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Hampi, Badami & Around
SCRIPT YOUR ADVENTURE in KARNATAKA WILDLIFE • WATERSPORTS • TREKS • ACTIVITIES This guide is researched and written by Supriya Sehgal 2 PLAN YOUR TRIP CONTENTS 3 Contents PLAN YOUR TRIP .................................................................. 4 Adventures in Karnataka ...........................................................6 Need to Know ........................................................................... 10 10 Top Experiences ...................................................................14 7 Days of Action .......................................................................20 BEST TRIPS ......................................................................... 22 Bengaluru, Ramanagara & Nandi Hills ...................................24 Detour: Bheemeshwari & Galibore Nature Camps ...............44 Chikkamagaluru .......................................................................46 Detour: River Tern Lodge .........................................................53 Kodagu (Coorg) .......................................................................54 Hampi, Badami & Around........................................................68 Coastal Karnataka .................................................................. 78 Detour: Agumbe .......................................................................86 Dandeli & Jog Falls ...................................................................90 Detour: Castle Rock .................................................................94 Bandipur & Nagarhole ...........................................................100 -
Journal 16Th Issue
Journal of Indian History and Culture JOURNAL OF INDIAN HISTORY AND CULTURE September 2009 Sixteenth Issue C.P. RAMASWAMI AIYAR INSTITUTE OF INDOLOGICAL RESEARCH (affiliated to the University of Madras) The C.P. Ramaswami Aiyar Foundation 1 Eldams Road, Chennai 600 018, INDIA September 2009, Sixteenth Issue 1 Journal of Indian History and Culture Editor : Dr.G.J. Sudhakar Board of Editors Dr. K.V.Raman Dr. Nanditha Krishna Referees Dr. A. Chandrsekharan Dr. V. Balambal Dr. S. Vasanthi Dr. Chitra Madhavan Published by Dr. Nanditha Krishna C.P.Ramaswami Aiyar Institute of Indological Research The C.P. Ramaswami Aiyar Foundation 1 Eldams Road Chennai 600 018 Tel : 2434 1778 / 2435 9366 Fax : 91-44-24351022 E-Mail: [email protected] Website: www.cprfoundation.org ISSN : 0975 - 7805 Layout Design : R. Sathyanarayanan & P. Dhanalakshmi Sub editing by : Mr. Narayan Onkar Subscription Rs. 150/- (for 2 issues) Rs. 290/- (for 4 issues) 2 September 2009, Sixteenth Issue Journal of Indian History and Culture CONTENTS Prehistoric and Proto historic Strata of the Lower Tungabhadra Region of Andhra Pradesh and Adjoining Areas by Dr. P.C. Venkatasubbiah 07 River Narmada and Valmiki Ramayana by Sukanya Agashe 44 Narasimha in Pallava Art by G. Balaji 52 Trade between Early Historic Tamilnadu and China by Dr. Vikas Kumar Verma 62 Some Unique Anthropomorphic Images Found in the Temples of South India - A Study by R. Ezhilraman 85 Keelakarai Commercial Contacts by Dr. A.H. Mohideen Badshah 101 Neo trends of the Jaina Votaries during the Gangas of Talakad - with a special reference to Military General Chamundararaya by Dr. -
GI Journal No. 75 1 November 26, 2015
GI Journal No. 75 1 November 26, 2015 GOVERNMENT OF INDIA GEOGRAPHICAL INDICATIONS JOURNAL NO.75 NOVEMBER 26, 2015 / AGRAHAYANA 05, SAKA 1936 GI Journal No. 75 2 November 26, 2015 INDEX S. No. Particulars Page No. 1 Official Notices 4 2 New G.I Application Details 5 3 Public Notice 6 4 GI Applications Bagh Prints of Madhya Pradesh (Logo )- GI Application No.505 7 Sankheda Furniture (Logo) - GI Application No.507 19 Kutch Embroidery (Logo) - GI Application No.509 26 Karnataka Bronzeware (Logo) - GI Application No.510 35 Ganjifa Cards of Mysore (Logo) - GI Application No.511 43 Navalgund Durries (Logo) - GI Application No.512 49 Thanjavur Art Plate (Logo) - GI Application No.513 57 Swamimalai Bronze Icons (Logo) - GI Application No.514 66 Temple Jewellery of Nagercoil (Logo) - GI Application No.515 75 5 GI Authorised User Applications Patan Patola – GI Application No. 232 80 6 General Information 81 7 Registration Process 83 GI Journal No. 75 3 November 26, 2015 OFFICIAL NOTICES Sub: Notice is given under Rule 41(1) of Geographical Indications of Goods (Registration & Protection) Rules, 2002. 1. As per the requirement of Rule 41(1) it is informed that the issue of Journal 75 of the Geographical Indications Journal dated 26th November 2015 / Agrahayana 05th, Saka 1936 has been made available to the public from 26th November 2015. GI Journal No. 75 4 November 26, 2015 NEW G.I APPLICATION DETAILS App.No. Geographical Indications Class Goods 530 Tulaipanji Rice 31 Agricultural 531 Gobindobhog Rice 31 Agricultural 532 Mysore Silk 24, 25 and 26 Handicraft 533 Banglar Rasogolla 30 Food Stuffs 534 Lamphun Brocade Thai Silk 24 Textiles GI Journal No. -
CERTIFICATE It Is Hereby Declared That This Work Has Not Been Submitted for a Higher Degree to Any Other University Or Instituti
CERTIFICATE It is hereby declared that this work has not been submitted for a higher degree to any other University or Institution. L. Peter Kollar. / **/ ' (* KEN5INGTDN £ V °o V * Li 8RARV SUMMARY This is a study of symbolism in traditional Hindu architecture. It is based upon the Shri Minakshi Sundareswar, The Great Temple at Madura, South India, visited by the author in i960. The formal arrangement of this temple is the pivot around -which the examination of the principles of architectural symbolism revolves. The general principles as well as the particular symbolic expressions are elucidated by constant reference to the sacred texts of the Hindu tradition. The key to all this is the Hindu doctrine itself, but no attempt could be made to expose its integrality on these pages. However, the introduction and the footnotes contain sufficient references and brief explanations to enable one to follow the theme without undue difficulty even if the subject were unfamiliar. The study develops the meaning of the architectural layout by approaching the temple from the outside and gradually progressing towards its core. During this passage the nature of symbolism is discovered in successively higher degrees until it becomes clear that the temple - in its detail as well as in its entirety - is a meta physical symbol and its construction a metaphysical rite. It expresses by means of silent architectural forms the selfsame doctrine which is recorded verbally in the sacred texts. SYMBOLISM IN HINDU ARCHITECTURE as revealed in the SHRI IvUNAKSHI SUNDARESWAR A study for the degree of Master of Architecture L« Peter Kollar A.A.S.T.C., A.R.A.I.A, Sydney, 1962 ii CONTENTS List of Plates .. -
Metal Craft Heritage of Cauvery and Riverine Regions
Sharada Srinivasan METAL CRAFT HERITAGE OF CAUVERY AND RIVERINE REGIONS NATIONAL INSTITUTE OF ADVANCED STUDIES Bengaluru, India Research Report NIAS/HUM/HSS/U/RR/02/2020 Metal Craft Heritage of Cauvery and Riverine Regions Principal Investigator: Prof Sharada Srinivasan Heritage, Science and Society Programme, NIAS Supported by Tata Consultancy Services HERITAGE, SCIENCE AND SOCIETY PROGRAMMES NATIONAL INSTITUTE OF ADVANCED STUDIES Bengaluru, India 2020 © National Institute of Advanced Studies, 2020 Published by National Institute of Advanced Studies Indian Institute of Science Campus Bengaluru - 560 012 Tel: 2218 5000, Fax: 2218 5028 E-mail: [email protected] NIAS Report: NIAS/HUM/HSS/U/RR/02/2020 ISBN: 978-93-83566-37-2 Typeset & Printed by Aditi Enterprises [email protected] Table of Contents 1. Metal Crafts of the Cauvery region and beyond ..............................................1 2. Chola legacy of icon making of Swamimalai ....................................................4 3. Bell and lamp making in Thanjavur district ....................................................16 4. Swami work: The Art of Thanjavur Plate ........................................................25 5. Copper alloy working centres in Karnataka ....................................................33 6. Iron and Steel Traditions of Telangana Kammari ..........................................37 7. Traditional Blacksmithy of Tamil Nadu and Karnataka ...............................46 8. High-tin bronze metal craft from Aranmula, Kerala .....................................59 -
Chemistry – Complete One Liner Notes for Wbcs
ONE LINER NOTES - WBCS CHEMISTRY – COMPLETE ONE LINER NOTES FOR WBCS BY SOMNATH Chemistry * Father of Chemistry Ans : Robert Boyle * The author of the book 'Sceptical Chymist' is Ans : Robert Boyle * Father of Modern Chemistry Ans : Antoine Lavoisier * Father of Indian Chemistry Ans : P.C.Roy * Father of Organic Chemistry Ans : Friedrich Wohler * Ancient Chemistry is known as Ans : Alchemy * Ancient Chemists were known as Ans : Alchemists * The scientist known as the father of Sodapop Ans : Joseph Priestly * International year of chemistry Ans : 2011 *New methods used in chemistry which aim to reduce pollution are called Ans : Green Chemistry *The term Green Chemistry was coined by Ans : Paul.T.Anastas 1 BY SOMNATH ONE LINER NOTES - WBCS. ■STATES OF MATTER There are seven stable physical states 1) Solid 2) Liquid 3) Gas 4) Plasma 5) Bose- Einstein condensate (Super atom) 6) Fermionic condensate 7) Super Fluidity ■DUAL NATURE OF MATTER * The concept dual nature of Matter was put forward by Ans : Louis de-Broglie * The construction of electron microscope was based on Ans : Dual Nature of Matter * The dual nature of electrons was Ans : I.H.Germer ATOM *Basic unit of Chemistry Ans : Atom *Smallest units of a matter Ans : Atom *Atom was derived from a greek word Ans : 'Atomos' (means indivisible) *Atom was discovered by Ans : John Dalton Page 2 BY SOMNATH ONE LINER NOTES - WBCS. *Law of Multiple Proportion was put forward by Ans : John Dalton *The term 'atom' was coined by Ans : Ostwald *The fundamental particles of an atom Ans : Proton, Electron -
Socio- Political and Administrative History of Ancient India (Early Time to 8Th-12Th Century C.E)
DDCE/History (M.A)/SLM/Paper-XII Socio- Political and Administrative History of Ancient India (Early time to 8th-12th Century C.E) By Dr. Binod Bihari Satpathy 0 CONTENT SOCIO- POLITICAL AND ADMINISTRATIVE HISTORY OF ANCIENT INDIA (EARLY TIME TO 8th-12th CENTURIES C.E) Unit.No. Chapter Name Page No Unit-I. Political Condition. 1. The emergence of Rajput: Pratiharas, Art and Architecture. 02-14 2. The Rashtrakutas of Manyakheta: Their role in history, 15-27 Contribution to art and culture. 3. The Pala of Bengal- Polity, Economy and Social conditions. 28-47 Unit-II Other political dynasties of early medieval India. 1. The Somavamsis of Odisha. 48-64 2. Cholas Empire: Local Self Government, Art and Architecture. 65-82 3. Features of Indian Village System, Society, Economy, Art and 83-99 learning in South India. Unit-III. Indian Society in early Medieval Age. 1. Social stratification: Proliferation of castes, Status of women, 100-112 Matrilineal System, Aryanisation of hinterland region. 2. Religion-Bhakti Movements, Saivism, Vaishnavism, Tantricism, 113-128 Islam. 3. Development of Art and Architecture: Evolution of Temple Architecture- Major regional Schools, Sculpture, Bronzes and 129-145 Paintings. Unit-IV. Indian Economy in early medieval age. 1. General review of the economic life: Agrarian and Urban 146-161 Economy. 2. Indian Feudalism: Characteristic, Nature and features. 162-180 Significance. 3. Trade and commerce- Maritime Activities, Spread of Indian 181-199 Culture abroad, Cultural Interaction. 1 ACKNOWLEDGEMENT It is pleasure to be able to complete this compilation work. containing various aspects of Ancient Indian History. This material is prepared with an objective to familiarize the students of M.A History, DDCE Utkal University on the various aspcets of India’s ancient past. -
The Extraordinary Handicrafts
THE EXTRAORDINARY HANDICRAFTS OF ANDHRA PRADESH DESPITE BEING ONE OF THE MOST ADVANCED PARTS OF THE COUNTRY, THE SOUL OF ANDHRA PRADESH LIES IN ITS CRAFTS, HANDICRAFTS, TEXTILES AND SMALL COTTAGE INDUSTRIES. THE WORK OF THESE CRAFTSMEN AND ARTISANS ATTRACT THOUSANDS OF TOURISTS. COME, TAKE HOME A SOUVENIR THAT REPRESENTS THE SOUL OF ANDHRA KALAMKARI FABRICS PRADESH. Kalamkari is the craft of painted and printed fabrics, developed both for decoration and religious ornamentation. The practice involves pen-painted or block printed fabrics, and is practiced till today. The unique art is used to make beautiful sarees and wall decorations. UPPADA SAREE Uppada Sari is a sari style woven in Uppada Village of East Godavari district in the Indian state of Andhra Pradesh. It is located 16 km from Kakinada. PONDURU COTTON The Ponduru Khaddar is a handloom Khadi variety that is produced by the villagers in Srikakulam district of Andhra Pradesh. it is located at a distance of 17 km from Srikakulam. LAKKA BOMMALU Lakka Bommalu are traditional toys that depict the rich cultural heritage of Andhra Pradesh. These wooden carved toys are coated with lacquer and then designs are painted on the toys with vegetable dyes. VENKATAGIRI SAREES Venkatagiri Sarees have graceful strands of gold all over. These sarees are available in cotton and silk, with pure silver zari and brocade designs in the border. The sarees have pleasant colours with golden dots, leaves, parrots or simple geometric designs used as motifs. KONDAPALLI TOYS Kondapalli toys are lightweight, colourful toys made out of soft punki wood. The figures are coated with lime and then varnished and painted in bright attractive colours. -
Heritage of Mysore Division
HERITAGE OF MYSORE DIVISION - Mysore, Mandya, Hassan, Chickmagalur, Kodagu, Dakshina Kannada, Udupi and Chamarajanagar Districts. Prepared by: Dr. J.V.Gayathri, Deputy Director, Arcaheology, Museums and Heritage Department, Palace Complex, Mysore 570 001. Phone:0821-2424671. The rule of Kadambas, the Chalukyas, Gangas, Rashtrakutas, Hoysalas, Vijayanagar rulers, the Bahamanis of Gulbarga and Bidar, Adilshahis of Bijapur, Mysore Wodeyars, the Keladi rulers, Haider Ali and Tipu Sultan and the rule of British Commissioners have left behind Forts, Magnificient Palaces, Temples, Mosques, Churches and beautiful works of art and architecture in Karnataka. The fauna and flora, the National parks, the animal and bird sanctuaries provide a sight of wild animals like elephants, tigers, bisons, deers, black bucks, peacocks and many species in their natural habitat. A rich variety of flora like: aromatic sandalwood, pipal and banyan trees are abundantly available in the State. The river Cauvery, Tunga, Krishna, Kapila – enrich the soil of the land and contribute to the State’s agricultural prosperity. The water falls created by the rivers are a feast to the eyes of the outlookers. Historical bakground: Karnataka is a land with rich historical past. It has many pre-historic sites and most of them are in the river valleys. The pre-historic culture of Karnataka is quite distinct from the pre- historic culture of North India, which may be compared with that existed in Africa. 1 Parts of Karnataka were subject to the rule of the Nandas, Mauryas and the Shatavahanas; Chandragupta Maurya (either Chandragupta I or Sannati Chandragupta Asoka’s grandson) is believed to have visited Sravanabelagola and spent his last years in this place. -
Natesan's Arts
+91-8048698077 Natesan's Arts https://www.indiamart.com/natesans/ The house of Natesan's is internationally known for its reputation and the quality and craftsmanship of the products they manufacture. Each piece is individually designed and crafted with utmost care. Hence every piece is a masterpiece. About Us From the humble beginnings in 1930 by late T.N.Natesan, the Natesan's have been successful in promoting Indian art globally. The manufacturing units of Natesan's have executed prestgious projects over the years. Quality has been the keyword and Natesan's have gone a long way in nurturing Indian art. Today our exquisite artifacts in extraordinary size and impeccable craftsmanship adorn various hotels & corporate houses the world over. Natesan's offer the best quality artifacts at the most reasonable prices. For more information, please visit https://www.indiamart.com/natesans/know-us.html TEAK WOOD SCULPTURES O u r P r o d u c t R a n g e Teak Wood Lakshmi Statue Teak Wood Ganesha Teak Wood Carved Krishna Teak Wood Dhakshinamurthy BRONZE SCULPTURES O u r P r o d u c t R a n g e Bronze Krishna With Prabha Bronze Ganesha Bronze Ganesh Bronze Parvati STONE SCULPTURES O u r P r o d u c t R a n g e Stone Durga Stone Kurma Avatara Stone Matsya Avatara Stone Parashurama WOOD SCULPTURES O u r P r o d u c t R a n g e Teak Wood Carved Mother Teak Wood Radha Krishna and Child Teak Wood Ganesh Teak Wood Uma BRONZE STATUES & SCULPTURES O u r P r o d u c t R a n g e Bronze Natraja Bronze Bull Head Bronze Krishna Bronze Bull PANCHALOHA IDOLS O -
Component-I (A) – Personal Details
Component-I (A) – Personal details: Prof. P. Bhaskar Reddy Sri Venkateswara University, Tirupati. Ravi Korisettar, UGC Emeritus Fellow Karnatak University, Dharwad. Onkar Tendulkar Virasat E Hind Foundation. Bombay. Ravi Korisettar Karnatak University, Dharwad. 1 Component-I (B) – Description of module: Subject Name Indian Culture Paper Name Art and Architecture of India Module Name/Title Vijayanagara School of Architecture (Outside Hampi) Module Id IC / AAI / 07 Pre requisites Understanding the features of Vijayanagara empire’s Objectives architecture with examples from outside Hampi Dravida school of temple architecture, Vijayanagara, Penukonda, Chandragiri, Gingee, Varadaraja Perumal, Keywords Kanchipuram, Tadipatri, Kolar, Shringeri, Lepakshi, Gandikota, Vellore E-text (Quadrant-I) : 1. General Architectural Features of Vijayanagara Architecture Style: Sky soaring gopuras at the entrance of the temple known as Raya Gopuras. Concentrated on building temple complexes instead of stand-alone temples. Major temples often had long bazar streets along the main approach road and also a pushkarni (stepped well) close by for the fetching water for various uses in temple activities. Addition of kalyana mandapa to the newly built as well as existing temple complexes. Kalyana mandapas were vast halls with flat roofs supported by a number of pillars and used during annual festivities of marriage between the god and his consort. Presence of a separate Devi0Amma shrine- usually to the north-west of the garbhagriha of main temple. Usage of various types of pillars such as double pillars, composite pillars, round pillars etc. most famous of these pillars being the musical pillars present in the temples of Hampi. Pushpapotika- the inverted lotus flower bud shaped pillar brackets. -
Yali South Africa Application Form
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