DOCSLIB.ORG

University of Arizona Poetry Center Records Collection Number: UAPC.01

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
University of Arizona Poetry Center Records Collection Number: UAPC.01 University of Arizona Poetry Center Records Collection Number: UAPC.01 Descriptive Summary Creator: University of Arizona Poetry Center Collection Name: University of Arizona Poetry Center Records Dates: 1960- Physical Description: 105 linear feet Abstract: This collection contains correspondence, administrative records, board meeting minutes, printed materials, audiovisual recordings, and scrapbooks related to the unique history of the Poetry Center and its prominent role in Southern Arizona’s literary arts landscape. “Author files” contain records and correspondence pertaining to poets such as Robert Frost, Kenneth Koch, and Allen Ginsberg. Collection Number: UAPC.01 Repository: University of Arizona Poetry Center 1508 E. Helen St. Tucson, AZ 85721 Phone: 520-626-3765 Fax: 520-621-5566 URL: http://poetry.arizona.edu Historical Note The University of Arizona Poetry Center began in 1960 as a small house and a collection of some 500 volumes of poetry, donated to the University of Arizona by poet and novelist Ruth Stephan. It has grown to house one of the most extensive collections of contemporary poetry in the United States. Since 1962, the Poetry Center has sponsored one of the nation’s earliest, longest-running, and most prestigious reading series, the Visiting Poets and Writers Reading Series, which continues to the present day. The Poetry Center also has a long history of community programming including classes and workshops, lectures, contests, youth programming, writers in residence, and poetry workshops in Arizona penitentiaries. Its leadership has included noted authors such as Richard Shelton, Alison Hawthorne Deming, and LaVerne Harrell Clark. University of Arizona Poetry Center Records UAPC.01 Page 1 of 72 Scope and Content Note This collection contains correspondence, administrative records, board meeting minutes, printed materials, audiovisual recordings, and scrapbooks related to the unique history of the Poetry Center and its prominent role in Southern Arizona’s literary arts landscape. Information contained within the records offers a comprehensive look at Southern Arizona’s literary arts activities and communities from 1960 to the present day. As the Poetry Center is still an active organization, the collection will continue to grow. The collection is notable in preserving the original audiovisual recordings of poets and writers reading their work for the Poetry Center’s Visiting Poets and Writers Reading Series. The first recording, of poet Robert Creeley, dates to Dec. 4, 1963. These recordings are being digitized and made freely available online, with permission from the poets and/or their estates, at the Poetry Center’s digital audio video library, voca (http://voca.arizona.edu). Since 2007, all new recordings are born digital, although physical copies are retained in the library’s holdings. The collection also includes A-Z “author files” consisting of records and correspondence pertaining to hundreds of poets and writers who visited the Center. Author files typically contain clippings, photos, financial records, and correspondence related to an author’s visit. Often the correspondence is rich, reflecting the Center’s longstanding tradition of friendship and hospitality to poets. Several files, including Robert Frost’s, contain manuscripts or typescripts of poems. Of note, former U.S. Secretary of the Interior Stewart Lee Udall is represented in the author files with materials including typescripts and manuscripts of Udall’s own poems. Organization The collection is organized into five series: Series I: Subseries I: Poetry Center Records and Correspondence Series I: Subseries II: Author Files Series II: Subseries I: Newsletters Series II: Subseries II: Reading Series Brochures Series II: Subseries III: Miscellaneous Printed Materials Series II: Subseries IV: Posters Series III: Scrapbooks Series IV: Photographs Series V: Subseries I: Readings/Audiocassettes Series V: Subseries II: Readings/Reel-to-Reel Tapes Series V: Subseries III: Readings/CDs and DVDs Series V: Subseries IV: Readings/DVCs University of Arizona Poetry Center Records UAPC.01 Page 2 of 72 Restrictions Restrictions Poetry Center donor lists and gift/donation letters are restricted from the public. Copyright It is the responsibility of the user to obtain permission to publish from the owner of the copyright (the institution, the creator of the record, the author or his/her transferees, heirs, legatees, or literary executors). The user agrees to indemnify and hold harmless the Arizona Board of Regents for the University of Arizona, its officers, employees, and agents from and against all claims made by any person asserting that he or she is an owner of copyright. Access Terms American poetry—20th century American poetry—21st century Clark, LaVerne Harrell Deming, Alison Hawthorne, 1946- Shelton, Richard Stephan, Ruth, 1910-1974 University of Arizona Poetry Center Administrative Information Credit Line University of Arizona Poetry Center Records (UAPC.01). University of Arizona Poetry Center. University of Arizona Poetry Center Records UAPC.01 Page 3 of 72 Container List Series I: Subseries I: Poetry Center Records and Correspondence (32 Boxes) Annual Reports 1962-2010 Box Folder Title Dates I.I.1 1 Annual Reports 1962 2 Annual Reports 1962-1963 3 Annual Reports 1963-1964 4 Annual Reports 1964-1965 5 Annual Reports 1965-1966 6 Annual Reports 1966-1967 7 Annual Reports 1967-1968 8 Annual Reports 1968-1969 9 Annual Reports 1969-1970 10 Annual Reports 1970-1971 11 Annual Reports 1971-1972 12 Annual Reports 1974-1975 13 Annual Reports 1975-1976 14 Annual Reports 1976-1977 15 Annual Reports 1977-1978 16 Annual Reports 1978-1979 17 Annual Reports 1979-1980 18 Annual Reports 1994-1995, 1999-2005 19 Annual Reports 2007-2012 University of Arizona Poetry Center Records UAPC.01 Page 4 of 72 Poetry Center Board Meeting Minutes Box Folder Title Dates I.I.2 1 Board Meeting Minutes 1962-1964 2 Board Meeting Minutes 1964-1965 3 Board Meeting Minutes 1965-1966 4 Board Meeting Minutes 1966-1967 5 Board Meeting Minutes 1967-1968 6 Board Meeting Minutes 1968-1969 7 Board Meeting Minutes 1969-1970 8 Board Meeting Minutes 1970-1971 9 Board Meeting Agenda 1970-1971 I.I.3 1 Board Meeting Agenda 1971-1972 2 Board Meeting Minutes 1971-1972 3 Board Meeting Agenda 1972-1973 4 Board Meeting Minutes 1972-1973 5 Board Meeting Agenda 1973-1974 6 Board Meeting Minutes 1973-1974 7 Board Meeting Agenda 1974-1975 8 Board Meeting Minutes 1974-1975 9 Board Meeting Agenda 1975-1976 10 Board Meeting Minutes 1975-1976 11 Board Meeting Agenda 1976-1977 12 Board Meeting Agendas 1982-1990 Poetry Center Calendar 1970-1977 Box Folder Title Dates I.I.4 1 Poetry Center Calendar 1970-1972 2 Poetry Center Calendar 1973 3 Poetry Center Calendar 1973-1974 4 Poetry Center Calendar 1974 5 Poetry Center Calendar 1975 6 Poetry Center Calendar 1976-1977 University of Arizona Poetry Center Records UAPC.01 Page 5 of 72 Poetry Center Director Files: Ruth Stephan Box Folder Title Dates I.I.5 1 Ruth Stephan Correspondence 1960-1962 2 Ruth Stephan Correspondence 1963-1964 3 Ruth Stephan Correspondence 1965-1969 4 Ruth Stephan Correspondence 1970-1971 5 Ruth Stephan Correspondence 1972-1973 6 Ruth Stephan Correspondence 1974 7 “Notes on Establishing and Maintaining a Poetry Collection” Files Poetry Center Director Files: LaVerne H. Clark Box Folder Title Dates I.I.6 1 LaVerne H. Clark Executive Secretary 1961-1967 Correspondence 2 LaVerne H. Clark Academy of American 1961-1963 Poets Correspondence 3 LaVerne H. Clark Academy of American 1967-1969 Poets Correspondence 4 LaVerne H. Clark Academy of American 1970-1974 Poets Correspondence 5 LaVerne H. Clark Academy of American 1975-1976 Poets Correspondence Poetry Center Director Files: Richard Shelton Box Folder Title Dates I.I.7 1 Richard Shelton University of Texas at 1964-1971 Austin Correspondence 2 Richard Shelton Author File 1969-1989 3 Richard Shelton Tribute April 22, 2006 4 Richard Shelton Misc. Documents University of Arizona Poetry Center Records UAPC.01 Page 6 of 72 Poetry Center Director Files: Richard Shelton (continued) Box Folder Title Dates I.I.8 1 Spoken Anthology of American Literature Richard Shelton/Ruth Stephan Misc. Documents 2 Spoken Anthology of American Literature 1963 Kay, Arthur Correspondence with Udall, Stewart 3 Spoken Anthology of American Literature 1963 Richard Shelton Correspondence with Ellis, Norma Millay 4 Spoken Anthology of American Literature 1963-1964 Richard Shelton Correspondence with Ruth Stephan 5 Spoken Anthology of American Literature 1963-1964 Richard Shelton Correspondence with Eliot, T. S. 6 Spoken Anthology of American Literature 1964 Richard Shelton Correspondence with Wilder, Thornton 7 Spoken Anthology of American Literature 1964 Richard Shelton Correspondence with Lewis, Edith 8 Spoken Anthology of American Literature 1968 Richard Shelton Correspondence with Kray, Elizabeth I.I.9 1 Richard Shelton Book Sleeves 2 Richard Shelton Publicity Materials I.I.10 1 Richard Shelton Ephemera I.I.11 1 Copies of Musical Interludes for Spoken Dec. 1964 Anthology of American Literature (by Joseph D. La Rosa) University of Arizona Poetry Center Records UAPC.01 Page 7 of 72 Poetry Center Director Files: Lois Shelton Box Folder Title Dates I.I.12 1 Lois Shelton Correspondence 1973 2 Lois Shelton Correspondence 1974 3 Lois Shelton Correspondence with 1974 Ruppert, Jim (University of New Mexico) 4 Lois Shelton Correspondence 1975 5 Lois Shelton Correspondence 1976 I.I.13 1 Lois Shelton Correspondence 1977 2 Lois Shelton
Load more

Recommended publications
  • Addison Street Poetry Walk
    THE ADDISON STREET ANTHOLOGY BERKELEY'S POETRY WALK EDITED BY ROBERT HASS AND JESSICA FISHER HEYDAY BOOKS BERKELEY, CALIFORNIA CONTENTS Acknowledgments xi Introduction I NORTH SIDE of ADDISON STREET, from SHATTUCK to MILVIA Untitled, Ohlone song 18 Untitled, Yana song 20 Untitied, anonymous Chinese immigrant 22 Copa de oro (The California Poppy), Ina Coolbrith 24 Triolet, Jack London 26 The Black Vulture, George Sterling 28 Carmel Point, Robinson Jeffers 30 Lovers, Witter Bynner 32 Drinking Alone with the Moon, Li Po, translated by Witter Bynner and Kiang Kang-hu 34 Time Out, Genevieve Taggard 36 Moment, Hildegarde Flanner 38 Andree Rexroth, Kenneth Rexroth 40 Summer, the Sacramento, Muriel Rukeyser 42 Reason, Josephine Miles 44 There Are Many Pathways to the Garden, Philip Lamantia 46 Winter Ploughing, William Everson 48 The Structure of Rime II, Robert Duncan 50 A Textbook of Poetry, 21, Jack Spicer 52 Cups #5, Robin Blaser 54 Pre-Teen Trot, Helen Adam , 56 A Strange New Cottage in Berkeley, Allen Ginsberg 58 The Plum Blossom Poem, Gary Snyder 60 Song, Michael McClure 62 Parachutes, My Love, Could Carry Us Higher, Barbara Guest 64 from Cold Mountain Poems, Han Shan, translated by Gary Snyder 66 Untitled, Larry Eigner 68 from Notebook, Denise Levertov 70 Untitied, Osip Mandelstam, translated by Robert Tracy 72 Dying In, Peter Dale Scott 74 The Night Piece, Thorn Gunn 76 from The Tempest, William Shakespeare 78 Prologue to Epicoene, Ben Jonson 80 from Our Town, Thornton Wilder 82 Epilogue to The Good Woman of Szechwan, Bertolt Brecht, translated by Eric Bentley 84 from For Colored Girls Who Have Considered Suicide I When the Rainbow Is Enuf, Ntozake Shange 86 from Hydriotaphia, Tony Kushner 88 Spring Harvest of Snow Peas, Maxine Hong Kingston 90 Untitled, Sappho, translated by Jim Powell 92 The Child on the Shore, Ursula K.
    [Show full text]
  • Translation Review Number Sixty-Six • 2003
    Translation Review Number Sixty-Six • 2003 The University of Texas at Dallas TRANSLATION REVIEW No. 66, 2003 TABLE OF CONTENTS Interview with Breon Mitchell and Uwe Timm: Collaboration Between Translator and Author . .1 Rainer Schulte Not Getting it Right . .8 David Ferry From Dean to Deantrepreneur: The Academic Administrator as Translator . .14 Abby Kratz and Dennis Kratz Translating Diversity: The Distinct and Variegated Voice of Clifford Geertz . .20 Gregory Conti Sad Tropics, or Tristes Tropiques? . .27 Liane Gutman Renditions: 30 Years of Bringing Chinese Literature to English Readers . .30 Audrey Heijns Whispered Urgency: Translating Sound and Momentum in . .34 Raffaello Baldini’s “E’ Malan” Adria Bernardi On the Cathay Tour with Eliot Weinberger’s New Directions Anthology of Classical Chinese Poetry . .39 Steve Bradbury Method or Maestri: Two Approaches to (Teaching) Translation . .53 Gregory Conti Translating India: Enabling Tamil and Sanskrit Poems to be Heard in English . .58 R. Parthasarathy The Mexican Poet Homero Aridjis . .69 Rainer Schulte BOOK REVIEW The Return of the River by Roberto Sosa, tr Jo Anne Engelbert . .72 Steven F. White, Reviewer Translation Review 1 INTERVIEW WITH BREON MITCHELL AND UWE TIMM: COLLABORATION BETWEEN TRANSLATOR AND AUTHOR [An interview conducted with the German novelist Uwe Timm and his translator Breon Mitchell at Indiana University, May 2003] By Rainer Schulte RS: Breon, how did you develop your relationship with also took a fictional approach to the material. It was pre- Uwe Timm while you were working on the translation of cisely the combination of fact and fiction that interested his novel Morenga? me. The novel is about a rebellion in the former German colony of South West Africa between 1904 and 1907, BM: The first thing I think of when I translate is what when Germany was a colonial power, when the Hereros sort of questions I can ask that would be meaningful and and the Hottentots rose up against the Germans.
    [Show full text]
  • Diario De Sueños (2011) O La Madurez Poética De Homero Aridjis
    América sin Nombre, n.º 24 (2020): 79-89 Modo de citación de este artículo: DOI 10.14198/AMESN.2020.24-2.07 Salazar Anglada, Aníbal. «Poesía mexicana contemporánea: Diario de ISSN: 1577.3442 / eISSN: 1989-9831 sueños (2011) o la madurez poética de Homero Aridjis». La nueva novela lati- Fecha de recepción: 14/02/2019 noamericana sin límites. Lise Segas y Félix Terrones (coordinadores). América Fecha de aceptación: 01/07/2019 sin Nombre, 24 (2020): 79-89, DOI: 10.14198/AMESN.2020.24-2.07 Link para este artículo: http://dx.doi.org/10.14198/AMESN.2020.24-2.07 Poesía mexicana contemporánea: Diario de sueños (2011) o la madurez poética de Homero Aridjis Contemporary Mexican poetry: Diario de sueños (2011) or Homero Aridjis’ poetic maturity Aníbal Salazar Anglada* Universidad Ramon Llull Resumen El presente trabajo pone su atención en Diario de sueños, poemario de Homero Aridjis publicado en 2011, que revela la consagración del poeta mexicano, quien se da a conocer a finales de los años 50 y cuenta en su haber con una larga tra- yectoria compuesta de una treintena de títulos y decenas de poemas memorables. El artículo pone en valor algunas marcas definitorias de la poética aridjisiana, que alcanzan en este libro su más lograda expresión estética y que, en su conjunto, elevan la figura de Aridjis a la categoría de clásico vivo. Palabras clave: Homero Aridjis, poesía mexicana contemporánea, geografías de la crítica, Diario de sueños Abstract This work focuses on Diario de sueños, a book of poems by Homero Aridjis published in 2011, which reveals how he truly established his reputation as a poet.
    [Show full text]
  • “Carried in the Arms of Standing Waves:” the Transmotional Aesthetics of Nora Marks Dauenhauer1
    Transmotion Vol 1, No 2 (2015) “Carried in the Arms of Standing Waves:” The Transmotional Aesthetics of Nora Marks Dauenhauer1 BILLY J. STRATTON In October 2012 Nora Marks Dauenhauer was selected for a two-year term as Alaska State Writer Laureate in recognition of her tireless efforts in preserving Tlingit language and culture, as well as her creative contributions to the state’s literary heritage. A widely anthologized author of stories, plays and poetry, Dauenhauer has published two books, The Droning Shaman (1988) and Life Woven With Song (2000). Despite these contributions to the ever-growing body of native American literary discourse her work has been overlooked by scholars of indigenous/native literature.2 The purpose of the present study is to bring attention to Dauenhauer’s significant efforts in promoting Tlingit peoplehood and cultural survivance through her writing, which also offers a unique example of transpacific discourse through its emphasis on sites of dynamic symmetry between Tlingit and Japanese Zen aesthetics. While Dauenhauer’s poesis is firmly grounded in Tlingit knowledge and experience, her creative work is also notable for the way it negotiates Tlingit cultural adaptation in response to colonial oppression and societal disruption through the inclusion of references to modern practices and technologies framed within an adaptive socio-historical context. Through literary interventions on topics such as land loss, environmental issues, and the social and political status of Tlingit people within the dominant Euro-American culture, as well as poems about specific family members, Dauenhauer merges the individual and the communal to highlight what the White Earth Nation of Anishinaabeg novelist, poet and philosopher, Gerald Vizenor, conceives as native cultural survivance.3 She demonstrates her commitment to “documenting Tlingit language and oral tradition” in her role as co-editor, along with her husband, Richard, of the acclaimed series: Classics of Tlingit Oral Literature (47).
    [Show full text]
  • Newsletter Still Doesn't Have Any Reporting on Direct Queries and Submissions To: Recent Developments in U.S
    N ewsletter NoVEMbER, 1991 VolUME 5 NuMbER 5 SpEciAl JournaL Issue In This Issue................................................................ 2 The Speed of DAnksess ancI "CrazecJ V ets on tHe oorstep rama e o s e PublJshER's S tatement, by Ka U TaL .............................5 D D ," by DAvId J. D R ...............40 REMF Books, by DAvid WHLs o n .............................. 45 A nnouncements, Notices, & Re p o r t s ......................... 4 eter C ortez In DarIen, by ALan FarreU ........................... 22 PoETRy, by P D ssy............................................4 4 FIctIon: Hie Romance of Vietnam, VoIces fROM tHe Past: TTie SearcTi foR Hanoi HannaK by RENNy ChRlsTophER...................................... 24 by Don NortTi ...................................................44 A FiREbAlL In tBe Nlqlrr, by WHUam M. KiNq...........25 H ollyw ood CoNfidENTlAl: 1, b y FREd GARdNER........ 50 Topics foR VJetnamese-U.S. C ooperation, PoETRy, by DennIs FRiTziNqER................................... 57 by Tran Qoock VuoNq....................................... 27 Ths A ll CWnese M ercenary BAskETbAll Tournament, Science FIctIon: This TIme It's War, by PauI OLim a r t ................................................ 57 by ALascIaIr SpARk.............................................29 (Not Much of a) War Story, by Norman LanquIst ...59 M y Last War, by Ernest Spen cer ............................50 Poetry, by Norman LanquIs t ...................................60 M etaphor ancI War, by GEORqE LAkoff....................52 A notBer
    [Show full text]
  • 5 Remembering Ci Corno Emplumado the Plumed Horn
    REMEMBERING EL CORNO EMPLUMADO / THE PLUMED HORN Sergio Mondragón translated with additional commentary by Margaret Randall a m o n g t h e n e i g h b o r s 5 The Poetry Collection of the University Libraries, University at Buffalo, The State University of New York Buffalo, New York 2018 among the neighbors _________________________________________________________________ a pamphlet series for the study of Little Magazines The Poetry Collection of the University Libraries, University at Buffalo Edric Mesmer, series editor [email protected] This series is supported by The Mildred Lockwood Lacey Fund for Poetry Remembrance © Sergio Mondragón Translation and additional commentary © Margaret Randall Interview questions © Edric Mesmer cover design by Patrick Riedy and Edric Mesmer Remembering El Corno Emplumado /The Plumed Horn Sergio Mondragón delivered January 16, 2015, at Centro Cultural Tlatelolco translation by Margaret Randall El Corno Emplumado’s editorial adventure began for me almost casually toward the end of 1961. I was finishing up my journalism studies and doing some reporting for the Mexican magazine Revista de América. It was October, and I’d just interviewed the painter David Alfaro Siqueiros in prison; he was a political prisoner at the time. Among much else, I’d asked him about his relationship with the U.S. painter Jackson Pollock, and the supposed influence the Mexican muralists had on that school of which Pollack was a pioneer, the school that in the United States would later be known as “action painting.” I was immersed in writing and researching that interview, when my classmate at the school of journalism, the poet Homero Aridjis—who had just published his first book—invited me to meet the “beat” poet from San Francisco, California, Philip Lamantia.
    [Show full text]
  • BTC Catalog 172.Pdf
    Between the Covers Rare Books, Inc. ~ Catalog 172 ~ First Books & Before 112 Nicholson Rd., Gloucester City NJ 08030 ~ (856) 456-8008 ~ [email protected] Terms of Sale: Images are not to scale. All books are returnable within ten days if returned in the same condition as sent. Books may be reserved by telephone, fax, or email. All items subject to prior sale. Payment should accompany order if you are unknown to us. Customers known to us will be invoiced with payment due in 30 days. Payment schedule may be adjusted for larger purchases. Institutions will be billed to meet their requirements. We accept checks, VISA, MASTERCARD, AMERICAN EXPRESS, DISCOVER, and PayPal. Gift certificates available. Domestic orders from this catalog will be shipped gratis via UPS Ground or USPS Priority Mail; expedited and overseas orders will be sent at cost. All items insured. NJ residents please add 7% sales tax. Member ABAA, ILAB. Artwork by Tom Bloom. © 2011 Between the Covers Rare Books, Inc. www.betweenthecovers.com After 171 catalogs, we’ve finally gotten around to a staple of the same). This is not one of them, nor does it pretend to be. bookselling industry, the “First Books” catalog. But we decided to give Rather, it is an assemblage of current inventory with an eye toward it a new twist... examining the question, “Where does an author’s career begin?” In the The collecting sub-genre of authors’ first books, a time-honored following pages we have tried to juxtapose first books with more obscure tradition, is complicated by taxonomic problems – what constitutes an (and usually very inexpensive), pre-first book material.
    [Show full text]
  • Celebrating Twenty-Five Years of Fine Writers  H
    Celebrating Twenty-Five Years of Fine Writers h Sherman Alexie 3/27 Jon Meacham 9/12 A. S. Byatt 11/12 Belle Boggs 1/16 James Dodson 10/14 Isabel Wilkerson 2/20 Martin Marty 9/13 Lou Berney 11/21 Junot Diaz 10/16 Joseph Bathanti 3/6 Mary Pope Osborne 4/5 VisitingWriters.LR.edu A Note from the Director s a visual artist, photographer, 2013–2014 VisitiNG and filmmaker, I have learned that WRITERS SERIES n our experience with the Visiting Writers Series, luck we foster communication when we STEERING COMMITTEE is not just random chance. It is an act of generosity from bring our stories together. When people who care about making a positive impact on the we take the time to read, to dare Chair SALLY FANJOY culture and emotional well-being of our community. The to be present with our neigh - Series Director RAND BRANDES gifts that we have received have made us feel very lucky bors, and to listen to differing Series Consultant LISA HART Iover the past twenty-five years. We were lucky that when we points of view, we are en - Student Asst. ABIGAIL MCREA presented the initial idea to start the Series to Dr. Robert riched and enlightened. Student Asst. MADISON TURNER Luckey Spuller, then Dean of Lenoir-Rhyne “College,” that We are transformed by fresh thoughts and new TONY ABBOTT he saw its potential and supported it the first year and for Aperspectives. ¶ The Lenoir-Rhyne Visiting Writers MARY HELEN CLINE years to come. We were lucky that subsequent university Series engages a wide spectrum of the community, LAURA COSTELLO Administrations continued to see the value of the Series, promotes civic discourse, creates opportunity for SANDRA DEAL which enabled us to enhance the Series and the cultural and people to come together and to hear new ideas and MIKE DUGAN educational experiences of our students.
    [Show full text]
  • 9781940696928.Pdf
    Scenes philip whalen of edited and with an Life afterword by david brazil wave books at the seattle and new york Capital Published by Wave Books www.wavepoetry.com Copyright © 2020 by The Estate of Philip Whalen Afterword copyright © 2020 by David Brazil All rights reserved Wave Books titles are distributed to the trade by Consortium Book Sales and Distribution Phone: 800-283-3572 / san 631-760x Library of Congress Cataloging-in-Publication Data Names: Whalen, Philip, author. | Brazil, David (Poet), author of afterword. Title: Scenes of life at the capital / Philip Whalen ; afterword by David Brazil. Description: Seattle : Wave Books, [2020] Identifiers: lccn 2019030141 | isbn 9781940696928 (trade paperback) Classification: lcc ps3545.h117 s3 2020 | ddc 811/.54—dc23 LC record available at https://lccn.loc.gov/2019030141 Designed by Crisis Printed in the United States of America Scenes of Life at the Capital was originally published by Grey Fox Press, Bolinas, CA, 1971, and reprinted in The Collected Poems of Philip Whalen (Wesleyan University Press, 2007). Reprinted with permission of The Estate of Philip Whalen and Wesleyan University Press. Scans from Philip Whalen’s notebooks appear courtesy of The Bancroft Library, University of California, Berkeley. 9 8 7 6 5 4 3 2 1 Having returned at last and being carefully seated On the floor—somebody else’s floor, as usual— Far away across that ocean which looked Through Newport windows years ago—somebody else’s livingroom— Another messed-up weedy garden Tall floppy improbably red flowers All the leaves turned over in the rain Ridged furry scrotum veins Hedges glisten tile roof tin roof telephone pole Decoratively tormented black pine Slowly repeating its careful program Endlessly regretting but here is original done once Not to be reproduced nor electronically remembered Loosten up.
    [Show full text]
  • UC Riverside UC Riverside Electronic Theses and Dissertations
    UC Riverside UC Riverside Electronic Theses and Dissertations Title Conocimiento Narratives: Challenging Oppressive Epistemologies through Healing in Latina/o Children’s and Young Adult Literature Permalink https://escholarship.org/uc/item/6gv9k7b0 Author Rodriguez, Sonia Alejandra Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Conocimiento Narratives: Challenging Oppressive Epistemologies Through Healing in Latina/o Children’s and Young Adult Literature A Dissertation submitted in partial satisfaction of the requirement for the degree of Doctor of Philosophy in English by Sonia Alejandra Rodríguez August 2015 Dissertation Committee: Dr. Traise Yamamoto, Chairperson Dr. Erica Edwards Dr. Phillip Serrato Copyright by Sonia Alejandra Rodríguez 2015 The Dissertation of Sonia Alejandra Rodríguez is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS Completion of this dissertation project was made possible by the following funding sources: Eugene-Cota-Robles Fellowship, the Institute for Research on Labor and Employment Mini-Grant, the Queer Lab Research Grant, the University of California Institute for Mexico and the United States, the Graduate Research Mentoring Program Fellowship, and the University of California Dissertation Year Fellowship. A section in the dissertation’s introduction was previously published in Encyclopedia of Latino Culture: From Calaveras to Quinceañeras. iv DEDICATION Para mi mami. Upon arriving to this country my mother made sure to enroll my sister and me in school. She did not speak English, did not know her way around her new neighborhood, and could not drive but somehow she made sure we were able to go to school. I obtained my first pair of glasses in the first grade only because my mom bartered cleaning services for them.
    [Show full text]
  • The Black Plumb Line: Re-Evaluating Race and Africanist Images in Non-Black Authored American Texts
    The University of Southern Mississippi The Aquila Digital Community Dissertations Summer 8-2011 The Black Plumb Line: Re-evaluating Race and Africanist Images in Non-Black Authored American Texts LaShondra Vanessa Robinson University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Literature in English, North America Commons, and the Literature in English, North America, Ethnic and Cultural Minority Commons Recommended Citation Robinson, LaShondra Vanessa, "The Black Plumb Line: Re-evaluating Race and Africanist Images in Non- Black Authored American Texts" (2011). Dissertations. 663. https://aquila.usm.edu/dissertations/663 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi THE BLACK PLUMB LINE: RE-EVALUATING RACE AND AFRICANIST IMAGES IN NON-BLACK AUTHORED AMERICAN TEXTS by LaShondra Vanessa Robinson Abstract of a Dissertation Submitted to the Graduate School of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2011 ABSTRACT THE BLACK PLUMB LINE: RE-EVALUATING RACE AND AFRICANIST IMAGES IN NON-BLACK AUTHORED AMERICAN TEXTS by LaShondra Vanessa Robinson August 2011 This study evaluates Africanisms (representations of racialized or ethnicized blackness) within three contemporary non-black authors’ texts: Jewish American Saul Bellow’s novel Henderson the Rain King, white southerner Melinda Haynes’ novel Mother of Pearl, and Nyurican poet Victor Hernández Cruz’s works “Mesa Blanca” and “White Table.” Though not entirely unproblematic, each selection somehow redefines black identity and agency to challenge denigrated representations of Africanist people and culture.
    [Show full text]
  • Lauro Flores
    Lauro Flores Department of Romance Languages and Literatures University of Washington Seattle, W A 98195 Visible Language XXI 1 (Winter 1987) Lauro Flores, pp.130-152 ©Visible Language, Wayne State University Press, Detroit, MI 48202 The contact and interaction of English and Spanish, of Mexican and Anglo-American cultures, lies at the heart of the Chicano experience in the United States. Accordingly, code-switching has been a salient feature of many Chicano literary works. The simulta­ neous incorporation of both languages into poetry and other artistic forms is sometimes interpreted as an expression of the ambiguity permeating the historical evolution of this people. However, it can also be explained as part of the Chicanos' attempt to achieve cultural definition and autonomy in a con­ flicting reality. 131 II The author gratefully The historical context. acknowledges the support he received from the Institute for Ethnic Studies in the Any brief reference to Chicano poetry is bound to United States, University of refer the uninformed reader almost exclusively to Washington. It made the literary production loosely associated with the possible the completion of Chicano movement - poetry written during the last this and other projects. two decades. Until recently, the general contention, or at least the assumption on the part of many critics and literary historians, was that before the 1960s there was no literature written by people of Mexican descent in the United States. Nothing could be farther from the truth. While it is clear that the Chicano movement came to foment and revitalize the artistic endeavors of Chicanos during the last twenty years, subsequent research has demonstrated that the production of literature is hardly a new activity for this group.
    [Show full text]