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Fra Sabba Da Castiglione: the Self-Fashioning of a Renaissance Knight Hospitaller”
“Fra Sabba da Castiglione: The Self-Fashioning of a Renaissance Knight Hospitaller” by Ranieri Moore Cavaceppi B.A., University of Pennsylvania 1988 M.A., University of North Carolina 1996 Thesis Submitted in partial fulfillment of the requirements for the Degree of Doctor of Philosophy in the Department of Italian Studies at Brown University May 2011 © Copyright 2011 by Ranieri Moore Cavaceppi This dissertation by Ranieri Moore Cavaceppi is accepted in its present form by the Department of Italian Studies as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date Ronald L. Martinez, Advisor Recommended to the Graduate Council Date Evelyn Lincoln, Reader Date Ennio Rao, Reader Approved by the Graduate Council Date Peter M. Weber, Dean of the Graduate School iii CURRICULUM VITAE Ranieri Moore Cavaceppi was born in Rome, Italy on October 11, 1965, and moved to Washington, DC at the age of ten. A Fulbright Fellow and a graduate of the University of Pennsylvania, Ranieri received an M.A. in Italian literature from the University of North Carolina at Chapel Hill in 1996, whereupon he began his doctoral studies at Brown University with an emphasis on medieval and Renaissance Italian literature. Returning home to Washington in the fall of 2000, Ranieri became the father of three children, commenced his dissertation research on Knights Hospitaller, and was appointed the primary full-time instructor at American University, acting as language coordinator for the Italian program. iv PREFACE AND ACKNOWLEDGMENTS I deeply appreciate the generous help that I received from each member of my dissertation committee: my advisor Ronald Martinez took a keen interest in this project since its inception in 2004 and suggested many of its leading insights; my readers Evelyn Lincoln and Ennio Rao contributed numerous observations and suggestions. -
Politesse Et Cordialité, Révélateurs De La Nature Des Relations Franco-Florentines À La Fin Du Règne De François Ier Pierre Nevejans, Delphine Chiocci
Politesse et cordialité, révélateurs de la nature des relations franco-florentines à la fin du règne de François Ier Pierre Nevejans, Delphine Chiocci To cite this version: Pierre Nevejans, Delphine Chiocci. Politesse et cordialité, révélateurs de la nature des relations franco- florentines à la fin du règne de François Ier. Alonge, Guillaume; Ruggiero, Raffaele. Relations diplomatiques franco-italiennes dans l’Europe de la première modernité : communication politique et circulation des savoirs, Pensa multimedia, pp.293-322, 2020, 978-88-6760-724-2. halshs-02888113 HAL Id: halshs-02888113 https://halshs.archives-ouvertes.fr/halshs-02888113 Submitted on 2 Jul 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. ALONGE copertina Melecotogne.qxp_Layout 1 12/06/20 09:22 Pagina 1 4 • G R u a f Raffaele Ruggiero est professeur de Littérature et i f l l a a e u civilisation italienne de la Renaissance à l’Université l Au cœur des guerres pour l’hégémonie e m R d’Aix-Marseille (Centre Aixois d’études Romanes, e européenne entre Valois et Habsbourg, u A g l g Aix-en-Provence). Parmi ses publications plus o la péninsule italienne de la Renaissance i n e r g récentes, une édition avec commentaire du Prince de o e devient un laboratoire d’exception d’une Machiavel (Milan 2008) et la monographie Machia - Relations diplomatiques franco-italiennes diplomatie encore en formation à l’aube velli e la crisi dell’analogia (Bologne 2015). -
IMT Institute for Advanced Studies, Lucca, Italy Gift
! IMT Institute for Advanced Studies, ! Lucca, Italy! ! ! ! Gift Exchange at the Court of Cosimo I de’ Medici (1537-1574)! ! ! PhD Program in the Management & Development of Cultural Heritage! XXVI Cycle! ! ! Samuel Morrison Gallacher! 2015 REVIEWERS PAGE! The dissertation of Samuel Morrison Gallacher is approved.! !Tutor: Emanuele Pellegrini The dissertation of Samuel Morrison Gallacher has been reviewed by the following committee:! Alessio Assonitis, The Medici Archive Project! Henk van Veen, University of Groningen! Paula Volpini, Università degli Studi di Roma "La Sapienza" ! Diana Carrió-Invernizzi, Universidad Nacional de Educación a Distancia! ! ! ! ! ! IMT Institute for Advanced Studies, Lucca 2015 "i ACKNOWLEDGEMENTS! ! ! The author would like to acknowledge the following people for their help !and support over the last four years.! In alphabetical order: Bailey Adie, Roberta Anderson, Maurizio Arfaioli, Lorenzo Allori, Alessio Assonitis, Sheila Barker, Sarah Bercusson, Mark Berry, Davide Boerio, Elena Brizio, Ashley Buchanan, Lorenzo Casini, Maria Luisa Catoni, Juan Cobo, Stefano Baia-Curioni, Steven Daniels, Marcin Fabia#ski, Bassma Reda Abouel Fadl, Catherine Fletcher, Damodar Frlan, Stefania Gerevini, Silvia Ginzburg, Alexander Greenwood, Magda Jarosik, Anna Kalinowska, Konstantinos Karatzias, Alexander Köller, Paula Matiz, Laura Mesotten, Srdjan Milosevic, Ivanna Nakic, Olimpia Nicosia, Lorena Pellumbi, Oliver Perry, Emanuele Pellegrini, Tihana Puc, Alexander Röstel, Riccardo Senesi, Salvatore Settis, Ahmed Shams, Natalia -
La Presa Di Porto Ercole Nel 1555 (Pp. 186
186-229_Cap4_100413.qxd:148x210 mm 13.04.2010 11:34 Uhr Seite 186 4 capitolo La presa di Porto Ercole Excursus: “Lamento che fece Piero di Strozzi in Pitigliano quando seppe la presa di Port’Ercole da parte degli Imperiali.” — 230 Excursus: I protagonisti dell’impresa — 232 186 — La presa di Porto Ercole 4 capitolo: La presa di Porto Ercole — 187 186-229_Cap4_100413.qxd:148x210 mm 13.04.2010 11:34 Uhr Seite 188 ©|† Vedi anche: pag. 4 –5: Ricostruzione del sistema difensivo (visto dal Monte Filippo) ©|† Vedi anche: pag. 256 –257: Ricostruzione del sistema difensivo di Porto Ercole O C H A B R P D E F G T S U La Presa di Porto Ercole, O— Orbetello A— La Rocca E— Forte Avoltojo H— Forte della Galera incisione di Philip Galle (1583) P— Cala Galera B— Forte Guasparino F—Forte Stronco T— Campo Imperiale allo Sbarcatello in: Raccolta Stampe Bertarelli, Milano R— Campo Imperiale a Pertuso C— Forte Ercoletto G— Forte Sant’Ippolito U— Gian Giacomo Medici S—Chiappino Vitelli D— Forte Sant’Elmo 188 — La presa di Porto Ercole 4 capitolo: La presa di Porto Ercole — 189 186-229_Cap4_100413.qxd:148x210 mm 13.04.2010 11:34 Uhr Seite 190 4 capitolo: Nel porto dell’Argentario si lavorava alacremente alla costru - La presa di Porto Ercole zione dei forti dislocati attorno alla Terra. Il governatore di Porto Ercole era in quel momento don Carlo Carafa, cavaliere napoleta - (25 maggio – 18 giugno 1555) no, sul quale Piero Strozzi faceva molto affidamento per la mes - ©|† 2 Vedi: pag. -
Cultural Exchange, Brokerage Networks, and Social Representation
Cover Page The handle http://hdl.handle.net/1887/32883 holds various files of this Leiden University dissertation. Author: Goudriaan, Elisa Johanna Title: The cultural importance of Florentine patricians. Cultural exchange, brokerage networks, and social representation in early modern Florence and Rome (1600-1660) Issue Date: 2015-04-30 Patricians as patrons and collectors 109 3 Patricians as patrons and collectors during the reigns of Ferdinand I, Cosimo II, the regents and Ferdinand II de’ Medici Introduction In this chapter we show the versatile patronage of some important patrician families in the period 1600-1650 (although the first major commission started as early as 1581). Until now, the patronage characteristics of different patrician families in the first half of the seventeenth century have never been compared with each other. Thus this analysis, based on the excellent studies of individual patrician families by other researchers, shows how they took example from each other and from members of other Italian elite groups, underlines their joint cultural aspirations, and reveals the development in represented themes over time due to transformations in social aspirations. For the first time an overall picture is given of patrician patronage and collecting in this period. 3.1 Patricians as patrons and collectors during the reigns of ferdinand I and Cosimo II de’ Medici We start by outlining the characteristics of the commissions of four important patricians during the reigns of Ferdinand I and Cosimo II de’ Medici at the be- 110 Chapter Three ginning of the seventeenth century: Giovanni Niccolini and Piero Guicciardini (the ambassadors whose diplomatic activities we analyzed in the previous chap- ter), Michelangelo Buonarroti the Younger, and Niccolò dell’Antella. -
The Society of Elite Consumption Lorenzo Strozzi’S Aristocratic Enterprise in Seventeenth-Century Tuscany
ADAM MANIKOWSKI THE SOCIETY OF ELITE CONSUMPTION LORENZO STROZZI’S ARISTOCRATIC ENTERPRISE IN SEVENTEENTH-CENTURY TUSCANY TRANSLATED FROM THE POLISH BY MICHAEL COLE WARSAW 2017 www.rcin.org.pl THE SOCIETY OF ELITE CONSUMPTION LORENZO STROZZI’S ARISTOCRATIC ENTERPRISE IN SEVENTEENTH-CENTURY TUSCANY www.rcin.org.pl In Memory of Marian Małowist www.rcin.org.pl ADAM MANIKOWSKI THE SOCIETY OF ELITE CONSUMPTION LORENZO STROZZI’S ARISTOCRATIC ENTERPRISE IN SEVENTEENTH-CENTURY TUSCANY TRANSLATED FROM THE POLISH BY MICHAEL COLE WARSAW 2017 www.rcin.org.pl Originally published in Polish as: Toskańskie przedsiębiorstwo arystokratyczne w XVII wieku. Społeczeństwo elitarnej konsumpcji Warszawa: Wydawnictwo Naukowe PWN, 1991 Proofreading Paweł Dobrowolski Copy-editing Grażyna Waluga Layout and cover Dariusz Górski © Copyright by Adam Manikowski © Copyright by Instytut Historii im. Tadeusza Manteuffla Polskiej Akademii Nauk ISBN 978–83–65880–06–2 Publication founded by the Ministry of Science and Higher Education of the Republic of Poland, in 2014–2017, as a part of the National Program for the Development of the Humanities, no. 0128/NPRH3/H31/82/2014 Instytut Historii PAN Rynek Starego Miasta 29/31 00–272 Warszawa +48 22 831 02 61–62 ext. 44 www.ihpan.edu.pl http://ksiegarnia-ihpan.edu.pl/ [email protected] www.rcin.org.pl TABLE OF CONTENTS Introduction to the English Edition . I From the Author . 7 Introduction . 9 Chapter I: Lorenzo Strozzi . 15 Chapter II: People and Account Books . 25 Chapter III: The Estate and its Profi tability . 45 1. The Evolution of the Estate . 45 2. Income . 50 (a) The structure and profi tability of rural estates . -
Series: Receipts from Pisa [172-176] 1716 –1762 201 4 Stacks, 1Package
Series: Receipts from Pisa [172-176] 1716 –1762 201 4 stacks, 1package . The letter “R” identifies the receipts concerning the farms in the area of Pisa. On a little cardboard card, probably utilized to point out the contents of the shelf, found during the reorganization of the Guadagni Archives in 2007, we found the indication: “R/Pisa”. 172 [289, 2] 1716 – 1741 202 “R.2”Stack of Receipts Related to the Farms of Pisa Stack; numbering by receipt (1-620) “Marchese Ottavio Guadagni receipt from Pisa and various Accounts”. 173 [314, 3] 1722 Oct. 17 – 1735 April 30 203 “R.3”Stack of small Balances of Earnings and Expenses from the Farm of Arena Stack (9x6x2 inches) Hills of Arena 174 [335, 1] 1740 – 1750 Febr.8 204 “R.1”Receipts for the very eminent marchese Ottavio Guadagni of…Pisa Loose papers tied in a package Olive trees from Arena 175 [1055, 5] 1746 Feb.9 – 1760 205 “R.5”Stack of receipts for the very eminent marchesi Guadagni of Pisa Stack Montefoscoli: 529 inhabitants in 2013 176 [286, 6] 1746 – 1762 206 “R.6”Pisa Receipts Stacks of 3 stacks 1) “Receipts for the Pisa Possessions of the Picchianti Management” (1746-1759). 2) “Stack of Receipts. Farms from Arena, Parrana, Montefoscoli and Palaia” (from September 23, 1758 to August 24, 1762), numbered from 1 to 51, with repertory. 3) “Stack of Receipts from the Management of Domenico Frizzi, Farm manager in Arena (from December 1, 1759, to August 23, 1762). Ancient Roman Temple of Pagan Goddess Minerva in Montefoscoli. -
Wikipedia Wikipedia 2011
Italian War of 1542 –1546 Wikipedia 2011 General Articles about the War Articles on the various Sieges and Battles of the War Biographies of the Italian Warlords, John Dudley and Barbarossa Wikipedia Article on French-Ottoman Alliance William, Duke of Jülich-Cleves-Berg (engraving by Heinrich Aldegrever , c. 1540). William allied himself with Francis I, marrying Jeanne d'Albret , but was defeated by Charles V. Portrait of Claude d'Annebault (school of Jean Clouet , c. 1535). Despite having no experience in naval warfare, d'Annebault commanded the French invasion fleet during the expedition against England. Portrait of Alfonso d'Avalos, Marchese del Vasto, in Armor with a Page (oil on canvas by Titian , c. 1533). D'Avalos was defeated by the French at the Battle of Ceresole , but won a later victory at the Battle of Serravalle . Thomas Howard, 3rd Duke of Norfolk (oil on wood by Hans Holbein , 1539). Sent to France by Henry VIII, Norfolk commanded the English troops during the unsuccessful Siege of Montreuil . Battles and sieges in northern France and the Low Countries during the war Coats of arms of Kingdom of France, of the famous Florentine family of the Strozzi . and Gonzaga Ottoman depiction of the Siege of Nice (Matrakçı Nasuh , 16th century) File:French fleet with Barbarossa at the Siege of Nice 1543.jpg The French fleet attacks the Isle of Wight (unknown artist, 16th century) File:The French fleet attacks Bembridge.jpg Ratification of the Treaty of Ardres by Henry VIII (1546) Henry of France by François Clouet . The Duke of Alba by Anthonis Mor . -
News on Guadagni Relationship Original Guadagni Family Latin Document from the Middle Ages
News on Guadagni Relationship Original Guadagni Family Latin document from the Middle Ages Page 1 Page 2 E. 1. N. 1. News on Guadagni relationships Page 3 1375. Dame Leonora daughter of Antonio son of Francesco Guadagni, wife of Francesco Stoldi Lapi, of the Stoldi Church of Sant’Ambrogio (“Saint Ambrose”) Sir Stefano son of Sir Matteo Becchi officer. B. 126.S. + 2bib Church of Sant’Ambrogio, Florence 1353. Dame Tommasa daughter of Guadagno and wife of Taddeo Bencini of the parish of Sant’Ambrogio of Florence let her goods loose in the Parish of Salvatoris de Valle “(Saviour of the entrenchment”). Sir Angelo son of Donato de Gesulis. Officer D. 4. S.Ma.V. (“Santissima Maria Vergine”) 22223 (“of the Blessed Virgin Mary”). Bernardo son of MarcAndrea Rucellai son of Vieri. 1364 Page 4 In the Office of the Proconsul From the Protocol of Sir Pieraccio Bonaventura 1309….October Pieraccio and \ sons and heirs of Piero Guadagni of the Guadagni Family wanting to be provided with a house to live in, Francesco / Dame Tecla being at the same time their mother and Piero Guadagni’s wife assigned two ground floor rooms for each to keep, situated on the back part of Piero Guadagni’s Palace. - 1309…October…19 Dame Ghizza, whom Dame Joanna called a widow, wife of Vieri Baldini Struffaldi, who today moved to the Parish of Santa Maria in Campo and Francesco son of Piero Guadagni her fellow citizen and Dame Dea wife of Francesco son of Piero Guadagni and daughter of Cammillino degli Arrigucci appointed their private attorney for the lawsuit that they had versus Contessa wife of Rustico. -
Visible Spirit the Art of Gianlorenzo Bernini Vol. I Irving Lavin
Visible Spirit The Art of Gianlorenzo Bernini Vol. I Irving Lavin The Pindar Press London 2007 Published by The Pindar Press 40 Narcissus Road London NW6 1TH · UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 978-1-899828-39-5 (hb) ISBN 978-1-904597-54-4 (pb) Printed by Estudios Gráficos ZURE 48950 Erandio Spain This book is printed on acid-free paper Contents Foreword i I Review of Rudolf Wittkower, Gian Lorenzo Bernini. The Sculptor of the Roman Baroque 1 II Bernini and the Theater 15 III Bozzetti and Modelli. Notes on sculptural Procedure from the Early Renaissance through Bernini 33 IV Bernini and the Crossing of Saint Peter’s 62 V Five New Youthful Sculptures by Gianlorenzo Bernini and a revised Chronology of his Early Works 186 VI Bernini’s Death 287 VII Afterthoughts on “Bernini’s Death” 354 VIII Letter to the Editor on a review by Howard Hibbard of Bernini and the Crossing of St. Peter’s 371 IX Calculated Spontaneity. Bernini and the Terracotta Sketch 376 X On the Pedestal of Bernini’s Bust of the Savior 393 XI High and Low before their Time: Bernini and the Art of Social Satire 397 XII Bernini’s Memorial Plaque for Carlo Barberini 469 XIII Bernini’s Baldachin: Considering a Reconsideration 480 XIV Bernini’s Bust of Cardinal Montalto 496 XV Bernini’s Cosmic Eagle 509 XVI Bernini’s Image of the Sun King 524 Lavin V. Revised:Lavin 2 Chap I 13/8/07 06:32 Page 2 V Five New Youthful Sculptures by Gianlorenzo Bernini and a Revised Chronology of His Early Works* N 1606 the Archconfraternity of the Pietà, proprietor of the Basilica of ISan Giovanni dei Fiorentini in Rome, determined to erect a hospital N.B. -
Carte Strozziane Iii Serie
Carte Strozziane – III serie 2° parte - N/195 CARTE STROZZIANE III SERIE 2° parte (nn. 206 – 292) Carte Strozziane – III serie 2° parte - N/195 AVVERTENZE PER LA RICHIESTA DEI DOCUMENTI CARTE STROZZIANE TERZA SERIE II VOLUME (nn. 206-292) Per le richieste è necessario indicare: la denominazione del fondo così come compare nell’intitolazione la serie il numero dell’unità archivistica (presente nella colonna di sinistra) PEZZI NON CONSULTABILI Mancanti o irreperibili: 256-259 Indisponibili: 265 (solo in fotoriproduzione) Data di ultima revisione e aggiornamento dell’avvertenza: maggio 2006 Carte Strozziane – III serie 2° parte - N/195 Storia archivistica delle Carte strozziane Il fondo è pervenuto all’Archivio di Stato di Firenze in tempi diversi ed è suddiviso in cinque serie, due sezioni di appendice, una serie ulteriore relativa all’ amministrazione delle fattorie. Esiste anche un nucleo di pergamene. Le prime tre serie furono donate al governo granducale nel 1784 da Maria Caterina Strozzi, oblata del monastero delle Montalve, discendente di Carlo di Tommaso Strozzi (3 giu. 1587- 18 mar. 1670). La documentazione apparteneva alla collezione di manoscritti e documenti da lui iniziata e arric- chita dai suoi eredi. Carlo Strozzi era figlio di Tommaso, discendente di Marco del ramo di Rosso di Gerio. La storia della sua collezione era iniziata dall’ordine ricevuto dallo Strozzi dal granduca Ferdinando II nel 1627, di rior- dinare l’archivio dei Prestanzoni, ossia i volumi “degli accatti che faceva la Repubblica fiorentina sopra i cittadini nelle pubbliche urgenze”. Non si hanno molte notizie sull’esito del riordino nell’archivio dei Prestanzoni, ma risulta che fosse stato raccomandato allo Strozzi di prendere “quelle note e memorie” che a lui sarebbe parso opportuno. -
SPEAKING in TONES: PLAINCHANT, MONODY, and the EVOCATION of ANTIQUITY in EARLY MODERN ITALY by BARBARA DIANNE SWANSON Submit
SPEAKING IN TONES: PLAINCHANT, MONODY, AND THE EVOCATION OF ANTIQUITY IN EARLY MODERN ITALY by BARBARA DIANNE SWANSON Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation Adviser: Dr. David Rothenberg Department of Music CASE WESTERN RESERVE UNIVERSITY May, 2013 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of Barbara Swanson ________________________________________ candidate for the _Doctor of Philosophy________________degree *. (signed)_________Dr. David Rothenberg_____________ (chair of the committee) __________Dr. Peter Bennett________________ __________Dr. Ross Duffin__________________ __________Dr. Charles Burroughs____________ __________________________________________ __________________________________________ (date) March 19, 2013__________ *We also certify that written approval has been obtained for any proprietary material contained therein. CONTENTS LIST of EXAMPLES …………………………………………………………………. i LIST of FIGURES ……………………………………………………………………. iii ACKNOWLEDGEMENTS ………………………………………………………….. iv ABSTRACT ………………………………………………………………………….. vi INTRODUCTION: Seeking the Vestiges of Ancient Song in Ecclesiastical Chant….. 1 Chapters 1. Parallel Practices: Speech-like Music at Court and Church ………………….. 24 Monody, the Ancients, and the Florentine Court …………………………... 24 Ancient-Modern Polemics: Neapolitan Influences, Stylistic Precedents……. 33 Theatre, Emotion, Gesture, and Character in Speech-like Songs …………… 37 Humanism and Rhetoric in