Carte Strozziane Iii Serie
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Stony Brook University
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... The Civic Virtue of Women in Quattrocento Florence A Dissertation Presented by Christine Contrada to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in History Stony Brook University May 2010 Copyright by Christine Contrada 2010 Stony Brook University The Graduate School Christine Contrada We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Dr. Alix Cooper – Dissertation Advisor Associate Professor, History Dr. Joel Rosenthal – Chairperson of Defense Distinguished Professor Emeritus, History Dr. Gary Marker Professor, History Dr. James Blakeley Assistant Professor, History St. Joseph’s College, New York This dissertation is accepted by the Graduate School. Lawrence Martin Dean of the Graduate School ii Abstract of the Dissertation The Civic Virtue of Women in Quattrocento Florence by Christine Contrada Doctor of Philosophy in History Stony Brook University 2010 Fifteenth century Florence has long been viewed as the epicenter of Renaissance civilization and a cradle of civic humanism. This dissertation seeks to challenge the argument that the cardinal virtues, as described by humanists like Leonardo Bruni and Matteo Palmieri, were models of behavior that only men adhered to. Elite men and women alike embraced the same civic ideals of prudence, justice, fortitude, and temperance. Although they were not feminists advocating for social changes, women like Alessandra Strozzi, Margherita Datini, and Lucrezia Tornabuoni had a great deal of opportunity to actively support their own interests and the interests of their kin within popular cultural models of civic virtue. -
Universiv Micrmlms Internationcil
INFORMATION TO USERS This reproduction was made from a copy o f a document sent to us for microHlming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify m " '<ings or notations which may appear on this reproduction. 1. The sign or “ target” for pages apparently lacking from the document photographed is “ Missing Page(s)” . I f it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting througli an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyriglited materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part o f the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin film ing at the upper le ft hand comer o f a large sheet and to continue from left to right in equal sections w ith small overlaps. I f necessary, sectioning is continued again—beginning below the first row and continuing on until complete. -
Fra Sabba Da Castiglione: the Self-Fashioning of a Renaissance Knight Hospitaller”
“Fra Sabba da Castiglione: The Self-Fashioning of a Renaissance Knight Hospitaller” by Ranieri Moore Cavaceppi B.A., University of Pennsylvania 1988 M.A., University of North Carolina 1996 Thesis Submitted in partial fulfillment of the requirements for the Degree of Doctor of Philosophy in the Department of Italian Studies at Brown University May 2011 © Copyright 2011 by Ranieri Moore Cavaceppi This dissertation by Ranieri Moore Cavaceppi is accepted in its present form by the Department of Italian Studies as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date Ronald L. Martinez, Advisor Recommended to the Graduate Council Date Evelyn Lincoln, Reader Date Ennio Rao, Reader Approved by the Graduate Council Date Peter M. Weber, Dean of the Graduate School iii CURRICULUM VITAE Ranieri Moore Cavaceppi was born in Rome, Italy on October 11, 1965, and moved to Washington, DC at the age of ten. A Fulbright Fellow and a graduate of the University of Pennsylvania, Ranieri received an M.A. in Italian literature from the University of North Carolina at Chapel Hill in 1996, whereupon he began his doctoral studies at Brown University with an emphasis on medieval and Renaissance Italian literature. Returning home to Washington in the fall of 2000, Ranieri became the father of three children, commenced his dissertation research on Knights Hospitaller, and was appointed the primary full-time instructor at American University, acting as language coordinator for the Italian program. iv PREFACE AND ACKNOWLEDGMENTS I deeply appreciate the generous help that I received from each member of my dissertation committee: my advisor Ronald Martinez took a keen interest in this project since its inception in 2004 and suggested many of its leading insights; my readers Evelyn Lincoln and Ennio Rao contributed numerous observations and suggestions. -
A Private Chapel As Burial Space: Filippo Strozzi with Filippino Lippi and Benedetto Da Maiano in Santa Maria Novella, Florence
A PRIVATE CHAPEL AS BURIAL SPACE 215 A Private Chapel as Burial Space: Filippo Strozzi with Filippino Lippi and Benedetto da Maiano in Santa Maria Novella, Florence ITO Takuma Keywords: Renaissance art, Medieval art, private chapels, funeral monu- ments, fresco painting Introduction Chapel decoration as burial space in Renaissance Florence had two dis- tinct tendencies, apparently opposing but not necessarily mutually exclu- sive. On the one hand, there was a growing demand for spatial coherence in religious buildings, especially in churches newly built in the Renaissance style, such as San Lorenzo and Santo Spirito. Chapels in these churches indeed generally entailed commissioning a few choice objects, such as an altarpiece or a painted window, and the funeral monuments were rather modest, comprised in many cases only of simple tomb-slabs. Chapels with a greater degree of spatial independence, on the other hand, permitted the patrons to develop highly personalized burial settings. One such example is the Sagrestia Vecchia in San Lorenzo, where Cosimo de’ Medici had a sarcophagus installed under the table at the center of the space as a funeral monument for his parents. In traditional gothic churches, too, family cha- . See for example E. Capretti, “La cappella e l’altare: evoluzione di un rapporto,” in C. Acidini Luchinat ed., La chiesa e il convento di Santo Spirito a Firenze (Florence, 996), 229-238. Research Fellow of the Japan Society for the Promotion of Science 216 pels, especially those in transepts, were decorated with lesser regard for the cohesion and unity of the church structures, and often involved sumptuous funeral monuments. -
The Magnificent Interior
The Magnificent Interior Emotion, Gender, and Household in the Life of Lorenzo de’ Medici Karen J. Burch Submitted in accordance with the requirements for the degree of Doctor of Philosophy Royal Holloway, University of London Department of History September 2019 1 Declaration of Authorship I, Karen Burch, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, it is clearly stated. Signed: Dated: 2 Abstract Though Lorenzo de’ Medici (1449-1492) is one of the most well- studied Florentine figures in history, previous studies have almost exclusively focused on his political life and his contributions as an art patron. Few historians have given time to his emotional life, his relationships with the members of his household, or the ways in which he understood himself as a Medici man. The neglect of this crucial facet of the human experience fails to challenge previous understandings of Lorenzo’s life. This thesis is meant to be a corrective to earlier work in Laurentian history. I approach Lorenzo’s life from a standpoint which incorporates the methodologies of emotions history, gender history, household history, and the history of sexuality. By making a close study of a variety of sources, including letters, poetry, and artwork, I will seek to create a new portrait of Lorenzo which explores his internal life. This, I believe, will give greater context to the decisions and behaviours which shaped his political and artistic career. Additionally, by exploring Lorenzo’s inner life, we will come to a deeper understanding of the ways in which masculinity, sexuality, and household relationships shaped the lives of Florentine men. -
Politesse Et Cordialité, Révélateurs De La Nature Des Relations Franco-Florentines À La Fin Du Règne De François Ier Pierre Nevejans, Delphine Chiocci
Politesse et cordialité, révélateurs de la nature des relations franco-florentines à la fin du règne de François Ier Pierre Nevejans, Delphine Chiocci To cite this version: Pierre Nevejans, Delphine Chiocci. Politesse et cordialité, révélateurs de la nature des relations franco- florentines à la fin du règne de François Ier. Alonge, Guillaume; Ruggiero, Raffaele. Relations diplomatiques franco-italiennes dans l’Europe de la première modernité : communication politique et circulation des savoirs, Pensa multimedia, pp.293-322, 2020, 978-88-6760-724-2. halshs-02888113 HAL Id: halshs-02888113 https://halshs.archives-ouvertes.fr/halshs-02888113 Submitted on 2 Jul 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. ALONGE copertina Melecotogne.qxp_Layout 1 12/06/20 09:22 Pagina 1 4 • G R u a f Raffaele Ruggiero est professeur de Littérature et i f l l a a e u civilisation italienne de la Renaissance à l’Université l Au cœur des guerres pour l’hégémonie e m R d’Aix-Marseille (Centre Aixois d’études Romanes, e européenne entre Valois et Habsbourg, u A g l g Aix-en-Provence). Parmi ses publications plus o la péninsule italienne de la Renaissance i n e r g récentes, une édition avec commentaire du Prince de o e devient un laboratoire d’exception d’une Machiavel (Milan 2008) et la monographie Machia - Relations diplomatiques franco-italiennes diplomatie encore en formation à l’aube velli e la crisi dell’analogia (Bologne 2015). -
A Florentine Diary
THE LIBRARIES A FLORENTINE DIARY A nderson SAVONAROLA From the portrait by Fra Bartolomeo. A FLORENTINE DIARY FROM 1450 TO 1516 BY LUCA LANDUCCI CONTINUED BY AN ANONYMOUS WRITER TILL 1542 WITH NOTES BY IODOCO DEL B A D I A 0^ TRANSLATED FROM THE ITALIAN BY ALICE DE ROSEN JERVIS & PUBLISHED IN LONDON IN 1927 By J. M. DENT & SONS LTD. •8 *« AND IN NEW YORK BY « « E. P. DUTTON & COMPANY TRANSLATOR'S PREFACE ALTHOUGH Del Badia's ample and learned notes are sufficient for an Italian, it seemed to me that many allu sions might be puzzling to an English reader, especially to one who did not know Florence well; therefore I have added short notes on city-gates, churches and other buildings which now no longer exist; on some of the festivals and customs; on those streets which have changed their nomenclature since Landucci's, day; and also on the old money. His old-fashioned spelling of names and places has been retained (amongst other peculiarities the Florentine was in the habit of replacing an I by an r) ; also the old calendar; and the old Florentine method of reckoning the hours of the day (see notes to 12 January, 1465, and to 27 April, 1468). As for the changes in the Government, they were so frequent and so complex, that it is necessary to have recourse to a consecutive history in order to under stand them. A. DE R. J. Florence 1926. The books to which I am indebted are as follows: Storia della Repubblica di Firenze (2 vols.), Gino Capponi. -
Divine Right
The Pennsylvania State University The Graduate School College of the Liberal Arts THE MAKING OF A GOD: CULTURE, RELIGION, AND SACRAL MONARCHY IN DUKE COSIMO DEI MEDICI’S FLORENCE A Dissertation in History by Gregory William Murry © 2009 Gregory William Murry Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2009 ii The dissertation of Gregory W. Murry was reviewed and approved* by the following: Ronnie Po-Chia Hsia Professor of History Dissertation Advisor Chair of Committee Matthew Restall Professor of History Brian Curran Professor of Art History A.G. Roeber Professor of History Head of the History and Religious Studies Department *Signatures are on file in the Graduate School. iii ABSTRACT In 1537, the brutal murder of the heirless Duke Alessandro dei Medici brought the young and relatively inexperienced Cosimo dei Medici to the ducal chair of the most tumultuous city of the age: Renaissance Florence. This study examines how Cosimo used the politics of the sacred to legitimate monarchical rule in a city in which sacral monarchy had no historical precedent and few indigenous traditions. Utilizing a broad sweep of sources including government documents, letters, testaments, sermons, devotional literature, humanist tracts, diaries, art, and monastery records, the dissertation argues that Cosimo and his literati borrowed only the models of sacral monarchy that could be inscribed in local cultural and religious assumptions, the mundane axioms and organizing principles of thought with which Florentines and Tuscans made sense of their daily reality. In a sentence, Cosimo‟s grandiose political claims worked because they were only a special case of more generalized assumptions writ deeply into both the intellectual and quotidian experience of Florentine life. -
Lives of the Most Eminent Painters Sculptors and Architects
Lives of the Most Eminent Painters Sculptors and Architects Giorgio Vasari Lives of the Most Eminent Painters Sculptors and Architects Table of Contents Lives of the Most Eminent Painters Sculptors and Architects.......................................................................1 Giorgio Vasari..........................................................................................................................................2 LIFE OF FILIPPO LIPPI, CALLED FILIPPINO...................................................................................9 BERNARDINO PINTURICCHIO........................................................................................................13 LIFE OF BERNARDINO PINTURICCHIO.........................................................................................14 FRANCESCO FRANCIA.....................................................................................................................17 LIFE OF FRANCESCO FRANCIA......................................................................................................18 PIETRO PERUGINO............................................................................................................................22 LIFE OF PIETRO PERUGINO.............................................................................................................23 VITTORE SCARPACCIA (CARPACCIO), AND OTHER VENETIAN AND LOMBARD PAINTERS...........................................................................................................................................31 -
The Romance of Sandro Botticelli Woven with His Paintings
THE ROMANCE OF SANDRO BOTTICELLI T« nIw yorc PUBUC UBRART «*^- —^.—.^ ,»„_,— ^1 t^y^n^y^n^€-.^^59i^^€i!/yi^/ta,. THE ROMANCE OF SANDRO BOTTICELLI WOVEN FROM HIS PAINTINGS BY A. J. ANDERSON Author o( "The Romance 6t Fra Filippo Lippi,'* etc. V- WITH PHOTOGRAVURE FRONTISPIECE AND NINETEEN OTHER ILLUSTRATIONS NEW YORK DODD, MEAD AND COMPANY 1912 !^\>S YV- PRINTED IN GREAT BRITAIN — PREFACE HE who would write the account of a Tuscan of the Quattrocento will find that there are two just courses open to him : he may compile a scientific record of bare facts and contemporary refer- ences, without a word of comment, or else he may tell his story in the guise of fiction. The common practice of writing a serious book, rooted on solid facts, and blossoming out into the author's personal deductions as to character and motives, is a monstrous injustice—the more authori- tative the style, the worse the crime—for who can judge the character and motives of even a contem- porary ? Besides, such works stand self-condemned, since the serious books and articles on Sandro Botti- celli, written during the past twenty years, prove beyond a doubt {a) That he was a deeply religious man, permeated with the rigorism of Savonarola, and groaning over the sins of Florence ; That he a (J?) was semi-pagan ; (r) That he was a philosopher, who despaired of reconciling Christianity with classicalism ; 5 6 Preface {d) That he was an ignorant person, who knew but little of those classical subjects which he took from the poems of Lorenzo and Politian ; ((?) That he was a deep student and essayist on Dante ; (/) That he was a careless fellow, with no thoughts beyond the jest and bottle. -
IMT Institute for Advanced Studies, Lucca, Italy Gift
! IMT Institute for Advanced Studies, ! Lucca, Italy! ! ! ! Gift Exchange at the Court of Cosimo I de’ Medici (1537-1574)! ! ! PhD Program in the Management & Development of Cultural Heritage! XXVI Cycle! ! ! Samuel Morrison Gallacher! 2015 REVIEWERS PAGE! The dissertation of Samuel Morrison Gallacher is approved.! !Tutor: Emanuele Pellegrini The dissertation of Samuel Morrison Gallacher has been reviewed by the following committee:! Alessio Assonitis, The Medici Archive Project! Henk van Veen, University of Groningen! Paula Volpini, Università degli Studi di Roma "La Sapienza" ! Diana Carrió-Invernizzi, Universidad Nacional de Educación a Distancia! ! ! ! ! ! IMT Institute for Advanced Studies, Lucca 2015 "i ACKNOWLEDGEMENTS! ! ! The author would like to acknowledge the following people for their help !and support over the last four years.! In alphabetical order: Bailey Adie, Roberta Anderson, Maurizio Arfaioli, Lorenzo Allori, Alessio Assonitis, Sheila Barker, Sarah Bercusson, Mark Berry, Davide Boerio, Elena Brizio, Ashley Buchanan, Lorenzo Casini, Maria Luisa Catoni, Juan Cobo, Stefano Baia-Curioni, Steven Daniels, Marcin Fabia#ski, Bassma Reda Abouel Fadl, Catherine Fletcher, Damodar Frlan, Stefania Gerevini, Silvia Ginzburg, Alexander Greenwood, Magda Jarosik, Anna Kalinowska, Konstantinos Karatzias, Alexander Köller, Paula Matiz, Laura Mesotten, Srdjan Milosevic, Ivanna Nakic, Olimpia Nicosia, Lorena Pellumbi, Oliver Perry, Emanuele Pellegrini, Tihana Puc, Alexander Röstel, Riccardo Senesi, Salvatore Settis, Ahmed Shams, Natalia -
La Presa Di Porto Ercole Nel 1555 (Pp. 186
186-229_Cap4_100413.qxd:148x210 mm 13.04.2010 11:34 Uhr Seite 186 4 capitolo La presa di Porto Ercole Excursus: “Lamento che fece Piero di Strozzi in Pitigliano quando seppe la presa di Port’Ercole da parte degli Imperiali.” — 230 Excursus: I protagonisti dell’impresa — 232 186 — La presa di Porto Ercole 4 capitolo: La presa di Porto Ercole — 187 186-229_Cap4_100413.qxd:148x210 mm 13.04.2010 11:34 Uhr Seite 188 ©|† Vedi anche: pag. 4 –5: Ricostruzione del sistema difensivo (visto dal Monte Filippo) ©|† Vedi anche: pag. 256 –257: Ricostruzione del sistema difensivo di Porto Ercole O C H A B R P D E F G T S U La Presa di Porto Ercole, O— Orbetello A— La Rocca E— Forte Avoltojo H— Forte della Galera incisione di Philip Galle (1583) P— Cala Galera B— Forte Guasparino F—Forte Stronco T— Campo Imperiale allo Sbarcatello in: Raccolta Stampe Bertarelli, Milano R— Campo Imperiale a Pertuso C— Forte Ercoletto G— Forte Sant’Ippolito U— Gian Giacomo Medici S—Chiappino Vitelli D— Forte Sant’Elmo 188 — La presa di Porto Ercole 4 capitolo: La presa di Porto Ercole — 189 186-229_Cap4_100413.qxd:148x210 mm 13.04.2010 11:34 Uhr Seite 190 4 capitolo: Nel porto dell’Argentario si lavorava alacremente alla costru - La presa di Porto Ercole zione dei forti dislocati attorno alla Terra. Il governatore di Porto Ercole era in quel momento don Carlo Carafa, cavaliere napoleta - (25 maggio – 18 giugno 1555) no, sul quale Piero Strozzi faceva molto affidamento per la mes - ©|† 2 Vedi: pag.