Artist's Proposal
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Download Paper (PDF)
Worldwide Readership Research Symposium 2007 Session 2 Paper 9 FREE NEWSPAPER READERSHIP Piet Bakker, Amsterdam School of Communications Research, University of Amsterdam Abstract Twelve years after the introduction of the first free commuter newspaper in Sweden, circulation of free newspapers has risen to 40 million daily copies. Readership of free newspapers is more complex and in many cases harder to pin down. In general it is different from readership of paid newspapers. The first difference concerns the demographics of the readers: free papers target the affluent 18 to 34 group and in many cases try to achieve that by choosing particular ways of distribution, and also by concentrating on specific content. Age, indeed seems to be significantly lower in most cases although the average readers does not seem to be particularly wealthy. The second distinct feature is the amount of unique readers of free newspaper. Results on the few available cases indicate that around half of the readers only read papers although also lower levels have been reported. The third issue concerns readers per copy. The traditional free commuter daily can reach to a rather high number of readers per copy; but with many markets reaching free newspaper saturation this number seems to be dropping, whereas free door-to-door distributed free papers and afternoon papers have a lower readership per copy. In this paper we will present information on these three issues from a dozen markets, using audited readership data. Free Newspaper Readership The World Association of Newspapers (2007) reported on the year 2006 that daily circulation of newspapers increased with 4.61 percent (25 million copies) compared to 2005. -
The Imlay Foundation Recipient List
THE IMLAY FOUNDATION RECIPIENT LIST 100 Black Men of Atlanta, Inc. ArtsNOW, Inc. Automotive Training Center 3Keys, Inc. (fka Project Ashantilly Center Inc. Ayrshire Cancer Support (Scotland) Interconnections) Asian American Resource Center The Bachelor’s Club & 51st Highland Division Trust Assistance League of Atlanta Souter Cottage ABF The Soldier’s Charity Association for the Protection of BackPack Blessings, Inc. Abbotsford Trust Rural Scotland (UK) Ballethnic Dance Company, Inc. Aberlour Child Care Trust Atlanta Ballet Baruch College Fund Access at Ardgowen Atlanta Botanical Garden BDSRA (Batten Disease ACF Stakeholders Atlanta Celebrates Photography Support & RA) Achievement Rewards College Atlanta Center for Self Sufficiency Bearings Bike Shop, Inc. Scientists (fka Samaritan House Atlanta) Bethany Christian Trust (Scotland) Action Discipleship Ministries Atlanta Chamber Players Bield Housing Trust Action Ministries Atlanta Children’s Shelter, Inc. Big Brothers/Big Sisters Action on Hearing Loss Atlanta College of Art Biggar Museum Trust (Scotland) Action for Sick Children Atlanta Committee for the Olympic Blaze Sports America Actor’s Express Inc. Games (ACOG) Bloom Our Youth ADAPSO Foundation Atlanta Community Food Bank Blue Skies Ministries The Adaptive Learning Center Atlanta Community Tool Bank, Inc. Bobby Dodd Institute Advertising Council, Inc. Atlanta Concert Band Bobby Jones Golf Course and Park Agape Community Center Atlanta Contemporary Art Center Boys & Girls Clubs Agnes Scott College Atlanta Day Shelter for Women Boys & Girls Foundation AHMEN Housing Atlanta Girls’ School Boy Scouts of America - Pack 509 Ahimsa House Atlanta Habitat for Humanity Brain Injury Association of Georgia AID Atlanta Atlanta History Center Breakthru House Airborne Initiative (Scotland) Atlanta Hospital Hospitality House Brenau University Albert T. -
LILY VAN DER STOKKER Born 1954 in Den Bosch, the Netherlands Lives and Works in Amsterdam and New York
LILY VAN DER STOKKER Born 1954 in Den Bosch, the Netherlands Lives and works in Amsterdam and New York SOLO EXHIBITIONS 2015 Hammer Projects: Lily van der Stokker, Hammer Museum, Los Angeles 2014 Huh, Koenig & Clinton, New York Hello Chair, Air de Paris, Paris 2013 Sorry, Same Wall Painting, The New Museum, New York 2012 Living Room, Kaufmann Repetto, Milan 2011 Not so Nice, Helga Maria Klosterfelde Editions, Berlin 2010 Terrible and Ugly, Leo Koenig Inc., New York No Big Deal Thing, Tate St. Ives, Cornwall, UK (cat.) Terrible, Museum Boijmans, Van Beuningen, Rotterdam, The Netherlands Flower Floor Painting, La Conservera, Ceuti/Murcia, Spain (cat.) 2009 Dorothy & Lily fahren boot, Paris-Berlin: Air de Paris chez, Esther Schipper, Berlin 2005-07 De Zeurclub/The Complaints Club, Van Abbemuseum, Eindhoven, the Netherlands 2005 Air de Paris, Paris Worcester Art Museum, Worcester, MA Family, Money, Inheritance, Galleria Francesca Kaufmann, Milan Furniture Project, Galleria Francesca Kaufmann, Milan 2004 Oom Jan en Tante Annie, one year installation in Cupola of Bonnefantenmuseum, Maastricht, the Netherlands (cat.) Lily van der Stokker - Wallpaintings, Feature Inc., New York, with Richard Kern Tafels en stoelen, VIVID vormgeving, Rotterdam, the Netherlands Feature Inc., New York 2003 Beauty, Friendship and Old Age, Museum voor Moderne Kunst, Arnhem, the Netherlands Small Talk, Performative Installation # 2, Museum Ludwig, Cologne, Germany, (cat.) Easy Fun, Galerie Klosterfelde, Berlin 2002 Air de Paris, Paris, with Rob Pruitt Galleria Francesca -
Download Curriculum Vitae
C O R R I N A S E P H O R A 1200 Foster St NW Studio B11W, Box 39 Atlanta, GA 30318 678-523-9969 [email protected] corrinasephora.com Education 2005 MFA Sculpture, Georgia State University, Atlanta, GA 1995 BFA Metals & Sculpture, Massachusetts College of Art and Design, Boston, MA Solo/ Duo Exhibitions 2021 Solo Exhibition, Spalding Nix Fine Art, Atlanta, GA *forthcoming 2020 Blood of the Earth II, Sewell Mill Library & Cultural Center, Marietta, GA *forthcoming 2019 Alchemical Divide, Madison-Morgan Cultural Center, Madison, GA Blood of the Earth, Sinclair Gallery, ArtsXChange, East Point, GA Between the Deep Blue Sea and the Universe, Mason Fine Arts, Atlanta, GA 2017 On Waters of Time, Callanwolde Fine Arts Gallery, Atlanta, GA 2017 Voyages Unforeseen, Kibbee Gallery, Atlanta, GA (Duo) 2015 Emergence from the Waters, Gallery 72, Mayor’s Office of Cultural Affairs, Atlanta, GA 2014 Nautical Observations, Art Partners, High Museum of Art, Atlanta, GA 2013 Soaring on the Surface of the Waters, Norcross Cultural Arts Center, Norcross, GA 2012 Flowing as Water, Rodriguez Room, Goat Farm Arts Center, Atlanta, GA 2008 Rescue Vehicles and Souls of the South, House of Colors, Atlanta, GA Exhibitions 2020 Group Exhibition, Spalding Nix Fine Art, Gallery Residences, Atlanta, GA *forthcoming 2019 Flicker, South River Art Studios, Atlanta, GA Ensemble, Spalding Nix Fine Art, Atlanta, GA Losing Control: Guns, Government, and Group-Think, ATHICA: Athens Institute for Contemporary Art, Athens, -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. THE STORY BEHIND THE STORIES British and Dominion War Correspondents in the Western Theatres of the Second World War Brian P. D. Hannon Ph.D. Dissertation The University of Edinburgh School of History, Classics and Archaeology March 2015 2 TABLE OF CONTENTS Abstract ………………………………………………………………………….. 4 Acknowledgements ……………………………………………………………… 5 Introduction ……………………………………………………………………… 6 The Media Environment ……………...……………….……………………….. 28 What Made a Correspondent? ……………...……………………………..……. 42 Supporting the Correspondent …………………………………….………........ 83 The Correspondent and Censorship …………………………………….…….. 121 Correspondent Techniques and Tools ………………………..………….......... 172 Correspondent Travel, Peril and Plunder ………………………………..……. 202 The Correspondents’ Stories ……………………………….………………..... 241 Conclusion ……………………………………………………………………. 273 Bibliography ………………………………………………………………...... 281 Appendix …………………………………………...………………………… 300 3 ABSTRACT British and Dominion armed forces operations during the Second World War were followed closely by a journalistic army of correspondents employed by various media outlets including news agencies, newspapers and, for the first time on a large scale in a war, radio broadcasters. -
FOR IMMEDIATE RELEASE: KPF Celebrates Opening of Spring City 66 the Design Reconnects Kunming's Pedestrian Pathways As It Nods
FOR IMMEDIATE RELEASE: KPF Celebrates Opening of Spring City 66 The design reconnects Kunming’s pedestrian pathways as it nods to the unique landscape of Yunnan Province. New York, New York – February 21, 2020 – Kohn Pedersen Fox Associates (KPF) recently celebrated the opening of Spring City 66, a mixed-use development in Kunming, China. One of the largest commercial complexes in the city, the 430,000 m2 Spring City 66 is comprised of a retail podium and office tower that are carefully integrating into the surrounding context. Located adjacent to two major pedestrian-friendly boulevards and metro lines, Spring City 66’s accessibility and public amenities weave this high-density, mixed-use destination directly into the urban fabric of Kunming. Design Inspiration The design for Spring City 66 is responds to Yunnan Province’s unique landscape and its location along historic trade routes. A landscaped promenade, reminiscent of the region’s verdant valleys, is central to the project, while the surrounding undulating retail podium and a crag-like tower nod to the nearby Shilin Stone Forest’s notable limestone formations. The project’s varied program weaves along multiple levels of terraces lined with shops and restaurants, creating a vibrant destination for the city. “The KPF design for Spring City 66 illustrates our belief that the most compelling architecture strongly expresses the spirit of its place. Kunming is a city of outdoor life, of vibrant color, and exciting topography. This building reflects that character in the shape of its roofs, and in its facade materials. We worked closely with Hang Lung, as we have previously in Shanghai, Tianjin, Shenyang, Hangzhou, and Hong Kong, to weave together varied activities of working, shopping, and dwelling into one urban hive of activity,” notes KPF President and Design Principal James von Klemperer. -
Michael Heizer Selected Bibliography
G A G O S I A N Michael Heizer Selected Bibliography Selected Books and Catalogues: 2019 Fox, William. Michael Heizer: The Once and Future Monuments. New York: Monacelli Press. 2017 Voorhies, James. Beyond Objecthood: The Exhibition as a Critical Form since 1968. Boston: MIT Press. Celant, Germano and Chiara Costa. Virginia Dwan: Dwan Gallery. Lausanne: Skira. 2015 Fine, Ruth E., Kara Vander Weg and Michael Heizer. Michael Heizer: Altars. New York: Gagosian Gallery. 2014 Cameron, Dan. The Avant-Garde Collection. Newport Beach, CA: Orange County Museum of Art. Kaz, Leonel, ed. Inusitada Coleção De Sylvio Perlstein. São Paolo: Museu de Arte de São Paolo Assis Chateaubriand. 2013 Allen, Gwen L., Pierre Bal Blanc, Claire Bishop, Benjamin H.D. Buchloh, Charles Esche, et al. When Attitudes Become Form: Bern 1969/Venice 2013. Milan: Fondazione Prada. 2012 Lippard, Lucy R. and Jeff Khonsary. 4,492,040 (1969–74). Vancouver: New Documents 2010 Jensen, Susanne, Susanne Lenze, and Reinhard Onnasch. “Michael Heizer: Untitled.” In Nineteen Artists. Berlin: El Sourdog Hex; Bielefeld, Germany: Kerber Verlag. 2011 Reifenscheid, Beate. Die Letzte Freiheit: Von den Pionieren der Land-Art der 1960er Jahre bis zur Natur im Cyberspace. Milan: Silvana. 2010 Goldman, Judith. Robert & Ethel Scull: Portrait of a Collection. New York: Acquavella Gallery. Marcoci, Roxana, ed. The Original Copy: Photography of Sculpture, 1839 to Today. New York: Museum Of Modern Art. 2009 Grabner, Roman, Thomas Kellein, and Felicitas von Richthofen. 1968: Die Große Unschuld. Cologne: DuMont. 2008 Semff, Michael. Künstler Zeichnen. Sammler Stiften, 250 Jahre Staatliche Graphische Sammlung München. Ostfildern, Germany: Hatje Cantz. Lara, Cathy, ed. -
Isms Through a Prism
MONDAY, JANUARY 20, 2020 In honor of Dr. Martin Luther King Jr. Day, we are exploring various forms of biases that create schisms. We encourage your introspection. isms through a prism ableism ageism Let’s not be oblivious Judge not youth or age BY CHERYL CHARLES BY ELYSE CARMOSINO I got out of bed this morning, al- Since a New York Times article de- though perhaps a bit more gingerly clared the rise in popularity of mil- than I did in my younger days. lennial and Gen Z internet meme Yes, these exercise routines leave me “OK boomer” to be “the end of friend- a little more sore, for a whole lot longer. ly generational relations,” the topic But I’ve always been able to walk, and of age-related discrimination on both move, and get pretty much anywhere ends of the scale has resurfaced as a ableism, A7 ageism, A7 Ableism Ageism Colorism Heterosexism Racism Se xism PAGE DESIGN | MARK SUTHERLAND colorism heterosexism racism sexism A paler Who’s to say Let’s look Still a long shade of bias what’s normal? beyond color way to go BY THOR JOURGENSEN BY GAYLA CAWLEY BY STEVE KRAUSE BY CAROLINA TRUJILLO I had a friend who was For the past couple of To start with, racism is Sex·ism (noun) prejudice, Puerto Rican and proud of years, I’ve been writing a an insidious social condi- stereotyping, or discrimi- her family’s roots in Spain. bi-weekly column and have tion. Every time we think nation, typically against Her skin was as light as intentionally steered clear we’ve conquered it, or at women, on the basis of sex. -
Bullseye Glass Catalog
CATALOG BULLSEYE GLASS For Art and Architecture IMPOSSIBLE THINGS The best distinction between art and craft • A quilt of color onto which children have that I’ve ever heard came from artist John “stitched” their stories of plants and Torreano at a panel discussion I attended a animals (page 5) few years ago: • A 500-year-old street in Spain that “Craft is what we know; art is what we don’t suddenly disappears and then reappears know. Craft is knowledge; art is mystery.” in a gallery in Portland, Oregon (page 10) (Or something like that—John was talking • The infinite stories of seamstresses faster than I could write). preserved in cast-glass ghosts (page 25) The craft of glass involves a lifetime of • A tapestry of crystalline glass particles learning, but the stories that arise from that floating in space, as ethereal as the craft are what propel us into the unknown. shadows it casts (page 28) At Bullseye, the unknown and oftentimes • A magic carpet of millions of particles of alchemical aspects of glass continually push crushed glass with the artists footprints us into new territory: to powders, to strikers, fired into eternity (page 31) to reactive glasses, to developing methods • A gravity-defying vortex of glass finding like the vitrigraph and flow techniques. its way across the Pacific Ocean to Similarly, we're drawn to artists who captivate Emerge jurors (and land on the tell their stories in glass based on their cover of this catalog) exceptional skills, but even more on their We hope this catalog does more than point boundless imaginations. -
Debate Association & Debate Speech National ©
© National SpeechDebate & Association DEBATE 101 Everything You Need to Know About Policy Debate: You Learned Here Bill Smelko & Will Smelko DEBATE 101 Everything You Need to Know About Policy Debate: You Learned Here Bill Smelko & Will Smelko © NATIONAL SPEECH & DEBATE ASSOCIATION DEBATE 101: Everything You Need to Know About Policy Debate: You Learned Here Copyright © 2013 by the National Speech & Debate Association All rights reserved. Published by National Speech & Debate Association 125 Watson Street, PO Box 38, Ripon, WI 54971-0038 USA Phone: (920) 748-6206 Fax: (920) 748-9478 [email protected] No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, now known or hereafter invented, including electronic, mechanical, photocopying, recording, scanning, information storage and retrieval, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without the prior written permission of the Publisher. The National Speech & Debate Association does not discriminate on the basis of race, color, national origin, religion, sex, age, gender identity, gender expression, affectional or sexual orientation, or disability in any of its policies, programs, and services. Printed and bound in the United States of America Contents Chapter 1: Debate Tournaments . .1 . Chapter 2: The Rudiments of Rhetoric . 5. Chapter 3: The Debate Process . .11 . Chapter 4: Debating, Negative Options and Approaches, or, THE BIG 6 . .13 . Chapter 5: Step By Step, Or, It’s My Turn & What Do I Do Now? . .41 . Chapter 6: Ten Helpful Little Hints . 63. Chapter 7: Public Speaking Made Easy . -
Structural Design Challenges of Shanghai Tower
Structural Design Challenges of Shanghai Tower Author: Yi Zhu Affiliation: American Society of Social Engineers Street Address: 398 Han Kou Road, Hang Sheng Building City: Shanghai State/County: Zip/Postal Code: 200001 Country: People’s Republic of China Email Address: [email protected] Fax: 1.917.661.7801 Telephone: 011.86.21.6057.0902 Website: http://www.thorntontomasetti.com Author: Dennis Poon Affiliation: Council on Tall Buildings and Urban Habitat Street Address: 51 Madison Avenue City: New York State/County: NY Zip/Postal Code: 10010 Country: United States of America Email Address: [email protected] Fax: 1.917.661.7801 Telephone: 1.917.661.7800 Website: http://www.thorntontomasetti.com Author: Emmanuel E. Velivasakis Affiliation: American Society of Civil Engineers Street Address: 51 Madison Avenue City: New York State/County: NY Zip/Postal Code: 10010 Country: Unites States of America Email Address: [email protected] Fax: +1.917.661.7801 Telephone: +1.917.661.8072 Website: http://www.thorntontomasetti.com Author: Steve Zuo Affiliation: American Institute of Steel Construction; Structural Engineers Association of New York; American Society of Civil Engineers Street Address: 51 Madison Avenue City: New York State/County: NY Zip/Postal Code: 10010 Country: United States of America Email Address: [email protected] Fax: 1.917.661.7801 Telephone: 1.917.661.7800 Website: http://www.thorntontomasetti.com/ Author: Paul Fu Affiliation: Street Address: 51 Madison Avenue City: New York State/County: NY Zip/Postal Code: 10010 Country: United States of America Email Address: [email protected] Fax: 1.917.661.7801 Telephone: 1.917.661.7800 Website: http://www.thorntontomasetti.com/ Author Bios Yi Zhu, Senior Principal of Thornton Tomasetti, has extensive experience internationally in the structural analysis, design and review of a variety of building types, including high-rise buildings and mixed-use complexes, in both steel and concrete. -
Victoria Embankment Foreshore Hoarding Commission
Victoria Embankment Foreshore Hoarding Commission 1 Introduction ‘The Thames Wunderkammer: Tales from Victoria Embankment in Two Parts’, 2017, by Simon Roberts, commissioned by Tideway This is a temporary commission located on the Thames Tideway Tunnel construction site hoardings at Victoria Embankment, 2017-19. Responding to the rich heritage of the Victoria Embankment, Simon Roberts has created a metaphorical ‘cabinet of curiosities’ along two 25- metre foreshore hoardings. Roberts describes his approach as an ‘aesthetic excavation of the area’, creating an artwork that reflects the literal and metaphorical layering of the landscape, in which objects from the past and present are juxtaposed to evoke new meanings. Monumental statues are placed alongside items that are more ordinary; diverse elements, both man-made and natural, co-exist in new ways. All these components symbolise the landscape’s complex history, culture, geology, and development. Credits Artist: Simon Roberts Images: details from ‘The Thames Wunderkammer: Tales from Victoria Embankment in Two Parts’ © Simon Roberts, 2017. Archival images: © Copyright Museum of London; Courtesy the Trustees of the British Museum; Wellcome Library, London; © Imperial War Museums (COM 548); Courtesy the Parliamentary Archives, London. Special thanks due to Luke Brown, Demian Gozzelino (Simon Roberts Studio); staff at the Museum of London, British Museum, Houses of Parliament, Parliamentary Archives, Parliamentary Art Collection, Wellcome Trust, and Thames21; and Flowers Gallery London. 1 About the Artist Simon Roberts (b.1974) is a British photographic artist whose work deals with our relationship to landscape and notions of identity and belonging. He predominantly takes large format photographs with great technical precision, frequently from elevated positions.