Camera Obscura Captures the Moment
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Eminem 1 Eminem
Eminem 1 Eminem Eminem Eminem performing live at the DJ Hero Party in Los Angeles, June 1, 2009 Background information Birth name Marshall Bruce Mathers III Born October 17, 1972 Saint Joseph, Missouri, U.S. Origin Warren, Michigan, U.S. Genres Hip hop Occupations Rapper Record producer Actor Songwriter Years active 1995–present Labels Interscope, Aftermath Associated acts Dr. Dre, D12, Royce da 5'9", 50 Cent, Obie Trice Website [www.eminem.com www.eminem.com] Marshall Bruce Mathers III (born October 17, 1972),[1] better known by his stage name Eminem, is an American rapper, record producer, and actor. Eminem quickly gained popularity in 1999 with his major-label debut album, The Slim Shady LP, which won a Grammy Award for Best Rap Album. The following album, The Marshall Mathers LP, became the fastest-selling solo album in United States history.[2] It brought Eminem increased popularity, including his own record label, Shady Records, and brought his group project, D12, to mainstream recognition. The Marshall Mathers LP and his third album, The Eminem Show, also won Grammy Awards, making Eminem the first artist to win Best Rap Album for three consecutive LPs. He then won the award again in 2010 for his album Relapse and in 2011 for his album Recovery, giving him a total of 13 Grammys in his career. In 2003, he won the Academy Award for Best Original Song for "Lose Yourself" from the film, 8 Mile, in which he also played the lead. "Lose Yourself" would go on to become the longest running No. 1 hip hop single.[3] Eminem then went on hiatus after touring in 2005. -
What's Included
WHAT’S INCLUDED ENCORE (EMINEM) » Curtains Up » Just Lose It » Evil Deeds » Ass Like That » Never Enough » Spend Some Time » Yellow Brick Road » Mockingbird » Like Toy Soldiers » Crazy in Love » Mosh » One Shot 2 Shot » Puke » Final Thought [Skit] » My 1st Single » Encore » Paul [Skit] » We as Americans » Rain Man » Love You More » Big Weenie » Ricky Ticky Toc » Em Calls Paul [Skit] CURTAIN CALL (EMINEM) » Fack » Sing For The Moment » Shake That » Without Me » When I’m Gone » Like Toy Soldiers » Intro (Curtain Call) » The Real Slim Shady » The Way I Am » Mockingbird » My name Is » Guilty Conscience » Stan » Cleanin Out My Closet » Lose Yourself » Just Lose It » Shake That RELAPSE (EMINEM) » Dr. West [Skit] » Stay Wide Awake » 3 A.M. » Old Time’s Sake » My Mom » Must Be the Ganja » Insane » Mr. Mathers [Skit] » Bagpipes from Baghdad » Déjà Vu » Hello » Beautiful » Tonya [Skit] » Crack a Bottle » Same Song & Dance » Steve Berman [Skit] » We Made You » Underground » Medicine Ball » Careful What You Wish For » Paul [Skit] » My Darling Royalties Catalog | For more information on this catalog, contact us at 1-800-718-2891 | ©2017 Royalty Flow. All rights reserved. Page. 1 WHAT’S INCLUDED RELAPSE: REFILL (EMINEM) » Forever » Hell Breaks Loose » Buffalo Bill » Elevator » Taking My Ball » Music Box » Drop the Bomb On ‘Em RECOVERY (EMINEM) » Cold Wind Blows » Space Bound » Talkin’ 2 Myself » Cinderella Man » On Fire » 25 to Life » Won’t Back Down » So Bad » W.T.P. » Almost Famous » Going Through Changes » Love the Way You Lie » Not Afraid » You’re Never Over » Seduction » [Untitled Hidden Track] » No Love THE MARSHALL MATHERS LP 2 (EMINEM) » Bad Guy » Rap God » Parking Lot (Skit) » Brainless » Rhyme Or Reason » Stronger Than I Was » So Much Better » The Monster » Survival » So Far » Legacy » Love Game » Asshole » Headlights » Berzerk » Evil Twin Royalties Catalog | For more information on this catalog, contact us at 1-800-718-2891 | ©2017 Royalty Flow. -
The Black Vernacular Versus a Cracker's Knack for Verses
University of Calgary PRISM: University of Calgary's Digital Repository Arts Arts Research & Publications 2014-10-24 The black vernacular versus a cracker's knack for verses Flynn, Darin McFarland Books Flynn, D. (2014). The black vernacular versus a cracker's knack for verses. In S. F. Parker (Ed.). Eminem and Rap, Poetry, Race: Essays (pp. 65-88). Jefferson, NC: McFarland & Company, Inc. http://hdl.handle.net/1880/112323 book part "Eminem and Rap, Poetry, Race: Essays" © 2014 Edited by Scott F. Parker Downloaded from PRISM: https://prism.ucalgary.ca The Black Vernacular Versus a Cracker’s Knack for Verses Darin Flynn Who would have ever thought that one of the greatest rappers of all would be a white cat? —Ice-T, Something from Nothing: The Art of Rap1 Slim Shady’s psychopathy is worthy of a good slasher movie. The soci- olinguistics and psycholinguistics behind Marshall Mathers and his music, though, are deserving of a PBS documentary. Eminem capitalizes on his lin- guistic genie with as much savvy as he does on his alter egos. He “flips the linguistics,” as he boasts in “Fast Lane” from Bad Meets Evil’s 2011 album Hell: The Sequel. As its title suggests, this essay focuses initially on the fact that rap is deeply rooted in black English, relating this to Eminem in the context of much information on the language of (Detroit) blacks. This linguistic excur- sion may not endear me to readers who hate grammar (or to impatient fans), but it ultimately helps to understand how Eminem and hip hop managed to adopt each other. -
Diane Conrad
Diane Conrad Drama, Role Theory,and Youth: Implications for Teacher Education This paper examines the music/performances of popular Rap artist Eminem to discuss the way that role theory, as developed by Jacob Moreno through his work in psychodrama, is reflected in Judith Butler and Debra Britzman’s poststructuralist conceptions of identity.Role theory has exciting implications for teacher educa- tion—both for teachers doing drama with youth and for student teachers engaged in developing their roles as teachers. Performative explorations, through which spaces are opened for creative agency and the negotiation of identities, can become empowering occasions. Cet article porte sur la musique et la performance du populaire musi- cien rappeur Eminem; il est sous-tendu par la théorie du jeu de rôle comme l’a développée Jacob Moreno dans son travail portant sur le psychodrame et sur lequel ont réfléchi Judith Butler et Debra Britzman dans une perspective post-structuraliste de l’identité. La théorie du jeu de rôle comporte des avenues intéressantes aussi bien pour les enseignants d’art dramatique auprès des jeunes que pour les étudiants en formation universitaire découvrant leur rôle de futurs enseignants. Des explorations théâtrales ouvrant à des espaces de création et de négociation identitaire favorisent la responsabilisation de chacun. If “to be or not to be”is the question, then“to be and not to be” —to me the most succinct conception of performance— might be the answer. (Fabian 179) popular theatre project I facilitated in 2000 with a group of Arural Alberta high school students for my doctoral research led me to re-think the label “at-risk” to include the perspectives of youth.The youth with whom I worked,the majority of whom were of Aboriginal descent, talked about choosing to engage in risky activities—the kinds of activities that commonly deemed them “at-risk”—for their own enjoyment,“for the rush,”and/or in resis- TRiC / RTaC • 28.2 (2007) • Diane Conrad • pp 81-90 • 81 tance to the expectations of the school and society. -
Tupac Shakur 29 Dr
EXPONENTES DEL VERSO computación PDF generado usando el kit de herramientas de fuente abierta mwlib. Ver http://code.pediapress.com/ para mayor información. PDF generated at: Sat, 08 Mar 2014 05:48:13 UTC Contenidos Artículos Capitulo l: El mundo de el HIP HOP 1 Hip hop 1 Capitulo ll: Exponentes del HIP HOP 22 The Notorious B.I.G. 22 Tupac Shakur 29 Dr. Dre 45 Snoop Dogg 53 Ice Cube 64 Eminem 72 Nate Dogg 86 Cartel de Santa 90 Referencias Fuentes y contribuyentes del artículo 93 Fuentes de imagen, Licencias y contribuyentes 95 Licencias de artículos Licencia 96 1 Capitulo l: El mundo de el HIP HOP Hip hop Hip Hop Orígenes musicales Funk, Disco, Dub, R&B, Soul, Toasting, Doo Wop, scat, Blues, Jazz Orígenes culturales Años 1970 en el Bronx, Nueva York Instrumentos comunes Tocadiscos, Sintetizador, DAW, Caja de ritmos, Sampler, Beatboxing, Guitarra, bajo, Piano, Batería, Violin, Popularidad 1970 : Costa Este -1973 : Costa, Este y Oeste - 1980 : Norte America - 1987 : Países Occidentales - 1992 : Actualidad - Mundial Derivados Electro, Breakbeat, Jungle/Drum and Bass, Trip Hop, Grime Subgéneros Rap Alternativo, Gospel Hip Hop, Conscious Hip Hop, Freestyle Rap, Gangsta Rap, Hardcore Hip Hop, Horrorcore, nerdcore hip hop, Chicano rap, jerkin', Hip Hop Latinoamericano, Hip Hop Europeo, Hip Hop Asiatico, Hip Hop Africano Fusiones Country rap, Hip Hop Soul, Hip House, Crunk, Jazz Rap, MerenRap, Neo Soul, Nu metal, Ragga Hip Hop, Rap Rock, Rap metal, Hip Life, Low Bap, Glitch Hop, New Jack Swing, Electro Hop Escenas regionales East Coast, West Coast, -
Journal of the Society for American Music Eminem's “My Name
Journal of the Society for American Music http://journals.cambridge.org/SAM Additional services for Journal of the Society for American Music: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here Eminem's “My Name Is”: Signifying Whiteness, Rearticulating Race LOREN KAJIKAWA Journal of the Society for American Music / Volume 3 / Issue 03 / August 2009, pp 341 - 363 DOI: 10.1017/S1752196309990459, Published online: 14 July 2009 Link to this article: http://journals.cambridge.org/abstract_S1752196309990459 How to cite this article: LOREN KAJIKAWA (2009). Eminem's “My Name Is”: Signifying Whiteness, Rearticulating Race. Journal of the Society for American Music, 3, pp 341-363 doi:10.1017/S1752196309990459 Request Permissions : Click here Downloaded from http://journals.cambridge.org/SAM, IP address: 140.233.51.181 on 06 Feb 2013 Journal of the Society for American Music (2009) Volume 3, Number 3, pp. 341–363. C 2009 The Society for American Music doi:10.1017/S1752196309990459 ⃝ Eminem’s “My Name Is”: Signifying Whiteness, Rearticulating Race LOREN KAJIKAWA Abstract Eminem’s emergence as one of the most popular rap stars of 2000 raised numerous questions about the evolving meaning of whiteness in U.S. society. Comparing The Slim Shady LP (1999) with his relatively unknown and commercially unsuccessful first album, Infinite (1996), reveals that instead of transcending racial boundaries as some critics have suggested, Eminem negotiated them in ways that made sense to his target audiences. In particular, Eminem’s influential single “My Name Is,” which helped launch his mainstream career, parodied various representations of whiteness to help counter charges that the white rapper lacked authenticity or was simply stealing black culture. -
3. SMACK THAT – EMINEM (Feat. Eminem) [Akon:] Shady Convict
3. SMACK THAT – EMINEM thing on Get a little drink on (feat. Eminem) They gonna flip for this Akon shit You can bank on it! [Akon:] Pedicure, manicure kitty-cat claws Shady The way she climbs up and down them poles Convict Looking like one of them putty-cat dolls Upfront Trying to hold my woodie back through my Akon draws Slim Shady Steps upstage didn't think I saw Creeps up behind me and she's like "You're!" I see the one, because she be that lady! Hey! I'm like ya I know lets cut to the chase I feel you creeping, I can see it from my No time to waste back to my place shadow Plus from the club to the crib it's like a mile Why don't you pop in my Lamborghini away Gallardo Or more like a palace, shall I say Maybe go to my place and just kick it like Plus I got pal if your gal is game TaeBo In fact he's the one singing the song that's And possibly bend you over look back and playing watch me "Akon!" [Chorus (2X):] [Akon:] Smack that all on the floor I feel you creeping, I can see it from my Smack that give me some more shadow Smack that 'till you get sore Why don't you pop in my Lamborghini Smack that oh-oh! Gallardo Maybe go to my place and just kick it like Upfront style ready to attack now TaeBo Pull in the parking lot slow with the lac down And possibly bend you over look back and Convicts got the whole thing packed now watch me Step in the club now and wardrobe intact now! I feel it down and cracked now (ooh) [Chorus] I see it dull and backed now I'm gonna call her, than I pull the mack down Eminem is rollin', d and em rollin' bo Money -
Signing the Deal with Dr.Dre the Marshall Mathers LP
The heavily hyped record became Nevertheless, The Marshall The Recovery! most acclaimed album in years, By doing that, I’ve become a an instant success and went on Mathers LP also came under or the next several years, Recovery struck a somewhat happier person, instead of all to sell over three million copies. a firestorm of criticism for its Eminem recorded very gentler and more inspirational this self-loathing I was doing for a excessive profanity, glorification little music and was largely tone than his previous music. while,” Eminem said. “The music, Eminem’s first single, “My of drugs and violence and its F Eminem said, “I don’t want to go I wouldn’t say it’s gotten happier, consumed by personal problems. Name Is,” mixed a childish apparent homophobia and Eminem and Kim Mathers overboard with it but I do feel like but it’s definitely more upbeat. I humor and energy with misogyny. divorced in 2000 but continued that if I can help people that have feel like myself again.” rampant profanity and flashes to maintain a tumultuous off-and- been through a similar situation, of violence—a potent and on relationship until remarrying then, you know, why not?” Eminem Top-Selling Song Signing The Deal fascinating combination that felt in 2006. Nevertheless, they s we all know eminem as different from anything else in divorced again several months minem is doubtlessly one of With Dr.Dre Asome pretty good songs under rap. Marshall and Kim Mathers later and began a protracted, ugly Ethe most acclaimed rappers his belt, but it is time to reveal his nspired by the birth of his married later that same year. -
Discography O 6.1 Number-One Singles • 7 Filmography • 8 Awards and Nominations • 9 Business Ventures • 10 See Also • 11 References O 11.1 Literature
Eminem From Wikipedia, the free encyclopedia Eminem Eminem performing live at the DJ Hero Party in Los Angeles Background information Birth name Marshall Bruce Mathers III Also known as Slim Shady October 17, 1972 (age 37), Saint Joseph, Born Missouri, United States Origin Detroit, Michigan, US Genres Hip hop Occupations Rapper, record producer, actor, songwriter Years active 1995–present Mashin' Duck, Web, Interscope, Aftermath, Labels Shady Associated Dr. Dre, D12, Royce da 5'9", The acts Alchemist, 50 Cent, Obie Trice Website http://www.eminem.com Marshall Bruce Mathers III (born October 17, 1972),[1] better known by his stage name Eminem (often styled "EMINƎM"), is an American rapper, record producer, actor and singer. Eminem quickly gained popularity in 1999 with his major-label debut album, The Slim Shady LP, which won a Grammy Award for Best Rap Album. The following album, The Marshall Mathers LP, became the fastest-selling solo album in the United States history.[2] It brought Eminem increased popularity, including his own record label, Shady Records, and brought his group project, D12, to mainstream recognition. The Marshall Mathers LP and his third album, The Eminem Show, also won Grammy Awards, making Eminem the first artist to win Best Rap Album for three consecutive LPs. He then won the award again in 2010 for his album Relapse, giving him a total of 11 Grammys in his career. In 2002, he won the Academy Award for Best Original Song for "Lose Yourself" from the film, 8 Mile, in which he also played the lead. "Lose Yourself" would go on to become the longest running No. -
The Authenticity of a Rapper: the Lyrical Divide Between Personas
The Authenticity of a Rapper: The Lyrical Divide Between Personas and Persons by Hannah Weiner A thesis presented for the B.A. degree with Honors in The Department of English University of Michigan Winter 2014 © March 25, 2014 Hannah Weiner Acknowledgements The past year has been dedicated to listening to countless hours of rap music, researching hip hop blogs, talking to everyone who will listen about exciting ideas about Kanye West, and, naturally, writing. Many individuals have provided assistance that helped an incredible amount during the process of writing and researching for this thesis. Firstly, I am truly indebted to my advisor, Macklin Smith. This thesis would not be nearly as thorough in rap’s historical background or in hip hop poetics without his intelligent ideas. His helpfulness with drafts, inclusion of his own work in e-mails, and willingness to meet over coffee not only deepened my understanding of my own topic, but also made me excited to write and research hip hop poetics. I cannot express how much I appreciated his feedback and flexibility in working with me. I am also grateful for Gillian White’s helpfulness throughout the writing process, as well. After several office hours and meetings outside of class, she has offered invaluable insight into theories on sincerity and the “personal,” and provided me with numerous resources that helped form many of the ideas expressed in my argument. I thank my family for supporting me and offering me hospitality when the stresses of thesis writing overwhelmed me on campus. They have been supportive and a source of love and compassion throughout this process and the past 21 years, as well. -
Analyzing Songs Used for Lyric Analysis with Mental Health Consumers Using Linguistic Inquiry and Word Count (LIWC) Software
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2017 Analyzing Songs Used for Lyric Analysis With Mental Health Consumers Using Linguistic Inquiry and Word Count (LIWC) Software Ashley M. Miller University of Kentucky, [email protected] Author ORCID Identifier: http://orcid.org/0000-0002-5030-0584 Digital Object Identifier: https://doi.org/10.13023/ETD.2017.180 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Miller, Ashley M., "Analyzing Songs Used for Lyric Analysis With Mental Health Consumers Using Linguistic Inquiry and Word Count (LIWC) Software" (2017). Theses and Dissertations--Music. 88. https://uknowledge.uky.edu/music_etds/88 This Master's Thesis is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Eminem the Complete Guide
Eminem The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Wed, 01 Feb 2012 13:41:34 UTC Contents Articles Overview 1 Eminem 1 Eminem discography 28 Eminem production discography 57 List of awards and nominations received by Eminem 70 Studio albums 87 Infinite 87 The Slim Shady LP 89 The Marshall Mathers LP 94 The Eminem Show 107 Encore 118 Relapse 127 Recovery 145 Compilation albums 162 Music from and Inspired by the Motion Picture 8 Mile 162 Curtain Call: The Hits 167 Eminem Presents: The Re-Up 174 Miscellaneous releases 180 The Slim Shady EP 180 Straight from the Lab 182 The Singles 184 Hell: The Sequel 188 Singles 197 "Just Don't Give a Fuck" 197 "My Name Is" 199 "Guilty Conscience" 203 "Nuttin' to Do" 207 "The Real Slim Shady" 209 "The Way I Am" 217 "Stan" 221 "Without Me" 228 "Cleanin' Out My Closet" 234 "Lose Yourself" 239 "Superman" 248 "Sing for the Moment" 250 "Business" 253 "Just Lose It" 256 "Encore" 261 "Like Toy Soldiers" 264 "Mockingbird" 268 "Ass Like That" 271 "When I'm Gone" 273 "Shake That" 277 "You Don't Know" 280 "Crack a Bottle" 283 "We Made You" 288 "3 a.m." 293 "Old Time's Sake" 297 "Beautiful" 299 "Hell Breaks Loose" 304 "Elevator" 306 "Not Afraid" 308 "Love the Way You Lie" 324 "No Love" 348 "Fast Lane" 356 "Lighters" 361 Collaborative songs 371 "Dead Wrong" 371 "Forgot About Dre" 373 "Renegade" 376 "One Day at a Time (Em's Version)" 377 "Welcome 2 Detroit" 379 "Smack That" 381 "Touchdown" 386 "Forever" 388 "Drop the World"