Science of the Sacred Ancient Perspectives for Modern Science
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Is Fengshui Science Or Superstition? a New Criterion for Judging the Value of Knowledge Systems*
Journal of Literature and Art Studies, ISSN 2159-5836 January 2013, Vol. 3, No. 1, 61-69 D DAVID PUBLISHING Is Fengshui Science or Superstition? A New Criterion for Judging the Value of Knowledge Systems* ZHANG Yong-feng, DAI Wei Tsinghua University, Beijing, China Fengshui, which can be translated as Wind-Water literally in English, is an ancient Chinese system of laws considered to govern spatial arrangement and orientation in relation to the flow of Qi, and whose favorable or unfavorable effects are taken into account when sitting and designing buildings. Similar systems exist in many other cultures such as Vastu Shastra in India, which consists of precepts born out of a traditional and archaic view on how the laws of nature affect human dwellings. Although prospered in ancient society, modern reactions to Fengshui are mixed. The Skeptic Encyclopedia of Pseudoscience states that principles of Fengshui are quite rational, but folk remedies and superstitions have been incorporated into its eclectic mix. In this paper, we do not distinguish Fengshui and other similar systems between science and superstition, but try to propose a criterion for judging whether a knowledge system is valuable, and if so, to whom it is valuable. We will end up arguing that, a knowledge system satisfying the criterion of relatively true property is valuable at least to its community of believers, and the problem of whether a knowledge system has greater value is essentially a problem of whether it is relatable to other knowledge systems, so as to expand its community of believers. Keywords: philosophy of science, superstition, Fengshui, relatively true property Introduction Philosophy of science has long been an important research area for philosophers, which has also made great impacts on the development of science and technology. -
Hampi, Badami & Around
SCRIPT YOUR ADVENTURE in KARNATAKA WILDLIFE • WATERSPORTS • TREKS • ACTIVITIES This guide is researched and written by Supriya Sehgal 2 PLAN YOUR TRIP CONTENTS 3 Contents PLAN YOUR TRIP .................................................................. 4 Adventures in Karnataka ...........................................................6 Need to Know ........................................................................... 10 10 Top Experiences ...................................................................14 7 Days of Action .......................................................................20 BEST TRIPS ......................................................................... 22 Bengaluru, Ramanagara & Nandi Hills ...................................24 Detour: Bheemeshwari & Galibore Nature Camps ...............44 Chikkamagaluru .......................................................................46 Detour: River Tern Lodge .........................................................53 Kodagu (Coorg) .......................................................................54 Hampi, Badami & Around........................................................68 Coastal Karnataka .................................................................. 78 Detour: Agumbe .......................................................................86 Dandeli & Jog Falls ...................................................................90 Detour: Castle Rock .................................................................94 Bandipur & Nagarhole ...........................................................100 -
Vāstu Śāstra, Vastu Veda, Vastuvidya, Thachu Shastra, Thatchu Shasthra
Vastu shastra (vāstu śāstra, vastu veda, vastuvidya, Thachu Shastra, Thatchu Shasthra, "shastra of construction", "architecture") is an ancient doctrine which consists of precepts born out of a traditional view on how the laws of nature affect human dwellings.[1] The designs are based on directional alignments. It used to be applied in Hindu architecture, especially for Hindu temples, and covers other domains, including vehicles, vessels, furniture, sculpture, paintings etc. The foundation of Vastu is traditionally ascribed to the sage Maamuni Mayan (Mahaa-muni Maya, a daanava/demon reformed by tapasyaa/austerities) in South India, and Vishvakarman in North India. Vastu experts usually call it construction science, however main-stream scientists, and architects, consider Vastu as more of a superstition and pseudoscience. While Vastu had long been essentially restricted to temple architecture, there has been a revival of it in India, in recent decades, notably under the influence of late V. Ganapati Sthapati, who has been campaigning for a restoration of the tradition in modern Indian society since the 1960s. While the fields are related, Shilpa Shastra explicitly deal with sculpture – forms, statues, icons, stone murals etc. The doctrine of Vastu Shastra is concerned primarily with architecture – building houses, forts, temples, apartments and other buildings. Contents 1 Terminology 2 Fundamental concepts 2.1 Five elements 2.2 Vastu Purusha Mandala 3 Mandala types and properties 3.1 Mandala in siting 3.2 Mandala in construction 4 MahaVastu 5 Western reception 6 See also 7 References 8 Further reading Terminology The Sanskrit word vastu means a dwelling or house with a corresponding plot of land.[2] The vrddhi, vāstu, takes the meaning of "the site or foundation of a house, site, ground, building or dwelling-place, habitation, homestead, house". -
THE ANCIENT ARTS of VASTU SHASTRA and FENGSHUI Holistic
ARCHIVE 1997 THE ANCIENT ARTS OF VASTU SHASTRA AND FENGSHUI Holistic approaches to building design An Interview conducted by architect Professor Balwant Saini (BS), with Vastu expert Prabhat Poddar (PP) and Feng Shui consultant Kerry Tabor (KT) 21 July 1997 Brisbane Australia BS: In many countries in the East and also in the West, there is increasing public interest in the ancient Chinese system of Feng Shui and the Indian art of Vastu Shastra. Both claim to enhance our quality of life, but most of us are fairly ignorant of how these two systems work. We don’t even know if they are as effective as their practitioners profess or whether there is any real difference between the two. Firstly Kerry, what is Feng Shui? KT: Feng Shui is the ancient Chinese art of conscious place- ment. It seeks to place people to their best advantage in space and time. As one of the limbs of Traditional Chinese Medi- cine, Feng Shui is a healing art. It works with the energy me- ridians of the earth and the flow of Qui [pronounced “tee”] in the landscape - just as acupuncture or Chinese herbs aim to balance the energy meridians of the body. 1 ARCHIVE 1997 BS: What is Qui? KT: Qi is a fairly new concept to our Western rational minds, and requires a new way of thinking about the energy around us. Qi is life force energy, vital essence, and cosmic breath. In India this is called “prana”. Qi is everywhere - present in everything. Feng Shui seeks to achieve just the right flow and quality of Qi appropriate to the situation and the time. -
Journal 16Th Issue
Journal of Indian History and Culture JOURNAL OF INDIAN HISTORY AND CULTURE September 2009 Sixteenth Issue C.P. RAMASWAMI AIYAR INSTITUTE OF INDOLOGICAL RESEARCH (affiliated to the University of Madras) The C.P. Ramaswami Aiyar Foundation 1 Eldams Road, Chennai 600 018, INDIA September 2009, Sixteenth Issue 1 Journal of Indian History and Culture Editor : Dr.G.J. Sudhakar Board of Editors Dr. K.V.Raman Dr. Nanditha Krishna Referees Dr. A. Chandrsekharan Dr. V. Balambal Dr. S. Vasanthi Dr. Chitra Madhavan Published by Dr. Nanditha Krishna C.P.Ramaswami Aiyar Institute of Indological Research The C.P. Ramaswami Aiyar Foundation 1 Eldams Road Chennai 600 018 Tel : 2434 1778 / 2435 9366 Fax : 91-44-24351022 E-Mail: [email protected] Website: www.cprfoundation.org ISSN : 0975 - 7805 Layout Design : R. Sathyanarayanan & P. Dhanalakshmi Sub editing by : Mr. Narayan Onkar Subscription Rs. 150/- (for 2 issues) Rs. 290/- (for 4 issues) 2 September 2009, Sixteenth Issue Journal of Indian History and Culture CONTENTS Prehistoric and Proto historic Strata of the Lower Tungabhadra Region of Andhra Pradesh and Adjoining Areas by Dr. P.C. Venkatasubbiah 07 River Narmada and Valmiki Ramayana by Sukanya Agashe 44 Narasimha in Pallava Art by G. Balaji 52 Trade between Early Historic Tamilnadu and China by Dr. Vikas Kumar Verma 62 Some Unique Anthropomorphic Images Found in the Temples of South India - A Study by R. Ezhilraman 85 Keelakarai Commercial Contacts by Dr. A.H. Mohideen Badshah 101 Neo trends of the Jaina Votaries during the Gangas of Talakad - with a special reference to Military General Chamundararaya by Dr. -
CERTIFICATE It Is Hereby Declared That This Work Has Not Been Submitted for a Higher Degree to Any Other University Or Instituti
CERTIFICATE It is hereby declared that this work has not been submitted for a higher degree to any other University or Institution. L. Peter Kollar. / **/ ' (* KEN5INGTDN £ V °o V * Li 8RARV SUMMARY This is a study of symbolism in traditional Hindu architecture. It is based upon the Shri Minakshi Sundareswar, The Great Temple at Madura, South India, visited by the author in i960. The formal arrangement of this temple is the pivot around -which the examination of the principles of architectural symbolism revolves. The general principles as well as the particular symbolic expressions are elucidated by constant reference to the sacred texts of the Hindu tradition. The key to all this is the Hindu doctrine itself, but no attempt could be made to expose its integrality on these pages. However, the introduction and the footnotes contain sufficient references and brief explanations to enable one to follow the theme without undue difficulty even if the subject were unfamiliar. The study develops the meaning of the architectural layout by approaching the temple from the outside and gradually progressing towards its core. During this passage the nature of symbolism is discovered in successively higher degrees until it becomes clear that the temple - in its detail as well as in its entirety - is a meta physical symbol and its construction a metaphysical rite. It expresses by means of silent architectural forms the selfsame doctrine which is recorded verbally in the sacred texts. SYMBOLISM IN HINDU ARCHITECTURE as revealed in the SHRI IvUNAKSHI SUNDARESWAR A study for the degree of Master of Architecture L« Peter Kollar A.A.S.T.C., A.R.A.I.A, Sydney, 1962 ii CONTENTS List of Plates .. -
Direction of Toilet As Per Vastu
Direction Of Toilet As Per Vastu Chad Wiley misteaches ingloriously or decerns arbitrarily when Woody is panoptical. Inerrant and styliform Kim words some rooters so violinistically! Cloudy Yves unbuild very larghetto while Eduardo remains pentameter and Scots. Olden days are now as per location? Vastu For North Facing House Plan. How to many others post is better compliance with william and pillows in the agnikund meant to the lord narayana to develop your say these vasthu shastra colours and as per vastu of direction toilet. West as per vastu shastra humans and toilet direction of as per vastu? It is as per toilet direction of vastu consultancy can be used externally or a harsh quality. Vastu For Kitchen 6 Vastu Tips For bloom to boost positive energy. You have any cost at how much as per vastu house plans for our elders may exist due diligence to admit, of direction toilet as per vastu. An astrologer and benefits as your toilet direction is cut or plot. Vaastu dosh in india ltd, no one water element represented by toilet direction of as vastu dosh in the mirrors if you are we have windows are some! Find a well as per toilet direction of vastu is considered for more damage plaster of. If by us to purchase please suggest you need help or areas are obscene, as per rera guidelines for a key component of shermukhi type. Previous photo in your wish you can view it be vastu of direction toilet as per vastu with water, an adverse effects different vastu remedies for the worst can. -
Art and Culture.Pmd
QUICK REVISION NOTES www.iasscore.in ART & CULTURE National symbols of India 1. National Flag • It is a horizontal tricolor of deep saffron (kesaria) at the top, white in the middle and dark green at the bottom in equal proportion. • The ratio of width of the flag to its length is two to three. In the centre of the white band is a navy-blue wheel which represents the chakra taken from the Sarnath Lion Capital of Ashoka. It has 24 spokes. 2. National Emblem • It is an adaptation from the Sarnath Lion Capitol of Ashoka. Carved out of a single block of polished sandstone, the Capitol is crowned by the Wheel of the Law (Dharma Chakra). • The words Satyameva Jayate from Mundaka Upanishad, meaning ‘Truth Alone Triumphs’, are inscribed below the abacus in Devanagari script. 3. National Anthem • The song Jana-gana-mana, composed originally in Bengali by Rabindranath Tagore, was adopted in its Hindi version as the National Anthem of India on January 24, 1950. • It was first sung on December 27, 1911 at the Kolkata Session of the Indian National Congress. 4. National Song • The National song of India is Vande Mataram. It was composed by the famous poet, Bankim Chandra Chaterjee in the year 1875. 5. National Calendar • The National Calendar is based on the Saka Era, with Chitra as its first month. 6. National Flower • Lotus 7. National Fruit • Mango 8. National River • Ganga 9. National Tree • Indian Banyan 10. National Animal • Royal Bengal Tiger 11. National Aquatic animal • River dolphin 12. National Bird • Indian peacock Notes Art & Culture 1 www.iasscore.in Performing Arts A. -
Dr Ajay Bharadwaj Profile Publications and Consciousness
Dr Ajay Bharadwaj Profile Publications and Consciousness, Since July 2015 Member of the Editorial Board of the DSVV Souvenir, October, 2013, 2014, 2015 Member of the Editorial Board of International Journal of yoga & Allied Sciences, since 2014 Experience as a Reviewer ● Reviewer and member of the International Journal of yoga and Allied science. ● Reviewed the book: Kundalini: Stirred ,authored by Swami Ved Bharti, published by Dk Print world ,New Delhi, ● A Hand Book of Yoga Nidra, authored by Dr. Kamakhya Kumar, published by Dk Print world, New Delhi, ● Vedic Yoga: the Path of the Rishi, authored by Dr. David Frawley, published by MLBD,New Delhi Research Experience ● Supervised 4 PhDs Thesis. ● Supervised Dissertations on different aspects of Contemporary Journalism. ● Completed Thesis titled: A study of Yoga related coverage in Print Media. ● Ph.D. – Yoga and Journalism Dev Sanskriti Vishwavidyalaya- Haridwar,UK, India in the year 2012 ● Awards & Recognition: Within the organization and outside the organization ● Professional Activities & Achievements: Seminars,Conference Presentations, workshops management etc. ● Yoga International Seminars/ Conferences/Workshops ● Participation in International Festival on Yoga, Culture and Spirituality held on March 2010, at DSVV, Haridwar, Uttarakhand, India ● Participation in International Festival on Yoga, Culture and Spirituality held on Oct 2011, at DSVV, Haridwar, Uttarakhand, India ● Participation in International Festival on Yoga, Culture and Spirituality held on Oct 2012, at DSVV, Haridwar, -
JW^2014 ELA FOUNDATION 6-9 February 2014, Pune, India
ARRCN JW^2014 ELA FOUNDATION 6-9 February 2014, Pune, India Book of Scientific Abstracts INTERNATIONAL RAPTOR CONFERENCE 8TH ARRCN. PUNE, INDIA - 2014 ELA FOUNDATION Sponsors for ISG: International Students Grant • IDEA Consultants, Inc. Japan • West Japan Engineering Consultants, Inc. Japan • Hokuriku Birds Research Institute Inc. Japan • CTI Engineering Co., Ltd. Japan • The General Environmental Technos Co., Ltd. Japan • Techno Chubu Company Ltd. Japan • Nishi-Nihon Engineering Consultant Co.,Ltd. Japan • Usami Zorin (Usami Forestry Services) Co., Ltd. Japan • The Peregrine Fund, USA • Sandeep Jagdhane & Associates, India International Raptor Conference, 8 ARRCN, India. Pune 6-9 February, 2014 >TH Scientific Abstracts S ELA FOUNDATION Organizer ELA FOUNDATION www.elafoundation.org Ela Foundation Co-organizers USER PUNE ARRCN USER Pune High Places www.elafoundation.org International Raptor Conference, 8th ARRCN, India. Pune 6-9 February, 2014 COMMITTEES CHIEF ORGANIZING SECRETARY Dr. Satish A. Pande, MB, MD, DNB,PhD, F.M.A.Sci. Director, Ela Foundation and OENSL, Pune, India. JOINT-ORGANIZING SECRETARY Prof. Milind Watwe, PhD. USER, Pune CO-ORGANIZING SECRETARY Dr Anand Padhye , PhD. MES AG, College, Pune. ADVISORY COMMITTEE Tom Yamazaki San, President ARRCN, Japan. Dr. K. N. Ganesh, Director, USER, Pune. Dr. K. Venkataraman, Director, ZSI Dr. A. C. Mishra, Director, National Institute of Virology, Pune Prof. P. A. Azeez - Director, Salim Ali Centre for Ornithology and Natural History, Coimbatore Prof. Richard Watson, The Peregrine Fund, USA. Prof. Richard Reading, Director, Conservation Biology, Denver Zoo, USA. Prof. Cheryl Dykstra, Editor-in-Chief, Journal of Raptor Research, RRF, USA. Sudhir Darode, Director, Darode Jog Properties Padmashree Achyut Gokhale, IAS Satish Pradhan, Group Head HR, Tata Sons Ravi Pandit, Chairman and Group CEO, KPIT Cummins, Pune SCIENTIFIC COMMITTEE Chairman: Prof. -
Contents - at a Glance
Contents - at a glance Preface xm • What are the Vedas? 1. Yajna - A Celebration • Why study the Vedas? • Subjects of the Vedas of life 1 • Original form of the Vedas 2. Introduction to the Yajna • Origin of the Vedas Tradition 4 The Vedas individually 34 Genesis of yajna 4 Rig Veda • Rig Veda Yajur Veda • Yajur Veda Sama Veda • Shatapatha Brahmana Arthava Veda • Bhagavad Gita • Usage of the word 'brahman' • Puranas • Brahmana Granthas Vedas, Vedic dharma and yajna 8 • Aranyaka • Purushartha and kratvartha • Upanishads • Birth of the Vedic concept of yajna • Vedangas Etymology of the term 'yajna 11 • Puranas Universal principle of give Supportive articles of the and take 12 yajna structure 41 Relevance of yajna today 15 Mantras 41 Vastness of yajna 15 Devatas 41 Yajna - foundation of life 16 Dravya 43 3. Vedic Foundations 4. Devata - the Luminary of Yajna 18 in a Yajna 46 Foundation of the concept The concept of devata 46 of yajna 19 Etymology of the term'devata' 47 Culture 19 Characteristics of devatas 48 Culture and civilization 21 Importance of devata dhyanam 49 Culture and religion 23 Yoga and devata dhyanam 51 Culture and literature 25 Number of devatas 5 2 Plinth of the yajna structure 2 6 Devatas in Vedic verses 54 • The Vedas collectively Forms of devatas 56 • Parts of the Vedas Functions of devatas from the Samhita three lokas 57 Brahmanas Description of devatas 5 7 Aranyakas 1. Prithivi based devatas Upanishads 2. Antariksha based devatas Vll 3. Dyu loka-based devatas 7, Mechanics of Yajna 4. Vishvedeva 97 5. -
Socio- Political and Administrative History of Ancient India (Early Time to 8Th-12Th Century C.E)
DDCE/History (M.A)/SLM/Paper-XII Socio- Political and Administrative History of Ancient India (Early time to 8th-12th Century C.E) By Dr. Binod Bihari Satpathy 0 CONTENT SOCIO- POLITICAL AND ADMINISTRATIVE HISTORY OF ANCIENT INDIA (EARLY TIME TO 8th-12th CENTURIES C.E) Unit.No. Chapter Name Page No Unit-I. Political Condition. 1. The emergence of Rajput: Pratiharas, Art and Architecture. 02-14 2. The Rashtrakutas of Manyakheta: Their role in history, 15-27 Contribution to art and culture. 3. The Pala of Bengal- Polity, Economy and Social conditions. 28-47 Unit-II Other political dynasties of early medieval India. 1. The Somavamsis of Odisha. 48-64 2. Cholas Empire: Local Self Government, Art and Architecture. 65-82 3. Features of Indian Village System, Society, Economy, Art and 83-99 learning in South India. Unit-III. Indian Society in early Medieval Age. 1. Social stratification: Proliferation of castes, Status of women, 100-112 Matrilineal System, Aryanisation of hinterland region. 2. Religion-Bhakti Movements, Saivism, Vaishnavism, Tantricism, 113-128 Islam. 3. Development of Art and Architecture: Evolution of Temple Architecture- Major regional Schools, Sculpture, Bronzes and 129-145 Paintings. Unit-IV. Indian Economy in early medieval age. 1. General review of the economic life: Agrarian and Urban 146-161 Economy. 2. Indian Feudalism: Characteristic, Nature and features. 162-180 Significance. 3. Trade and commerce- Maritime Activities, Spread of Indian 181-199 Culture abroad, Cultural Interaction. 1 ACKNOWLEDGEMENT It is pleasure to be able to complete this compilation work. containing various aspects of Ancient Indian History. This material is prepared with an objective to familiarize the students of M.A History, DDCE Utkal University on the various aspcets of India’s ancient past.