Index

A Anachronism, 38, 40, 41, 52, 55, 59 Abjection, 186, 189 Andrew, Dudley, 38 Abouseif, Salah, 143 Ánimas Trujano, 45 Acevedo-Muñoz, Ernesto R., 230 Anna Karenina (1878), 222 Aceves Orozco, Victoria, 176 Año bisiesto (Rowe, William), 253 Adaptation, 108–111, 113–116, Antonio das Mortes, 39, 52 118–122, 124–126 Antonioni, Michelangelo, 49 Alcázar, Damián, 140 Anxiety, social and psychological, 306, Alcoriza, Luis, 41, 232, 239 307, 319 Alemán, Julio, 46 Arau, Alfonso, 173 Alemán, Miguel, 73 Argentine Coup, 114 Alienation, 305, 320 Ariel, 3, 8 Allá en el Rancho Grande (1937 flm), Arieles, 112 145, 147, 148, 151, 154, 279 Armendáriz, Pedro, 42, 47 Allegories, function of, 307 habla de su cine con Allegory, 66, 69, 73, 79, 81, 83–85, Emilio García Riera, 117, 139 92–95, 97, 98 Arturo Ripstein: La espiral de la iden- Allen, Woody, 242 tidad, 5, 17 Alvarado, Lorena, 170 Así es la vida, 148, 235, 250–253 Álvarez, Lucía, 172, 178 Así es la vida/Such is life (2000), 202 Amores perros (González Iñarritu, Aub, Max, 2, 244, 245, 247 Alejandro), 229, 239 Auteur/authorship, 107, 110, 125, Amores perros/Loves a Bitch (2000), 2 231–237, 244

© The Editor(s) (if applicable) and The Author(s), 329 under exclusive license to Springer Nature Switzerland AG, part of Springer Nature 2019 M. Gutiérrez Silva and L. Duno Gottberg (eds.), The Films of Arturo Ripstein, https://doi.org/10.1007/978-3-030-22956-6 330 Index

Auteurism, 37, 44, 50, 109, 111, Bloch, Ernst, 38 126 Blood, 198, 199, 201–207, 209–215 Auteurist, 110, 112, 115, 124–126 Blood Simple (Coen Brothers), 242 Author function, 110, 126 Blood wedding, 203, 205, 206, 214 Autobiografía/Autobiography (1971), Bodies, 199, 201, 205–207, 209–212, 18 214 Aventurera, 145, 151 Boleros, 119–121 Ayala Blanco, Jorge, 37, 172, 182, Boom, 109, 119, 126 252 Boquitas pintadas, 115 ¡Ay Jalisco no te rajes!, 145, 177 Botero, Nacha, 10 Boytler, Arcady, 48 Boytler Rososky, Arcady Arcadievic, B 139 Babenco, Hector, 114, 127 Brooks, Peter, 281 Banco Cinematográfco/Banco Brothel as setting, 306, 315 Nacional Cinematográfco Buchenau, Jürgen, 66 (National Film Bank), 2, 43, 71, Buñuel, Luis, 25, 26, 29, 33, 110, 112 111, 148, 149, 153, 154, 230, Baroque and Neo-Baroque, 307, 309, 238, 245, 246, 253 311 Buñuel, Luis Los olvidados (1950), El Barreto, Lima, 40, 52, 53 ángel exterminador (1962), 70 Batalla en el cielo (Reygadas, Carlos), Burton, Julianne, 279 202, 253 Butler, Judith, 110 Baudrillard, Jean, 310, 325 Bazin, André, 36 Beatriz, 73–75, 77, 78 C Beginning and the End, The (novel), Cabaret, 113 278 Cabaretera, 113, 121, 151, 152, 154 Benavides Jr., José, 177 Caciquismo, 118 Benet, Vicent J., 237 Cadena perpetua, 294 Benjamin, Walter, 85, 93, 94, 309, Cadena perpetua/Life Sentence (1978), 321 6 Berg, Charles Ramírez, 66, 230 Caistor, Nick, 114 Bernardos, Graciela, 292 Camera movement, use of, 57 “Bésame mucho”, 120 Canción del alma/Song of the Soul, 177 Bichir, Bruno, 279 Cangaceiro, O, 40, 52, 53 Biennale Award, 3 Cannes Film Festival, 3, 59, 173, 235 Bienvenido/Welcome (Retes, Gabriel), Canoa (Cazals, Felipe), 232 242 Cano, Gabriela, 180 Big Mama’s Funeral, 44 Cárdenas, Enrique, 67 Biopic, 146, 155, 156, 161, 164 Carnival as festival, 324 Bisexuality, 188, 192 Carrera, Carlos, 251 Index 331

Carringer, Robert, 124 Como agua para chocolate/Like Water Cartagena de la Indias Film Festival, for Chocolate, 165, 173–175 112 Conacine, 112 Cartagena flm festival, 59 Conacite Dos, 112 Castañón, Carlos, 12, 109, 117 Con los Dorados de Villa/With Villa’s Castells, Isabel, 231 Veterans, 177 Cato, S., 184 Connelly, Caryn, 5, 15, 16, 232, 233, Cazals, Felipe, 1, 41, 112, 230–232, 236, 243 242, 251 Consumption, 316 Censor, 111 Contra hechos no hay palabras/There Centro de Capacitación are no words against facts (1984), Cinematográfca (CCC), 8 19 Centro de Investigación y Enseñanza Cooper, Gary, 55 Cinematográfcas, 117 Corpus Christi massacre, 67, 68 Centro Sperimentale di Cinema, 112 Costumes and camoufage, 307, 308, Centro Universitario de Estudios 324 Cinematográfcos, 41 Crime and Punishment (1866), 141 Chabrol, Claude, 49 Crímen/Crime (1970), 18 Charro, 42, 46, 49, 120 Crisis of machismo, 298, 301 Chesterton, G.K., 73 Crisis of masculinity, 295 Chile, 116 Crónica de una muerte anunciada China poblana, 174 (novella), 54 Chronicle of a Death Foretold (novella), Cronos (Del Toro, Guillermo, 242 54 Cuarón, Alfonso, 1, 3, 233–235, 237, Cien años de soledad/One Hundred 241, 242, 244, 251 Years of Solitude, 125 Cuarteto Anáhuac, 175, 176 Ciencias Naturales/Natural Science Cultural ‘mafas’, 112 (1975), 19 Ciencias Sociales/Social Science (1975), 19 D “Cinema and the Novel”, 114 Damaged macho, 295, 300 “Cine mexicano y la crisis, El”, 45 de Anda, Raúl, 177 Cisgender, 6 Death, 198–202, 204, 206, 207, Claustrophobic spaces, 306 209–211, 213, 214 Clément, Catherine, 180 de Carvajal, Luis, 12 Cobo, Roberto, 6, 118, 149, 151, Defective macho, 282 153, 154 de la Madrid, Miguel, 2 Coco (2017), 4 de la Mora, Sergio, 6, 9, 13, 71, 72, Coen Brothers (Joel and Ethan), 241, 169, 230, 237 242 de la vega, Eduardo, 71, 72 “Comedia ranchera”, 147, 149, 151, Del Hierro Brothers, The, 40 158 del Río, Dolores, 32, 33, 42 Commodity fetish, the body as, 308 del Toro, Guillermo, 1, 3 332 Index de Maupassant, Guy, 7 El coronel no tiene quien le escriba/No Demme, Jonathan, 242 One Writes the Colonel (1961), 7, Derrida, Jacques, 85, 90, 93, 94, 98 27, 246–248 Desire and passion, 312, 313, 316, El coronel no tiene quien le escriba/No 318, 320, 323 One Writes the Colonel (1999), 18 Destructive mother, 302 El diablo entre las piernas/The Devil De todo como en botica (1984), 18 Between the Legs (2019), 2, 18 Díaz Ordaz, Gustavo, 68, 69 El espinazo del diablo (del Toro, Díaz, Porfrio, 160 Guillermo), 246 Díaz Yanes, Agustín, 244 El evangelio de las maravillas (1998), Disillusionment, 306, 309 248, 249, 251, 253 Disney, 4 El evangelio de las maravillas/Devine D’Lugo, Marvin, 126 (1997), 18 Domesticity, spaces of, 315 “El gallo de oro” (1958), 2, 7, 8, 133 Don, Alejo, 113 El gallo de oro (1964), 29, 44, 134, Doña Bárbara (flm), 48 155 Donoso, José, 7, 12, 108–114, El Greco, 114 116–122, 124–127, 149, 278 El Heraldo de México, 176 Dostoyevsky, 141 El imperio de la fortuna/The Realm Dragão da maldade contra o santo of Fortune (1986), 13, 108, 155, guerreiro, O, 39 170, 278, 280, 295 DVD, 117 “El impostor”, 115 Elizondo, Salvador, 43, 45 El laberinto de la soledad, 189 E El laberinto del fauno (del Toro, Echeverría, Luis, 2, 41 Guillermo), 246 Echeverría, Rodolfo, 112 Ellis, Havelock, 73 Egurrola, Julieta, 278 El lugar sin límites/Hell has no limits, El ángel exterminador/The 1966 (Novel), 7, 12 Exterminating Angel, 30, 149 El lugar sin límites/The Place Without El beso de la mujer araña, 112–115 Limits (1977), 2, 36, 40, 41, 108, El borracho/The Drunk (1976), 19 109, 111–121, 123–127, 145, El callejón de los milagros (Fons, 149, 151–155, 158, 164, 165, Jorge), 238, 240, 247 230, 232, 233, 237, 249, 250, El carnaval de Sodoma, 249–253 278, 294, 301 El carnaval de Sodoma/The Carnival El náufrago de la calle of Sodom (2006), 18 Providencia/The Castaway of El castillo de la pureza/The Castle of Providence Street (1971), 19 Purity (1972), 2, 25, 41, 65–70, El otro, 115 72–74, 77, 79, 81, 111, 118, El otro/The Other (1984), 7, 18 175, 204, 294 El primer cigarro/The First Cigarette El charro, 28 (1957), 18 Index 333

“El relicario”, 120, 121 Film festivals, 235, 246, 249 Elsaesser, Thomas, 281, 303 FilminLatino, 4 El Santo Ofcio/The Holy Offce Films by Arturo Ripstein, 26 (1973), 2, 111, 118 Fincher, David, 242 El topo (Jodorowsky, Alejandro), 39, First Experimental Cinema 232 Competition, 41 El Zorro de Jalisco/The Zorro from Flashbacks, use of, 125, 149, 150, 258 Jalisco, 177 Flaubert, Gustav, 7 En este pueblo no hay ladrones (flm), 44 Flores Aceves, María de la Luz, 176 Enlightenment, 306 “Flores negras”, 120 Entraigües, Jimmy, 111, 118 Flor Silvestre/Wild Flower, 47, 177, Español/Spanish (1975), 19 279 Esperpentismo, 116 Flores y Escalante, J., 178 Esterrich, Carmelo, 233 Folklore, 148 Estilo bravío, 171, 187, 191 Fons, Jorge, 1, 112, 230, 231, 238, Estrada, Luis, 241, 251 240, 242, 247 Estrella, Alberto, 278 For a Fistful of Dollars, 51 Estudios Churubusco, 42, 111, 112 Ford, John, 30 Exorcismos/Exorcism (1970), 18 Forster, Ricardo, 85, 86 Foucault, Michel, 110 Foxtrot/The Far Side of Paradise F (1975), 16, 111, 118 Failed macho, 302 French Nouvelle Vague, 30 Failure, uses of, 306 Freud, Sigmund, 9, 306, 308, 314, 325 Familia de tantas, Una, 279 Frida, naturaleza viva, 179 Fantasies, 310, 314 Fuentes, Carlos, 7, 10, 25, 28, 36, 40, Fargo (Coen Brothers), 242 44, 49, 52, 54, 111, 119, 133, Father, 66, 68–70, 75–78 278 Faust, 316, 321 Fuentes, Fernando de, 48, 53 Fear and violence, 306–308, 311, 314, Funerales de la Mamá Grande, Los, 44 316, 326 Fellini, Federico, 30 Female body, 199, 210, 213, 214 G Feminicide, 199, 208, 209, 213 Gabriel, 65, 66, 68–70, 72–79, 81 Femininity, 309, 312 Galindo, Alejandro, 175 Fernández, Emilio, 42, 47, 53, 60, García Canclini, Néstor, 38 177 Garciadiego, Paz Alicia, 7, 12–14, Ferrocarriles Nacionales de México, 71 108, 123, 133, 139, 170, Festival Internacional de Cine en 173–175, 179, 183, 186, 188, Guadalajara, 169 190–192, 221, 231–233, 236– “Fichera”, 152–154 238, 240–243, 245, 247, 250, Figueroa, Gabriel, 33, 42, 47, 48 252, 253, 278, 280, 288, 295 334 Index

García Márquez, Gabriel, 7, 10, 25, Handheld camera, use of, 56, 60 27, 28, 36, 40, 44, 48–51, 53, Havana Film Festival, 8, 173, 235 54, 58, 133, 246, 247, 249, 278 Hayek, Salma, 238, 240, 246, 247 García Orozco, A., 171 Hell, 307, 316, 321, 325 García Riera, Emilio, 36, 43, 48, 49, Hermanas Gómez y Hernández, 121 51, 60, 111, 117, 120, 125, 139 Hermanos del Hierro, Los, 40, 45–48 Garro, Elena, 7, 278 Hermosillo, Jaime Humberto, 1, 41, Gavaldón, Roberto, 29, 133 112, 230 gay, 109, 113, 114, 119, 126 High Noon, 54, 55 Gaze, 5, 6, 9, 10, 13 Hinojosa Córdova, Lucila, 230 Gaytán, Sarita, 160 Historia documental del cine mexicano, Generelo Lanaspa, Jesús, 117, 125 139 Getino, Octavio, 109 H.O. (Juego peligroso)/H.O. Global cinema, 15, 246, 249, 253 (Dangerous Game) (1966), 18 Goethe, 73 Hollywood, 4, 115, 120, 123 Golden Age, 27, 31, 113, 121, 125, Holy Mountain, 202 134, 139 Hombre con guitarra/Man with “Golden Age” cinema (Mexico), 37, Guitar (1997), 19 40, 42, 45, 47, 48, 59–61 Home, 65, 66, 70, 73–76, 78, 79 Golden Age Mexican cinema, 145, Homosexual, 112, 114, 118, 119 146, 164 Honeymoon Killers, The (Kastle, Golpe/coup, 114 Leonard), 205, 240, 242, 243 Gómez Gómez, Carmen Elisa, 177 House, 73–79 González Iñárritu, Alejandro, 1, 229, Hubbs, Nadine, 191 233, 235, 239, 244, 251 Huis clos, 111 Goss, Brian Michael, 233, 234 Hungary, 114 Graff Zivin, Erin, 12 Hurt, William, 114 Gran Casino, 148 Grant, Catherine, 12, 40, 107, 109–111, 122, 126, 230, 233 I Grupo Cine Liberación, 109 Icon, 174, 182, 192 Grupo Nuevo Cine, 11, 35, 41–43 Identity, 307, 308, 313, 315, 324 Guadalajara Film Festival, 169 IMCINE, 173 Guerezpe, A., 172, 176 Imperio de la fortuna, El, 13 Guerrero, Javier, 13, 14 Import Substitution Industrialization Gurza, Agustín, 170 (ISI), 67, 70, 81 Gutiérrez, Laura, 177, 181 Independent cinema, 231, 234, Gutiérrez Silva, Manuel, 10, 26 241–243, 246, 251 Inquisition, 83–85, 91, 92, 95–98, 102, 104 H Institutional Revolutionary Party/ Hadad, Astrid, 170, 191 Partido Revolucionario Index 335

Institucional (PRI), 11, 66–69, Laguardia, Ernesto, 236, 278 73, 77, 81, 224 La hora de los niños/ Children’s Hour Isaac, Alberto, 44, 112 (1969), 17 Italian Post-Neorealist, 30 La ilegal/The illegal (1979), 18 La Japonesa, 120 La Japonesita, 121, 126 J La ley de Herodes (Estrada, Luis), 241, Jacovkis, Natalia, 239, 240 251 Jameson, Frederic, 11 La leyenda del beso/“The Legend of Jean-Michel, Lacor, 140 the Kiss”, 122, 150–151, 311 Jewish studies, 89 La Manuela, 113, 114, 118–122, 126 Jodorowsky, Alejandro, 39, 202, 232 La mujer de Benjamín (Carrera, Joseph, Gilbert M., 66, 67 Carlos), 251 Juana Gallo, 45 La mujer del Puerto/Woman of the Port Juan Soriano (Fecit dixit) (2001), 19 (1991), 13, 107, 108, 175, 234, 236, 278, 295 Lang, Fritz, 30 K La Opinión, 176 Kastle, Leonard, 205, 240–242 La perdición de los hombres/The Kerr, Lucille, 123, 125 Ruination of Men (2000), 2, 15, King, John, 114 235, 250–252 The Kiss of the Spider Woman, 112, La reina de la noche/Queen of the Night 114 (1994), 2, 126, 145, 146, 155– Koepnick, Lutz, 39 157, 162, 164, 165, 169, 170, Kurosawa, Akira, 3, 30 172–175, 178, 179, 181–183, 185, 188, 190, 191, 234, 239 La seducción/Seduction (1980), 18 L La sopresa/The Surpise (n/a), 18 La belleza/ Beauty (1970), 18 Las razones del corazón, 229, 253 La calle de la amargura, 253 La tía Alejandra/Aunt Alejandra La calle de la amargura/ (1979), 16 (2015), 2 La tierra del mariachi, 177 Lacan, Jacques, 9 latifundismo, 118 La Caponera, 134 Latin Americanist, 119 “La cara del villano”, 114 Latin American literary Boom, 7 La Carcajada del Gato, 32 Latin American Regionalism, 119 La Causa (Tres preguntas a La traición de Rita Hayworth, 113 Chávez)/The Cause (Three “La verdadera historia de la muerte de Questions for Chávez) (1975), 19 Francisco Franco,”, 2 La ciudad y los perros (1963), 224 La virgen de la lujuria/The Virgin of Lady Sings the Blues, 161, 162 Lust (2002), 2, 235, 244–247, La fugacidad del cine mexicano, 252 251, 252 336 Index

La viuda negra/The Black Widow Los recuerdos del porvernir/Memories of (1977), 16 the Future (1968), 2, 111 Leal, Alfredo, 46 Lozano Aguilar, Arturo, 278, 282 Lecumberri (El Palacio Negro), 224, 252 Lucha Reye (Sus primeras grabaciones), Lecumberri (El Palacio Negro)/ 169, 172, 173, 179, 180, 184 Lecumberri (The Dark Palace) Luis Buñuel’s (1900–1983), 10 (1976), 19 Luis Duno Gottberg, 25, 27 Leduc, Paul, 1, 179, 230, 251 Luis González de León, 28 Leduc, Renato, 112 lyrics, 145, 151, 153, 156, 158 Leen, Catherine, 13 Leñero, Vicente, 7 Leone, Sergio, 47, 51 M Le port, 7 machismo, 150, 158 Levine, Suzanne Jill, 109, 111–122, Macho, deconstruction of, 278, 295. 127 See also Crisis of machismo, Crisis Life drive and death drive, 309–311, of masculinity, Damaged macho, 326 Defective macho, Failed macho, Lima, Gabriel, 10, 11 Macho-in-crisis Linhard, Tabea, 244 Macho-in-crisis, 301 Liszt, Max, 177 Madama Butterfy, 171, 180, 188 Locarno flm festival, 59 Madame Bovary (1857), 2, 222 Lo de antes/What came before, 1968, 7 Magical Realism, 118, 134 López Aranda, S., 183 Magic Flute, The, 175 López, Marga, 46, 56, 57 Mahfouz, Naguib, 7, 126, 142, 143, López Portillo, José, 2 238, 278 López Portillo, Margarita, 112 Malinchismo, 13, 172, 182 López Tarso, Ignacio, 134 Mambos, 120 Los Angeles, 176 María Candelaria, 60 Los Churumbeles de España, 122 Martin, Gerald, 28 Los funerales de la mamá grande/Big Martínez de Hoyos, Jorge, 46 Mama’s Funerals (1962), 27 Marx, Karl, 315, 325 Los héroes y el tiempo/ Time and The Masquerade, 307 Heroes (2005), 6 Matemáticas/Mathematics (1975), 19 Los motivos del corazón/The Reason of Me llaman La Tequilera, 184 the Heart (2011), 18 Melodrama, 108, 113, 123, 202–206, Los motivos del lobo/The Wolf’s Motives 214, 221–223, 225, 232, 234, (1965), 32 236, 237, 239, 240, 243, 245, Los olvidados (Buñuel, Luis), 238 247, 277, 279–281, 288, 303, Los otros niños/The Other Children 305, 307, 317, 319 (1974), 19 maternal, 280 Los recuerdos del porvernir/Memories of of patriarchy. See Patriarchal the Future (1963), 7 melodrama Index 337

paternal, 279 Mother fgure, deconstruction of, 278, Subversion of, 279–282 295. See also Destructive mother Mentiras piadosas (1989), 280 Mozart, 175 Mentiras piadosas/Love Lies (1989), Mujer del puerto, La (1934 flm), 48 13, 136 Mujeres asesinas, 211–213 Merchant, Verónica, 290 Muñoz, Lucia, 279 Mexican Cinema Institute, 117 Mexican Drug War, 201 Mexican flm, 85 N Mexicanidad, 145, 148, 157, 160, Nación en marcha núm. 3 /A Nation 165, 174, 177, 191 on the March number 3 (1974), 19 Mexican Miracle, 11, 65–67, 69–71, Nadie hablará de nosotras cuando 81 hayamos muerto (Díaz Yanes, Mexican National Cinema, 66, 175, Agustín), 244 229 NAFTA, 2 Mexican Revolution, 160, 222 Nájera-Ramírez, O., 190 Mi gran noche/My glorious night Narco, 209, 212 (2004), 18 Nationalism, 148, 165, 170, 190, Millares, Selena, 111 191 Miñaro Albero, Lluis, 116, 120 Natural-Born Killers (Stone, Oliver), Mirror(s), 287–291 242 Mise-en-scène, 121, 308, 313, 315, Navarro, Gabriel, 176 319, 321, 323–325 Navitski, Rielle, 11 Modernity, 305–307, 316, 317, Neoliberalism, 171, 231, 244, 252 325–327 New Waves, 36, 37, 48 Modern Latin American Fiction: A New York, 112 Survey, 114 Nilsson, Torre, 115 Molina, 114 Nobel Prize, 142 Monsiváis, Carlos, 69, 121, 124 Noble, A., 66, 175 Monstrosity and the monstrous, 307, Non-contemporaneity, 38 319, 325 Norteña, 120 Monterde, José Enrique, 111, 112, North American Free Trade 116, 125 Agreement, 81 Montoya, Alejandra, 289 Nouvelle Vague, 223 Mora, Carl J., 232, 241 Novel/Novella, 108, 109, 111–121, Mora, Sergio de la, 109, 118, 120, 123, 124, 126, 127 126 Novela, 116 Moreno, Antonio, 48 Nuevo Cine (magazine), 41, 43 Morir en México/To Die in Mexico Nuevo Cine Mexicano, 36, 41, 42, 44, (n/a), 18 45, 53, 61, 112, 126 338 Index

O Place Without Limits, The (flm), 36, Ocampo, Silvina, 7, 115 40, 108, 117, 124 Ochoa, John, 306, 315 Planetary cinema, 15, 244 Octavio, 122 Poison, 65, 77–79, 81 Olympics, 68 Portillo, Lourdes, 6, 8 Opera, 121–123, 157, 160, 161, 165, Porvenir, 66, 69, 75–77, 79, 82 171, 172, 175, 180, 187, 188, Primer Concurso de Cine 281–282, 303 Experimental, 41, 44 Rigoletto, 281, 303 Principio y Fin/The Beginning and The Opera (or) The Undoing of Women, End (1993), 2, 126, 175, 199, 180 203–206, 235–240, 251, 252 operetta, 122 Profundo carmesí/ Over at the Big Ranch (1937 flm), 53 (1996), 2, 108, 199, 205–207, 224, 235, 240–244, 246, 247, 251, 252 P Prostitute, 279, 284, 291, 302. See Pacheco, Cristina, 12, 109 also Prostitution Pacheco, José Emilio, 7, 10, 12, 25, Prostitution, 283, 286, 287, 289, 299, 32, 33, 109, 114, 117, 118, 278 302 [PAN], 225 Pubis angelical, 123 Pancho, 113–115, 122, 126 Puig, Manuel, 7, 12, 109–127, 149, Paranaguá, P., 5, 43, 126, 175, 181, 151, 152, 278 232, 242, 287 (Tarantino, Quentin), Paris, 112 242 Pasodoble, 120 Paternalism, 72, 77, 81 Patriarchal melodrama, 279, 280, 303 Q Patriarchy, 66, 76, 154, 306 Q.R.R. (Quien resulte responsa- Paz, Octavio, 119, 189, 200 ble)/Whoever is responsible (1970), Pedro Páramo (flm), 44 18 Pemex, 71 Queer, 169, 170, 179, 191 Pepe Arévalo y sus Mulatos, 121 Qué rechulo es mi tarzán!, 177 Pérez Estremera, Manuel, 108, 111, Quintanilla Perez, Selena, 162–164 124, 125 Quitele el usted y tratamos (1984), 18 Pérez Turrent, Tomás, 71, 72 Performing Mexicanidad: Vendidas y Cabareteras on the Transnational, R 170 Rábago, Luis, 283 “Perfume de Gardenias”, 122 Ramírez, Arcelia, 250, 253 Per un pugno di dollari, 51 Ramírez Berg, Charles, 35, 41, 46 Phillips, Alex, 48 Rampling, Charlotte, 16 Index 339

Ranchera (flm genre), 40, 42, 43, Ruétalo, Victoria, 243 120, 121, 171, 172, 174, 190 Rulfo, Juan, 2, 7, 8, 29, 44, 108, 119, Raskolnikov, 141 133 Rastro de muerte/Trail of Death (1981), 18 Ratero/a, 77 S Rats, 65, 75, 77–79, 81 Sacrifce, 306, 307, 313, 326 The Real, 9 Salles, Walter, 243 Reception, 170, 172, 181 Salón independiente/Indpendent Salon “Recuerdo de Tijuana”, 114 (1969), 19 Recuerdos del porvenir, Los, 278 Sánchez, Blanca, 46 Reinl, Harald, 51 Sánchez Prado, Ignacio, 4, 14, 15 Repetition compulsion, 306, 313 San Sebastián Film Festival, 6, 8, 124, Repressed past, 306, 326 235 Retes, Gabriel, 242 Santa (1931 flm), 48, 146, 147, 154 Reyes, Lucha, 2, 13, 155–157, Santa Death, 200 160–162, 164, 165, 169–174, Santos Galindo, César, 50 179, 182, 184, 188–190, 192 Sariñana, Fernando, 250 Reyes Spindola, Patricia, 140 Sarkar, Bashkar, 238 Reygadas, Carlos, 202, 233, 253 Sartre, Jean Paul, 111 Rich, Ruby B., 188 Saura, Carlos, 126 Rio de Janeiro, 112 Scaramouche (1952), 29 Río Escondido, 47 Schaefer, Claudia, 15, 16, 240, 243 Ripstein, Alfredo, 26, 42, 70, 111, Schatz im Silbersee, Der, 51 148 Schwarz, Roberto, 239 Ripstein, Arturo, 1–17, 25, 26, 65, 70, Screenwriter, 109, 112, 123 71, 83–85, 87, 91–95, 99, 102, Screenwriting, 115, 117, 118, 144, 104, 105, 107–127, 133–143, 247 145, 148, 169, 183, 192, 199, collaboration in, 7 202, 203, 205, 206, 211, 214, Scriptor, 123, 124 225 Se7en (Fincher, David), 242 Rocha, Enrique, 46 Second Cinema, 109 Rocha, Glauber, 39, 52 Seix Barral, 112, 114 Rodríguez, A., 172, 176 Selena, 161, 162, 164 Rodríguez, Ismael, 40, 45–47 Serrano, Antonio, 229 Rodríguez, Joselito, 177 Sexo, pudor y lágrimas (Serrano, Rodríguez, María Soledad, 250 Antonio), 229 Rojo amanecer (Jorge Fons, 1989), 79 Sexuality, 150, 153, 154, 163, 165, Rome, 112 192, 314, 320, 323 Rosas Mantecón, Ana, 230 Sharif, Omar, 143 Rowe, Michael, 253 Silence of the Lambs, The (Jonathan Rubin, Martin, 243 Demme), 242 340 Index

Sindicato de Trabajadores de la Tina: What’s Love Got To Do With It, Producción Cinematográfca, 41 161 Sisk, Christina, 11 Tlatelolco, 67, 68, 79 Solanas, Fernando, 109 Todo el poder (Sariñana, Fernando), Solano, Rosalío, 47 250 Sólo con tu pareja (Cuarón, Alfonso), 242 Torreblanca, Juan Nepomuceno, 176 Sonora Santanera, 121, 122 Torres, Augusto M., 230 Sordid atmosphere, 311 Torture, 85, 89, 91, 95, 96, 99–104 Sosa, Evangelina, 140 Tovar, Luis Felipe, 288 Soundtrack, 145, 149, 152–154, 156, Tovar Paz, Francisco Javier, 250 161, 164 Tragedy and farce, 315, 318, 320, 325 Soutullo and Vert, 150 Transgender, 2, 6 Spectacle, 307, 309, 314–316 Transnational, 109–111, 117, 120, Spectator, the, 308, 311, 315, 319, 125 324 Transnationalism, 15 Spivak, Gayatri, 243 Transnational transposition, 117 Spota, Luis, 7 Transparency and opacity, 309 Statistical Yearbook of Mexican Trauma, 327 Cinema: 2015, 4 Treasure of Silver Lake, The, 51 Statistical Yearbook of Mexican Tremendism, 15 Cinema: 2016, 4 Triana, Jorge Alí, 60 Statistical Yearbook of Mexican Turan, Kenneth, 235 Cinema: 2017, 4 Stone, Oliver, 242 Suicide, 155, 156, 161, 171, 175, U 179, 180, 186, 188 Una familia de tantas, 175 Sundance Film Festival, 241 Un bel di, 171, 180, 187 Uncanny, the, 308, 313 Un Chien Andalou/The Andalusian T Dog, 10, 30 Tarantino, Quentin, 242 Un día en la vida de dos restau- Temptation, 311, 316 rantes/A Day in the Life of Two Terra estrangeira (Salles, Walter), 243 Restaurants (2005), 19 Testimonios del Cine Mexicano, 117 Universidad de Guadalajara, 117 There are no Thieves in this Town (flm), Urueta, Chano, 177 44 Utopía, 75–78 Third Cinema, 109, 230 Thornton, Niahm, 15 Tiempo de morir/Time to Die (1966), V 1, 25, 27, 35–37, 39–41, 44–52, Valdés, Pedro Antonio, 249 54–56, 59–61, 111 Valentín, 115 script, 36 Vargas Llosa, Mario, 224 Index 341

Vega, Gonzalo, 6, 115 in Italian cinema, 51 Velasco, Alma, 170, 171, 184, 191 Wexman, Virginia Wright, 231 Velo, Carlos, 44 Woman of the Port, The (1934 flm), 48 Venice Film Festival, 3, 8 Wong, Cindy Hing Yuk, 235 Vera Cruz (flm studio), 52 Wood, Michael, 245 “Vereda tropical”, 120 WorldCat.org, 4 VHS, 117 Wuthering Heights, 53 Villa, Lucha, 120, 134 Violence, 199–202, 207, 211–214 Viridiana (Buñuel, Luis), 245 Y Visconti, Luchino, 30 Yakir, Daniel, 111, 114 Voluntad, 66, 73, 75, 79 Yáñez, Ernesto, 300 von Sydow, Max, 16 Yarbro-Bejarano, Yvonne, 192 Vulcano 214, 10 Yehya, Naief, 173 Y tu mama también (Cuarón, Alfonso), 244 W Welles, Orson, 30 Western, 28, 29 Z Western (flm genre) Zarzuela, 122 in American cinema, 40 Zinnemann, Fred, 54 in Brazilian cinema, 52 Zolov, Eric, 67, 68 in German cinema, 38 Zoom, use of, 48