Triangle of Solomon
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1. Keter (Primary Meaning: Crown
1. KETER (PRIMARY MEANING: CROWN. ALSO KNOWN AS: UPPER CROWN, AYIN (NOTHINGNESS), CHOKHMAH PENIMIT (INTERNAL WISDOM), MAHSHAVAH ELOHIT (DIVINE THOUGHT), SPIRIT OF G-D, ROOT OF ROOTS, MYSTERIOUS WISDOM, EHYEH ASHER EHYEH, (I AM THAT I AM) 2. CHOKHMAH (PRIMARY MEANING: WISDOM. ALSO KNOWN AS: REVELATION, THE PRIMORDIAL TORAH (THE TORAH THAT EXISTED BEFORE CREATION), FATHER, YESH ME-AYIN (BEING FROM NOTHINGNESS), BEGINNING, YAH, YHVH) 3. BINAH (PRIMARY MEANING: UNDERSTANDING. ALSO KNOWN AS: INTELLECT, TESHUVAH (REPENTANCE), REASON, PALACE, TEMPLE, WOMB, UPPER MOTHER, JERUSALEM ABOVE, FREEDOM, JUBILEE, "YHVH PRONOUNCED AS ELOHIM") 4. CHESED (PRIMARY MEANING: MERCY. ALSO KNOWN AS: GRACE, LOVE OF G-D, RIGHT ARM OF G-D, WHITE, EL, ASSOCIATED WITH ABRAHAM) 5. GEVURAH (ALSO CALLED "DIN" - PRIMARY MEANING: JUDGMENT. ALSO KNOWN AS: STRENGTH, SEVERITY, FEAR OF G-D, LEFT ARM OF G-D, RED, ELOHIM, YAH, ASSOCIATED WITH ISAAC) 6. TIPHERET (PRIMARY MEANING: BEAUTY. ALSO KNOWN AS: HARMONY, RACHAMIM (COMPASSION), THE ATTRIBUTE OF MERCY, THE WRITTEN TORAH, BRIDEGROOM, HUSBAND, SON, KING, FATHER, MESSIAH, TABERNACLE/TEMPLE, THE HOLY TREE, (TREE OF LIFE), HEAVEN, THE LETTER "VAV," CREATOR, GATE OF RIGHTEOUSNESS, SUN, "THE HOLY ONE BLESSED BE HE," HA-SHEM, YHVH, YHVH-ELOHIM, THE GREAT NAME, THE UNIQUE NAME, THE LUCID MIRROR, OPEN MIRACLES, LULAV [ON SUCCOTH], THE SHOFAR [AS RELATED TO THE MITZVOT OF BLOWING THE SHOFAR], GREEN, TEFILLIN OF THE HEAD, ASSOCIATED WITH JACOB) 7. NETZACH (PRIMARY MEANING: VICTORY. ALSO KNOWN AS: ETERNITY, PROPHECY, ORCHESTRATION, INITIATIVE, PERSISTENCE, BITACHON (CONFIDENCE), RIGHT LEG, "HOSTS OF YHVH," ASSOCIATED WITH MOSES) 8. HOD (PRIMARY MEANING: GLORY. ALSO KNOWN AS: MAJESTY, SPLENDOR, REVERBERATION, PROPHECY, SURRENDER, TEMIMUT (SINCERITY), ANCHOR, STEADFASTNESS, LEFT LEG, "HOSTS OF ELOHIM," ASSOCIATED WITH AARON) 9. -
El Infinito Y El Lenguaje En La Kabbalah Judía: Un Enfoque Matemático, Lingüístico Y Filosófico
El Infinito y el Lenguaje en la Kabbalah judía: un enfoque matemático, lingüístico y filosófico Mario Javier Saban Cuño DEPARTAMENTO DE MATEMÁTICA APLICADA ESCUELA POLITÉCNICA SUPERIOR EL INFINITO Y EL LENGUAJE EN LA KABBALAH JUDÍA: UN ENFOQUE MATEMÁTICO, LINGÜÍSTICO Y FILOSÓFICO Mario Javier Sabán Cuño Tesis presentada para aspirar al grado de DOCTOR POR LA UNIVERSIDAD DE ALICANTE Métodos Matemáticos y Modelización en Ciencias e Ingeniería DOCTORADO EN MATEMÁTICA Dirigida por: DR. JOSUÉ NESCOLARDE SELVA Agradecimientos Siempre temo olvidarme de alguna persona entre los agradecimientos. Uno no llega nunca solo a obtener una sexta tesis doctoral. Es verdad que medita en la soledad los asuntos fundamentales del universo, pero la gran cantidad de familia y amigos que me han acompañado en estos últimos años son los co-creadores de este trabajo de investigación sobre el Infinito. En primer lugar a mi esposa Jacqueline Claudia Freund quien decidió en el año 2002 acompañarme a Barcelona dejando su vida en la Argentina para crear la hermosa familia que tenemos hoy. Ya mis dos hermosos niños, a Max David Saban Freund y a Lucas Eli Saban Freund para que logren crecer y ser felices en cualquier trabajo que emprendan en sus vidas y que puedan vislumbrar un mundo mejor. Quiero agradecer a mi padre David Saban, quien desde la lejanía geográfica de la Argentina me ha estimulado siempre a crecer a pesar de las dificultades de la vida. De él he aprendido dos de las grandes virtudes que creo poseer, la voluntad y el esfuerzo. Gracias papá. Esta tesis doctoral en Matemática Aplicada tiene una inmensa deuda con el Dr. -
Polymorphism and Polysemy in Images of the Sefirot
Portland State University PDXScholar Systems Science Faculty Publications and Presentations Systems Science Winter 3-16-2021 Polymorphism and Polysemy in Images of the Sefirot Martin Zwick Portland State University, [email protected] Follow this and additional works at: https://pdxscholar.library.pdx.edu/sysc_fac Part of the Arts and Humanities Commons, Computer Sciences Commons, and the Social and Behavioral Sciences Commons Let us know how access to this document benefits ou.y Citation Details Zwick, Martin (2021). Polymorphism and Polysemy in Images of the Sefirot. Western Judaic Studies Association 25th Annual Conference, online. This Presentation is brought to you for free and open access. It has been accepted for inclusion in Systems Science Faculty Publications and Presentations by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Polymorphism and Polysemy in Images of the Sefirot (Martin Zwick) Polymorphism and Polysemy in Images of the Sefirot Martin Zwick Portland State University, Portland OR 97207 [email protected] Western Judaic Studies Association 25th annual meeting Virtual, University of Nevada, Las Vegas March 16, 2021 web: https://works.bepress.com/martin_zwick/205 (Included in categories ‘Systems Theory and Philosophy’ and ‘Jewish Thought’) https://sites.google.com/view/ohrchadash/home 1 Abstract (1/2) • The resurgence of interest in Kabbalistic diagrams (Segol, Busi, Chajes) raises the question of how diagrams function in religious symbolism. This question can be approached via methods used in the graphical modeling of data. Specifically, graph theory lets one define a repertoire of candidate structures that can be applied not only to quantitative data, but also to symbols consisting of qualitative components. -
Kabbalah and Ecology
excursus 1 Nefesh and related terms The primary meanings of n’shamah and nefesh in Torah can be understood by examining their relationship to ru’ach, meaning “spirit” and “wind”. Let us assume for the sake of argument that the triad ru’ach–nefesh–n’shamah covers one and the same “semantic space” as the triad of spirit–wind–breath. How does this semantic space get divided differently in modern English and in Biblical Hebrew? Starting from what is most similar, n’shamah,like“breath”,denotesthe respiration of a living, physical subject. From here the concepts diverge vastly. Breath is physical, while “spirit” denotes something metaphysical; breath is alive, while “wind” is not. One can visualize “breath” to be like a firmament, a flat plane, separating the metaphysical “spirit” above from the physical “wind” below. Thus a simple hierarchy is delineated: the metaphysical and animate spirit stands above the physical but still animate breath, which stands above the physical and inanimate wind. In this manner “spirit–wind–breath” defines its semantic space by dividing it into hierarchical levels, and it follows the history of conquest by reserving the Latin-derived word for the top of the hierarchy. The fact that spirit and wind are unified in the single word ru’ach suggests averydifferentarrangementofsemanticspace.Whatspiritandwindshareis that they both transcend physical bodies and are independent from any physical subject. Thus, ru’ach can be conceptualized as the external breath, the breath of Elohim, which both strikes the prophets and sways the tree branches. Ru’ach, which could be translated “spirit-wind”, would mean any un- or disembodied invisible flow (which could therefore be attributed to God), including the wind. -
Phenomenon, Vigilantism, and Rabbi Yitzchak Ginsburgh's
‘THE SIMPLE JEW’: THE ‘PRICE TAG’ PHENOMENON, VIGILANTISM, AND RABBI YITZCHAK GINSBURGH’S POLITICAL KABBALAH Tessa Satherley* ABSTRACT: This paper explores the Kabbalistic theosophy of Rabbi Yitzchak Ginsburgh, and allegations of links between his yeshiva and violent political activism and vigilantism. Ginsburgh is head of the yeshiva Od Yosef Chai (Joseph Still Lives) in Samaria/the northern West Bank. His students and colleagues have been accused by the authorities of violence and vandalism against Arabs in the context of ‘price tag’ actions and vigilante attacks, while publications by Ginsburgh and his yeshiva colleagues such as Barukh HaGever (Barukh the Man/Blessed is the Man) and Torat HaMelekh (The King’s Torah) have been accused of inciting racist violence. This paper sketches the yeshiva’s history in the public spotlight and describes the esoteric, Kabbalistic framework behind Ginsburgh’s politics, focusing on his political readings of Zoharic Kabbalah and teachings about the mystical value of spontaneous revenge attacks by ‘the simple Jew’, who acts upon his feelings of righteous indignation without prior reflection. The conclusion explores and attempts to delimit the explanatory power of such mystical teachings in light of the sociological characteristics of the Hilltop Youth most often implicated as price tag ‘operatives’ and existing scholarly models of vigilantism. It also points to aspects of the mystical teachings with potential for special potency in this context. Rabbi Yitzchak Ginsburgh (1944-) is a Chabad rabbi and head of the Od Yosef Chai (Joseph Still Lives) yeshiva in the Yitzhar settlement, near the major Palestinian population centre of Nablus (biblical Shechem). The yeshiva occupies an unusual discursive space – neither mainstream religious Zionist (though some of its teaching staff were educated in this tradition) nor formally affiliated with the Hasidic movement, despite Ginsburgh’s own affiliation with Chabad and despite his teachings being steeped in its Kabbalistic inheritance. -
The Theoretical Kabbalah
SES Kabbalah Course Segment 4 The Theoretical Kabbalah The most lasting product of the Provençal and Spanish schools of Kabbalah was compilation and publication of the classical Kabbalistic texts: the Sefer Yetzirah, the Sefer ha-Bahir, and the Sefer ha-Zohar. The Spanish Rabbi Moses de Léon (c.1250–1305) published the Zohar at roughly the same time when Abraham Abulafia was writing about the ecstatic Kabbalah. Controversy over the Zohar’s origins may never be resolved, but the work emerged as a major Jewish sacred text. Without doubt it became the most significant text in the development of the theoretical Kabbalah. The Zohar provided all of the concepts on which the theoretical Kabbalah is based. But its full potential was not exploited for another 300 years. That task fell to an elite group of scholars who assembled at Safed, Galilee, in the 16th century. Moses Cordovero, Isaac Luria, and others codified the zoharic teachings and built the elaborate system of theoretical Kabbalah we recognize today. In this segment we shall learn more about the Ain Sof and the sefiroth. We shall study the Kabbalistic story of creation, fall and redemption; we shall meet the Shekinah, the feminine aspect of God; and we shall explore the human soul and reflect on the role humanity can play in cosmic redemption. Specifically, this segment includes the following sections: • Cultural Context: From Southern Europe to Safed • The Divine Emanations • Creation, fall and redemption • The Shekinah • Humanity: Constitution and Behavior • Reflections, Resources, and Assignment. Cultural Context Exodus from Provence and Spain The Golden Age of southern European Kabbalism, discussed in Segment 2, came to an end as political changes undermined the environment in which generations of Jews had lived, worked, worshipped and studied. -
A Whiteheadian Interpretation of the Zoharic Creation Story
A WHITEHEADIAN INTERPRETATION OF THE ZOHARIC CREATION STORY by Michael Gold A Dissertation Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Florida Atlantic University Boca Raton, Florida May 2016 Copyright 2016 by Michael Gold ii ACKNOWLEDGMENTS The author wishes to express sincere gratitude to his committee members, Professors Marina Banchetti, Frederick E. Greenspahn, Kristen Lindbeck, and Eitan Fishbane for their encouragement and support throughout this project. iv ABSTRACT Author: Michael Gold Title: A Whiteheadian Interpretation of the Zoharic Creation Story Institution: Florida Atlantic University Dissertation Advisor: Dr. Marina P. Banchetti Degree: Doctor of Philosophy Year: 2016 This dissertation presents a Whiteheadian interpretation of the notions of mind, immanence and process as they are addressed in the Zohar. According to many scholars, this kabbalistic creation story as portrayed in the Zohar is a reaction to the earlier rabbinic concept of God qua creator, which emphasized divine transcendence over divine immanence. The medieval Jewish philosophers, particularly Maimonides influenced by Aristotle, placed particular emphasis on divine transcendence, seeing a radical separation between Creator and creation. With this in mind, these scholars claim that one of the goals of the Zohar’s creation story was to emphasize God’s immanence within creation. Similar to the Zohar, the process metaphysics of Alfred North Whitehead and his followers was reacting to the substance metaphysics that had dominated Western philosophy as far back as ancient Greek thought. Whitehead adopts a very similar narrative to that of the Zohar. -
Kabbalah, Magic & the Great Work of Self Transformation
KABBALAH, MAGIC AHD THE GREAT WORK Of SELf-TRAHSfORMATIOH A COMPL€T€ COURS€ LYAM THOMAS CHRISTOPHER Llewellyn Publications Woodbury, Minnesota Contents Acknowledgments Vl1 one Though Only a Few Will Rise 1 two The First Steps 15 three The Secret Lineage 35 four Neophyte 57 five That Darkly Splendid World 89 SIX The Mind Born of Matter 129 seven The Liquid Intelligence 175 eight Fuel for the Fire 227 ntne The Portal 267 ten The Work of the Adept 315 Appendix A: The Consecration ofthe Adeptus Wand 331 Appendix B: Suggested Forms ofExercise 345 Endnotes 353 Works Cited 359 Index 363 Acknowledgments The first challenge to appear before the new student of magic is the overwhehning amount of published material from which he must prepare a road map of self-initiation. Without guidance, this is usually impossible. Therefore, lowe my biggest thanks to Peter and Laura Yorke of Ra Horakhty Temple, who provided my first exposure to self-initiation techniques in the Golden Dawn. Their years of expe rience with the Golden Dawn material yielded a structure of carefully selected ex ercises, which their students still use today to bring about a gradual transformation. WIthout such well-prescribed use of the Golden Dawn's techniques, it would have been difficult to make progress in its grade system. The basic structure of the course in this book is built on a foundation of the Golden Dawn's elemental grade system as my teachers passed it on. In particular, it develops further their choice to use the color correspondences of the Four Worlds, a piece of the original Golden Dawn system that very few occultists have recognized as an ini tiatory tool. -
Wij-Book Excerpt-Judith Laura-Kabbalah-Chap2
Excerpted from Goddess Spirituality for the 21st Century: From Kabbalah to Quantum Physics, copyright 2008 by Judith Laura. Exclusive rights for publication on the Internet granted to Women in Judaism, 2016. Chapter 2 Kabbalah: In Its Beginnings “Say unto to wisdom: Thou art my sister....” Join thought to divine wisdom, so she and he become one. —Proverbs 7:4 with comment by Azriel of Gerona, thirteenth-century Kabbalist. LIKE TODAY’S OTHER mainstream religions most of Judaism’s religious practices are patriarchal. Yet in its traditions are also found remnants of Ancient Near East Goddess religions that preceded it. In fact, contrary to widespread assumptions, there is considerable evidence that only in recent years has Judaism become a totally monotheistic male-god-only religion.1 Some of the more widely known examples of the persistence of pre-patriarchal practices are the definition of a Jew by matrilineal descent, long a de facto practice and since the establishment of the state of Israel, a legal fact; the custom of a woman lighting the Sabbath candles to “bring in” the Sabbath, a tradition probably related to her being identified with the Shekinah, God’s feminine aspect, also called the “Sabbath Queen;” and the use of lunar months in the Hebrew calendar. As we shall discover, Kabbalah, though greatly transformed by patriarchy, also derives from earlier matrifocal religious practices. And we shall also see that the “secret” it has been carrying according to tradition—the great mystery nestled in the branches of “the Tree”—is the knowledge of the Goddess, not merely as the feminine aspect of God identified with the bottom of the Tree, but as the totality of creation. -
The Forlorn Young Woman a Recently Discovered Fragment of the Zohar Translated and Edited by Henry Rasof
The Forlorn Young Woman A Recently Discovered Fragment of the Zohar Translated and Edited by Henry Rasof Rabbi Shimon1 walked over to a fig tree2 and sat down.3 Rabbi Eleazar, Rabbi Isaac, Rabbi Abba, and Rabbi Yose followed him and also sat down.4 A mule driver5 sat down to the left of the rabbis, a little ways off, tending the animals.6 At that moment a young woman7 walked gracefully8 by on the nearby road, then seemed to disappear from sight.9 "Who’s the young woman10 with the big white head11 and long face12 who looks forlorn, as if her old man13 just threw her out of house and home?"14 Rabbi Abba asked. Rabbi Shimon's son, Rabbi Eleazar, replied: "Rachel."15 "Not the wife16 of Jacob?"17 Rabbi Isaac asked. "Yes," Rabbi Eleazar replied. All the rabbis said a prayer.18 __________ Note: Terms, names, and some notes in the main text and footnotes are at the end of the fragment. 1 Binah, understanding. 2 The sefirotic tree, representing the ten kabbalistic attributes of God; the fig tree, the third tree mentioned in the Torah, represents the three upper sefirot―keter, chokhmah, and binah: intellect, wisdom, and understanding. 3 Grounding himself in sefira yesod, foundation. Sefira is the singular form of sefirot. 4 This describes the emanation of the sefirot. 5 The sefira chokhmah, wisdom. 6 The sefirot. 7 The Shekhinah, or presence of God; also, the lowest sefira, malkhut, the queen. 8 Grace is one of the characteristics of the sefira chesed, usually interpreted as lovingkindness. -
The Kabbalistic “Teaching Panel” of Princess Antonia Divine Knowledge for Both Experts and Laity*
Church History Church History and and Religious Culture 98 (2018) 56–90 Religious Culture brill.com/chrc The Kabbalistic “Teaching Panel” of Princess Antonia Divine Knowledge for Both Experts and Laity* Elke Morlok Goethe-University Frankfurt a.M. [email protected] Abstract This article explores the complex interweaving of kabbalistic and Christological con- cepts within the kabbalistic “teaching panel” (Lehrtafel) of Princess Antonia of Würt- temberg. The essay discusses the artwork in the context of visual representations of the ten sefirot, the divine attributes or vessels in Jewish mysticism. Executed as an altarpiece for the church in Bad Teinach in Southern Germany, the work integrates the sefirot into a pansophic concept that served devotional and educational purposes with a salvific goal. The article argues that, with the Lehrtafel, Antonia and her teachers created a devotional object that could be accessed by both regular Christian laity and experts who possessed deeper knowledge of Kabbalah. Keywords Christian Kabbalah – sefirot – lay theology – symbolism – Philosophia Perennis – Arbor Sephirotica * This article is being published within the framework of the loewe-funded Hessian Ministry for Science and Art research hub “Religious Positioning: Modalities and Constellations in Jewish, Christian and Muslim Contexts” at the Goethe-University Frankfurt and the Justus- Liebig-University Giessen. All photographs of the altarpiece have been taken by Friedrich Wirth (Germany), with whose kind permission they are reproduced in this article. © koninklijke brill nv, leiden, 2018 | doi: 10.1163/18712428-09801005Downloaded from Brill.com10/05/2021 09:54:33AM via free access the kabbalistic “teaching panel” of princess antonia 57 1 The Trinity Church in Bad Teinach and Princess Antonia of Württemberg (1613–1679) Situated in the Black Forest hamlet of BadTeinach, the LutheranTrinity Church (Dreifaltigkeitskirche) houses a jewel of German Baroque art, the so-called “teaching panel” (Lehrtafel) of Princess Antonia of Württemberg. -
A Qabalistic Examination of Symbolist Poetry and the Music of Claude Debussy
The Muse of Secrecy: A Qabalistic Examination of Symbolist Poetry and the Music of Claude Debussy Author Churchill, Christina Published 2020-06-03 Thesis Type Thesis (PhD Doctorate) School School of Hum, Lang & Soc Sc DOI https://doi.org/10.25904/1912/1355 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/394685 Griffith Research Online https://research-repository.griffith.edu.au The Muse of Secrecy: A Qabalistic Examination of Symbolist Poetry and the Music of Claude Debussy Christina Churchill MMus Perf Submitted in fulfilment of the requirements of Doctor of Philosophy August 2019 School of Humanities Griffith University i Abstract The Qabalah played an important role to a number of esoteric and cultural groups in Paris from the 1840s through to the end of the 19th century. This Qabalistic brand of esotericism was spearheaded by Eliphas Lévi who combined facets of the Cabala of the Renaissance that held a Christian view of ancient Jewish Kabbalah, with Gnostic, Hermetic, Pythagorean, and Neoplatonic sources. Initiates sought the hidden and cryptographic meaning of Qabalistic texts and were attracted to the concept of a Divine language and its evocatory potential. This thesis shows how esoteric ideas were circulated though networks and clubs, including Le Chat Noir, Librairie de l'Art indépendant, and Mallarmé’s Tuesday salons. It argues that the Qabalah was especially important in these circles through the influence of Lévi, Gérard Encausse (Papus), and Joséphin Péladan. Baudelaire, Mallarmé, Verlaine, and Debussy, along with other Symbolist poets and composers such as Villiers de l’Isle Adam, J.-K.