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One Day When Women Can Demand Anything
MARCH | 2007 | issue # 03 www.passportmagazine.ru Paradigm Shift for doing buSiness in russia iStanbul through russian eyeS one day when women can demand anything contents. Publisher’s Letter 2 reaL esTaTe wine & dine The bottom Line New international dimension Thomas Koessler 36-37 Foreign Passport holders to Moscow’s leading residential realtor 26 A Very Special 8th of March Recipe should read this! 4 for the Ladies 38 Editor’s Choice 6 Novikov’s latest creation stimulates What’s On in Moscow in February 8-9 palate 39 Moscow Museums and Galleries 10 Kids ‘n’ Culture 11 Venues 11 Cover sTory Serviced Apartments grow in number and variety as an alternative to Moscow Hotels 28-29 feaTure Asian Fusion Match 40-43 Asian Fusion 44 CommuniTy Toys for Nostalgia 50 One day when women Postcard from Belarus 50 can demand anything 12-15 Mac vs PC (Or Soar with the Eagles) 51 business Community listing 52 Leaders & Changes 16 Distribution list 53 Paradigm Shift for doing business ouT & abouT in Russia 17-19 Forum to highlight Russia-Singapore business ties 20 From the primordial religion of the great arT hisTory mother to sacred contemporary The silver age of russian art in the oriental art 30-31 pre-soviet period 21 Fighting Fit 32 TraveL performing arT Johnnie Walker Black Label Black Ball 54 Dancing the night away 54 CERBA & Russo-British joint meeting 55 IWC Evening of Excellence raises cash for charity 55 The LasT word Istanbul through russian eyes 22-25 80 Years Young 34-35 Eric Kraus 56 PASSPORT | MARCH | 2007 | issue # 03 .letter from the -
A N N E X E S
13255/07 Georgia v. Russia (I) A N N E X E S Annex 1 Summary of documents submitted by the applicant Government I. In their application of 27 March 2007 A. Summary of documents in English and Russian C. Summary of statements of Georgian citizens B. + D. Summary of media coverage of events II. In their observations in reply of 5 May 2008 Summary of documents in Georgian / Russian Annex 2 Summary of documents submitted by the respondent Government I. In their observations of 26 December 2007 . Summary of documents in Russian II. In their additional observations of 23 September 2008 . Summary of documents in Russian Annex 3 Report of 22 January 2007 by the monitoring committee of the Parliamentary Assembly 1 13255/07 Georgia v. Russia (I) Annex 1 I. A. Summary of the documents in English and Russian submitted by the applicant Government in their application of 27 March 2008 number Document type date 1 Summary/Translation The applicant Government submitted the Agreement between Georgia and Russia on the Terms and Rules of the temporary functioning and withdrawal of Russian Military Bases and other military facilities belonging to the Group of Russian Military Forces in Transcaucasia deployed on the Territory of Georgia. The Agreement was drawn up in Russian and Georgian and signed by both parties in Sochi, Russian Federation, on 31 March 2006. number Document type date 2 A. Council of Europe press release 6 October 2006; B. Council of the European Union press release 16-17 October 2006; C. Speech by Ms Benita Ferrero-Waldner, member 25 October 2006 of the European Commission with responsibility for and 6 March 2007 External Relations and European Neighbourhood Policy D. -
Stagione 2018-2019 Aida Compositore: Giuseppe Verdi
Progetto5_v 18/12/15 18:51 Pagina 1 La Griffe Roma Hotel Papadopoli Venezia A COLLECTION OF MEMORABLE BOUTIQUE HOTELS sofitel.com - accorhotels.com Progetto5_v 18/12/15 18:51 Pagina 1 La Griffe Roma Hotel Papadopoli Venezia A COLLECTION OF MEMORABLE BOUTIQUE HOTELS sofitel.com - accorhotels.com Progetto5_v 18/12/15 18:51 Pagina 2 Eau de Parfum pour Homme et pour Femme Merging of olfactory notes with musical harmonies. themerchantofvenice.com Fondazione Teatro La Fenice di venezia Radio3 per la Fenice Opere della Stagione Lirica 2018-2019 trasmesse in diretta o in differita dal Teatro La Fenice o dal Teatro Malibran venerdì 23 novembre 2018 ore 19.00 Macbeth venerdì 8 febbraio 2019 ore 19.00 Il sogno di Scipione venerdì 15 febbraio 2019 ore 19.00 Il re pastore domenica 24 febbraio 2019 ore 15.30 L’italiana in Algeri martedì 23 aprile 2019 ore 19.00 Dorilla in Tempe venerdì 10 maggio 2019 ore 19.00 Turandot sabato 18 maggio 2019 ore 15.30 Aida Concerti della Stagione Sinfonica 2018-2019 trasmessi in differita dal Teatro La Fenice o dal Teatro Malibran Myung-Whun Chung (sabato 3 novembre 2018) Kerem Hasan (sabato 10 novembre 2018) Jérémie Rhorer (venerdì 11 gennaio 2019) Juraj Valčuha (venerdì 12 aprile 2019) Diego Fasolis (venerdì 19 aprile 2019) Jonathan Webb (venerdì 7 giugno 2019) www.radio3.rai.it – per le frequenze: numero verde 800 111 555 FONDAZIONE AMICI DELLA FENICE STAGIONE 2018-2019 Incontri con l’opera giovedì 15 novembre 2018 GIORGIO PESTELLI Macbeth martedì 11 dicembre 2018 SILVIA POLETTI Romeo e Giulietta lunedì 21 gennaio -
BB July 2019 Biog
Benjamin Bayl is Associate Director of The Hanover Band, and Co-Founder & Guest Director of the Australian Romantic & Classical Orchestra. Holding both Dutch and Australian nationality, he was the first Australian Organ Scholar of the Choir of King’s College Cambridge, after which he studied historical performance at Basel’s Schola Cantorum and orchestral conducting at the Royal Academy of Music with Colin Metters and George Hurst. An alumnus of the National Opera Studio, he became Assistant Conductor to the Budapest Festival Orchestra and Iván Fischer in 2006, and was also mentored by and assisted Sir John Eliot Gardiner, Yannick Nézet-Séguin, Richard Hickox, Harry Christophers and Ivor Bolton. From 2007-2010 he served as Assistant Artistic Director to the Gabrieli Consort & Paul McCreesh, and also worked with Fischer and Konzerthausorchester Berlin. Benjamin has made highly successful debuts in recent seasons with such orchestras as Mahler Chamber Orchestra (Musikfest Berlin in the Berlin Philharmonie, and Ruhrtrienniale Festival), Hong Kong Philharmonic Orchestra, Malaysian Philharmonic Orchestra, Royal Philharmonic Orchestra, Orquesta Sinfónica del Principado de Asturias, Taipei Symphony Orchestra, Bochumer Symphoniker, Bremer Philharmoniker, Sinfonieorchester Aachen, Britten Sinfonia, Netherlands Youth Orchestra, Orquesta Filarmónica de Medellín, Orchestra Haydn di Bolzano, Orchestra Sinfonica G.Rossini, Orchestra i Pomeriggi Musicali and Orchestra Filharmonica di Torino, as well as numerous Scandinavian symphony orchestras (including Stavanger, Gävle, Umeå, Aarhus, Aalborg, Odense & CPH Phil) conducting a broad range of repertoire from the great Viennese classics, Baroque and Romantic works, and new commissions. He is often invited to present the great oratorios of Bach, Handel, Mozart and Haydn, and works often with the Slovak Youth Orchestra, whom he led this summer in the Konzerthaus Berlin’s Young Euro Classic Festival. -
ARCANO Press Release
PRIMA CLASSIC PRESENTS F r a n c o V a s s a l l o' s D e b u t S o l o A l b u m w i t h G i u l i o Z a p p a, p i a n o Release on April 2021 Catalog PRIMA009 For all press enquiries contact Edgardo Vertanessian [email protected] Digital Release UPC 850000325180 Physical CD UPC 850000325173 The Orchard Distribution Proper Distribution (World) www.theorchard.com www.propermusicgroup.com MVD Distribution (USA) www.mvdaudio.com An invitation to the magical world of Tosti's Salon Music High-ceilinged rooms with elaborate chandeliers and exquisite furniture, lavish meals and delicate wines, civilized conversation with the most interesting people of the day, and of course, music. These were the late 19th and early 20th centuries' pleasures the Salons had to offer, and music was not a minor component of this most sophisticated social tradition which thrived in western societies up until 1914. Francesco Paolo Tosti was no stranger to this world. By putting music to the words of exquisite poets, his fame grew so widely that in 1880 he was appointed the singing master to the British Royal Family, and even Verdi allegedly said that Tosti was the best singing teacher of his time. On this new recital album, the majestic and accurate baritone of Franco Vassallo along with the accomplished piano playing of Giulio Zappa will take us to that magical time where poetry, beauty, and pleasure were part and parcel of the artistic experience. -
Macbeth Fondazione Ravenna Manifestazioni Comune Di Ravenna Ministero Dei Beni E Delle Attività Culturali E Del Turismo Regione Emilia Romagna
opera Stagione teatrale 2015-2016 TEATRO DANTE ALIGHIERI Giuseppe Verdi Macbeth Fondazione Ravenna Manifestazioni Comune di Ravenna Ministero dei Beni e delle Attività Culturali e del Turismo Regione Emilia Romagna Teatro di Tradizione Dante Alighieri Stagione d’Opera e Danza 2015-2016 Macbeth melodramma in quattro atti musica di Giuseppe Verdi Teatro Alighieri 8, 10 aprile con il contributo di partner Sommario La locandina ................................................................ pag. 5 Il libretto ....................................................................... pag. 7 Il soggetto .................................................................... pag. 27 Macbeth: il bene non ha voce di Susanna Venturi ................................................. pag. 29 I protagonisti ............................................................. pag. 38 Coordinamento editoriale Cristina Ghirardini GraficaUfficio Edizioni Fondazione Ravenna Manifestazioni Foto © Maurizio Montanari Le immagini sono relative all’allestimento di Ravenna Festival 2013 L’editore si rende disponibile per gli eventuali aventi diritto sul materiale utilizzato. Stampa Edizioni Moderna, Ravenna Macbeth melodramma in quattro atti libretto di Francesco Maria Piave e Andrea Maffei dalla omonima tragedia di William Shakespeare musica di Giuseppe Verdi (Editore Universal Music Publishing Ricordi srl, Milano) personaggi e interpreti Macbeth Matias Tosi Banco Daniel Giulianini Lady Macbeth Vittoria Ji Won Yeo Dama di Lady Macbeth Antonella Carpenito Macduff Alessandro -
13 November 2020 Page 1 of 24 SATURDAY 07 NOVEMBER 2020 Swedish Radio Choir, Eric Ericson (Conductor)
Radio 3 Listings for 7 – 13 November 2020 Page 1 of 24 SATURDAY 07 NOVEMBER 2020 Swedish Radio Choir, Eric Ericson (conductor) SAT 01:00 Through the Night (m000p0jl) 04:29 AM Barber, Glass and Schubert Cesar Franck (1822-1890) Prelude, fugue and variation for organ in B minor (M.30) A concert given by the Gerhard Quartet at the Church of Santa Ljerka Ocic-Turkulin (organ) Cristina d'Aro, as part of the Concerts d'Aro Summer Festival in Catalonia. With Catriona Young. 04:40 AM Carl Philipp Emanuel Bach (1714-1788) 01:01 AM Sinfonia in D major Wq.183 No 1 Samuel Barber (1910-1981) Slovenicum Chamber Orchestra, Uros Lajovic (conductor) Adagio for strings Gerhard Quartet 04:52 AM John Field (1782-1837) 01:08 AM 1. Aria; 2. Nocturne & Chanson Philip Glass (1937-) Barry Douglas (piano), Camerata Ireland String Quartet no 2 (1983) ('Company') Gerhard Quartet 05:01 AM Marcel Tournier (1879-1951) 01:18 AM Vers la source dans le bois Franz Schubert (1797-1828) Rita Costanzi (harp) String Quartet no 15 in G, D.887 Gerhard Quartet 05:06 AM Gabriel Faure (1845-1924) 02:04 AM Nocturne No 1 in E flat minor, Op 33 No 1 Franz Liszt (1811-1886) Jean-Yves Thibaudet (piano) Sonata in B minor S.178 for piano Zhang Zuo (piano) 05:14 AM Richard Wagner (1818-1883) 02:32 AM O du mein holder Abendstern – from "Tannhauser" Ludwig van Beethoven (1770-1827) Brett Polegato (baritone), Canadian Opera Company Orchestra, Symphony No 8 in F major, Op 93 Richard Bradshaw (conductor) Bergen Philharmonic Orchestra, Rafael Fruhbeck de Burgos (conductor) 05:20 AM Richard Rodney -
S TEFANO LA COLLA – Tenor
S T E F A N O L A C OLLA – Tenor One of the most valued tenors in the international opera scene, Stefano La Colla was born in Turin in a Sicilian family, then he studied and graduated from the Conservatory “Pietro Mascagni” in Livorno. He continued his studies with Luciana Serra and Carlo Meliciani and he took part in several masterclasses, also by Magda Olivero and by Katia Ricciarelli. He has won the First Prize at Voci Pucciniane competition in Torre del Lago. After the first successes in Italian theatres, he started his international career in 2011, but the turning point was in 2015 with his glamorous debut at Teatro alla Scala as Calaf in Turandot (first event of La Scala for EXPO), under the baton of Riccardo Chailly. Thanks to this great success, in June 2015 he was immediatly invited back to La Scala for Cavalleria Rusticana (Turiddu). He has sung in some of the most prestigious opera houses both in Italy, Teatro alla Scala, Teatro dell’Opera di Roma, Teatro San Carlo di Napoli, Maggio Musicale Fiorentino, Arena di Verona, Sferisterio di Macerata, Teatro La Fenice di Venezia, Teatro Comunale di Bologna, and abroad, such as Wiener Staatsoper, Deutsche Oper and Staatsoper Berlin, Bayerische Staatsoper Munich, Liceu de Barcelona, De Nationale Opera Amsterdam, La Monnaie Brussels, Den Nordske Opera Oslo, Semperoper Dresden, Staatsoper Hamburg. In December 2017 he made his US debut at Lyric Opera of Chicago, performing with great acclaim as Calaf in Turandot. In his repertoire these leading roles should be mentioned: Radamès in Aida (Verona, San Carlo di Napoli, Macerata), Cavaradossi in Tosca (Deutsche Oper Berlin, Bayerische Staatsoper, Opera di Roma, San Carlo di Napoli, Maggio Musicale Fiorentino and also with Berliner Philharmoniker under the baton of Simon Rattle), Pinkerton in Madama Butterfly (Staatsoper Berlin, La Fenice di Venezia), Calaf in Turandot (Teatro alla Scala, Deutsche Oper Berlin, San Carlo di Napoli), Des Grieux in Manon Lescaut (Bayerische Staatsoper, Opernhaus Leipzig, Mikhailovsky Theatre in St. -
Shine Spotlight on Tackle Key Verdi Role Sworn in As Dental
COMMUNITY Highlights ■ Rising star to ■ Dr. Biasiello tackle key Verdi role sworn in as dental in Lyric debut society director Tenor Giorgio Berrugi has picked Bringing more than 30 years of expe- the perfect role for his Lyric Opera rience in dentistry to the post, Dr. debut. With his warm, Italian sound, Michael Biasiello stepped up as a direc- exceptional musicality and passionate tor of the Chicago Dental Society’s North- interpretations, he’s the ideal Alfredo west Side Branch effective Jan. 1. A past for the Lyric’s upcoming production of president of the branch, Biasiello will Verdi’s “La traviata.” focus his efforts as director on increasing “We are excited to welcome Gior- membership and getting young dentists gio Berrugi to our stage for his Lyric involved in the Chicago Dental Society debut and his first performances in and in organized dentistry. This past North America of Alfredo,” says Lyric Albert Belmonte year, Biasiello was the general chairman President and CEO Anthony Freud. for the 2018 CDS Midwinter Meeting, Berrugi has sung the role internation- one of the largest exhibitions of dental ally. products and continuing dental educa- A rising star tion in North America. ■ Casa Italia to in the opera A general dentist with a practice in world, Berrugi Park Ridge, Biasiello earned his under- was an award- shine spotlight on graduate and dental degrees from Loyola winning concert Al Belmonte University-Chicago, and holds fellow- clarinetist be- ships in the Academy of General Den- fore vocal in- Casa Italia will honor Albert Bel- tistry, American College of Dentists and structions in monte as Man of the Year on Feb. -
Former MEP to Organize Speech of De Facto South Ossetian President in Brussels
Issue no: 983 • SEPTEMBER 22 - 25, 2017 • PUBLISHED TWICE WEEKLY PRICE: GEL 2.50 In this week’s issue... Georgia Participates in China Int’l Fair for Investment & Trade NEWS PAGE 2 Mixing Business & Politics POLITICS PAGE 4 What Happens to Ukraine Matters in Georgia POLITICS PAGE 6 FOCUS Bringing the ON THE OGP Fear Factor to CHAIRMANSHIP Georgia Georgia Succeeds France as Chair of the Open BUSINESS PAGE 9 Government Partnership PAGE 3 OK! Georgia Magazine New Editor Appointed Former MEP to Organize Speech of De SOCIETY PAGE 12 Donald Rayfi eld on Facto South Ossetian President in Brussels Researching Georgia, Literature & Politics BY THEA MORRISON CULTURE PAGE 16 ormer Member of the European Par- liament, Italian journalist and lecturer Celebrating 40 Years since Giulietto Chiessa, plans to invite de facto South Ossetian ‘president’ Ana- Chakrulo Went to Space toly Bibilov to Brussels to deliver a CULTURE PAGE 19 Fspeech and report on the so called Republic’s history and people. Chiessa announced the fact after arriving in Georgia’s Russian-backed breakaway region of South Ossetia with other members of an Italian delegation to hold an event in memory of last year’s Amatrice earthquake victims. He said he recognizes it will be diffi cult to implement his plans but that South Ossetia’s cultural representatives will visit Italy this autumn. “It will be a scandalous, fundamental event. Several MEPs are ready to back us…We will form a group of MEPs that will invite the president or foreign minister of South Ossetia,” he stated. Continued on page 3 Photo source: grandecocomero.com GEORGIA TODAY 2 NEWS SEPTEMBER 22 - 25, 2017 Georgia Participates in China Int’l Fair for Investment & Trade Georgian Foreign Minister Attends Global Business Forum Organized by Bloomberg ithin the framework ton, Canadian Prime Minister Justin of his visit to New Trudeau and the Bloomberg Founder York, the Georgian himself. -
STEFANO LA COLLA – Tenore
S TEFANO L A C OLLA – Tenore Fra i tenori più interessanti della sua generazione, Stefano La Colla si è diplomato al Conservatorio “Pietro Mascagni” di Livorno e ha studiato inoltre con Magda Olivero, Katia Ricciarelli, Luciana Serra e Carlo Meliciani. Dopo i primi successi nei teatri italiani, nel 2011 inizia la sua carriera internazionale, ma la svolta arriva nel 2015 con il prestigioso debutto sul palcoscenico del Teatro alla Scala come Calaf nella Turandot (evento d’apertura de La Scala per EXPO), con la direzione di Riccardo Chailly. A seguito del grande successo, è stato nuovamente invitato per la produzione successiva, Cavalleria Rusticana (Turiddu). Nel corso della sua carriera ha collaborato con direttori d’orchestra quali Yves Abel, Daniele Callegari, Riccardo Chailly, Riccardo Frizza, Alexander Joel, Stefano Ranzani, Samuel Rattle, Donato Renzetti, Pinchas Steinberg, e con registi quali Franco Zeffirelli, Andrea Breth, Gilbert Deflo, Jürgen Flimm, Ezio Frigerio, Nikolaus Lehnhoff, Mario Martone, Francesco Micheli, Alessandro Talevi. Durante la sua carriera ha calcato i palcoscenici di alcuni fra i più importanti teatri del mondo, come Teatro alla Scala, Wiener Staatsoper, Deutsche Oper e Staatsoper di Berlino, Bayerische Staatsoper di Monaco, Opéra de Toulon, Mikhailovsky Theatre di San Pietroburgo, Teatro dell’Opera di Roma, Arena di Verona, Festival Puccini di Torre del Lago. Fra i numerosi ruoli del suo repertorio possiamo ricordare Radamès in Aida (Arena di Verona, Teatro San Carlo di Napoli), Cavaradossi in Tosca (Deutsche Oper di Berlino, Bayerische Staatsoper di Monaco, Teatro dell’Opera di Roma, Teatro San Carlo di Napoli, Opéra de Toulon), Pinkerton in Madama Butterfly (Staatsoper di Berlino), Calaf in Turandot (Teatro alla Scala, Deutsche Oper di Berlino, Teatro San Carlo in Napoli), Des Grieux in Manon Lescaut (Opernhaus Leipzig, Mikhailovsky Theatre di San Pietroburgo, Deutsche Oper di Berlino, De Nationale Opera Amsterdam), Rodrigue in Le Cid (Opera di St. -
Verdi's Requiem
Verdi’s Requiem WITH THE NASHVILLE SYMPHONY & CHORUS FEATURING THE VIOLINS OF HOPE CLASSICAL SERIES THURSDAY, MAY 31, AT 7 PM | FRIDAY & SATURDAY, JUNE 1 & 2, AT 8 PM NASHVILLE SYMPHONY GIANCARLO GUERRERO, conductor CLASSICAL SERIES TUCKER BIDDLECOMBE, chorus director PRESENTING PARTNER ERIKA SUNNEGÅRDH, soprano MICHELLE DEYOUNG, mezzo-soprano ALEXEY DOLGOV, tenor ERIC OWENS, bass GIUSEPPE VERDI Requiem Requiem and Kyrie MEDIA PARTNER Sequence (Dies Irae) – INTERMISSION – Offertorio (Domine Jesu) Sanctus Agnus Dei The orchestra performances of Verdi's Lux aeterna Requim are made possible through the Libera me generosity of Steve and Judy Turner. This concert will run approximately one hour and 45 minutes, including a 20-minute intermission. to conduct a partnership with the Nashville Symphony to make our community a better place to live and work. INCONCERT 17 GIUSEPPE Gioachino Rossini, who had died in November. Verdi lined up a dozen other Italian composers, each of VERDI whom was to contribute a separate movement for a TONIGHT’S CONCERT Requiem that would be performed on the anniversary of Rossini’s death. Even though the miscellaneous Born on October 9 or 10, parts were collected, financial squabbling and 1813, Le Roncole, Italy; died other unpleasantness scuttled performance plans. AT A GLANCE CLASSICAL on January 27, 1901, in Milan The memorial Requiem was dropped, to Verdi’s disgust, but he later returned to the movement he had completed in 1869 — the concluding “Libera me” — Requiem and incorporated it into his Requiem for Manzoni. Perhaps the most striking of the several paradoxes Composed: 1873-74; the “Libera Me” was associated with the Requiem (known in Italian as composed in 1869 Messa da Requiem) is that the stark reality of death First performance: May 22, 1874, at San Marco inspired a rejuvenating revival of creative energy.