Name and Reality, Physical Usages and Meaning: a Study on the Origin
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Laozi Zhongjing)
A Study of the Central Scripture of Laozi (Laozi zhongjing) Alexandre Iliouchine A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Master of Arts, Department of East Asian Studies McGill University January 2011 Copyright Alexandre Iliouchine © 2011 ii Table of Contents Acknowledgements......................................................................................... v Abstract/Résumé............................................................................................. vii Conventions and Abbreviations.................................................................... viii Introduction..................................................................................................... 1 On the Word ―Daoist‖............................................................................. 1 A Brief Introduction to the Central Scripture of Laozi........................... 3 Key Terms and Concepts: Jing, Qi, Shen and Xian................................ 5 The State of the Field.............................................................................. 9 The Aim of This Study............................................................................ 13 Chapter 1: Versions, Layers, Dates............................................................... 14 1.1 Versions............................................................................................. 15 1.1.1 The Transmitted Versions..................................................... 16 1.1.2 The Dunhuang Version........................................................ -
Submitted for the Phd Degree at the School of Oriental and African Studies, University of London
THE CHINESE SHORT STORY IN 1979: AN INTERPRETATION BASED ON OFFICIAL AND NONOFFICIAL LITERARY JOURNALS DESMOND A. SKEEL Submitted for the PhD degree at the School of Oriental and African Studies, University of London 1995 ProQuest Number: 10731694 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10731694 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 A b s t ra c t The short story has been an important genre in 20th century Chinese literature. By its very nature the short story affords the writer the opportunity to introduce swiftly any developments in ideology, theme or style. Scholars have interpreted Chinese fiction published during 1979 as indicative of a "change" in the development of 20th century Chinese literature. This study examines a number of short stories from 1979 in order to determine the extent of that "change". The first two chapters concern the establishment of a representative database and the adoption of viable methods of interpretation. An important, although much neglected, phenomenon in the make-up of 1979 literature are the works which appeared in so-called "nonofficial" journals. -
AN ABSTRACT of the THESIS of Cindy Blakeley for the Master of Arts
AN ABSTRACT OF THE THESIS OF Cindy Blakeley for the Master of Arts (name of student) (degree) in English presented on May 12, 1993 (major) (date) Title: John Donne's Alchemical Vision ~.~ Abstract Approved. From the earliest of times, many have pursued the goals of alchemy, a torm ot chemistry and speculative philosophy in which advocates attempted to discover an elixir ot lite and a method for converting base metals into gold. To the true alchemist, the "Great Work" was more than a science or a philosophy--it was a religion. The seventeenth-century poet, John Donne, though not a practicing alchemist, was himself interested in alchemy's religious connotations. In his poetry, he indicates his concern with man's spiritual transcendence which parallels the extraction of pure spiritual essences from any form ot base matter. In addition, the presumed sequence in which he writes his poems (precise dates of composition are, as yet, not established) reveals his growing fascination with the spiritual message suggested by alchemy. In "Loves Alchymie," likely written before Donne's marriage to Ann More, Donne is pessimistically questioning man's ability to transcend his base physical nature and, therefore, doubts the validity of spiritual alchemy. Then, during his love affair with and marriage to Ann More, he feels his new experiences with love and recently acquired understanding of love prove man is capable of obtaining spiritual purity. At this time, he writes "The Extasie," "The Good-Morrow," and "A Valediction Forbidding Mourning," employing basic alchemical imagery to support his notion that a union of body, soul, and spirit between man and woman is possible. -
Is Shuma the Chinese Analog of Soma/Haoma? a Study of Early Contacts Between Indo-Iranians and Chinese
SINO-PLATONIC PAPERS Number 216 October, 2011 Is Shuma the Chinese Analog of Soma/Haoma? A Study of Early Contacts between Indo-Iranians and Chinese by ZHANG He Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS FOUNDED 1986 Editor-in-Chief VICTOR H. MAIR Associate Editors PAULA ROBERTS MARK SWOFFORD ISSN 2157-9679 (print) 2157-9687 (online) SINO-PLATONIC PAPERS is an occasional series dedicated to making available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor-in-chief actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including romanized modern standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino- Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. Submissions are regularly sent out to be refereed, and extensive editorial suggestions for revision may be offered. Sino-Platonic Papers emphasizes substance over form. -
Buddhist Text Translation Society 2012 Catalog
Sutras - Mantras - Dharma Talks - Biographical Sketches - Children’s - Audio Visual English - Chinese - Vietnamese - Spanish BUDDHIST TEXT TRANSLATION SOCIETY 2012 CATALOG BUDDHIST TEXT TRANSLATION SOCIETY (BTTS) DHARMA REALM BUDDHIST ASSOCIATION (DRBA) DHARMA REALM BUDDHIST UNIVERSITY (DRBU) www.drba.org Table of Contents Buddhist Canon 3 Water Mirror Reflecting Heaven 20 Master Hsuan Hua, Founder 3 Song of Enlightenment 20 Dharma Realm Buddhist Association 3 Exhortation to Resolve on Bodhi 20 Sutras Recitation Forty-Two Sections 4 Daily Recitation Handbook 21 Earth Store Bodhisattva 4 Evening Recitation CD 21 Medicine Master 4 Morning Recitation CD 21 Heart of the Prajna Paramita 5 Gift Books Vajra Prajna Paramita (Diamond) 5 Transcending the World 22 Buddhas Speaks of Amitabha 5 Dew Drops 22 Surangama (Shurangama) 6 Break the Shell 22 Wonderful Dharma Lotus Flower Children (Lotus) 7 Kind Monk, The 23 Flower Adornment (Avatamsaka) 8 Golden Feather, The 23 Sixth Patriarch 9 Giant Turtle, The 23 Shastra Under the Bodhi Tree 24 On Understanding No Words 24 the Hundred Dharmas 9 Human Roots 24 Mantras Standards for Students 25 Great Compassion 10 Truly Awakened One, The 25 Surangama 10 Rakshasa Ghost, The 25 Dharma Talks Spider Thread 25 Vol 1 – 11 11 Audio Trip to Taiwan 11 Clear Stream 26 In Europe 11 Amitabha Buddha 26 Insights 12 Songs for Awakening 26 Buddha Root Farm 12 Three Cart Patriarch, The 26 Listen to Yourself 13 Journals & Magazines Treasure Trove 13 Vajra Bodhi Sea 27 Ten Dharma Realms 13 Religion East & West 27 Biography/Memoirs -
Title <Translated Article> Western Zhou History in the Collective
<Translated Article> Western Zhou History in the Collective Title Memory of the People of the Western Zhou: An Interpretation of the Inscription of the "Lai pan" Author(s) MATSUI, Yoshinori Citation 東洋史研究 (2008), 66(4): 712-664 Issue Date 2008-03 URL https://doi.org/10.14989/141873 Right Type Journal Article Textversion publisher Kyoto University 712 WESTERN ZHOU HISTORY IN THE COLLECTIVE MEMORY OF THE PEOPLE OF THE WESTERN ZHOU: AN INTERPRETATION OF THE INSCRIPTION OF THE "LAI PAN" MATSUI Y oshinori Introduction On January 19, 2003, twenty-seven bronze pieces were excavated from a hoard at Yangjiacun (Meixian county, Baoji city, Shaanxi province).l All the bronzes, which include twelve ding ~, nine Ii rn, two fanghu 11 if., one pan ~, one he :ii\'t, one yi [ffi, and one yu k, have inscriptions. Among them, the bronzes labeled "Forty-second-year Lai ding" ~ ~ (of which there are two pieces), "Forty-third-year Lai ding" (ten pieces), and "Lai pan" ~~ (one piece) have in scriptions that are particularly long for inscriptions from the Western Zhou period and run respectively to 281, 316 and 372 characters in length. The inscription of the "Lai pan," containing 372 characters, is divided into two parts, the first part is narrated from Lai's point of view but employs the third-person voice, opening with the phrase, "Lai said." The second part records an appointment (ceming :IlJt frJ) ceremony that opens, "The King said." The very exceptional first part records the service of generations of Lai's ancestors to successive Zhou Kings. The inscription mentions eleven former kings, King Wen X3:., King Wu TIk3:., King Cheng JIlG3:., King Kang *3:., King Zhao BR3:., King Mu ~~3:., King Gong *3:., King Yi i~3:., King Xiao ~(~)3:., King Yi 1J$(~)3:., King Li Jj1U (J~)3:. -
Mythical Image of “Queen Mother of the West” and Metaphysical Concept of Chinese Jade Worship in Classic of Mountains and Seas
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 21, Issue11, Ver. 6 (Nov. 2016) PP 39-46 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Mythical Image of “Queen Mother of the West” and Metaphysical Concept of Chinese Jade Worship in Classic of Mountains and Seas Juan Wu1 (School of Foreign Language,Beijing Institute of Technology, China) Abstract: This paper focuses on the mythological image, the Queen Mother of the West in Classic of Mountains and Seas, to explore the hiding history and mental reality behind the fantastic literary images, to unveil the origin of jade worship, which plays an significant role in the 8000-year-old history of Eastern Asian jade culture, to elucidate the genetic mechanism of the jade worship budded in the Shang and Zhou dynasties, so that we can have an overview of the tremendous influence it has on Chinese civilization, and illustrate its psychological role in molding the national jade worship and promoting the economic value of jade business. Key words: Mythical Image, Mythological Concept, Jade Worship, Classic of Mountains and Seas I. WHITE JADE RING AND QUEEN MOTHER OF THE WEST As for the foundation and succession myths of early Chinese dynasties, Allan holds that “Ancient Chinese literature contains few myths in the traditional sense of stories of the supernatural but much history” (Allan, 1981: ix) and “history, as it appears in the major texts from the classical period of early China (fifth-first centuries B.C.),has come to function like myth” (Allan, 1981: 10). While “the problem of myth for Western philosophers is a problem of interpreting the meaning of myths and the phenomenon of myth-making” as Allan remarks, “the problem of myth for the sinologist is one of finding any myths to interpret and of explaining why there are so few.” (Allen, 1991: 19) To decode why white jade enjoys a prominent position in the Chinese culture, the underlying conceptual structure and unique culture genes should be investigated. -
Table of Codes for Each Court of Each Level
Table of Codes for Each Court of Each Level Corresponding Type Chinese Court Region Court Name Administrative Name Code Code Area Supreme People’s Court 最高人民法院 最高法 Higher People's Court of 北京市高级人民 Beijing 京 110000 1 Beijing Municipality 法院 Municipality No. 1 Intermediate People's 北京市第一中级 京 01 2 Court of Beijing Municipality 人民法院 Shijingshan Shijingshan District People’s 北京市石景山区 京 0107 110107 District of Beijing 1 Court of Beijing Municipality 人民法院 Municipality Haidian District of Haidian District People’s 北京市海淀区人 京 0108 110108 Beijing 1 Court of Beijing Municipality 民法院 Municipality Mentougou Mentougou District People’s 北京市门头沟区 京 0109 110109 District of Beijing 1 Court of Beijing Municipality 人民法院 Municipality Changping Changping District People’s 北京市昌平区人 京 0114 110114 District of Beijing 1 Court of Beijing Municipality 民法院 Municipality Yanqing County People’s 延庆县人民法院 京 0229 110229 Yanqing County 1 Court No. 2 Intermediate People's 北京市第二中级 京 02 2 Court of Beijing Municipality 人民法院 Dongcheng Dongcheng District People’s 北京市东城区人 京 0101 110101 District of Beijing 1 Court of Beijing Municipality 民法院 Municipality Xicheng District Xicheng District People’s 北京市西城区人 京 0102 110102 of Beijing 1 Court of Beijing Municipality 民法院 Municipality Fengtai District of Fengtai District People’s 北京市丰台区人 京 0106 110106 Beijing 1 Court of Beijing Municipality 民法院 Municipality 1 Fangshan District Fangshan District People’s 北京市房山区人 京 0111 110111 of Beijing 1 Court of Beijing Municipality 民法院 Municipality Daxing District of Daxing District People’s 北京市大兴区人 京 0115 -
China Versus Vietnam: an Analysis of the Competing Claims in the South China Sea Raul (Pete) Pedrozo
A CNA Occasional Paper China versus Vietnam: An Analysis of the Competing Claims in the South China Sea Raul (Pete) Pedrozo With a Foreword by CNA Senior Fellow Michael McDevitt August 2014 Unlimited distribution Distribution unlimited. for public release This document contains the best opinion of the authors at the time of issue. It does not necessarily represent the opinion of the sponsor. Cover Photo: South China Sea Claims and Agreements. Source: U.S. Department of Defense’s Annual Report on China to Congress, 2012. Distribution Distribution unlimited. Specific authority contracting number: E13PC00009. Copyright © 2014 CNA This work was created in the performance of Contract Number 2013-9114. Any copyright in this work is subject to the Government's Unlimited Rights license as defined in FAR 52-227.14. The reproduction of this work for commercial purposes is strictly prohibited. Nongovernmental users may copy and distribute this document in any medium, either commercially or noncommercially, provided that this copyright notice is reproduced in all copies. Nongovernmental users may not use technical measures to obstruct or control the reading or further copying of the copies they make or distribute. Nongovernmental users may not accept compensation of any manner in exchange for copies. All other rights reserved. This project was made possible by a generous grant from the Smith Richardson Foundation Approved by: August 2014 Ken E. Gause, Director International Affairs Group Center for Strategic Studies Copyright © 2014 CNA FOREWORD This legal analysis was commissioned as part of a project entitled, “U.S. policy options in the South China Sea.” The objective in asking experienced U.S international lawyers, such as Captain Raul “Pete” Pedrozo, USN, Judge Advocate Corps (ret.),1 the author of this analysis, is to provide U.S. -
Painting Outside the Lines: How Daoism Shaped
PAINTING OUTSIDE THE LINES: HOW DAOISM SHAPED CONCEPTIONS OF ARTISTIC EXCELLENCE IN MEDIEVAL CHINA, 800–1200 A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN RELIGION (ASIAN) AUGUST 2012 By Aaron Reich Thesis Committee: Poul Andersen, Chairperson James Frankel Kate Lingley Acknowledgements Though the work on this thesis was largely carried out between 2010–2012, my interest in the religious aspects of Chinese painting began several years prior. In the fall of 2007, my mentor Professor Poul Andersen introduced me to his research into the inspirational relationship between Daoist ritual and religious painting in the case of Wu Daozi, the most esteemed Tang dynasty painter of religious art. Taken by a newfound fascination with this topic, I began to explore the pioneering translations of Chinese painting texts for a graduate seminar on ritual theory, and in them I found a world of potential material ripe for analysis within the framework of religious studies. I devoted the following two years to intensive Chinese language study in Taiwan, where I had the fortuitous opportunity to make frequent visits to view the paintings on exhibit at the National Palace Museum in Taipei. Once I had acquired the ability to work through primary sources, I returned to Honolulu to continue my study of literary Chinese and begin my exploration into the texts that ultimately led to the central discoveries within this thesis. This work would not have been possible without the sincere care and unwavering support of the many individuals who helped me bring it to fruition. -
The Influence of the Translator's Culture On
THE INFLUENCE OF THE TRANSLATOR’S CULTURE ON THE TRANSLATION OF SELECTED RHETORICAL DEVICES IN CONFUCIUS’ ANALECTS by CHEN-SHU FANG A dissertation submitted in the fulfilment of the requirements for the award of the degree of Master’s in Language Practice Department of Linguistics and Language Practice Faculty of the Humanities University of the Free State January 2016 Supervisor: Prof. K. Marais External co-supervisor: Prof. Y. Ma i DECLARATION I, Chen-Shu Fang, hereby declare that this dissertation submitted by me for a Master’s degree in Language Practice at the University of the Free State is my own independent work that has not previously been submitted by me at another university or faculty. Furthermore, I do cede copyright of this dissertation in favour of the University of the Free State. Signature Date ii ACKNOWLEDGEMENTS First of all, I wish to express my immense gratitude to the Almighty God for making this dissertation possible by providing me with wisdom, good health, courage, knowledgeable supervisors and a supportive family. I feel a deep sense of gratitude to the following people who contributed to the preparation and production of this dissertation: I want to sincerely thank Prof. Kobus Marais, my supervisor, for his support, warm-hearted encouragement, invaluable advice and informative suggestions throughout this project. Without his input, completing this dissertation would have been impossible. I admire his knowledge and personality. His character guided me throughout the writing process. I am also grateful to Prof. Yue Ma, my co-supervisor, for his good advice, assistance and insightful comments, especially about the cultural and rhetorical parts of the study. -
Ito's White Tiger Universal Studies Timeline
Ito's White Tiger Universal Studies LAST UP-DATE 4/15/2019 Timeline BC 1600BC Shang Dynasty (Yin) 1500BC Wu Shu - military arts, term used in China. 1122-255 BC Zhou Dynasty (Yang) 1050-771 BC Western Zhou Dynasty 800 BC Early Theravada studies Bejar, India (Nalanda). Silk Road Asia, India, Africa, Europe. 800 BC House of the Pine Winds: Ceylon Pine from Theravada Masters to Masters of Tai Shan 776 BC First Olympic Games of Greece 770-221 BC Eastern Zhou Dynasty 660 BC Japan 1st Emperor Jimmu 625 BC Shin studies by Jivaka Master Healer. Travels to China & Japan. 620 BC Prince Shakyamuni is an Olympic wrestling champ 600 BC Jivaka, direct master, Doctor to the 1st Buddha, Bodhisattva, scholar, warrior, healer, Chuan-Fa Master 600 BC 1st Buddha, Shakyamuni (Gautama Buddha) 475-221 BC 5 great mountains of China (Wu Yue) appeared during waring states. Great Mountain #1, Great Mountain #2, Great Mountain #3, Great Mountain #4, Great Mountain #5. (5 spirit of the mountain) 384-322 BC Greek scholar warrior, Aristotle 300BC-300AD Yayoi period, Yamato kingdoms Japan 219 BC note: Tun--->Tai Shan ---> Northern Wei 219 BC Qin Shi Huang, the first Emperor of China (Zi Yuan, top general in Han Dynasty) 218 BC Chin Shi Huang Ti, First visit to Tai Shan Mountains. Rulers are the sons of the Heavenly Mother, they come to pay respect to their Heavenly Mother. They are the sons of the Lioness. (Wu Zetian) 209 BC Manhubhata Nata from India by way of the Silk Road. 209BC-9AD Western Han Dynasty, Gaodi reigns 202BC-195BC, Wudi reigns 141BC-87BC.