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The Ukrainian Weekly 1984, No.52
www.ukrweekly.com 3 Ht Pu^lished ЬУ the Ukrainian National Association Inc., a fraternal non-profR" association) Ukrainian Weekl Vol. Lll No. 52 THE UKRAINIAN WEEKLY SUNDAY, DECEMBER 23, 1984 25 cents CHRIST IS BORN - LET US GLORIFY HIM GssetssaesaG^^ Reflections on President's report profound mystery neglects Ukrainians WASHINGTON - A recent presi The Christmas message of the dential report on compliance with the Ukrainian Catholic hierarchy in the 1975 Helsinki Accords on human rights United States of A merica. and security in Europe, which includes a section on the Soviet Union, contains Very Reverend and Reverend Fathers, virtually no references to the rights Members of our Religious Commu situation in Ukraine and only a cursory nities, Beloved Faithful in Christ! mention of Ukrainian politic;.! pri soners, by far the largest group. Christ is Born! Let us glorify Him! The document, officially titled the With the holy Christmas season 17th Semiannual Report by the Presi upon us, let us send our thoughts to dent to the Commission on Security and distant Bethlehem! What awesome Cooperation in Europe, also fails to mystery penetrated that night and detail the plight of the Ukrainian permeated the City of David nearly Helsinki Group, the largest of the five 2,000 years agorlt truly was a "Holy citizens' groups set up to monitor Soviet Night" and a "Silent Night." It was compliance with the accords, which the night foretold by the prophets, were signed by 35 countries. Most anticipated by the patriarchs and just members of the group are serving long people throughout the Old Testa terms of imprisonment, a fact ommited ment. -
Boston Symphony Orchestra Concert Programs, Season 99, 1979-1980, Subscription
three 99th SEASON &M^ BOSTON SYMPHONY SEIJI OZAWA Music Director 4 te \y,\ ^ "S ^ %. Accompanist to Boston Symphony Orchestra Boston Pops • Gilbert Kalish • Seiji Ozawa Berkshire Music Center and Festival QUALITY A DISTINGUISHING ATTRIBUTE State Street Bank and Trust Company invites you to an evening with The Boston Symphony Orchestra every Friday at nine on WCRB/FM. gr^ Seiji Ozawa, Music Director Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor Ninety-Ninth Season 1979-1980 The Trustees of the Boston Symphony Orchestra Inc. Talcott M. Banks, Chairman Nelson J. Darling, Jr., President Philip K. Allen, Vice-President Sidney Stoneman, Vice-President Mrs. Harris Fahnestock, Vice-President John L. Thorndike, Vice-President Roderick M. MacDougall, Treasurer Vernon R. Alden Archie C. Epps 111 Thomas D. Perry, Jr. Allen G. Barry E. Morton Jennings, Jr. Irving W. Rabb Leo L. Beranek Edward M. Kennedy Paul C. Reardon Mrs. John M. Bradley George H. Kidder David Rockefeller, Jr. George H.A. Clowes, Jr. Edward G. Murray Mrs. George Lee Sargent Abram T. Collier Albert L. Nickerson John Hoyt Stookey Trustees Emeriti Richard P. Chapman John T. Noonan Harold D. Hodgkinson Mrs. James H. Perkins Administration of the Boston Symphony Orchestra Thomas W. Morris General Manager Peter Gelb Gideon Toeplitz Daniel R. Gustin Assistant Manager Orchestra Manager Assistant Manager Joseph M. Hobbs Walter D.Hill William Bernell Director of Director of Assistant to the Development Business Affairs General Manager Lawrence Murray Anita R. Kurland Dorothy Sullivan Promotion Administrator of Controller Coordinator Youth Activities Elizabeth Dunton Richard Ortner Elisabeth Quinn Director of Assistant Administrator, Director of Sales Berkshire Music Center Volunteer Services Charles Rawson James F. -
The Double Keyboard Concertos of Carl Philipp Emanuel Bach
The double keyboard concertos of Carl Philipp Emanuel Bach Item Type text; Thesis-Reproduction (electronic) Authors Waterman, Muriel Moore, 1923- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 25/09/2021 18:28:06 Link to Item http://hdl.handle.net/10150/318085 THE DOUBLE KEYBOARD CONCERTOS OF CARL PHILIPP EMANUEL BACH by Muriel Moore Waterman A Thesis Submitted to the Faculty of the DEPARTMENT OF MUSIC In Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC In the Graduate College THE UNIVERSITY OF ARIZONA 1 9 7 0 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of re quirements for an advanced degree at The University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his judg ment the proposed use of the material is in the interests of scholar ship. In all other instances, however, permission must be obtained from the author. SIGNED: APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below: JAMES R. -
CANTA EL PIANO Char Ese Registro Neoyorkino De 1946 Dirigido Por El Propio Milhaud
AÑO XXI - Nº 203 - Diciembre 2005 - 6,30 € 2 OPINIÓN DOSIER CON NOMBRE Veinte años de música en PROPIO España 113 6 Introducción Elisabeth Schwarzkopf Javier Alfaya 114 Arturo Reverter Gestión Santiago Martín Bermúdez 116 8 AGENDA Auditorios José Luis Carles y Cristina Palmese 122 16 ACTUALIDAD Musicología Paulino Capdepón Verdú 126 NACIONAL Educación Pedro Sarmiento 130 42 ACTUALIDAD Composición INTERNACIONAL José Luis García del Busto 134 Ópera 58 ENTREVISTA Arturo Reverter 136 Interpretación Rinaldo Alessandrini Enrique Martínez Miura 140 “La música de Bach es absolutamente Discos perfecta” Juan Manuel Viana 144 María Sánchez-Archidona Jazz Pablo Sanz 148 64 Discos del mes ENCUENTROS SCHERZO DISCOS Ian Bostridge 65 Sumario Juan Antonio Llorente 152 LA GUÍA 156 CONTRAPUNTO Norman Lebrecht 160 Colaboran en este número Javier Alfaya, Daniel Álvarez Vázquez, Julio Andrade Malde, Roberto Andrade Malde, Íñigo Arbiza, Rafael Banús Irusta, Alfredo Brotons Muñoz, José Antonio Cantón, Paulino Capdepón Verdú, José Luis Carles, Jacobo Cortines, Rafael Díaz Gómez, Patrick Dillon, Pedro Elías Mamou, Matthias Exner, José Luis Fernández García, Jorge Fernández Guerra, Fernando Fraga, Joaquín García, José Antonio García García. José Luis García del Busto, Mario Gerteis, José Guerrero Martín, Federico Hernández, Fernando Herrero, Bernd Hoppe, Paul Korenhof, Norman Lebrecht, Juan Antonio Llorente, Fiona Maddocks, Nadir Madriles, Bernardo Mariano, Santiago Martín Bermúdez, Joaquín Martín de Sagarmínaga, Enrique Martínez Miura, Aurelio Martínez Seco, Blas Matamoro, Antonio Muñoz Molina, Miguel Ángel Nepomuceno, Rafael Ortega Basagoiti, Cristina Palmese, Josep Pascual, Enrique Pérez Adrián, Javier Pérez Senz, Paolo Petazzi, Francisco Ramos, Arturo Reverter, Barbara Röder, Justo Romero, Stefano Russomanno, María Sánchez-Archidona, Ignacio Sánchez Quirós, Pablo Sanz, Pedro Sarmiento, Bruno Serrou, Franco Soda, José Luis Téllez, Asier Vallejo Ugarte, Claire Vaquero Williams, Pablo J. -
Digibooklet Antonio Janigro
ANTONIO JANIGRO & ZAGREG SOLOISTS Berlin, 1957-1966 ARCANGELO CORELLI (1653-1713) Concerto grosso in D major, Op. 6/4 I. Adagio – Allegro 2:32 II. Adagio 2:03 SOLOISTS III. Vivace 1:09 IV. Allegro – 1:58 V. Allegro 0:41 Gunhild Stappenbeck, Cembalo Continuo recording: 14-01-1957 GIOACHINO ROSSINI (1792-1868) Sonata for Strings No. 6 in D major I. Allegro spiritoso 6:32 II. Andante assai 2:39 ZAGREG III. Tempesta. Allegro 5:12 recording: 19-04-1964 & PAUL HINDEMITH (1895-1963) Trauermusik (Funeral Music) for Solo Viola and Strings I. Langsam 4:28 II. Ruhig bewegt 1:25 III. Lebhaft 1:32 IV. Choral „Für deinen Thron“ 2:24 Stefano Passaggio, solo viola recording: 12-03-1958 JANIGRO DMITRI SHOSTAKOVICH (1906-1975) Octet for Strings, Op. 11 II. Scherzo recording: 17-04-1964 SAMUEL BARBER (1910-1981) Adagio for Strings recording: 19-04-1964 ANTONIO ANTONIO MILKO KELEMEN (*1924) Concertante Improvisations for Strings I. Allegretto 2:20 II. Andante sostenuto – Allegro giusto 2:05 SOLOISTS III. Allegro scherzando 1:15 IV. Molto vivace quasi presto 2:05 recording: 12-03-1958 MAX REGER (1873-1916) Lyric Andante for String Orchestra5:18 recording: 16-03-1966 WOLFGANG AMADEUS MOZART (1756-1791) Divertimento in B-flat major, K. 137 ZAGREG I. Andante 4:10 II. Allegro di molto 2:44 & III. Allegro assai 2:17 recording: 19-03-1961 ROMAN HOFFSTETTER (1742-1815), former attrib. to JOSEPH HAYDN (1732-1809) Serenade in C major (from Op. 3/5) recording: 11-11-1958 ANTONIO VIVALDI (1678-1741) Concerto in D major, RV 230 (Cello Version) JANIGRO I. -
V.I.E.W. Video & Arkadia Entertainment
EffectiveEFFECTIVE September AUGUST, 1, 20102011 PRICE SCHEDULE V.I.E.W. Video & Arkadia Entertainment Distributed by V.I.E.W., Inc. (Distribution) 11 Reservoir Road, Saugerties, NY 12477 • phone 845-246-9955 • fax 845-246-9966 E-mail: [email protected] • www.view.com TOLL-FREE ORDER DESK 800-843-9843 BILL TO SHIP TO (if different) (no P.O. boxes) NAME NAME ADDRESS ADDRESS CITY STATE ZIP CITY STATE ZIP PHONE COUNTRY PHONE COUNTRY EMAIL OVERSEAS: TOTAL NUMBER ITEMS AMOUNT $ WE CHARGE ACTUAL SHIPPING; How did you hear of us? LESS APPLICABLE DISCOUNT PLEASE INDICATE ❑ AIR SUB-TOTAL METHOD OF PAYMENT ❍ CHECK ❍ MONEY ORDER AMOUNT $ ❑ GROUND ❑ OTHER ❍ VISA ❍ MASTER CARD ❍ AMEX NYS RESIDENTS ADD 8.625% SHIPPING & HANDLING ACCOUNT NUMBER EXP. DATE SECURITY CODE $3.95 FIRST ITEM, $1 EACH ADDITIONAL CARDHOLDER’S NAME (PLEASE PRINT) OVERNIGHT & 2ND DAY AT COST TOTAL CARDHOLDER’S SIGNATURE FOR LIFETIME PUBLIC PERFORMANCE RIGHTS ADD $30 PER TITLE TO THE LIST PRICE. NOTE: Items in bold indicate our most recent releases. ARKADIAARKADIA PROMOTIONAL PROMOTIONAL MATERIAL MATERIAL Visit our Business-To-Business Resource Center at ___ 79001 602267900125602267900125 ArkadiaArkadia Cap BLACKBLACK $10$10 Visit our Business-To-Businesswww.viewb2bonline.com Resource Center at ___ 79002 602267900224 Arkadia Cap WHITE $10 www.viewb2b.com ___ 79002 602267900224 Arkadia Cap WHITE $10 • High & Low Resolution Photos of all front and back covers ___ 79003 602267900323 Arkadia T-shirt BLACK LG $12 • Over 25 Genre Specific Sell-Sheets with a box to insert your name ___ -
Jouer Bach À La Harpe Moderne Proposition D’Une Méthode De Transcription De La Musique Pour Luth De Johann Sebastian Bach
JOUER BACH À LA HARPE MODERNE PROPOSITION D’UNE MÉTHODE DE TRANSCRIPTION DE LA MUSIQUE POUR LUTH DE JOHANN SEBASTIAN BACH MARIE CHABBEY MARA GALASSI LETIZIA BELMONDO 2020 https://doi.org/10.26039/XA8B-YJ76. 1. PRÉAMBULE ............................................................................................. 3 2. INTRODUCTION ......................................................................................... 5 3. TRANSCRIRE BACH À LA HARPE MODERNE, UN DÉFI DE TAILLE ................ 9 3.1 TRANSCRIRE OU ARRANGER ? PRÉCISIONS TERMINOLOGIQUES ....................................... 9 3.2 BACH TRANSCRIPTEUR ................................................................................................... 11 3.3 LA TRANSCRIPTION À LA HARPE ; UNE PRATIQUE SÉCULAIRE ......................................... 13 3.4 REPÈRES HISTORIQUES SUR LA TRANSCRIPTION ET LA RÉCEPTION DES ŒUVRES DE BACH AU FIL DES SIÈCLES ....................................................................................................... 15 3.4.1 Différences d’attitudes vis-à-vis de l’original ............................................................. 15 3.4.2 La musique de J.S. Bach à la harpe ............................................................................ 19 3.5 LES HARPES AU TEMPS DE J.S. BACH ............................................................................. 21 3.5.1 Panorama des harpes présentes en Allemagne. ......................................................... 21 4. CHOIX DE LA PIECE EN VUE D’UNE TRANSCRIPTION ............................... -
Wallingford Riegger
WALLINGFORD RIEGGER: Romanza — Music for Orchestra Alfredo Antonini conducting the Orchestra of the “Accademia Nazionale di Santa Cecilia-Roma” Dance Rhythms Alfredo Antonini conducting the Oslo Philharmonic Orchestra THIS RELEASE is but further evidence of the growing and gratifying tendency of recent years to recognize Wallingford Riegger as one of the leading and most influential figures in twentieth century American composition, in fact as the dean of American composers. Herbert Elwell, music critic of the Cleveland Plain Dealer, said it in April, 1956: “I am coming more and more to the conclusion that it is Riegger who has been the real leader and pathfinder in contemporary American music . not only a master of his craft but in some ways a prophet and a seer.” In the same month, in Musical America, Robert Sabin wrote: “I firmly believe that his work will outlast that of many an American composer who has enjoyed far greater momentary fame.” Riegger was born in Albany, Georgia, on April 29, 1885. Both his parents were amateur musicians and were determined to encourage their children in musical study. When the family moved to New York in 1900, the young Wallingford was enrolled at the Institute of Musical Art where he studied the cello and composition. Graduating from there in 1907 Riegger then went to Germany to study at the Hochschule für Musik in Berlin with Max Bruch. In 1915-1916 he conducted opera in Würzburg and Königsberg and the following season he led the Blüthner Orchestra in Berlin. Since his return to the United States in 1917, he has been active in many phases of our musical life. -
FOMRHI Quarterly
_. " Elena Dal Cortiv& No. 45 October 1986 FOMRHI Quarterly BULLETIN 45 2 Bulletin Supplement 8 Plans: Bate Collection 9 Plans? The Royal College of Music 12 Membership List Supplement 45 COMMUNICATIONS 745- REVIEWS: Dirtionnaire des facteurs d'instruments ..., by M. Haine £ 748 N. Meeus', Musical Instruments in the 1851 Exhibition, by P. £ A. Mactaggart; Samuel Hughes Ophideidist, by S. J, Weston} Chanter! The Journal of the Bagpipe Sodiety, vol.1, part 1 J. Montagu 14 749 New Grove DoMi: JM 65 Further Detailed Comments: The Gs. J. Montagu 18 750 New Grove DoMi: ES no. 6J D Entries E. Segerman 23 751 More on Longman, Lukey £ Broderip J. Montagu 25 752 Made for music—the Galpin Sodety's 40th anniversary J. Montagu 26 753 Mersenne, Mace and speed of playing E. Segerman 29 754' A bibliography of 18th century sources relating to crafts, manufacturing and technology T. N. McGeary 31 755 What has gone wrong with the Early Music movement? B. Samson 36 / B. Samson 37 756 What is a 'simple' lute? P. Forrester 39 757 A reply to Comm 742 D. Gill 42 758 A follow-on to Comm 739 H. Hope 44 759 (Comments on the chitarra battente) B. Barday 47 760 (Craftsmanship of Nurnberg horns) K. Williams 48 761 Bore gauging - some ideas and suggestions C. Karp 50 7632 Woodwin(On measurind borge toolmeasurins and gmodems tools ) C. Stroom 55 764 A preliminary checklist of iconography for oboe-type instruments, reeds, and players, cl630-cl830 B. Haynes 58 765 Happy, happy transposition R. Shann 73 766 The way from Thoiry to Nuremberg R. -
Konzerte Von 1948 Bis 2007
Konzerte von 1948 bis 2007 2 10.10.1948 10.03.1951 Bergischer Löwe Bergisch Gladbach Altenberger Dom Eröffnung der Bergischen Bühne Bach: Matthäus-Passion Wagner: "Wachet auf", Chor aus Lucia Hegmann, Sopran "Die Meistersinger von Nürnberg" Bertamaria Klaembt, Alt Leitung: Paul Nitsche Helmut Krebs, Tenor Bruno Müller und Günther Wilhelms, Bass 03.04.1949 Städtisches Orchester Bonn Bergischer Löwe Bergisch Gladbach Leitung: Paul Nitsche Händel: Der Messias Olga Tschörner, Sopran 14.07.1951 Elsa Bollweg-Barthel, Alt Margaretenhöhe Bergisch Gladbach Willy Offermann, Tenor Händel: Acis und Galathea Oskar Sàlat, Bass Heribert Haag, Sopran Rheinisches Landesorchester Elisabeth Urbaniek, Sopran Leitung: Paul Nitsche Johannes Feyerabend, Tenor Kurt Klein, Bass 03.11.1949 Kammerorchester der Musikhochschule Köln Bergischer Löwe Bergisch Gladbach Leitung: Paul Nitsche Konzert mit Werken von Brahms Elisabeth Haas, Sopran 09.12.1951 Paul Nitsche, Bass St. Josef Bergisch Gladbach-Heidkamp Toni Faßbender, Violine Adventskonzert mit Kantaten und Christel Hees und Adelheid Kierdorf, Klavier Motetten von Buxtehude, Schütz und Leitung: Paul Nitsche Vierdanck Annemarie Drinhausen, Sopran 26.03.1950 Erika Bollweg-Heller, Alt Altenberger Dom Bergisch Gladbacher Instrumentalkreis Bach: Matthäus-Passion Leitung: Paul Nitsche Gunthild Weber, Sopran Anni Bernards, Alt 22.06.1952 Matthias Büchel, Tenor Altenberger Dom Hans Olaf Hudemann und Theo Zilliken, Bass Driessler: Dein Reich komme Rheinische Philharmonie Koblenz Elisabeth Schmidt, Sopran Leitung: Paul -
ANDREAS SCHMIDT Barítono (Alemania) RUDOLF ]ANSEN Pianista (Holanda)
ANDREAS SCHMIDT barítono (Alemania) RUDOLF ]ANSEN pianista (Holanda) Miércoles 27 de junio de 2007 • 7:30 p.m. SALA DE CONCIERTOS BANCO DE LA REPÚBLICA BIBLIOTECA LUIS Á GEL ARANGO Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. Andreas Scbmidt nació en Dusseldorf, donde inicialmente estudió piano, órgano y dirección musical. Luego se formó como cantante con Ingeborg Reichelt en Düsseldorf y con Dietrich Fischer-Dieskau enBerlin. 1 Tras ganar el Concurso Alemán de Música en 1983, comenzó su carrera operática en la Ópera Alemana de Berlín. Desde entonces ha interpretado numerosos papeles entre los que se cuentan los de Guglielmo (Casi jan tutte ), Almaviva (Las bodas de Fígaro), Don Juan (Don Giovanni), Wolfram (Tannhduser), Valentin (Fausto), Pose (Don Carlos), Marcello (La Bohemia), Beckmesser (Los maestros cantores de Nüremberg), Amfortas (Parsifa[), Amonasro (Aida), Faninal (El caballero de la rosa), Gunther (El crepúsculo de los dioses) y KlliWenal (Tristán e !solda). También ha estrenado obras de Wolfgang Rihm y Hans Wemer Henze. Habitualmente es invitado por las casas de ópera de Hamburgo, Dresden, Múnich y Viena, la Nederlandse Ópera de Ámsterdam, el Grand Tlieatre de Ginebra, el Covent Garden de Londres, el Gran Teatre del Liceu de Barcelona, la Grand Opera de la Bastille en París, el Teatro de la Scala de Milán y el Metropolitan Opera de Nueva York. Ha parti cipado en importantes festivales como los de Salzburgo, las Festwochen de Viena y Berlín, los deAix-en-Provence, Edimburgo Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. y Glyndeboume. -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification.