Aitken 1923 R.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Aitken 1923 R.Pdf RULES ADOPTED BY THE BOARD OF REGENTS OF THE UNIVERSITY OF HAWAII MAY 21 1948, WITH REGARD TO THE REPRODUCTION OF MASTERS THESES (a; No person or corporation may publish or reproduce in any manner, without the consent of the Board of Regents, a thesis which has been submitted to the University in partial fulfillm ent of the requirements for an advanced degree. (b) No individual or corporation or other organization may publish quotations or excerpts from a graduate thesis without the consent of the author and of .the University. MYTHOLOGY of TUBUAI A Thesis Submitted in Partial Fulfillment of the Requirements fo r the Degree of Master of Arts at the UNIVERSITY of HAWAII AT by h/! Robert T. A ithen Honolulu, May, 1>2J This Paper is a portion of the complete report on the Ethnology of Tubuai, submitted to the Trustees of the Bernice P. Bishop Paseum, Honolulu, Hawaii, at the con­ clusion of the services of the author as Research Asso­ ciate in Ethnology, in Parch, 1923, and is based on the fie ld work done fo r that Institution by the author dur­ ing the years 1920, 1921, and 1° 22. ¿/ÛxAjv . C ô 5 H 3 go. / The hÿthûlcgy of T-ubuai — The raythologioal material hare presented waa obtained partly in Tubuai, partly in Haivavae, partly In Tahiti. The informants wero natives of Tubuai, Rurutu, or Haivavae and in each oaae tolâ the tale a3 being of their own island. I am A ■ . ( • gratefu l to Mr. Eugene Doom of Tubuai fo r the tales of Hina and Rupo, of Tematauira and Haatauhl, of tho Haivavae woman who gave birth to whales, of Totaohamai, the savare woman of Tubuai, of the evil spirit who went from Tubuai to Haivavae, and for one version of tho tale of Tematauira and Ututoa. Mr. Doom secured those talos fo r me from Tubuai people who found it possible to remember tho t- les wit on talking with one in whom thoy had complete confidence, he being the son of a Tubuai woman. In several ca3os I later obtained similar versions of these tales from the o rig in a l informants, but ^ r. Doom's perfect knowledge of the language decided me to uso his version in each oase rather than mine. In eaoh case the versions wore identical except for minor variations in wording, these variations being with ut doubt due to tho inclination of the peoplo to make tho language simpler fo r my understanding, a kindly fa u lt from which Mr. Doom was not always altogether free. To Tautu a Mauritera, I am grateful for the second version of tho tale of Temat&uira and Jtutoa, mid for the names of the various heroes given without information other than the names of their respective countries. Tautu had le> rned of these from his grandmother, a Tubuai woman, togethor with many odd bits of information concerning old-time customs, mentioned elsov/here in this report. For the tales of Mato and Tacaroa, the whale of Haiv&vae, and of Marai and Tangila, who battled to the f inish at Raivavao, 1 thank T'oata, a Rurutu woman, 1 believe, who had lived in Raivavae, and from whom I obtained tho tales while in Tahiti waiting the opportunity to go on to Tubuai, in Itovomber 19ii0. At that same tirae I obtained from Suzanno, or Terlhiane, of Rurutu, tho tales of Rina, the cannibal wo an of Rurutu, and of Taio. Theso tales, obtained boforo I had tho slightest knowledge of tho language, were recorded phonetically, and only a fte r many months were any of them arranged and translated. Copies of the tales of Tale, of H1na, and of the battle at Haivavae, wore left with Mr. iiroillet, tho official interpreter in Tahiti, for translation. loforo receiving his version I had ij^ready arranged and translated the ta le s , but thank him fo r numerous correct!ons and suggestions incorporated in the versions 1 present hero* To Araia, of Auti, Rurutu, I am grateful for the Rurutu version of tho chant of the sta rs, Pipinima, and for obtaining for no from various TUbuai people critical comments on hor vorsions. To hor I am Indebted also for Interpreta­ tions and explanations which helped greatly tho translation of various of tho other ta le s . Anyone familiar with the Tahitian language will at once recognise that in the text of the tale 3 hero presented tho Tahitian language has been sadly mistreated. One does not booome really proficient in the language in so short a time 2.17 as tho few months that I spent In the islands. I therefore cheerfully assume the responsibility for the many errors and omissions that have occurred. And my informants in many oases tried to simplify for my sake their grammatical forms, a mis­ taken kindliness against which I was forever remonstrating. However, rather than risk losing any of the o rig in a l meaning of the phrases, words, or passages, I have taken thorn directly « from my notes, corroding only such ob ious errors as mistakes in spelling. Myths of origin and tho aoluge were not obtained in even the moat fragmentary form. Repeated attempts to have such tales told roe raat either with utter failure, or with ready reply in the form of the ’iiblical account. Altho many tales of the la tte r form were told mo, there was not one that deviated s u ffic ie n tly form the Old Testament version to give tho slightest hint of any other form of origin or deluge myth evor havin' bnen known. when raoro definite questions were asfce' concerning the old Polyno3ian deities or the void or darkness or mist from which the present earth was formed, tho informants denied knowledge of any 3uoh deitioa or notions. It is my feeling that some of the oidor people in Tubuai remember more or less clearly some, at le a s t, of tho old oosmogonio myths, but that a ll aro either ashomod of suoh things, or afraid because of modern religious fe e lin g to admit ha knowledge. It saem3 quite certain to me that a porson long resident upon tho island von Id bo able to pet scattered jits, it least, of this material. And I was repeated­ ly info, mod that in Haivavae there woro ueople who could tell me all about suoh matters. very brief stay there did not, how­ ever, permit my acting upon this Information. The deity now considered as the creator is the God of the Old Testament. That such has not always been the case in tho A ustral Group is indicated by the wooden image of t he creative god of the group, now pro served in the British Museum. A oast i 3 in the Bishop Museum, and the best photographs I have seen are in the Occasional Papers of the Bishop Museum, Vol. V, Uo. 5, plates 2.If ¿'¿1 and 0158. This image is generally believed to have coroe originally from Rurutu. When described to Tubuai and Rurutu people, it roused only slight interest, and evoked tho comment that 3uch things belonged to the heathen times and had best not be hought of by modern people. In Tahiti there aro still to be obtained genealogical . tables, la which the ancestry of existing pors ms is traced back * to gods. mo 'uch table, relating to the genealogy of the present queen, *iarau, traoos the lino of descent from at least one god, tho god T ine. In Tubaai one similar genealogical tablo related to me traced descent from a certain god, but tho ancestors, beginning with tho generation fifth preceding that of tho informant, and in­ cluding all from that point back to the god, were Tahiti people. A second genealogical table stooped short of the gods, but included reference to the fact that the earliest mentioned ancestors were descended from the patron d e ities of certain marae. As I have mentioned in connection with the genealogical tables of the present day Tubuai people, these two '«.bios were related to me n strictest confidonoe; 1 thorofore ara not at liberty to say more of thorn than is included in the above stater onto. It may, however, bo added that the gods, from whom those genealogies are traced, aro by their present day descendants regarded as mere names, if one is to take as fact the statements of tho informants. Careful questioning did not j ield a single item of information as to the nature, function, or origin of those god3. The matter was dis­ missed by the informants as concerning only the people v?ho lived at that prehistoric time. Thus wo find fragmentary evidence, in the belief that the earth, troo3, plants, animals and man were made by a creator, even tho at tho present t ir e that Croator ia the Old Testament Cod, and in the fact that the only two genealogical tables obtained in­ dicate b e lie f in descent from gods, supporting the supposition that in past times t .ere oxiated the two oosmogonio ideas, evolutionary or genealogical, and creative. But tho evidence is so scant nd vague that its value is almost nil. Turning now to the class of myths included under the zz\ design: tion of culture hero or trio k star myths, we find o^idenoe h t the demigod Maui was not unknown to the Tubuai people. It is told thoro thnt Maui was a great tahu a or kahuna, a priest of the anoiont cult.
Recommended publications
  • On the Evolution of Human Fire Use
    ON THE EVOLUTION OF HUMAN FIRE USE by Christopher Hugh Parker A dissertation submitted to the faculty of The University of Utah in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Anthropology The University of Utah May 2015 Copyright © Christopher Hugh Parker 2015 All Rights Reserved The University of Utah Graduate School STATEMENT OF DISSERTATION APPROVAL The dissertation of Christopher Hugh Parker has been approved by the following supervisory committee members: Kristen Hawkes , Chair 04/22/2014 Date Approved James F. O’Connell , Member 04/23/2014 Date Approved Henry Harpending , Member 04/23/2014 Date Approved Andrea Brunelle , Member 04/23/2014 Date Approved Rebecca Bliege Bird , Member Date Approved and by Leslie A. Knapp , Chair/Dean of the Department/College/School of Anthropology and by David B. Kieda, Dean of The Graduate School. ABSTRACT Humans are unique in their capacity to create, control, and maintain fire. The evolutionary importance of this behavioral characteristic is widely recognized, but the steps by which members of our genus came to use fire and the timing of this behavioral adaptation remain largely unknown. These issues are, in part, addressed in the following pages, which are organized as three separate but interrelated papers. The first paper, entitled “Beyond Firestick Farming: The Effects of Aboriginal Burning on Economically Important Plant Foods in Australia’s Western Desert,” examines the effect of landscape burning techniques employed by Martu Aboriginal Australians on traditionally important plant foods in the arid Western Desert ecosystem. The questions of how and why the relationship between landscape burning and plant food exploitation evolved are also addressed and contextualized within prehistoric demographic changes indicated by regional archaeological data.
    [Show full text]
  • ANTHROPOLOGICAL RECORDS Volume 25
    ANTHROPOLOGICAL RECORDS Volume 25 ETHNOGRAPHIC NOTES ON THE SOUTHWESTERN POMO BY E. W. GIFFORD UNIVERSITY OF CALIFORNIA PRESS BERKELEY AND LOS ANGELES 1967 ETHNOGRAPHIC NOTES ON THE SOUTHWESTERN POMO ETHNOGRAPHIC NOTES ON THE SOUTHWESTERN POMO BY E. W. GIFFORD ANTHROPOLOGICAL RECORDS Volume 25 UNIVERSITY OF CALIFORNIA PUBLICATIONS ANTHROPOLOGICAL RECORDS Advisory Editors: M. A. Baumhoff, D. J. Crowley, C. J. Erasmus, T. D. McCown, C. W. Meighan, H. P. Phillips, M. G. Smith Volume 25 Approved for publication May 20, 1966 Issued May 29, 1967 Price, $1.50 University of California Press Berkeley and Los Angeles C alifornia Cambridge University Press London, England Manufactured in the United States of America CONTENTS Introduction ............................................ 1 The Southwestern Pomo in Russian Times: An Account by Kostromitonow ..1 Data Obtained from Herman James ..5 Neighboring Indian Groups .. 5 Informants ..5 Orthography ..6 Habitat .. 7 Village Sites ..7 Ethnobotany ..10 Ethnozoology. .16 Mammals .16 Birds. 17 Reptiles and batrachians .19 Fishes . 19 Insects and other terrestrial invertebrates. 20 Marine invertebrates .20 Culture Element List .21 Notes on culture element list .38 Appendix: Comparative Notes on Two Historic Village Sites by Clement W. Meighan. 46 Works Cited .............................................. 48 [ v ] ETHNOGRAPHIC NOTES ON THE SOUTHWESTERN POMO BY E. W. GIFFORD INTRODUCTION* The Southwestern Pomo were among the most primitive Charles Haupt married a woman from Chibadono of the California aborigines, a fact to be correlated with [ci'?bad6no] (near Plantation and on the same ridge). She their mountainous terrain on a rugged, inhospitable coast. was called Pashikokoya [pasilk6?koya? ], "cocoon woman" Their low culture may be contrasted with the richer cul- (pashikoyoyu [pa'si-oyo-yu], cocoon used on shaman' s ture of the Pomo of the Russian River Valley and Clear rattle; ya?, personal suffix), but her English name was Lake, environments which offered opportunities for Molly.
    [Show full text]
  • Low-Impact Living Initiative
    firecraft what is it? It's starting and managing fire, which requires fuel, oxygen and ignition. The more natural methods usually progress from a spark to an ember to a flame in fine, dry material (tinder), to small, thin pieces of wood (kindling) and then to firewood. Early humans collected embers from forest fires, lightning strikes and even volcanic activity. Archaeological evidence puts the first use of fire between 200-400,000 years ago – a time that corresponds to a change in human physique consistent with food being cooked - e.g. smaller stomachs and jaws. The first evidence of people starting fires is from around 10,000 years ago. Here are some ways to start a fire. Friction: rubbing things together to create friction Sitting around a fire has been a relaxing, that generates heat and produces embers. An comforting and community-building activity for example is a bow-drill, but any kind of friction will many millennia. work – e.g. a fire-plough, involving a hardwood stick moving in a groove in a piece of softwood. what are the benefits? Percussion: striking things together to make From an environmental perspective, the more sparks – e.g. flint and steel. The sharpness of the natural the method the better. For example, flint creates sparks - tiny shards of hot steel. strikers, fire pistons or lenses don’t need fossil Compression: fire pistons are little cylinders fuels or phosphorus, which require the highly- containing a small amount of tinder, with a piston destructive oil and chemical industries, and that is pushed hard into the cylinder to compress friction methods don’t require the mining, factories the air in it, which raises pressure and and roads required to manufacture anything at all.
    [Show full text]
  • Fire Before Matches
    Fire before matches by David Mead 2020 Sulang Language Data and Working Papers: Topics in Lexicography, no. 34 Sulawesi Language Alliance http://sulang.org/ SulangLexTopics034-v2 LANGUAGES Language of materials : English ABSTRACT In this paper I describe seven methods for making fire employed in Indonesia prior to the introduction of friction matches and lighters. Additional sections address materials used for tinder, the hearth and its construction, some types of torches and lamps that predate the introduction of electricity, and myths about fire making. TABLE OF CONTENTS 1 Introduction; 2 Traditional fire-making methods; 2.1 Flint and steel strike- a-light; 2.2 Bamboo strike-a-light; 2.3 Fire drill; 2.4 Fire saw; 2.5 Fire thong; 2.6 Fire plow; 2.7 Fire piston; 2.8 Transporting fire; 3 Tinder; 4 The hearth; 5 Torches and lamps; 5.1 Palm frond torch; 5.2 Resin torch; 5.3 Candlenut torch; 5.4 Bamboo torch; 5.5 Open-saucer oil lamp; 5.6 Footed bronze oil lamp; 5.7 Multi-spout bronze oil lamp; 5.8 Hurricane lantern; 5.9 Pressurized kerosene lamp; 5.10 Simple kerosene lamp; 5.11 Candle; 5.12 Miscellaneous devices; 6 Legends about fire making; 7 Additional areas for investigation; Appendix: Fire making in Central Sulawesi; References. VERSION HISTORY Version 2 [13 June 2020] Minor edits; ‘candle’ elevated to separate subsection. Version 1 [12 May 2019] © 2019–2020 by David Mead All Rights Reserved Fire before matches by David Mead Down to the time of our grandfathers, and in some country homes of our fathers, lights were started with these crude elements—flint, steel, tinder—and transferred by the sulphur splint; for fifty years ago matches were neither cheap nor common.
    [Show full text]
  • AL Kroeber and Catharine Holt Source
    Masks and Moieties as a Culture Complex. Author(s): A. L. Kroeber and Catharine Holt Source: The Journal of the Royal Anthropological Institute of Great Britain and Ireland, Vol. 50 (Jul. - Dec., 1920), pp. 452-460 Published by: Royal Anthropological Institute of Great Britain and Ireland Stable URL: http://www.jstor.org/stable/2843493 Accessed: 01-02-2016 04:49 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Wiley and Royal Anthropological Institute of Great Britain and Ireland are collaborating with JSTOR to digitize, preserve and extend access to The Journal of the Royal Anthropological Institute of Great Britain and Ireland. http://www.jstor.org This content downloaded from 204.235.148.92 on Mon, 01 Feb 2016 04:49:06 UTC All use subject to JSTOR Terms and Conditions 452 MASKS AND MOIETIES AS A CULTURE COMPLEX. By A. L. KROEBERAND CATHARINEHOLT. IN 1905, Graebnerand Ankermannpublished synchronous articlesL in which they distinguisheda nlumberof successivelayers of culturein Oceania and Africa. This scheme Graebnersubsequently developed in an essay which traced at least some of these culturestrata as far as America.2 Graebner'stheory has been accepted, with or without reservations,by a number of authorities,including Foy,3 W.
    [Show full text]
  • A1128 Able to Light a Fire Map of Influence
    11591: A HUMAN BEING IN POSSESSION OF A LIMPET SHELL 12278: A HUMAN BEING IN POSSESSION OF A SAW 12113: A HUMAN BEING IN POSSESSION OF A MUSSEL SHELL 09112: A HUMAN BEING CUSTOMER 09475: A HUMAN BEING IN 12729: A HUMAN BEING IN 12281: A HUMAN BEING IN OF WH SMITH OR OR AND OR OR POSSESSION OF A ELASTIC BAND POSSESSION OF A WOOD WASHER AND OR POSSESSION OF A FIRE BOW DRILL FIRE LIGHTER 10630: A HUMAN BEING IN POSSESSION OF CHERRY TREE OUTER BARK 12394: A HUMAN BEING IN OR POSSESSION OF A RIBWORT PLANTAIN PLANT LEAF 11946: A HUMAN BEING IN OR AND OR POSSESSION OF STINGING NETTLE PLANT BARK 09477: A HUMAN BEING IN POSSESSION OF CORDAGE 11550: A HUMAN BEING IN AND OR 10437: A HUMAN BEING IN OR AND POSSESSION OF A BOW POSSESSION OF WHITE WILLOW TREE INNER BARK 13740: A HUMAN BEING IN 00924: A HUMAN BEING USER 10197: A HUMAN BEING IN POSSESSION OF SKIN BUYER OF TRADE-IT POSSESSION OF SWEET CHESNUT TREE INNER BARK 10607: A HUMAN BEING IN 10086: A HUMAN BEING IN POSSESSION OF RASPBERRY PLANT BARK POSSESSION OF ASH TREE WOOD 09148: A HUMAN BEING IN POSSESSION OF AN OPTICAL LENS 09472: A HUMAN BEING IN AND OR POSSESSION OF A SUNLIGHT FIRE LIGHTER 09149: A HUMAN BEING LOCATED 01552: A HUMAN BEING IN IN DIRECT SUNLIGHT POSSESSION OF A KNIFE 09471: A HUMAN BEING IN 09720: A HUMAN BEING IN AND OR POSSESSION OF A FIRE DRILL FIRE POSSESSION OF LIME TREE WOOD LIGHTER 09479: A HUMAN BEING IN 10314: A HUMAN BEING IN 09965: A HUMAN BEING IN OR OR AND OR POSSESSION OF A FIRE PLOUGH FIRE POSSESSION OF HAWTHORN TREE WOOD POSSESSION OF A WOOD ROD LIGHTER 10182:
    [Show full text]
  • Pomo.' Habe'napo (Ha), "Rock-People," Is the Name of a Group, Not of a Village Site
    CULTURE ELEMENT .DISTRIg1UTI:ONS: IJV ~OMlO BY E. W. GIIPFORD -AND A. L. ~KROEBBER UNIVERSITY OF CALIFORNIA PUBLICATI'ONs IN ,AmERICAN AIpcamLoay AND ]IRTHNOLOGY, Volme 7, No. 4, pp 117-254 11 tables, 6 fi'gu'res, 1 map UNIVEBRSITY Of CALIFORNIA PRESS -BER-KELEY, CALIFORNIA, POlMO --- POMO COMMUNITIES CULTURE ELEMENT DISTRIBUTIONS: IV POMO BY E. W. GIFFORD AND A. L. KROEBER UNRVSITY 01POFCAjORNIA PUBLiCATIONS IN AMuaICAN ARCHAEOLOGY AND ETHNOLOGY Volume 37, No. 4, pp. 117-254, 11 tables, 6 figures Issued July 1, 1937 Price, $1.50 UNIVERSITY OP CALnIORNiu Puzss BEKrLEY, CATropwu CAMBRIDGE UNIVERSrrY PR&ss LONDON, ENGLAND PRINTED IN THE UNITED STATES Or AMERICA CONTENTS PAGE Introduction .................................................... 117 PART I: DATA, BY E. W. GIFFORD Pomo communities ................................................ 117 Informants .................................................... 122 Element occurrence list ........................................... 125 Symbols used .................................................. 126 Elements lacking among the Pomo ................................. 165 Supplementary notes: Pomo ....................................... 167 Supplementary notes: Wintun, Patwin, Miwok ...................... 214 PART II: ANALYSIS, bY A. L. KROEBER Reliability .................................................... 223 Method of analysis ................................................ 2-229 Reliability again ................................................. 236 Ethnographic interpretation ......................................
    [Show full text]
  • Scouts Survival Skills Badge Demonstrate Different Techniques to Light a Fire Fire Techs Competition Manual©
    Scouts Survival Skills Badge Demonstrate Different Techniques To Light A Fire Fire Techs Competition Manual© By Samantha Eagle © All Rights Reserved 2019 Copyright Notices © Copyright Samantha Eagle All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means mechanical or electronic, including photocopying and recording, or by any information and retrieval system, without permission in writing from the publisher. The purchaser is authorised to use any of the information in this publication for his or her own use ONLY. For example, if you are a leader trainer you are within your rights to show any or all of the material to other leaders within your possession. However, it is strictly prohibited to copy and share any of the materials with other leaders or anyone. Requests for permission or further information should be addressed to [email protected] Published by Samantha Eagle PO Box 245, La Manga Club Murcia, 30389, Spain. Email: [email protected] Legal Notices While all attempts have been made to verify information provided in this publication, neither Author nor the Publisher assumes any responsibility for errors, omissions, or contrary interpretation of the subject matter given in this product. Page | 1 © All Rights Reserved 2018 EasierScouting.com Fire Techs Competition Manual© Preparing a Tinder Nest 1. Before you start a fire you will need a properly prepared ‘Tinder Nest’ this can mean the difference between the warm glow of success and cold sting of failure with fire! A ‘Tinder Nest’ can consist of soft dried natural materials for example, Dry grass, Cattail fluff, Birch tree bark and Dandelion clock Dry Grass The head of the Cattail after Birch Tree Bark Dandelion Clock it has turned dark brown will have “fluff” inside, which is excellent tinder 2.
    [Show full text]
  • 2006. Making Fire
    Stephen Blake and David M. Welch AN ESSENTIAL SURVIVAL GUIDE tephen Blake demonstrates S four ways of making fire, rubbing two sticks together using the hand drill, bow drill, fire saw and fire plough methods. David Welch discusses fire making amongst indigenous , people of the world, from ancient times, and in particular amongst Australia's Aborigines. Making fire is a basic survival skill, a way of attracting attention if one is lost alone in remote bushland. Shown here without using modern tools, it is possible to use crude pieces of rock to fashion fire sticks and from these, to make fire. ISBN 0-9775035-1-8 9 780977 503513 ~s itten co~~-- Introduction . 1 Terminology and Technology 3 ;. Chapter 1 Ancient Fire Making s Chapter ~ Australian Aboriginal Fire Making 17 Chapter j The Hand Drill 33 Chapter 4 The Bow Drill 59 ..,_ Chapter 5 The Fire Saw , ;:, Chapter ~ The Fire Plough 83 Chapter 7 Making a camp fire - Steve's method 89 References, acknowledgments and photo credits 98 Wtl;wlvdlrr/l--- his book combines two aspects of making fire from two T authors. Stephen Blake gives practical advice on how to achieve the ancient craft of lighting a fire by rubbing two sticks together. Four methods, the hand drill, the bow drill, the fire saw and the fire plough are described in detail and demonstrated by him (Chapters three to six). David Welch offers an account of fire making throughout mankind's history, describing the methods used by indigenous people around the world and illustrating the various methods used by Australia's Aborigines (Chapters one and two).
    [Show full text]
  • Natural and Cultural History of the Marquesas Islands
    http://researchspace.auckland.ac.nz ResearchSpace@Auckland Copyright Statement The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). This thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: • Any use you make of these documents or images must be for research or private study purposes only, and you may not make them available to any other person. • Authors control the copyright of their thesis. You will recognise the author's right to be identified as the author of this thesis, and due acknowledgement will be made to the author where appropriate. • You will obtain the author's permission before publishing any material from their thesis. To request permissions please use the Feedback form on our webpage. http://researchspace.auckland.ac.nz/feedback General copyright and disclaimer In addition to the above conditions, authors give their consent for the digital copy of their work to be used subject to the conditions specified on the Library Thesis Consent Form and Deposit Licence. The role of arboriculture in landscape domestication and agronomic development: A case study from the Marquesas Islands, East Polynesia Jennifer Marie Huebert A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in Anthropology, The University of Auckland, 2014. Abstract Polynesian settlers transformed the native forests of the central Pacific islands into productive economic landscapes. Root crops came to dominate agronomic systems in many areas but arboriculture was the dominant mode of food production in some, and it is not well understood how these different endpoints evolved.
    [Show full text]
  • Building a Fire
    The Forest School Training Co. OCN accredited training The Science of Fire What is Fire?! We can see the multi-coloured flames, the glowing embers and charring fuel. We can hear the crackling and popping of wood, smell the swirling smoke and feel the warmth coming from it, perhaps even taste the food that has been cooked on it. Fire will mean something different to each of us. It is something that we are all instinctually connected to, but what is it? From a scientific perspective; fire is a chemical reaction between oxygen and a fuel source (oxidation), and there are actually 2 separate reactions occurring. The result is exothermic (meaning it gives out energy in the form of heat and light). There is a sequence of events; 1. Something heats the fuel (let’s say wood), this heat source could come from varying places (see fire lighting below) 2. Once the wood gets to about 1500C, the cellulose in it starts to decompose and releases volatile gases (which we refer to as smoke). These volatile gases or smoke are compounds made up of the elements hydrogen (H), carbon (C) and Oxygen (O). 3. Once the gases are released the rest of the fuel material forms char, which is nearly pure carbon (C) and ash, which is all the unburnable minerals in the fuel (like calcium, potassium etc). 6C10H15O7 (Wood) + Heat C50H10O (Char) + 10CH2O (Gas) 4. Once the volatile gases (smoke) reach about 2600C the compound breaks apart and a second chemical reaction occurs with the oxygen in the atmosphere to create water, carbon dioxide and other waste products.
    [Show full text]
  • Early Light Cards © 2009 Energy Lights Maine
    Energy Lights Maine This small pottery lamp made out of clay burned animal fat and plant oils. Lamps like these were first used in the first century A.D. by Egyptians. Some of the oldest oil lamps were made using rocks and shells. A stick rubbed very quickly against another piece Using oil as a fuel for light can be difficult to do. of wood can become hot enough to make tinder The oil must be very hot before it will burn. catch on fire. How does this happen? Why would this be a problem? Native people mastered the art of starting a fire People learned to use a “wick” – a thin cord of without matches using a fire plough and hearth or absorbent material that soaks up the oil so that it bow and hand drill. These techniques are still used burns a little at a time. Rock, shell, and pottery by people today, including Maine sportsmen and lamps were the first step toward the invention of sportswomen today. the oil lamp. During the 19th century, American cities and towns used gas lamps to light their streets. Because of Did you know that matches create a flame by a this streets were finally able to be lit at night. chemical reaction? Match heads are coated with People were glad that their streets weren’t so dark a material called phosphorus. This phosphorus anymore. ignites from the heat of the friction as it is struck These gaslights were made from iron and copper against a surface. and had to be lit by hand.
    [Show full text]