University of Arizona Poetry Center Records Collection Number: UAPC.01
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Hispanic American Literature, Small, Independent Presses That Rely Upon U.S
HISPANICHISPANIC AMERICANAMERICAN LITELITERRAATURE:TURE: DIVEDIVERRGENCEGENCE && C0MMONALITYC0MMONALITY BY VIRGIL SUAREZ n an autobiographical sketch written in 1986, the some of the best work is coming from such sources. respected Chicano American novelist Rudolfo Increasingly, though, with the recognition associated Anaya observed that “if I am to be a writer, it is with the nation’s most prestigious literary awards -- the ancestral voices of…[my]… people who will the Before Columbus Foundation Award, the National form a part of my quest, my search.” Book Award and the Pulitzer Prize -- Hispanic IAncestral voices are very much a part of Hispanic American authors are being courted by the publishing American literature today, a tradition harking back establishment. more than three centuries that has witnessed a Much of the attention of recent times, justifiably, is dramatic renascence in the past generation. As the owed to the groundbreaking work of the Chicano Arts Hispanic experience in the United States continues to movement of the late 1960s and early 1970s and the confront issues of identity, assimilation, cultural emergence of Hispanic American poets such as heritage and artistic expression, the works of Rodolfo Gonzales and Luis Alberto Urista (“Alurista,”) Hispanic American writers are read with a great deal and other writers who chronicled the social and of interest and passion. political history of the movement. The campaign was In a sense, the literature functions as a mirror, a propelled by grassroots activists such as Cesar reflection of the way Hispanic Americans are viewed Chavez and Dolores Huerta who played key roles in by the mainstream culture -- but not always the the unionization of migrant workers achieved through majority. -
American Book Awards 2004
BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre. -
A Contextual Interpretation of This Bridge Called My Back: Nationalism, Androcentrism and the Means of Cultural Representation
Camino Real 10: 13. (2018): 27-45 A Contextual Interpretation of This Bridge Called My Back: Nationalism, Androcentrism and the Means of Cultural Representation tErEza Jiroutová KyNčlová Abstract Gloria Anzaldúa’s and Cherríe Moraga’s important contribution to women of color feminism, the anthology This Bridge Called My Back: Writings by Radical Women of Color (1981) and Anzaldúa’s masterpiece Borderlands/La Frontera – The New Mestiza (1987) represented a significant milestone for the evolution of contemporary Chicana literature. This essay proposes to contextualize Gloria Anzaldúa’s and Cherríe Moraga’s revolutionary approach and expose its theoretical and activist depth that has impacted both Chicana writing and –more broadly– contemporary feminist thought. Keywords: Chicana feminism, women of color feminism, androcentrism Resumen La contribución fundamental de Gloria Anzaldúa y Cherríe Moraga al feminismo de las mujeres color, la antología Esta Puente Mi Espalda: Escritos de Mujeres Tereza Jiroutová Kynčlová, Ph.D. is an Assistant Professor at the Department of Gender Studies, Charles University, Czech Republic. Her research focuses on contemporary U.S. women writers, feminist literary theory, and postcolonial/decolonial studies. Jiroutová Kynčlová, T. “A Contextual Interpretation of This Bridge Called My Back: Nationalism, Androcentrism and the Means of Cultural Representation”. Camino Real, 10:13. Alcalá de Henares: Instituto Franklin-UAH, 2018. Print. Recibido: 22 de enero de 2018; 2ª versión: 22 de enero de 2018. 27 Camino Real Radicales de Color (1981) y la obra maestra de Anzaldúa Borderlands / La Frontera – The New Mestiza (1987) representaron un hito significativo para la evolución de literatura chicana. Este ensayo propone contextualizar el enfoque revolucionario de Gloria Anzaldúa y Cherríe Moraga y exponer su profundidad teórica y activista la cual ha impactado tanto en la escritura chicana como, más ampliamente, en el pensamiento feminista contemporáneo. -
ED371765.Pdf
DOCUMENT RESUME ED 371 765 IR 055 099 AUTHOR Buckingham, Betty Jo; Johnson, Lory TITLE Native American, African American, Asian American and Hispanic American Literature for Preschool through Adult. Hispanic American Literature. Annotated Bibliography. INSTITUTION Iowa State Dept. of Education, Des Moines. PUB DATE Jan 94 NOTE 32p.; For related documents, see IR 055 096-098. PUB TYPE Reference Materials Bibliographies (131) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS Annotated Bibliographies; Authors; Childrens Literature; Elementary Secondary Education; Fiction; *Hispanic Arerican Literature; *Hispanic Americans; Minority Groups; Nonfiction; Picture Books; Reading Materials IDENTIFIERS Iowa ABSTRACT This bibliography acknowledges the efforts of authors in the Hispanic American population. It covers literature by authors of Cuban, Mexican, and Puerto Rican descent who are or were U.S. citizens or long-term residents. It is made up of fiction and non-fiction books drawn from standard reviewing documents and other sources including online sources. Its purpose is to give users an idea of the kinds of materials available from Hispanic American authors. It is not meant to represent all titles or all formats which relate to the literature by authors of Hispanic American heritage writing in the United States. Presence of a title in the bibliography does not imply a recommendation by the Iowa Department of Education. The non-fiction materials are in the order they might appear in a library based on the Dewey Decimal Classification systems; the fiction follows. Each entry gives author if pertinent, title, publisher if known, and annotation. Other information includes designations for fiction or easy books; interest level; whether the book is in print; and designation of heritage of author. -
Faith, Hope and Service in Denise Chávez's Face of an Angel
Faith, Hope and Service in Denise Chávez’s Face of an Angel Linda Naranjo-Huebl Calvin College enise Chávez dedicates her book Face of an Angel to “all the women, criadas Dand ayudantes, who have taught me the meaning of the word service.” She navigates a difficult path celebrating service in a tradition—Chicano Catholic cul- ture—that valorizes the complete effacement and martyrdom of women, and also in a secular intellectual culture that views religious beliefs with suspicion. Chávez gives us a hero, Soveida Dosamantes, who struggles to effect change—to stop destructive cycles of privilege—while rejecting a too narrowly defined feminism that might view woman’s service as a dysfunction that must be remedied. The novel traces the protagonist’s progressing struggle to assert a new Chicana identity, but the change comes very slowly, in steps; and Chávez’s structuring of sections after orders of an- gels in the Catholic tradition underscores and complements Soveida’s journey. The second part of the book’s dedication—“for all my sisters likewise who have waited, will wait”—reflects the focus of the narrative on faith and hope, central to the novel. Soveida Dosamantes learns to wait on herself as well as others. Chávez’s book is structured around the orders of angels in the Catholic theological tradition: angels, archangels, principalities, powers, virtues, dominations, thrones, cherubim, and seraphim. In explaining why theologians have thus categorized angels, Pope Gregory I cites their varied service: “But why do we touch upon these choirs of steadfast angels by listing them, if not to describe their ministries in a plain manner? We ought to know that whatever angels are called, their name signifies a service” (qtd. -
Chicana Creativity and Criticism
Chicana Creativity and Criticism NEW FRONTIERS IN AMERICAN LITERATURE EDITED BY MARfA HERRERA-SOBEK AND HELENA MARlA VIRAMONTES UNIVERSITY OF NEW MEXICO PRESS CONTENTS Acknowledgments, xi Preface, xiii Introduction, i i.POETRY Lorna Dee Cervantes First Beating, 47 Astro-no-mia, 48 Bananas, 49 BirdAve., 53 Lucha Corpi Romance Negro, 57 Invernario, 59 Recuerdo Intimo, 60 Fuga, 61 Camion de Invierno, 63 Indocumentada Angustia, 64 Sonata a Dos Voces, 65 Llueve, 67 Evangelina Vigil-Pinon The Parting, 69 In Its Absence, 70 7Xe Giving, 71 J£z7%, 72 Equinox, 73 Hacia un Invierno, 75 Denise Chavez I Am Your Mary Magdalene, 78 7/for River's Praying Place, 79 Tian1, 80 OW, 81 Artery of Land, 83 Vlll CONTENTS Silver Ingots of Desire, 84 The Study, 85 Starflash, 86 Saying "Oh No", 87 Everything You Are Is Teeth, 88 Cuckoo Death Chime, 89 Door, 91 Chekhov Green Love, 93 7/fe State of My Inquietude, 94 Z?>£ Feeling of Going On, 95 7fc Thin Light, 96 Taw Butterflies, 97 Naomi Quiflonez Ultima II True Blue Eye Shadow of the Past, 98 The Photograph, 99 Spousal Rape, 101 ^4y 0w* Maria Felix (or Maria Was No Virgin), 102 La Diosa z» Every Woman, 104 Gloria Enedina Alvarez Acordeon [Accordion], 108 JV« Complicaciones [Without Complications], 109 £7<gz> [Choice], no 7/&<? BW W the Gift, in Vuelvoy no recuerdo [IReturn and Don't Remember], 112 Hueso de la noche [Night Bone], 113 Deaf I Sorda, 114 Z?« Viaje / On a Trip, 115 The Day It Began [Eldia que inicio], 116 Spark I Chispa, 118 Fallen Comrade, There Is No Mourning You, 120 Still Dreams, 121 Contrastes / Contrasts, 122 Vende Futuro [Sells the Future], 124 Totem / La siemprefirme [Totem / The Always Firm], 126 CONTENTS IX Alma E. -
Palm Desert History
History Of Palm Desert John Fraim John Fraim 189 Keswick Drive New Albany, OH 43054 760-844-2595 [email protected] www.symbolism.org © 2013 – John Fraim Special Thanks To Palm Desert Historical Society & Hal Rover Brett Romer Duchess Emerson Lincoln Powers Carla Breer Howard 2 “The desert has gone a-begging for a word of praise these many years. It never had a sacred poet; it has in me only a lover … This is a land of illusions and thin air. The vision is so cleared at times that the truth itself is deceptive.” John Charles Van Dyke The Desert (1901) “The other Desert - the real Desert - is not for the eyes of the superficial observer, or the fearful soul or the cynic. It is a land, the character of which is hidden except to those who come with friendliness and understanding. To these the Desert offers rare gifts … health-giving sunshine—a sky that is studded with diamonds—a breeze that bears no poison—a landscape of pastel colors such as no artist can duplicate—thorn-covered plants which during countless ages have clung tenaciously to life through heat and drought and wind and the depredations of thirsty animals, and yet each season send forth blossoms of exquisite coloring as a symbol of courage that has triumphed over terrifying obstacles. To those who come to the Desert with friendliness, it gives friendship; to those who come with courage, it gives new strength of character. Those seeking relaxation find release from the world of man-made troubles. For those seeking beauty, the Desert offers nature’s rarest artistry. -
Contributors, Books Received, Magazines Received, Advertisements, Back Issues, About Cutbank, Back Cover
CutBank Volume 1 Issue 21 CutBank 21 Article 37 Fall 1983 Contributors, Books Received, Magazines Received, Advertisements, Back Issues, About CutBank, Back Cover Follow this and additional works at: https://scholarworks.umt.edu/cutbank Part of the Creative Writing Commons Let us know how access to this document benefits ou.y Recommended Citation (1983) "Contributors, Books Received, Magazines Received, Advertisements, Back Issues, About CutBank, Back Cover," CutBank: Vol. 1 : Iss. 21 , Article 37. Available at: https://scholarworks.umt.edu/cutbank/vol1/iss21/37 This Back Matter is brought to you for free and open access by ScholarWorks at University of Montana. It has been accepted for inclusion in CutBank by an authorized editor of ScholarWorks at University of Montana. For more information, please contact [email protected]. CONTRIBUTORS BRUCE BEASLEY is a native of Macon, Georgia; graduated from Oberlin College in the M.F.A. writing program at Columbia University; works as an editor at Georgia State University and his work has appeared in Quarterly West, Southern Poetry Review andColumbia: A Magazine of Poetry and Prose. JOHANNES BOBROWSKI was born in 1917 in Tilsit, East Prussia. Between 1960 and 1965, he published two books of poetry, two novels, and two collections of short stories. He died in East Berlin in 1965. SCOTT DAVIDSON grew up in Great Falls and received his M.F.A. in creative writing from the University of Montana. He lives in Missoula with his wife, Sharon, works for Montana’s Poets in the Schools program, and has received many favorable comments accompanying his rejection slips. -
M.A. Reading List - Hispanic Southwest Studies
M.A. Reading List - Hispanic Southwest Studies The following is a basic, minimal reading list for Hispanic Southwest (Chicano) Studies. To prepare for the M.A. exams, in addition to reviewing their readings and lecture notes from relevant courses, students should have read all of the material on this reading list. Many authors not mentioned individually on this list are in the anthologies. Items bearing an asterisk can be obtained from the Graduate Advisor. Historia, Epica y Ensayo: Alvar Núñez Cabeza de Vaca. Naufragios. Gaspar Pérez de Villagrá. Historia de la Nueva México. Rudolfo Acuña. Occupied America. John Chávez. The Lost Land. Gloria Anzaldúa. La Frontera / The Borderland. Guillermo Gómez Peña. Warrior for Gringostroika -o- New World Border. Lengua y Cultura Popular: Charles L. Briggs. Competence in Performance: The Creativity of Tradition in Mexicano Verbal Art. Lorin W. Brown, with Charles L. Briggs and Marta Weigle. Hispano Folklife of New Mexico: The Lorin W. Brown Federal Writers' Project Manuscripts. Fabiola Cabeza de Baca Gilbert. The Good Life. Arthur L. Campa. Hispanic Culture in the Southwest. Rubén A. Cobos. Dictionary of New Mexico and Southern Colorado Spanish. Aurelio M. Espinosa and J. Manuel Espinosa, ed. The Folklore of Spain in the American Southwest: Traditional Spanish Folk Literature in Northern New Mexico and Southern Colorado. Cleofas Jaramillo. Shadows of the Past. Enrique R. Lamadrid. Tesoros del Espíritu: A Portrait in Sound of Hispanic New Mexico. *Enrique R. Lamadrid. "Ig/noble Savages of New Mexico's Silent Cinema, 1912-1914." Spectator 13, 1 (Fall 1992): 12-23. Aurora Lucero White Lea. Literary Folklore of the Hispanic Southwest. -
La Bloga “The Book of Want”
.comment-link {margin-left:.6em;} Report Abuse Next Blog» La Bloga Chicana, Chicano, Latina, Latino, & more. Literature, Writers, Children's Literature, News, Views & Reviews. About La Bloga's Blogueras & Blogueros "Best Blog 2006" MONDAY, FEBRUARY 6 award from L.A.'s Tu “The Book of Want” at the UCLA Chicano Studies Ciudad magazine Research Center Library, February 9th, 3:00 to 5:00 p.m. "Taking With Me The Land:" Xicana Nebraska ... A Mestiza mans The Chilean Winter. Children’s Lit ... Bits & Pieces On A Winter Friday Chicanonautica: Ocotillo Dreams, Arizona Dystopia 2012 Pura Belpré Award Winners Review: Clybourne Park. On-Line Floricanto Con Tinta Annual Pachanga at AWP Conference: This ... Con Tinta Annual Pachanga: Honoring Pat Mora Guest Columnist: Sonia Gutiérrez I Ask(ed) a Mexican y respondió I am delighted to announce that I will be reading from my novel, The Book la bloga. of Want (University of Arizona Press), at the UCLA Chicano Studies Research Center. The reading will conclude with a Q&A and a book signing. DATE: Thursday, February 9 TIME: 3:00 to 5:00 p.m. WHERE: UCLA Campus, 144 Haines Hall CONTACT: Lizette Guerra, Archivist and Librarian, (310) 206-6052 E-MAIL: [email protected] Aaron A. Abeyta This is a homecoming, of sorts, because I attended law school at UCLA Mario Acevedo (where I met my brilliant and beautiful wife). Also, our son, Ben, is now a Marta Acosta UCLA junior majoring in anthropology. I hope to see many La Bloga Oscar "Zeta" Acosta readers in attendance! Alma Flor Ada Praise for The Book of Want: Daniel Alarcón Francisco X. -
University of Arizona Poetry Center Records Collection Number: UAPC.01
University of Arizona Poetry Center Records Collection Number: UAPC.01 Descriptive Summary Creator: University of Arizona Poetry Center Collection Name: University of Arizona Poetry Center Records Dates: 1960- Physical Description: 105 linear feet Abstract: This collection contains correspondence, administrative records, board meeting minutes, printed materials, audiovisual recordings, and scrapbooks related to the unique history of the Poetry Center and its prominent role in Southern Arizona’s literary arts landscape. “Author files” contain records and correspondence pertaining to poets such as Robert Frost, Kenneth Koch, and Allen Ginsberg. Collection Number: UAPC.01 Repository: University of Arizona Poetry Center 1508 E. Helen St. Tucson, AZ 85721 Phone: 520-626-3765 Fax: 520-621-5566 URL: http://poetry.arizona.edu Historical Note The University of Arizona Poetry Center began in 1960 as a small house and a collection of some 500 volumes of poetry, donated to the University of Arizona by poet and novelist Ruth Stephan. It has grown to house one of the most extensive collections of contemporary poetry in the United States. Since 1962, the Poetry Center has sponsored one of the nation’s earliest, longest-running, and most prestigious reading series, the Visiting Poets and Writers Reading Series, which continues to the present day. The Poetry Center also has a long history of community programming including classes and workshops, lectures, contests, youth programming, writers in residence, and poetry workshops in Arizona penitentiaries. Its leadership has included noted authors such as Richard Shelton, Alison Hawthorne Deming, and LaVerne Harrell Clark. University of Arizona Poetry Center Records UAPC.01 Page 1 of 72 Scope and Content Note This collection contains correspondence, administrative records, board meeting minutes, printed materials, audiovisual recordings, and scrapbooks related to the unique history of the Poetry Center and its prominent role in Southern Arizona’s literary arts landscape. -
Poetry Editor Ofcalifornia Quarterly for Two Years
CutBank Volume 1 Issue 16 CutBank 16 Article 42 Spring 1981 Contributors, Books Received, Magazines Received, Back Issues, Advertisements, Back Cover Follow this and additional works at: https://scholarworks.umt.edu/cutbank Part of the Creative Writing Commons Let us know how access to this document benefits ou.y Recommended Citation (1981) "Contributors, Books Received, Magazines Received, Back Issues, Advertisements, Back Cover," CutBank: Vol. 1 : Iss. 16 , Article 42. Available at: https://scholarworks.umt.edu/cutbank/vol1/iss16/42 This Back Matter is brought to you for free and open access by ScholarWorks at University of Montana. It has been accepted for inclusion in CutBank by an authorized editor of ScholarWorks at University of Montana. For more information, please contact [email protected]. CONTRIBUTORS ANSEL ADAMS has exhibited his photographs throughout the world, and has written extensively about photography. Recipient of three Guggenheim Fellowships and Yale’s Chubb Fellowship, his latest book of photographs is entitled Yosemite and the Range of Light (1979). JAMES BOND'S fiction has appeared in theIntro series and inWillow Springs M agazine. He lives in Cusick, Washington. HARRISON BRANCH studied photography at Yale with Walker Evans and Paul Caponigro. He is currently teaching photography at Oregon State University, and photographing the Northwest. EDNA BULLOCK began making photographs eight years ago. She lives and works in Monterey, California. WYNN BULLOCK'S photographs can be seen in the major collections in the world. The most recent monographs on his workWynn are Bullock, (1976) andThe Photograph as Symbol, (1976). WILLIAM CHAMBERLAIN has planted over 200,000 Douglas Fir trees, in the past three years, near Astoria, Oregon, where he lives.