Chapter Two Solomon and Jesus
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Solomon's Legacy
Solomon’s Legacy Divided Kingdom Image from: www.lightstock.com Solomon’s Last Days -1 Kings 11 Image from: www.lightstock.com from: Image ➢ God raises up adversaries to Solomon. 1 Kings 11:14 14 Then the LORD raised up an adversary to Solomon, Hadad the Edomite; he was of the royal line in Edom. 1 Kings 11:23-25 23 God also raised up another adversary to him, Rezon the son of Eliada, who had fled from his lord Hadadezer king of Zobah. 1 Kings 11:23-25 24 He gathered men to himself and became leader of a marauding band, after David slew them of Zobah; and they went to Damascus and stayed there, and reigned in Damascus. 1 Kings 11:23-25 25 So he was an adversary to Israel all the days of Solomon, along with the evil that Hadad did; and he abhorred Israel and reigned over Aram. Solomon’s Last Days -1 Kings 11 Image from: www.lightstock.com from: Image ➢ God tells Jeroboam that he will be over 10 tribes. 1 Kings 11:26-28 26 Then Jeroboam the son of Nebat, an Ephraimite of Zeredah, Solomon’s servant, whose mother’s name was Zeruah, a widow, also rebelled against the king. 1 Kings 11:26-28 27 Now this was the reason why he rebelled against the king: Solomon built the Millo, and closed up the breach of the city of his father David. 1 Kings 11:26-28 28 Now the man Jeroboam was a valiant warrior, and when Solomon saw that the young man was industrious, he appointed him over all the forced labor of the house of Joseph. -
Plutarch's 'Lives' and the Critical Reader
Plutarch's 'Lives' and the critical reader Book or Report Section Published Version Duff, T. (2011) Plutarch's 'Lives' and the critical reader. In: Roskam, G. and Van der Stockt, L. (eds.) Virtues for the people: aspects of Plutarch's ethics. Plutarchea Hypomnemata (4). Leuven University Press, Leuven, pp. 59-82. ISBN 9789058678584 Available at http://centaur.reading.ac.uk/24388/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Publisher: Leuven University Press All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Reprint from Virtues for the People. Aspects of Plutarchan Ethics - ISBN 978 90 5867 858 4 - Leuven University Press virtues for the people aspects of plutarchan ethics Reprint from Virtues for the People. Aspects of Plutarchan Ethics - ISBN 978 90 5867 858 4 - Leuven University Press PLUTARCHEA HYPOMNEMATA Editorial Board Jan Opsomer (K.U.Leuven) Geert Roskam (K.U.Leuven) Frances Titchener (Utah State University, Logan) Luc Van der Stockt (K.U.Leuven) Advisory Board F. Alesse (ILIESI-CNR, Roma) M. Beck (University of South Carolina, Columbia) J. Beneker (University of Wisconsin, Madison) H.-G. Ingenkamp (Universität Bonn) A.G. Nikolaidis (University of Crete, Rethymno) Chr. Pelling (Christ Church, Oxford) A. Pérez Jiménez (Universidad de Málaga) Th. -
Theodicy: an Overview
1 Theodicy: An Overview Introduction All of us struggle at one time or another in life with why evil happens to someone, either ourselves, our family, our friends, our nation, or perhaps some particularly disturbing instance in the news—a child raped, a school shooting, genocide in another country, a terrorist bombing. The following material is meant to give an overview of the discussion of this issue as it takes place in several circles, especially that of the Christian church. I. The Problem of Evil Defined Three terms, "the problem of evil," "theodicy," and "defense" are important to our discussion. The first two are often used as synonyms, but strictly speaking the problem of evil is the larger issue of which theodicy is a subset because one can have a secular problem of evil. Evil is understood as a problem when we seek to explain why it exists (Unde malum?) and what its relationship is to the world as a whole. Indeed, something might be considered evil when it calls into question our basic trust in the order and structure of our world. Peter Berger in particular has argued that explanations of evil are necessary for social structures to stay themselves against chaotic forces. It follows, then, that such an explanation has an impact on the whole person. As David Blumenthal observes, a good theodicy is one that has three characteristics: 1. "[I]t should leave one with one’s sense of reality intact." (It tells the truth about reality.) 2. "[I]t should leave one empowered within the intellectual-moral system in which one lives." (Namely, it should not deny God’s basic power or goodness.) 3. -
Alchemical Culture and Poetry in Early Modern England
Alchemical culture and poetry in early modern England PHILIP BALL Nature, 4–6 Crinan Street, London N1 9XW, UK There is a longstanding tradition of using alchemical imagery in poetry. It first flourished at the end of the sixteenth century, when the status of alchemy itself was revitalised in European society. Here I explain the reasons for this resurgence of the Hermetic arts, and explore how it was manifested in English culture and in particular in the literary and poetic works of the time. In 1652 the English scholar Elias Ashmole published a collection of alchemical texts called Theatrum Chymicum Britannicum, comprising ‘Several Poeticall Pieces of Our Most Famous English Philosophers’. Among the ‘chemical philosophers’ represented in the volume were the fifteenth-century alchemists Sir George Ripley and Thomas Norton – savants who, Ashmole complained, were renowned on the European continent but unduly neglected in their native country. Ashmole trained in law, but through his (second) marriage to a rich widow twenty years his senior he acquired the private means to indulge at his leisure a scholarly passion for alchemy and astrology. A Royalist by inclination, he had been forced to leave his London home during the English Civil War and had taken refuge in Oxford, the stronghold of Charles I’s forces. In 1677 he donated his impressive collection of antiquities to the University of Oxford, and the building constructed to house them became the Ashmolean, the first public museum in England. Ashmole returned to London after the civil war and began to compile the Theatrum, which was intended initially as a two-volume work. -
1. Keter (Primary Meaning: Crown
1. KETER (PRIMARY MEANING: CROWN. ALSO KNOWN AS: UPPER CROWN, AYIN (NOTHINGNESS), CHOKHMAH PENIMIT (INTERNAL WISDOM), MAHSHAVAH ELOHIT (DIVINE THOUGHT), SPIRIT OF G-D, ROOT OF ROOTS, MYSTERIOUS WISDOM, EHYEH ASHER EHYEH, (I AM THAT I AM) 2. CHOKHMAH (PRIMARY MEANING: WISDOM. ALSO KNOWN AS: REVELATION, THE PRIMORDIAL TORAH (THE TORAH THAT EXISTED BEFORE CREATION), FATHER, YESH ME-AYIN (BEING FROM NOTHINGNESS), BEGINNING, YAH, YHVH) 3. BINAH (PRIMARY MEANING: UNDERSTANDING. ALSO KNOWN AS: INTELLECT, TESHUVAH (REPENTANCE), REASON, PALACE, TEMPLE, WOMB, UPPER MOTHER, JERUSALEM ABOVE, FREEDOM, JUBILEE, "YHVH PRONOUNCED AS ELOHIM") 4. CHESED (PRIMARY MEANING: MERCY. ALSO KNOWN AS: GRACE, LOVE OF G-D, RIGHT ARM OF G-D, WHITE, EL, ASSOCIATED WITH ABRAHAM) 5. GEVURAH (ALSO CALLED "DIN" - PRIMARY MEANING: JUDGMENT. ALSO KNOWN AS: STRENGTH, SEVERITY, FEAR OF G-D, LEFT ARM OF G-D, RED, ELOHIM, YAH, ASSOCIATED WITH ISAAC) 6. TIPHERET (PRIMARY MEANING: BEAUTY. ALSO KNOWN AS: HARMONY, RACHAMIM (COMPASSION), THE ATTRIBUTE OF MERCY, THE WRITTEN TORAH, BRIDEGROOM, HUSBAND, SON, KING, FATHER, MESSIAH, TABERNACLE/TEMPLE, THE HOLY TREE, (TREE OF LIFE), HEAVEN, THE LETTER "VAV," CREATOR, GATE OF RIGHTEOUSNESS, SUN, "THE HOLY ONE BLESSED BE HE," HA-SHEM, YHVH, YHVH-ELOHIM, THE GREAT NAME, THE UNIQUE NAME, THE LUCID MIRROR, OPEN MIRACLES, LULAV [ON SUCCOTH], THE SHOFAR [AS RELATED TO THE MITZVOT OF BLOWING THE SHOFAR], GREEN, TEFILLIN OF THE HEAD, ASSOCIATED WITH JACOB) 7. NETZACH (PRIMARY MEANING: VICTORY. ALSO KNOWN AS: ETERNITY, PROPHECY, ORCHESTRATION, INITIATIVE, PERSISTENCE, BITACHON (CONFIDENCE), RIGHT LEG, "HOSTS OF YHVH," ASSOCIATED WITH MOSES) 8. HOD (PRIMARY MEANING: GLORY. ALSO KNOWN AS: MAJESTY, SPLENDOR, REVERBERATION, PROPHECY, SURRENDER, TEMIMUT (SINCERITY), ANCHOR, STEADFASTNESS, LEFT LEG, "HOSTS OF ELOHIM," ASSOCIATED WITH AARON) 9. -
Salvation and Redemption in the Judaic Tradition
Salvation and Redemption in the Judaic Tradition David Rosen In presenting Judaic perspectives on salvation and redemption, distinction must be made between the national dimensions on the one hand and the personal on the other, even though the latter is of course seen as related to the national whole, for better or worse (see TB Kiddushin 40b). Individual Salvation Biblical Teachings Redemption and salvation imply the need for deliverance from a particular situation, condition, or debt. The Hebrew word for redemption, gəʾullāh, implies “the prior existence of obligation.” This word is used in Leviticus to describe the nancial redemption of ancestral land from another to whom it has been sold (see Leviticus 25:25); the nancial redemption of a member of one family bound in servitude to another family because of debt (see Leviticus 25:48–49); and the redemption of a home, eld, ritually impure animal, or agricultural tithe that had been dedicated to the sanctuary by giving its nancial value plus one-fth in lieu thereof (see Leviticus 27). In the case of a male who died childless, his brothers assumed an obligation to “redeem” the name of the deceased —that is, to save it from extinction by ensuring the continuity of his seed, lands, and lial tribute (see Deuteronomy 25:5–10; Ruth 4:1–10). In a case of murder, the gôʾēl was the blood avenger who sought to requite the wrong by seeking blood for blood, redeeming thereby, if not the “wandering soul” of the deceased, certainly the honor that had been desecrated (see Numbers 35:12–29; cf. -
By Tamar Kadari* Abstract Julius Theodor (1849–1923)
By Tamar Kadari* Abstract This article is a biography of the prominent scholar of Aggadic literature, Rabbi Dr Julius Theodor (1849–1923). It describes Theodor’s childhood and family and his formative years spent studying at the Breslau Rabbinical Seminary. It explores the thirty one years he served as a rabbi in the town of Bojanowo, and his final years in Berlin. The article highlights The- odor’s research and includes a list of his publications. Specifically, it focuses on his monumental, pioneering work preparing a critical edition of Bereshit Rabbah (completed by Chanoch Albeck), a project which has left a deep imprint on Aggadic research to this day. Der folgende Artikel beinhaltet eine Biographie des bedeutenden Erforschers der aggadischen Literatur Rabbiner Dr. Julius Theodor (1849–1923). Er beschreibt Theodors Kindheit und Familie und die ihn prägenden Jahre des Studiums am Breslauer Rabbinerseminar. Er schil- dert die einunddreissig Jahre, die er als Rabbiner in der Stadt Bojanowo wirkte, und seine letzten Jahre in Berlin. Besonders eingegangen wird auf Theodors Forschungsleistung, die nicht zuletzt an der angefügten Liste seiner Veröffentlichungen ablesbar ist. Im Mittelpunkt steht dabei seine präzedenzlose monumentale kritische Edition des Midrasch Bereshit Rabbah (die Chanoch Albeck weitergeführt und abgeschlossen hat), ein Werk, das in der Erforschung aggadischer Literatur bis heute nachwirkende Spuren hinterlassen hat. Julius Theodor (1849–1923) is one of the leading experts of the Aggadic literature. His major work, a scholarly edition of the Midrash Bereshit Rabbah (BerR), completed by Chanoch Albeck (1890–1972), is a milestone and foundation of Jewish studies research. His important articles deal with key topics still relevant to Midrashic research even today. -
HEPTADIC VERBAL PATTERNS in the SOLOMON NARRATIVE of 1 KINGS 1–11 John A
HEPTADIC VERBAL PATTERNS IN THE SOLOMON NARRATIVE OF 1 KINGS 1–11 John A. Davies Summary The narrative in 1 Kings 1–11 makes use of the literary device of sevenfold lists of items and sevenfold recurrences of Hebrew words and phrases. These heptadic patterns may contribute to the cohesion and sense of completeness of both the constituent pericopes and the narrative as a whole, enhancing the readerly experience. They may also serve to reinforce the creational symbolism of the Solomon narrative and in particular that of the description of the temple and its dedication. 1. Introduction One of the features of Hebrew narrative that deserves closer attention is the use (consciously or subconsciously) of numeric patterning at various levels. In narratives, there is, for example, frequently a threefold sequence, the so-called ‘Rule of Three’1 (Samuel’s three divine calls: 1 Samuel 3:8; three pourings of water into Elijah’s altar trench: 1 Kings 18:34; three successive companies of troops sent to Elijah: 2 Kings 1:13), or tens (ten divine speech acts in Genesis 1; ten generations from Adam to Noah, and from Noah to Abram; ten toledot [‘family accounts’] in Genesis). One of the numbers long recognised as holding a particular fascination for the biblical writers (and in this they were not alone in the ancient world) is the number seven. Seven 1 Vladimir Propp, Morphology of the Folktale (rev. edn; Austin: University of Texas Press, 1968; tr. from Russian, 1928): 74; Christopher Booker, The Seven Basic Plots of Literature: Why We Tell Stories (London: Continuum, 2004): 229-35; Richard D. -
Ecclesia & Synagoga
Ecclesia & Synagoga: then and now These images tell us something about the Today there is a move to redeem such images impact of art and image on our life of faith, to reflect the healing that has taken place in including our approach to Scripture. the relationship between Christians and Jews Depicted in these sculptures is the Church’s over the past fifty years since the Second journey out of its antisemitic past into a new Vatican Council’s declaration Nostra Aetate. era of respect and reconciliation with the The image above right shows a sculpture Jewish people. The two figures represent commissioned by St Joseph’s University, Ecclesia and Synagoga, church and Philadelphia.2 Here Synagoga and Ecclesia sit synagogue. Note the differences between the side by side, turned toward each other in artworks. friendship and as equal partners in a position The figures pictured above left are from the that suggests the chevruta method of Torah Cathedral in Strausbourg1 and are typical of study, one holding the Torah scroll, the other those which appeared repeatedly in church the Christian Bible. A miniature of this statue architecture and manuscripts of the Middle was presented to Pope Francis at the 2015 Ages. Lady Ecclesia is upright, regal, Annual Conference of the International victorious, holding a cross and the Christian Council of Christians and Jews held in Rome Scriptures. By contrast, Lady Synagoga is for the 50th Anniversary of Nostra Aetate. downcast, blindfolded, dishevelled, holding a Pope Francis himself blessed the original broken staff, the tablets of the Jewish Law artwork on his 2015 visit to the USA. -
A Lexicon of Alchemy
A Lexicon of Alchemy by Martin Rulandus the Elder Translated by Arthur E. Waite John M. Watkins London 1893 / 1964 (250 Copies) A Lexicon of Alchemy or Alchemical Dictionary Containing a full and plain explanation of all obscure words, Hermetic subjects, and arcane phrases of Paracelsus. by Martin Rulandus Philosopher, Doctor, and Private Physician to the August Person of the Emperor. [With the Privilege of His majesty the Emperor for the space of ten years] By the care and expense of Zachariah Palthenus, Bookseller, in the Free Republic of Frankfurt. 1612 PREFACE To the Most Reverend and Most Serene Prince and Lord, The Lord Henry JULIUS, Bishop of Halberstadt, Duke of Brunswick, and Burgrave of Luna; His Lordship’s mos devout and humble servant wishes Health and Peace. In the deep considerations of the Hermetic and Paracelsian writings, that has well-nigh come to pass which of old overtook the Sons of Shem at the building of the Tower of Babel. For these, carried away by vainglory, with audacious foolhardiness to rear up a vast pile into heaven, so to secure unto themselves an immortal name, but, disordered by a confusion and multiplicity of barbarous tongues, were ingloriously forced. In like manner, the searchers of Hermetic works, deterred by the obscurity of the terms which are met with in so many places, and by the difficulty of interpreting the hieroglyphs, hold the most noble art in contempt; while others, desiring to penetrate by main force into the mysteries of the terms and subjects, endeavour to tear away the concealed truth from the folds of its coverings, but bestow all their trouble in vain, and have only the reward of the children of Shem for their incredible pain and labour. -
'He Descended Into Hell': Creed, Article and Scripture Part 1 JOHN YATES 1
'He Descended into Hell': Creed, Article and Scripture Part 1 JOHN YATES 1. Introduction The 'descent into hell' is an expression of Christian truth to which members of the Anglican Communion are immediately committed in three places: The Apostles' Creed, The Athanasian Creed and Article 3. 1 Despite this it is probably true that of all the credal statements (at least of those in The Apostles' Creed) it is the one which is the most poorly understood. One major aim of this article is to remedy this deficiency in a public forum, and to do so in a manner which self-consciously remains faithful to the classical Anglican emphasis on the essential interrelatedness of scripture, tradition and reason in all matters of theological endeavour. To adopt such an approach is to deny both that appeal to tradition alone can be determinative for doctrine (as in Roman Catholicism), or, that one must necessarily be able to point directly to passages of scripture to authenticate a theological position (as in the claims of various forms of modern Fundamentalism). Article 8 puts the matter at hand clearly. 'The Three Creeds, Nicene Creed, Athanasius's Creed, and that which is commonly called the Apostles' Creed, ought thoroughly to be received and believed: for they may be proved by most certain warrants of Holy Scripture'. This Article does not claim that the form of a credal statement must be scriptural, but rather that because the content of the specifically named creeds are biblical they are to be accepted. 2 The authority of the creeds in matters of faith and conduct rests upon their background in the Bible, and never vice-versa. -
Kabbalah and Ecology
excursus 1 Nefesh and related terms The primary meanings of n’shamah and nefesh in Torah can be understood by examining their relationship to ru’ach, meaning “spirit” and “wind”. Let us assume for the sake of argument that the triad ru’ach–nefesh–n’shamah covers one and the same “semantic space” as the triad of spirit–wind–breath. How does this semantic space get divided differently in modern English and in Biblical Hebrew? Starting from what is most similar, n’shamah,like“breath”,denotesthe respiration of a living, physical subject. From here the concepts diverge vastly. Breath is physical, while “spirit” denotes something metaphysical; breath is alive, while “wind” is not. One can visualize “breath” to be like a firmament, a flat plane, separating the metaphysical “spirit” above from the physical “wind” below. Thus a simple hierarchy is delineated: the metaphysical and animate spirit stands above the physical but still animate breath, which stands above the physical and inanimate wind. In this manner “spirit–wind–breath” defines its semantic space by dividing it into hierarchical levels, and it follows the history of conquest by reserving the Latin-derived word for the top of the hierarchy. The fact that spirit and wind are unified in the single word ru’ach suggests averydifferentarrangementofsemanticspace.Whatspiritandwindshareis that they both transcend physical bodies and are independent from any physical subject. Thus, ru’ach can be conceptualized as the external breath, the breath of Elohim, which both strikes the prophets and sways the tree branches. Ru’ach, which could be translated “spirit-wind”, would mean any un- or disembodied invisible flow (which could therefore be attributed to God), including the wind.