la cuestión, redefiniendo la normatividad artística. Palabras clave artística. normatividad la de realidad “verdadera” la resaltar para mundo queel rodea nos modo redefinir este y de encorsetadas, estructuras las con tratar de manera única la parece “normal” lo que considera se Transgredir formas. las de yexperimental libre más uso su en sino contenidos no solo cuanto en cambio, renovación yel la de catalizadoras como sirven chicanas/latinas yculturales literarias expresiones las Así, ylos géneros. normas las cánones, EE. los en (1937-2020). Anaya A. Rudolfo memoriam transculturales minorías propio las de Parece in tributo un de además ydibujos, poemas lectura, de notas largos, incluyendo ensayos actual, cuestión la de estado del general perspectiva una ofrece introductorio articulo Este Resumen Question, RedefiningArtistic Normativity. Keywords normativity. of artistic truth “real” the to highlight world reached is of the redefinition acontemporary thus and frames, and fringes with to cope way only the to be seems “normal” considered is what way. Transgressing afreer, experimental in forms with playing of content terms but not in also only change, of renovation and catalysts as act expressions artistic and literary Chicanx/Latinx such, As US. the in minorities transcultural of gaze polychromatic the from ideology appropriate when tackling particularly to be (1937-2020). seems Anaya genres A. and Rudolfo norms memoriam canons, Challenging in atribute and drawings, and poems creative notes, articles, including question, of the state Chicanx/Latinx nowadays of the perspective ageneral traces paper introductory This Abstract (Greece) of Thessaloniki University Aristotle (USA), Barbara Santa of California University Francisco A. Lomelí,Francisco Sophia A. &Juan Ignacio Emmanouilidou Oliva* CHICANX/LATINX IN CHALLENGES CONTEMPORARY Revista Canaria de Estudios Ingleses Estudios de Canaria Revista UU. (que afrontan la ideología con una visión polícroma) el poner a prueba los los poner el aprueba polícroma) visión una con ideología la (queUU. afrontan : Chicanx/Latinx Literature & Culture, Innovative Perspectives, State of the of the State Perspectives, Innovative &Culture, Literature : Chicanx/Latinx & Universidad de La Laguna/GIECO-Franklin-UAH/Ratnakara La de & Universidad : literatura y cultura chicana/latina, perspectivas innovadoras, estado de de estado innovadoras, perspectivas chicana/latina, ycultura : literatura LITERATURA LA EN CONTEMPORÁNEOS RETOS DOI: https://doi.org/10.25145/j.recaesin.2020.81.02DOI: LITERATURE &CULTURE LITERATURE Y CULTURA CHICANA/LATINA Y CULTURA , 81; November 2020, pp. 13-24; ISSN: e-2530-8335 pp. ISSN: 13-24; , 81; 2020, November

REVISTA CANARIA DE ESTUDIOS INGLESES, 81; 2020, PP. 13-24 13 REVISTA CANARIA DE ESTUDIOS INGLESES, 81; 2020, PP. 13-24 14 IOO], granted by the Spanish Ministry of Science and Innovation. and of Science Ministry Spanish bythe IOO], granted and Transcultural Identities in Twenty-First-Century Literature(s) xxi siglo del in inglesa English”) lengua en [PID2019-109582GB- literaturas las en transculturales eidentidades migratorias cartografías nuevas las de yestrategia ética and Latinx thinkers a minority literature. In fact, authors and artists are fast fast are artists authors and fact, In literature. aminority thinkers Latinx and Chicanx by (2011)writings calling keep to more it difficult becoming is appeared, instant. an within of information new nexus ablog or a Instagram, an message, aleph, atwitter world the an reckon as becomes to which with something Latinx and production by Chicanx artistic and literary makes This have yet. not critics approached or tackled most mainstream that prisms of aseries uniquely qualified through analyze and of to ground discuss new nuances present offer volume and truly interdisciplinary this in studied artists authors and The to express. attempting creators are the what reader/viewer to decode informed uniquely a require that with works to engagements thanks views fresh authors offers by criticism international that unapologetically demonstrating while gaps such RCEI, or undeveloped understudied. remained have might approaches to render otherwise inventive on that works treatments ingenious and language craft, technique, theory,avenues symbolism, of discourse, world the from throughout here critics the explore new that is we discover What world Latinx. among of aesthetic the rest phenomena from the as apart segregated tend too be to often film–which and on art includebut studies innovative we also Latinx, and by works Chicanx on literary treatments of critical collection widespread offer we a forms. Thus, aesthetic different of in works array awide to examine de Estudios Ingleses redefined. and expanded become extended, has canon this because canon, center the of the within place areasonable to occupy walls and ceilings glass down have unconventional,brokentheunorthodox,theuntraditional the different, the why normativity.is This notions antiquated such ofenvelope artistic to challenge the outsideare norm,pushing the they something we more that more and find anomaly, an as to viewed be used expression by Chicanx/Latinx aesthetic Whereas phenomenon),creativity.of areas (aand literature in other pan-Latinx film art, world the across now voices who craft new develop pursue Readers/viewers their normativity. artistic so-called and of standards awayfortresses at the chiseling are other artists and writers iconic authorswith United from the Chicanx/Latinx States, it to deal is as useful As circles. transnational within groundbreaking something as expectations new of norm anew with atrailblazer becoming oftentimes is nationally academy by the or on fringes the considered marginal was what fact, never before. In like mainstream of American the into realms inroads important Ever since the landmark work The Ever landmark the since * volume of Revista the special Canaria this reasons, forPrecisely these continue to make Latinx and by expressions Chicanx artistic and Literary Juan Ignacio Oliva wishes to acknowledge the funds of the Research Project: “Estética, “Estética, Project: Research of the funds the acknowledge to wishes Oliva Ignacio Juan checks the pulse of most recent production the criticism pulse the via checks ” (“Aesthetics, Ethics and Strategics of the New Migratory Cartographies Cartographies Migratory New of the Strategics and Ethics ” (“Aesthetics,

Norton Anthology of Latino Literature Literature of Latino Norton Anthology therefore, attempts to valiantly tackle tackle therefore, to attempts valiantly Muertos ( celebration of “Day the of Dead” conjoined, the of Mexican the uses agricultural production. of world people rates into “subaltern for turns growth beings” the that status–quo of policies aglobal discriminatory the divulge which angles, eco-cosmopolitan and the thefromnovel socio-environmental discusses it Instead, Corpi’s fiction. detective aesthetic(s) of feminist Lucha Chicana the interest in critical from the departs article The borderlands. US-Mexico the in abeyance identity in an becomes such as and a “stranger,” conceived of is as adversity. migrant the propounds that Pérez Ramos environmental and political to social, exposure of his/her because vulnerability Corpi’s novel Cactus Blood Lucha in toxicity exploitation, and labor migration, degradation environmental “manly,” or macho some the that reinforces moreof a fiesta act, however, a collective as performed is drinking, Celebratory away to compensate forbut becomes pain. emotional it also of manhood, of “ethic model” the parcel and part act, of asolitary alcohol is use the axis, celebratory. the and first compensatory the the In tequila: of drinking reading two comprehensivethe for axes offers article The romantic relationships unrequited borderland culture(s), belonging, reciprocated or and collectivization, masculinity, consumptionthealcohol, with of including connected significations varied around of corrido song the corpus corrido the and tequila drinking coalesces that analysis Masculinity,” where she into delves critical in a “people’s Mexican/Chicano stuff” art. It opens with Amaia Ibarraran-Bigalondo’s “ It Amaia with opens art. works of andcultural literary approachescontemporary Chicanx offer to dum) that the salsa, guacamole, tacos and “Día and de los Muertos.” tacos guacamole, salsa, the (and like international) Americana mainstream becoming is that right its own in production, isolated not is an but So, this recognitions. rather, avenue a new stellar other to many Awards Book Felipe Herrera) to PEN or Awards, from American from aUS (Juan Poet Laureate ranging prizes with circles mainstream among even recognized arebeing they consequence, As a judgments. aesthetic of qualifications the transform and inflect consistently they as audiences and readerships gaining Molina, 2017)Molina, and Viva 1931, (Sergei Eisenstein, Mexico! Coco unfinished), and/or national identifiers, thus stretching its signification to the larger public. And larger public. the to signification its stretching thus identifiers, and/or national spatial transcended has “Day the of Dead” the to Dimitriadis, According analysis. of paradigm Mexican-specific eludes the of tradition the use transnational cultural, thecross- that argument event, thein-depth butconcludes with filmic a separate on focusing each sections, analytical three comprises article The tradition. cultural of specific the quality “in-between” the it, with author the phrases or as liminality, with concern thematic and a technical showcase films from one three another, all different markedly are representationsthe theof “Day Dead” filmic of three the Día de los Muertos los de Día or Giorgos Dimitriadis, accordingly, probes the multilayered, but accordingly, multilayered, also probes the Giorgos Dimitriadis, The first section of the monograph consists of ten articles (plus addenand articles (plus thesection of of ten first monograph consists The On her side, M. , characteristics of “lo mexicano/chicano.” of “lo , characteristics Spectre a (Sam Mendes, (Sam 2015). although comments that Dimitriadis (1995).migrant’stheclose-up The a authorgives account of Isabel Pérez Ramos looks into conjoined looks the of Pérez issues Isabel Ramos band Los Tigres del Norte, Ibarraran-Bigalondo tiptoes Norte, del Ibarraran-Bigalondo Tigres Los band ¡Que of ¡Que footage the surviving narratives: film three ) in Corridos, tradition. Scrutinizing the the Scrutinizing tradition. (Lee Unkrich and Adrian Adrian and Unkrich (Lee ” Tequila (and others), and Día de de Día -

REVISTA CANARIA DE ESTUDIOS INGLESES, 81; 2020, PP. 13-24 15 REVISTA CANARIA DE ESTUDIOS INGLESES, 81; 2020, PP. 13-24 16 entities that supported such a filmic enterprise and the difficulties involved producing difficulties theand enterprise supported afilmic such entities that cultural of considerablevariety of a find discussion also can reader the aresult, As theirbehalf. on efforts trailblazing the and themselves on directors the commentary enlightening with along background historical extensive gives authorthe also documentary, of each contributions.and Complementing examination ameticulous characteristics of their some works, of salient the vistas critical thereby providing Movement Chicano the (l965-l980)from its inception during to times, current film documentary of Chicano overview City,Mexico exemplary he presents an in Económicas yDocencias Professor de Investigación Centro at the Associate an and Hills State University at Dominguez a Professor from California Emeritus Film,” As depth. in atopic Documentary studied but inexplicably rarely Chicano The “Vision titled study of extensive Aztlán: who Maciel presents an to R. David rights. of human purviews moral and legal the within thematics their couching for (emphasizing violence women). toward cases strong Santiago makes Thestudy (concentrating Esmeralda by on América de homosexuals), Arenas sueño El and by Reinaldo issues); anochezca que Antes immigrant with (dealing Viaña González by Eduardo Dante de follows: corrido El as are situations such to exemplify he uses The works psychological. and sexual forms: physical, confront violence various in another. women kind and abuse or of one who suffer examples Together,three the from Cuba), case (in this individuals homosexual status, “irregular” he to refers as undocumented persons which or to illegal on he Specifically, focuses experience. characters marginal certain that issues and considerable vulnerabilities in the depth US. He the and discusses America to Latin connections intimate whowriters, capture one and female male by works two literary and Rights”) of Human Declaration documents (i.e. official “Universal between of relationship display the insightful an University from the offers of Fribourg, Switzerland, cultures and literatures incarceration. and of recidivism perils dual the eluding thus life, reintegration of the pintos to facilitate communities summon plays both pipeline, the at dismantling attempts distinct their in statement that critical the with “Señora Pinta” and de la of Rey” “Oedipus el quality pinpoints quasi-didactic the of on color poor Ultimately, communities inscribed upon birth. Delikonstantidou pintao of fate acorpus on tragic light the sheds that atale of victimization: tale age-old of but not an is transmutation outcome crisis, the the of social a current theimprisonment that youth Chicana/o of maintains article US. The the in standing social eventually, Chicana/o and, life family, communal on barrio incarceration notion explore of repercussions mass the of “plague of the prisons” to further Sophocles’ Chavez’s Law and “Señora Pinta” de la (2012) with intertext largely that plays are Alfaro’s (2010)Rey” el “Oedipus Luis that argues The author prison crisis. American of the conjunction in recent of studies Oedipus with myth of tragic the revisions andaesthetics. folklore of confines, spatio-temporal resemanticizing to acultural viewers immerses “Day the of Dead” the that he adds light, this in Film is another area that fortunately is included in this volume, thanks volume, thanks included this is in fortunately that area another is Film US Latino and American Imoberdorf, Latin PhD in anew Sebastián Chicana/o two discusses Delikonstantinidou, by Aikaterini article, Next Oedipus Tyrannus . Delikonstantinidou bears upon Drucker’s Ernest bears . Delikonstantinidou into barrio into barrio , a fate , afate unravel the contents of a radical hope as it pertains to how some Chicanas not only to how some Chicanas it hope pertains as contents the ofunravel a radical author able the is to on amyth, By such Medea. focusing aMexican case this in aGreek myth, recreating in writer who engages afoundational she studies which “Radical Hope Cherríe Moraga’s in “Radical consideration. for up ground novels, new way we critical approach opening these the tilt and forever change will of People Paper The and God of from Far So readings The original of postmodernism. impulses theoretical the within articulation”–all phenomenology,” Pérez’s Stuart’s “conception and imaginary,” “decolonial of (relatedconcept of to “distanciation” estrangement), Gadamer’s “hermeneutic Ricoeur’s with ties having as viewed be can works such that evidence compelling with Thecritic scope. in outlines or limited provincial deemed be would otherwise productions that no longer are works literary isolated Chicanx that is argument of the Part aesthetics. postmodern couched within intimately are that backgrounds social-cultural able how we to are others, emerge determine works from larger such Pérez and Emma Hall, Stuart Gadamer, Paul Ricoeur, Hans-Georg by theoreticians ideas on and concepts based Heavily literature. novels from Chicanx postmodern key of University,Florida two read International author the proposes afascinating (1993) Plascencia’s from Salvador and (2005)”of People Paper The Grafals by Michael God from Far Castillo’s So Ana in Horizons Utopian Dystopian Literature: and of resistance. discourse a feminist who others Pérez, have created and Emma Cherríe Moraga, Castillo, Cisneros, Ana Sandra roles as by of writers key such the informed we are of geography trauma, the literature. concentrating on By field to the Chicanx of integral of who writers are along and list production aesthetic generated anew literary aChicana-centric and (1987).A New Mestiza movementmale-dominated a between Therefore,contrast the Borderlands/La Frontera: in considered foremother the particularly feminism, of their to Anzaldúa, pioneers such Gloria E. as part in thanks features, and characteristics took literature on particular its own Chicana under which context and background the provides here author The homophobia. and racism sexism, entrenched or rooted community’s own deep- their challenge and to confront, had escape they ofFirst all, l980s. early the movement in amovement aliterary created within beginning they time same at the own, while of their arebirth experienced Chicanas so real, very became symbolic butactually be to only ceased The barriers male-oriented. strongly Movement, Chicano proved the which to be within predicaments social-cultural their overcame on how Chicanas analysis and critic presents arobust discussion the apparatus, theoretical authors relation to in anuanced of various examinations Feminism.” on careful Spiritual Based of Chicana Birth to the Aztlán de Espiritual “Toward her titled in study of aGeography detail Trauma: great in From Plan El topic explores precisely University this of Economic Studies, at Bucharest lecturer fiction.Got, a in Monica particularly writers, as or Latinas on Chicanas focus the community. ethnic to related this experiences life meritthe certain of documenting who by saw other but directors also Chicanas, and Chicanos by both documentaries Allison Ramay from the Pontificia from the presents CatólicaChile de Universidad Ramay Allison study, another In “Hermeneutic Postmodern in Chicanx Distanciations is overall literature to Chicanx topic central is important that Another The Hungry Woman: The Hungry A Mexican Medea” in A Mexican

REVISTA CANARIA DE ESTUDIOS INGLESES, 81; 2020, PP. 13-24 17 REVISTA CANARIA DE ESTUDIOS INGLESES, 81; 2020, PP. 13-24 18 Mixquiahuala Letters’Mixquiahuala Movement of The time at to the unable see Chicano the was signs warning the of complexities novel’s the many the and context approach understanding toward holistic is a more The critically result feminism. arevitalized and postmodernism couched within of narrator, the ideology develop point technique, and all of view to used apparatus novelistic the of unraveling sense we adeeper come away with it. Consequently, for reading its strategies and its inspiration its genesis, discussing over by by effectively glossed critics been novel has too often which of Castillos’ Mestiza. l987 in with who produced awatershed landmark Letters Mixquiahuala Castillo’s The Ana textual–of and theoretical analysis–both extended and a clear outlines Consciousness,” Aguilar Interpretation Mariela of Mestiza the How to Reach this. accomplish hope can only aradical It that would appear for prepare future. the and past the to understand possibilities theoretical up opens new archetype, feminist strongly a case this in use of The myth, modern machismo. of deconstructing terms in valued is setting cultural Chicano aMexican/ within of protagonist the symbolism the while coexist can feminism and how patriarchy recreation of helps reevaluate Medea us work Adetailed others. and this in by propagated Cherríe Moraga often concept of as “Queer a clear Aztlán,” is emerges What of patriarchy, constructions. heteronormative social other macho and critique radical propose a actually they howalso but figures, female key reevaluate in the story, she approached the text as a knowledgeable adult: “I was inculcated inculcated “I adult: story, was the aknowledgeable in as she approached text the romantic elements the with were and therefore infatuated novel teenagers, the read as of Ramona reading edition of2005 Jackson’s her recounts first Chávez writer Denise novel, Chicana War. introduction the to In the American Mexican the after days the in California in Native–set Alessandro–a and mestiza, Ramona–a between story romance impression” an sweet so (357). with leave reader the Ramona of interest than greater are introduction, “Few he books stated: out 1888. in came the In translation His to expense. publish it own and at his by Jackson’s struck so it was into novel he Spanish decided to translate that Martí peoples of of Indigenous California. the on behalf apieceintended of activism as away, passed recently who about had and her novel Ramona Mohonk York. New upstate in at Lake Thereabout he learnt Helen Hunt Jackson, York New in City. October of In 1885 affairs he on aconference attended Indian exile in adulthood of his spent part Spain, agreat revolution of independence against (1853-1895), José Martí known, it well is As for Cuba’s spokesman and leader the in the late 19 the in Mestiza, the Silenced “Helen Hunt Jackson’s Ramona in Rodríguez, Fernández Carolina corpora. cultural and literary Chicanx/Latinx Finally, in “The Coatlicue’sFinally, “The in Letters in The Mixquiahuala State Ever since then, many Hispanics have felt Jackson’s to compelled read Ever Hispanics then, many since The “Articles” section closes with an interesting addendum to the addendum study of to interesting an with The closes section “Articles” The study marks a significant contribution toward decoding central aspects aspects central contributiondecoding a toward significant marks Thestudy th century, tracing a detailed research of historical and narrative value. value. narrative and of historical research adetailed century, tracing , when she was in her fifties. Unlike other friends friends of whohad hers other Unlike her in fifties. , when she was ” peeps into the subjective, often dismissive, portrayal of Latinx of Latinx portrayal dismissive, into subjective, often ” peeps the in relation to some of the key tenets of Gloria E. Anzaldúa, relation Anzaldúa, to of some tenets Gloria of key E. in the publication in l985. in publication : The Romance that Became a Became and that Guide Tourist Romance : The Borderlands/La Frontera: The New (1884), she had which : A Postmodern , and few few , and and cultural dominations that Toliou analyzes illustrate diverse expressions of expressions a diverse Toliou illustrate that dominations cultural analyzes and different moments in of ‘New transpiring history. World’ sociopolitical strategy The each eco-destruction, and US racism colonialism, borderlands: Spanish the in Plagues Morales’s of Alejandro Doll her US. novel,Rag In the reading and The Mexico mestiza/o Foteini Toliou’s and subordination indigenous into transhistorical looks the article Greece. University of Thessaloniki, Aristotle School at of the English, Studies American and Master’s English the in in enrolled students Degree postgraduate contributions four by “Notes” featuring devoted scholars, to section, young day Latinx in the context of a long history of discrimination and usurpation. and of of context discrimination the along in history Latinx day ethnicity. Ramona Thus on of their account Americans to apply to certain fail country’s Constitution, still the in stated democratic principles, as to American consider to extent which the Jackson’s that readers contemporary impel importantly, novel claims Chávez can Even more American. as imaginary country’s collective the who in belongs is, that identity, ponder question to related of the national on issues help Americans still Ramona that (xxi). argues other words, In Chávez people who would those be?” exactly just for people, people? by the the and And apeople anation of people, and who the are as to us, matters “What (xxi), also: and belong who land?” to to belongs the and land the does “Who ourselves: we ask that we continue Jackson’s to read suggests from it. Chávez to learn and romance from the pointfrom of the of a20 view Ramona reading that admits Chávez adversity. in case, any her In and strength the novel’s with she identified at times heroine because also and agribusiness, and development of estate arrival before the of California descriptions of landscapes the of the beauty to nonetheless, compelled do lyrical by so went the Chávez on reading, she of puts untruths,” it as (xv). a “legacy on backgrounds: people of other ethnic “Little has changed” (xix). changed” has “Little lesson: apoignant learn could (xix), one yet, present-day and from which Americans social advocacy, as its author advocacy, intended had as itsocial to but be, of 19 into novel, the of pages example she it saw afew Only descent. an not as of Mexican those and characters of Indigenous portrayal stereotypical by the soon appalled was reader, she acritical was Chávez my (xiii). place” Iknew Because awetback. that West, you Injun, you White, of American me Mexican–make the fantasy the with 19 Chávez’s In increased. opinion, Ramona that or worse, problems unchanged, the denounced by Jackson’s virtually novel remain all short, In way it the to Alessandro. did exactly issues, mental triggering keeps violence border; the racial cross of they of people hundreds as deaths the even pain, immense continuepolicies to cause immigration exist; still denigration and racism out of water, running forever too; are is gone, now from them and they taken was that land the mother languages; their losing keep Latinx, and Indigenous backgrounds, th -century minoritized peoples, but also those of present-day Latinx justifies that that justifies of present-day those peoples, but Latinx also minoritized -century (1992), of control and/or suppression strategy Toliou atripartite examines This issue issue of Revista Canaria de EstudiosThis Ingleses Indeed, today,Indeed, 19 the in as just identities were/have been/will be subjected to in the borderlands between between borderlands subjected be the to in identities were/have been/will speaks to us and invites us to see the plight of many present- of plight many the to see us invites and to us speaks th -century Chicana was “a deeply disturbing journey” journey” “a was deeply disturbing Chicana -century th century, many people of minority ethnic people century, ethnic many of minority portrays not only the struggles of not struggles only the portrays , despite its shortcomings, can can , despite its shortcomings, includes as well a special aspecial well includes as th -century Anglo views views Anglo -century

REVISTA CANARIA DE ESTUDIOS INGLESES, 81; 2020, PP. 13-24 19 REVISTA CANARIA DE ESTUDIOS INGLESES, 81; 2020, PP. 13-24 20 the belief that that belief the Doll Plagues Rag The in comment that insightful an concludes with comprise Morales’s that Books novel.article three The the in borderland crisis with nature. Through her broodings and visions, but also her immersion in the immersionvisions,herin also and but her broodings Through nature. with curandera as a sketched is out Inés that claims article The histories. humanity’s in abused and used threatening, perceived as silenced, have been cosmos: both physical the and Inés between structures parallel the underlines Miskaki communities. androcentric and/or traditional, in formidable Other strange the embodies of novella, the narrator theand Zapata’s Inés, onethat mistresses Emiliano holdsof Zapata.” article The Cisneros’s of Sandra reading “Eyes of ecofeminist venture into an her critical with angle feminist usual from the departs Miskaki a more Anastasia equitable future. order in to able be of past to the craft understanding our urges vision, avision that into delves Tereza’s Castillo that to propose as so a Xicanista experience suggests Tereza’s Virgen de Guadalupe) in Llorona La and La and Malinche, arch character tres madres of las coalescence insightful an concludes with article The bliss. andpersonal emancipation truth, Malinche’s Tereza’s and historical to attain efforts La both hinder and dominate agendas sexist alike, Chicanos and Mexicans Indians, by Europeans, perpetrated narratives of sexism, narratives cultural and historical Tereza and through to Malinche endure. have had Channeled La both standards ‘brown’ women, with associated order in connotations to that derogatory subvert the on. so and claims Ntokli mediator, cultural color/body, a being of of herskin commodification thechallenges south of border: the and gender suppression, violence, depravity, emotional the north multiple with difficulties faced who is acharacter reinvention Malinche, of La letter-writer. Teresa and that narrator protagonist, a purports Ntokli is Chicana creation of the her in Malinche from La author the draws comment that being novelLetters The herMixquiahuala in epistolary perspective folklore and history American Latin in role traitor the embodied of female the who has woman the cultural conflicts. molded is by identity that layered socio- an Chicana/o, identity of acontemporary Family My in most of children the that adds Papadimitriou have from them. inherited they norms and traditions the US, challenge the in raised been having children, their while roots, their Mexican adherence to close a parents’ identity profileshowcases the fact, In lifestyle. American the to embrace immigrant first-generation Mexican the the hesitations of enact thefamily Theof parents realities. social perilous often and of changing array awide amidst struggles personal and negotiations cultural peregrinations, and/orfamily’s spatial Chicana/o of a Mexican close reading a offers article The Southwest. developmentthe American the identity in of Chicana/o Nava’sGregory Family My narrative film on zooms Papadimitriou Stylianos discrimination. of plight to racial the analeptics curanderismo like traditions, cultural Mexican and indigenous question and defy mandates of being-in-the-world, thus crafting the novel the of being-in-the-world, mandates crafting thus defy question and Maria Ntokli examines Ana Castillo’s use(s) of the archetype of La Malinche, Malinche, of Castillo’s La use(s) Ana of archetype the examines Ntokli Maria / bruja mestizaje , character traits that allow Inés to develop a spiritual relationship relationship to develop Inés aspiritual allow that traits , character . The article attempts a nuanced approach to Castillo’s feminist approachCastillo’s to a feminist attempts nuanced article The , intercultural communication and the reclamation of the reclamation the and communication , intercultural The Mixquiahuala Letters The Mixquiahuala (1995) in a critical analysis that investigates (1995) investigates that analysis a critical in unravels the sexist double double sexist the unravels with the central critical critical central the with , can arise as the the as arise , can , Morales sustains sustains , Morales (La (La practices of curanderismo practices recent book patriarchy’s machismo and despite that claims Finally, article the tactics. survival and actions nature-inspired fromInés’s different approach imperious strikingly elements toand is the of nature her out-of-wedlock of lover her father the two and Zapata’s children. domineering Zapata, Emiliano and Inés between on contrasts the elaborates Miskaki nature, and Inés between analogies from the Apart abandonment, betrayal. rejection and by caused pain the alleviates that environment, union aharmonious natural the Illegal We Day More (2005), Get Box Every most recently and others aCereal Inside many Akrílica are books most well-known of his some Among awards. literary many garnered having after poet Chicano coveted and children’s and most anthologized adults the young He currently literature. is some novels but novels, for including also poetry of mainly over books, 20 career extensive an He has language. form he and continues with to as experiment styles and into waves poems of new glimpses 20l5 here in 20l6, Poet offers and Laureate United the in States. discourse political current Trambley, Portillo book on for Estela his known uniqueview of well us a offering more is Núñezwhose participation Casillas by Juan of poetry,section accompanied this in thematics the who enhance of writers poetry experienced are Resto Luivette and Reyna lives. Plus,theirabout Thelma reflections deeply personal us with share who artist) an (also Segade Gustavo and Morales Herrera-Sobek, Alejandro María of contributors. our have scholar-poets as career such addition, In extensive we also most the had who has followed iconic by list the Alurista, the leads Poet Laureate US. Chicano first Felipethe Juan Herrera as poets. these concern topicsand that of to voices provide of kind arepresentative the cross-section ones, again, upcoming and writers well-established reflection. prosaic recruited the also We haiku to the or from to experimental, evocative from the histoire, petite to the onemphasis image from an meditative, to the political from the chronicle, personalized to the lyrical from the drastically: vary utilized forms and techniques approaches, thematics, the US. We the that in discover immediately Latinx and production Chicanx among of poetic current examples generations of as authors list from various variegated to offer a fortunate very we included. are Furthermore, biography also personal is reputed devoted to the scholar ashort author and friend, and of distinguished the (Oct 1937-June Anaya Rudolfo A. narrative: sensible 2020). the discourse After chicanx of contemporary the father away founding passed payed recently to the tribute is most necessary and amoving which in Lomelí, A. piece by Francisco of women. silenced experiences extension, historical voices the by and, cosmos physical the with onea potent character, who empathizes female glyphs and highly experimental imagistic poetry in Spanglish. Most of us know Most know of us Spanglish. in poetry imagistic experimental highly and glyphs some l970s combining with the he in l980s, while genre developed extensively and (2020) Borderbus and Juan Felipe Herrera, the first Chicano to have appointedto been as US. Chicano Felipe first Juan the Herrera, are: section contributors poetry the Among to this the The monograph includescloses “Creation” a that preliminary section ZAZ , which is about to be published in 2020. He returns to a poetic about to is a poetic to published 2020. be which in He returns and brujeria and ’s attempts to weaken and/or efface her, Inés prevails as ’s her, and/or efface to attempts Inés weaken prevails (2020). Alurista here contributes hikus from his most (2020). from his here contributes hikus Alurista , the female narrator achieves an accord with with accord an achieves narrator female , the (1989), (1989), Cinnamon Girl: Letters Found Found Letters Girl: Cinnamon

REVISTA CANARIA DE ESTUDIOS INGLESES, 81; 2020, PP. 13-24 21 REVISTA CANARIA DE ESTUDIOS INGLESES, 81; 2020, PP. 13-24 22 Three a Times Three (in titled Woman acollection perspective feminist published from a numerous She poems has Russia. Siberia, even and East Middle much of the Europe, America, world, the Latin throughout including literature by promoting Chicanx skills superb ambassadorial exhibited who has literature critic of aworld-class Herrera-Sobek is Chicanx María area. California Angeles, Los collection works are are works classic Amonghis most justice. for fight social his and teaching creativity, his his Movement of Chicano the poet for most transformative and principal the as him compiling the articles that appear in this volume required the combined skills of volume combined the skills required this in appear that articles the compiling Naturally, thinking. aborder collaboration, of critical crossing interdisciplinary and Trambley Portillo (2017). Estela de discursivas y filosóficas Estrategias titled study published acritical Heinevitable. has sometimes is politics that level, showing political and United social at the States the in touches occurring of is asensitive what nerve poem-calligram innovative However, on speakers. heritage his afocus to with students language Spanish the teaching is specialization His Spain. US the and in journals literary various in of genre predilection, short stories, his published various has José Casillas-Núñez but Juan not of world. last the least, view And existential a more almost personal, now to turning Martínez) Demetria (1989) and de Alba Gaspar Alicia with along Portrait poetry of twobooks The in Bronx. Her but proudly Rico, raised Puerto a mother, Buenas, teacher, Wonder and poet, Aguas born in was Woman fanatic, book Tree titledpoetry, Zapote of first to publish his (in 2020). press; Resto, Luivette author. diverse of He about this is facet important another we view stories. Clearly novels short by and his obscured to somewhat be thought is prowess, which poetic subject.his see to a related intimately Spanish is can hethat We offers one poem but here unmatched, are subject matter and of thematics terms in originality His considered must-reads abroad. US are novels and the in that of landmark a series produced having writing, fiction in career awell-chronicled D. has Morales Alejandro for 2014-2015. California for Poet Altadena, the Laureate named was and at UCLA 2017. in Poetry Nominee in Prize aPushcart She was years. She her received Ph.D. for over media 25 regional blogs, and textbooks, anthologies, journals, literary in (2020).Papa: in AMemoir Poems Her and fiction, havepoetry, nonfiction appeared Her 3anthologies. edited most recent Dearest book and is 6books, written having awards, won 16 have collectively Her literary poet. books and a woman national sons’ sexuality. his with to terms coming of issues and coronavirus the with dealing in contemporary indeed is poetry His (often people)five sketches or unique of faces five colorschemes. inoriginal very highly painting and drawing in indulged since has and poetry American of Latin Diego State acritic University l969. in at San as Department career his He initiated of Mexican-American the founding the in instrumental was background Cuban Yoke the Who (2002) BOn? and To sum up, this issue offers the outcome of a transcontinental, transnational transnational To the outcome offers transcontinental, issue of a up, sum this Thelma T. Reyna, moreover,intoglimpses as her formation personal offers Floricanto en Aztlán (1971), Aztlán en Floricanto is forthcoming by FlowerSong the forthcoming is She in Press. lives Coffee Are Promises Ascension have been published by Tía Chucha Press. Her latest poetry have published been by Tía poetry Chucha Press. Her latest , among others. Gustavo Segade of Puerto Rican and and of Rican Puerto Segade Gustavo others. , among Spik in Glyph? Spik in Glyph? 1981), 1981), As Our Barrio Turns... Barrio Our As : Chicana Poetry Unfinished

with a familiar motto: “With discipline we perform, with difference we thrive!” we difference motto: we with perform, “With discipline afamiliar with of multicolored focus components” interdisciplinary (221).an conclude let us So within enlightenment or vicarious knowledge forit experiential grounds opens new how and occurring, produced,is what being is what to most measure is matters hat proposition, vein. Pondering Lomelí’s critical explored A. this on “[w] in Francisco further be will Culture of Chicanx dynamics itthe hope sincere our is that articles, of collection production the in of this backgrounds academic and perspectives theoretical joined distinct their United also the from and Europe and conferred States scholars young and distinguished courtesy. Given and negotiation, that receptiveness revised paper accepted for publication for accepted paper revised Reviews sent to author to sent Reviews : 11-7-2020; : : 15-9-2020

REVISTA CANARIA DE ESTUDIOS INGLESES, 81; 2020, PP. 13-24 23 REVISTA CANARIA DE ESTUDIOS INGLESES, 81; 2020, PP. 13-24 24 Stavans Jackson Martí Lomelí Chávez , José 1887. “Introduction to the 1888 Spanish Edition of Helen Hunt Jackson’s of Helen Ramona Edition 1887., José 1888 the to Spanish “Introduction , Francisco A. “The Chicano Reinvention of America: Is Cultural Essentialism Dead? Or, Dead? Essentialism Cultural Is America: of Reinvention Chicano “The A. , Francisco , Denise. “Intoduction. My Long Hot Ramona Summer.” Ramona Hot Ramona My Long “Intoduction. , Denise. The Norton Anthology of Latino Literature Latino of Anthology Norton The eds. al., et Ilán, , , Helen Hunt. Ramona Hunt. , Helen 2005[1887]. 357-359. 2005[1887]. Allen. Esther transl. English Martí. José & publ. Transl. 2005. xiii-xxii. de l’Homme d’Aquitaine, 1993. 211-22. d’Aquitaine, l’Homme de Difference of Writing the and Interculturalism la Ecrire Difference: of Indifference.” on Poetics Gridlock the Breaking . The Modern Library, 2005 2005 Library, [1884]. Modern . The WORKS CITED WORKS . Ed. Jean Beranger et al. Editions de la Maison des Sciences Sciences des Maison la de Editions al. et Beranger Jean . Ed. , W.W., Company, & 2011.Norton Ramona . The Modern Library, Library, Modern . The . The Modern Library, Library, . Modern The .” .”