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Burial Mounds in Europe and Japan Comparative and Contextual Perspectives
Comparative and Global Perspectives on Japanese Archaeology Burial Mounds in Europe and Japan Comparative and Contextual Perspectives edited by Access Thomas Knopf, Werner Steinhaus and Shin’ya FUKUNAGAOpen Archaeopress Archaeopress Archaeology © Archaeopress and the authors, 2018. Archaeopress Publishing Ltd Summertown Pavilion 18-24 Middle Way Summertown Oxford OX2 7LG www.archaeopress.com ISBN 978 1 78969 007 1 ISBN 978 1 78969 008 8 (e-Pdf) © Archaeopress and the authors 2018 © All image rights are secured by the authors (Figures edited by Werner Steinhaus) Access Cover illustrations: Mori-shōgunzuka mounded tomb located in Chikuma-shi in Nagano prefecture, Japan, by Werner Steinhaus (above) Magdalenenberg burial mound at Villingen-Schwenningen, Germany,Open by Thomas Knopf (below) The printing of this book wasArchaeopress financed by the Sainsbury Institute for the Study of Japanese Arts and Cultures All rights reserved. No part of this book may be reproduced, or transmitted, in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior written permission of the copyright owners. Printed in England by Oxuniprint, Oxford This book is available direct from Archaeopress or from our website www.archaeopress.com © Archaeopress and the authors, 2018. Contents List of Figures .................................................................................................................................................................................... iii List of authors ................................................................................................................................................................................. -
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern -
300 Series Two Man Hole Diggers Operator Manuals
OPERATOR MANUAL Includes Safety, Service and Replacement Part Information 300 Series Hole Diggers Models: 330H, 343H, 357H Form: GOM12070702 Version 1.2 Do not discard this manual. Before operation, read and comprehend its contents. Keep it readily available for reference during operation or when performing any service related function. When ordering replacement parts, please supply the following information: model number, serial number and part number. For customer service assistance, telephone 800.533.0524, +507.451.5510. Our Customer Service Department telefax number is 877.344.4375 (DIGGER 5), +507.451.5511. There is no charge for customer service activities. Internet address: http://www.generalequip.com. E-Mail: [email protected]. The products covered by this manual comply with the mandatory requirements of 98/37/EC. Copyright 2009, General Equipment Company. Manufacturers of light construction equipment Congratulations on your decision to purchase a General light construction product. From our humble beginnings in 1955, it has been a continuing objective of General Equipment Company to manufacture equipment that delivers uncompromising value, service life and investment return. Because of this continuous commitment for excellence, many products bearing the General name actually set the standards by which competitive products are judged. When you purchased this product, you also gained access to a team of dedicated and knowledgeable support personnel that stand willing and ready to provide field support assistance. Our team of sales representatives and in house factory personnel are available to ensure that each General product delivers the intended performance, value and investment return. Our personnel can readily answer your concerns or questions regarding proper applications, service requirements and warranty related problems. -
Archaeological Modeling Study
Draft Report Archaeological Modeling for Segment II/III of the Eastern Corridor Multimodal Projects (HAM-SR32-0.00, PID 22970; FHWA-OH-EIS-04-02) G R AY & PA P E , I N C. ARCHAEOLOGY HISTORY HISTORIC PRESERVATION January 14, 2009 Submitted for: ENTRAN 1848 Summit Road Cincinnati, Ohio 45237 Submitted by: Gray & Pape, Inc. 1318 Main Street Cincinnati, Ohio 45202 Gray & Pape Project No. 08-11401 Project No. 08-11401 Archaeological Modeling for Segment II/III of the Eastern Corridor Multimodal Projects (HAM-SR32-0.00, PID 22970; FHWA-OH-EIS-04-02) Submitted to: ENTRAN 1848 Summit Road Cincinnati, Ohio 45237 (513) 761-1700 Contact: Deb Osborne Submitted by: Michael Striker, M.A., RPA Gray & Pape, Inc. 1318 Main Street Cincinnati, Ohio 45202 Tel: (513) 287-7700 __________________________ W. Kevin Pape Project Manager January 14, 2009 ABSTRACT Under contract to ENTRAN, Gray & Pape, Inc. has prepared recommendations concerning the archaeological potential of Segment II/III of the Eastern Corridor Multimodal Projects (HAM-SR32-0.00, PID 22970; FHWA-OH-EIS-04-02), located in Hamilton and Clermont Counties, Ohio. The recommendations are based on a model developed by Gray & Pape, Inc. using the results of previous work conducted for the project (Weed 2002), documentary research, interviews with landowners and other knowledgeable parties, and an informal reconnaissance of the project area. Gray & Pape, Inc. divided the project area into three zones: Zone 1 is the undeveloped floodplains and terraces of the Little Miami River. Zone 2 includes floodplains and terraces that have been developed in historical times, and Zone 3 includes the valley and uplands east of the Village of Newtown. -
Archaeological Research Services Ltd RECORDING PROCEDURES
Archaeological Research Services Ltd RECORDING PROCEDURES Contents The Single Context Planning System…………... 1 The Context Recording System…………………. 2 The Burial Recording System………………….... 7 Plans, Sections and Sketches…………………... 10 Environmental Sampling…………………………. 12 Finds……………………………………………….. 14 Photography……………………………………….. 18 ©Archaeological Research Services Ltd. Recording Procedures The Single Context Planning System The key to understanding remains in the archaeological record is through the stratigraphic sequence. The stratigraphic sequence is the accumulated layers of occupation which represent actions in the past. Each ‘context’ is derived from an action of deposition or removal. Within any sequence such as this, the earlier deposits will always be cut or sealed by the later giving the stratigraphic sequence a relative chronology. It is important to note that the only relevant relationship between two contexts is that which lies immediately before or after any given context. All contexts within a site should be given equal consideration when considering the stratigraphic sequence, including physical artefacts such as coffins or walls, along side the more common types of context such as cuts and deposits. The stratigraphic sequence can be represented by a Harris Matrix showing the full interconnectivity of all contexts on a site. Each context is given its own unique context number and is recorded in isolation after the removal of all contexts above. In this way plans can be overlaid to compile and then check the site matrix. 1 ©Archaeological Research Services Ltd. Recording Procedures The Context Recording System (see also Context Recording Sheet) Site Code: Unique site identifier, usually consisting of a three or four letter code denoting the site and a two digit code denoting the year of the project. -
Appendix E: Glossary of Terms
AT THE ROAD’S EDGE: FINAL ARCHAEOLOGICAL INVESTIGATIONS OF THE WILSON FARM TENANCY SITE Appendix E: Glossary of Terms Glossary of Terms Artifact -Any object shaped or modified by man, or as a result of human activity. Archaeology -The study of the people of the past through the systematic recovery and analysis of the artifacts/material evidence they left behind. Archival Research – research conducted in places where public or historical records, charters, and documents are stored and preserved. Assemblage – Collection of persons or things: in archaeological contexts, the collection of artifacts from a particular site, from a stratigraphic level, or cultural component within the site, or a particular artifact class, such as lithics or ceramics. Census, U.S. – An official count of the nation’s population taken every 10 years, often including a collection of demographic information. Culture – A uniquely human system of behavioral patterns, beliefs, habits, and customs, used to interact with other people and with the environment, acquired by people through a nonbiological, uninherited, learned process. Datum – A point, line, or surface used as a reference, as in surveying. Diagnostic - An artifact that can clearly be dated and/or identified as to maker, date, place of origin, etc. Feature -Any soil disturbance or discoloration that reflects human activity. Also, an artifact too large to remove from a site; for example, house foundations, storage pits, etc. Flotation – The process of sifting soil samples through a fine screen while running a steady stream of water over the sample; residual materials such as tiny artifacts, seeds, and bones are separated out into light and heavy fractions for analysis. -
Phase 2 Stage 1 Eastchurch, Isle of Sheppey, Kent
Wessex Archaeology Kingsborough Manor Phase 2 Stage 1 Eastchurch, Isle of Sheppey, Kent Assessment of Archaeological Excavation Results Ref: 57170.01 October 2005 KINGSBOROUGH MANOR PHASE 2 STAGE 1 EASTCHURCH, ISLE OF SHEPPEY, KENT Assessment of Archaeological Excavation Results Prepared on behalf of Jones Homes (Southern) Ltd 3 White Oak Square Swanley Kent BR8 7AG by Wessex Archaeology Portway House Old Sarum Park Salisbury SP4 6EB Report reference: 57170.01 October 2005 © Wessex Archaeology Limited 2005 all rights reserved Wessex Archaeology Limited is a Registered Charity No. 287786 KINGSBOROUGH MANOR PHASE 2 STAGE 1 EASTCHURCH, ISLE OF SHEPPEY, KENT SUMMARY Wessex Archaeology was commissioned by Jones Homes (Southern) Ltd to conduct archaeological excavations on land associated with Phase 2 Stage 1 of an ongoing, low- density housing development. The Phase 2 Stage 1 site was located north east of Kingsborough Farm, Eastchurch, Isle of Sheppey, Kent, and to the north west of Kingsborough Manor housing development Phase 1 (Fig. 1). Work was undertaken between July and September 2004 and was carried out as a condition of planning permission for the development granted by Swale District Council and pursuant to a specification issued by the Heritage Conservation Group of Kent County Council. This report provides a brief summary of the excavation results. The Site (NGR 597725 172394) comprised an area of land totalling approximately 15,759m² and was located to the north of Kingsborough Farm, 2km south-east of Minster and c. 1.25km to the north-west of the village of Eastchurch, Isle of Sheppey. It occupies an elevated position on the Isle of Sheppey, close to the north eastern edge of a ridge extending east-west along the island, with commanding views to the north and east over the Thames and the Essex coast. -
What Is Archaeology?
Archaeology Alive! What is Archaeology? This slideshow developed by archaeologist Dr. Alexander Smith and staff from the Academic Programs Department of the Memorial Art Gallery (MAG) of the University of Rochester Note to Teachers: The information in this script is provided for your background and context; please feel free to tailor the information according to your students’ needs. SLIDE 1 What is archaeology? What do you think of when you hear “archaeologist” or “archaeology?” [Possible answers include references to digging, dinosaurs, fossils, old stuff, Indiana Jones, etc.] Archaeology is a science of history, and archaeologists are scientists who study past cultures and human history through physical remains – through the “stuff” left by humans. Many human beings who lived on this planet didn’t write things down for us – we don’t have any kind of written documents or books from early humans. So how can we know anything about these human beings: how they lived, where they lived, what kind of work they did, what kinds of objects they made and used? We can study the answers to these kinds of questions by using the physical remains and objects that these people left behind. Human-created objects such as tools, weapons, and works of art are known as artifacts, which archaeologists dig up and study along with the remains of ancient buildings and dwellings. They investigate and search for clues – much like detectives – to tell us: how people in the past lived, what kind of tools they had, where they lived, what kind of religious beliefs they had, what their lives were like, where they died, what kind of objects they made, how they were buried, what they ate, and more! This slideshow will give you a chance to learn about how archaeologists actually go about studying the human past through objects. -
Guidelines for Conducting Archaeology in Vermont
GUIDELINES FOR CONDUCTING ARCHAEOLOGY IN VERMONT 2017 ACKNOWLEDGEMENTS Amending the Guidelines for Conducting Archaeology in Vermont (Guidelines) was a team effort, headed by State Archaeologist, Jess Robinson, under the direction of State Historic Preservation Officer, Laura V. Trieschmann, with insight and assistance from Vermont Division for Historic Preservation (VDHP) archaeologists Scott Dillon and Yvonne Benney Basque. These Guidelines update and supersede the previous version developed by the previous State Archaeologist, Giovanna Peebles, and Scott Dillon. An advisory committee consisting of State government, academic and non-profit archaeologists discussed many ideas and topics leading to the development of a preliminary list of priority research questions important to understanding the precontact and post-contact history of Vermont. The advisory committee also commented on an earlier draft of the Guidelines. VDHP would like to thank all of the Vermont archaeologists whose excavations, publications, and knowledge contributed to the reasoning behind these guidelines. Advisory Committee Yvonne Benney Basque John Crock, PhD Jacob Clay R. Scott Dillon Brennan Gauthier Dave Lacy Jeannine Russell John Vetter, PhD Tim Watkins ii TABLE OF CONTENTS ACKNOWLEDGEMENTS ............................................................................................................ ii TABLE OF CONTENTS ............................................................................................................... iii LIST OF FIGURES ..................................................................................................................... -
Archaeology Activity Book
Archaeology Activity Book Illustrations: Heather Brindza Text: Danielle Ellis Layout: Rebecca Conway Appalachian Forest Heritage Area (AFHA) is a non-profit, grassroots organization that promotes economic and community development by linking central Appalachian forest history, culture, natural history, products and forest management into a multi-state heritage tourism initiative. Monongahela National Forest hosts AFHA-sponsored AmeriCorps service at forest sites that enhance natural resources and tourism and connect local communities. The Eastern National Forests Interpretive Association (ENFIA) is a non-profit association that aids and promotes the historical, scientific, and educational activities of the USDA Forest Service. This activity book was made possible through grants and partnership agreements with AFHA AmeriCorps, ENFIA, and USDA Forest Service. Archaeology is the study of material culture left behind by people from the past. Material culture are things created or used by people, like stone tools, a glass bottle, or even an entire building. Archaeologists look for archaeological sites to try to answer questions about the past. A site is where artifacts, features, or ecofacts are grouped together in an area. This means people were in that area in the past, and it’s up to the archaeologist to figure out what they were doing there. Sometimes archaeologists find things that can’t be easily collected or are part of the environment past peoples used. These things are called features. Features are often large, like the foundation of a house, or difficult to collect from the site, like an ashy campfire ring. Feature example: campfire ring Artifacts are things created or used by past peoples. -
An Analysis of 1He Lithic Artifact Assemblage From
AN ANALYSIS OF 1HE LITHIC ARTIFACT ASSEMBLAGE FROM THE FORBUSH CREEK SITE (31YD1), YADKIN COUNTY, NORTH CAROLINA by Jane Madeline McManus A thesis sul::mitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Bachelor of Arts with Honors in the Department of Anthropology. Chapel Hill 1985 Approved by: ACKNOWLEDGEMENTS I would like to thank the members of my committee, Dr. Dickens, Dr. Crumley, and Dr. Davis, whose support, help, and advice is greatly appreciated. I would especially like to thank Steve who helped me from the first day of this project to the last. You know I couldn't have done it without your help. I would also like to thank Dr. Dickens and Trawick for teaching me the ropes of photography. You all have made this a very rewarding learning experience. Finally, I would like to say thanks to Carol Anne and Lee for putting up with me and I'm sorry for the neglect. DEDICATION To Monnna and Daddy, with all my love and appreciation for the opportunity. TABLE OF CONTENTS Page INTRODUCTION • 1 RAW MATERIAL. 7 DEBITAGE. 8 CHIPPED STONE IMPLEMENTS • 15 CHIPPED STONE PROJECTILE POINTS. 22 GROUND STONE IMPLEMENTS. 28 DISCUSSION • 35 Characteristics of the Forbush Creek Assemblage • • 35 The Introduction of European Metal Tools. 36 The Subsistence Pattern. 37 Small Triangular Projectile Points. 38 SUMMARY. • 48 REFERENCES CITED. 50 APPENDICES • 51 Appendix A. Lithic Artifact Analysis Format. 52 Appendix B. Distribution of Lithic Artifacts by Feature. 58 LIST OF FIGURES Figure 1. -
Music in the Northern Woods: an Archaeological Exploration of Musical Instrument Remains
Michigan Technological University Digital Commons @ Michigan Tech Dissertations, Master's Theses and Master's Reports 2018 Music in the Northern Woods: An Archaeological Exploration of Musical Instrument Remains Matthew Durocher Michigan Technological University, [email protected] Copyright 2018 Matthew Durocher Recommended Citation Durocher, Matthew, "Music in the Northern Woods: An Archaeological Exploration of Musical Instrument Remains", Open Access Master's Thesis, Michigan Technological University, 2018. https://doi.org/10.37099/mtu.dc.etdr/575 Follow this and additional works at: https://digitalcommons.mtu.edu/etdr Part of the Archaeological Anthropology Commons, Ethnomusicology Commons, and the Musicology Commons MUSIC IN THE NORTHERN WOODS: AN ARCHAEOLOGICAL EXPLORATION OF MUSICAL INSTRUMENT REMAINS By Matthew J Durocher A THESIS Submitted in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE In Industrial Archaeology MICHIGAN TECHNOLOGICAL UNIVERSITY 2018 © 2018 Matthew J Durocher This thesis has been approved in partial fulfillment of the requirements for the Degree of MASTER OF SCIENCE in Industrial Archaeology. Department of Social Sciences Thesis Advisor: Dr. LouAnn Wurst Committee Member: Dr. Steven A. Walton Committee Member: M. Bartley Seigel Department Chair: Dr. Hugh Gorman Table of Contents List of Figures………………………………………………………………………….v List of Tables…………………………………………………………………………vii Acknowledgments........................................................................viii Abstract………………………………………………………………………………….x 1. There was music…………………………………………………………………..1 1.1. Enter Coalwood…………………………………………………………………………….3 1.2. A prelude……………………………………………………………………………………..7 2. Fresh Water, Ore, and Lumber……………………………………………10 2.1. Early logging and music in the Upper Peninsula………………………….…14 2.2. Cleveland Cliffs Iron Mining Company………………………………………….16 2.3. Coalwood: 1901-1912…………………………………………………………………..18 2.4. Conclusion…………………………………………………………………………………26 3. The Sounds of a Place.………………………………………………………..28 3.1.