7.30am Morning Prayer (a short said service with bible readings, canticles and prayers) 8.00am Holy Communion (said) 5.30pm Evensong Sunday 8.15am Holy Communion (a said service, in traditional language with a short address) 10.30am Sung Eucharist with music, hymns and sermon 4.00pm Choral Evensong with short address On Thursdays and Saints’ Days there is an additional Eucharist at 12.10pm. A full list of services can be found on the Cathedral website. Advent Advent literally means ‘coming towards’. It’s a time of expectation - and of preparation. We look towards our Lord Jesus Christ who is coming towards us, and we make ourselves ready for his appearing. We recall his coming as newborn infant; but we also look towards his coming at the end of all things, as redeemer and judge. We prepare ourselves, then, for the ultimate realities of judgement, for that day when ‘the secrets of all hearts will be revealed’.
    [Show full text]