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Jean Bodel : Des "Flabiaus" À La Chanson De Geste
Jean Bodel : des "Flabiaus" à la chanson de geste Autor(en): Rossi, Luciano Objekttyp: Article Zeitschrift: Versants : revue suisse des littératures romanes = Rivista svizzera delle letterature romanze = Revista suiza de literaturas románicas Band (Jahr): 28 (1995) PDF erstellt am: 11.10.2021 Persistenter Link: http://doi.org/10.5169/seals-263566 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch JEAN BODEL: - DES FLABIAUS À LA CHANSON DE GESTE En guise d'introduction Pendant quelque six siècles (début du XIe - fin du XVIe), le spectacle des ménestrels1 a constitué le fondement d'une véritable «industrie de l'amusement médiéval»2. -
This Dissertation Has Been 64—6945 Microfilmed Exactly As Received PEARCY, Roy James, 1931-HUMOR in the FABLIAUX
This dissertation has been 64—6945 microfilmed exactly as received PEARCY, Roy James, 1931- HUMOR IN THE FABLIAUX. The Ohio State University, Ph.D., 1963 Language and Literature, general University Microfilms, Inc., Ann Arbor, Michigan Copyright by Roy James Pearcy 1° 6A HUMOR IN THE FABLIAUX DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Roy James Pearcy, B.A,(Hons.) ****** The Ohio State University 1963 Approved by J-. Adviser Department of English ACKNOWLEDGMENTS I would like to express my gratitude to Professor Francis L. Utley, who directed this dissertation, for his gracious and willing assistance, and for his sus taining and helpful interest throughout the progress of the work. Thanks are also due to Professor Morton W. Bloomfield, now at Harvard, who helped me prepare for the General Examination, and to Professor Robert M. Estrich, the chairman of my department, for aid and counsel in matters too many and varied to enumerate. I am also much indebted to The Graduate School of The Ohio State University for financial assistance afforded me in the form of a University Fellowship from January to June 1962, and Summer Fellowships in I960 and 1963. ii CONTENTS Page AC ENOWLEDGMENTS i i Chapter I INTRODUCTION..................................... 1 II RELATION OF PLOT AND COMIC ELEMENTS IN THE FABLIAUX................................. 38 III THE INTRODUCTION:SATIRE IN THE FABLIAUX........ 61 IV THE CORE:HUMOR IN THE FABLIAUX................. 98 V THE CONCLUSION: IRONY IN THE FABLIAUX.......... 127 VI HUMOR AND DICTION IN THE FABLIAUX............. 148 VII CHAUCER'S FABLIAU-TALES....................... -
1 the Middle Ages
THE MIDDLE AGES 1 1 The Middle Ages Introduction The Middle Ages lasted a thousand years, from the break-up of the Roman Empire in the fifth century to the end of the fifteenth, when there was an awareness that a ‘dark time’ (Rabelais dismissively called it ‘gothic’) separated the present from the classical world. During this medium aevum or ‘Middle Age’, situated between classical antiquity and modern times, the centre of the world moved north as the civil- ization of the Mediterranean joined forces with the vigorous culture of temperate Europe. Rather than an Age, however, it is more appropriate to speak of Ages, for surges of decay and renewal over ten centuries redrew the political, social and cultural map of Europe, by war, marriage and treaty. By the sixth century, Christianity was replacing older gods and the organized fabric of the Roman Empire had been eroded and trading patterns disrupted. Although the Church kept administrative structures and learning alive, barbarian encroachments from the north and Saracen invasions from the south posed a continuing threat. The work of undoing the fragmentation of Rome’s imperial domain was undertaken by Charlemagne (742–814), who created a Holy Roman Empire, and subsequently by his successors over many centuries who, in bursts of military and administrative activity, bought, earned or coerced the loyalty of the rulers of the many duchies and comtés which formed the patchwork of feudal territories that was France. This process of centralization proceeded at variable speeds. After the break-up of Charlemagne’s empire at the end of the tenth century, ‘France’ was a kingdom which occupied the region now known as 2 THE MIDDLE AGES the Île de France. -
St. Luke Antiochian Orthodox Church 13261 Dunklee Avenue - Garden Grove, California 92840 Archpriest Michael Tassos - Priest Jon L
St. Luke Antiochian Orthodox Church 13261 Dunklee Avenue - Garden Grove, California 92840 Archpriest Michael Tassos - Priest Jon L. Fate Archpriest Michael J. Lewis, of Blessed Memory A Parish within the Diocese of Los Angeles and the West: His Grace, Bishop JOSEPH - antiochianladiocese.org In the Self-Ruled Antiochian Orthodox Christian Archdiocese of North America: His Eminence, Metropolitan PHILIP - antiochian.org Parish Phone: (714) 971-2244 Fax: (714) 971-2252 Website: www.STLUKESOC.org October 16, 2011: Today we celebrate the Sunday of the Holy Fathers of the Seventh Ecumenical Council; and, in anticipation, we celebrate the memory of the Holy Apostle and Evangelist Luke. The saints we also commemorate: Martyr Longinos the centurion who stood at the cross of the Lord; Gall, enlightener of Switzerland; Longinus, the Gate-Keeper of the Kiev Caves; Domna, fool-for-Christ of Tomsk. From St. Paul To From the Gospel of Titus (3: 8-15) Saint Luke (8: 5-15) My child Titus, faithful is the saying, and The Lord spoke this parable: “A sower went out to sow his concerning these things I desire you to seed; and as he sowed, some fell along the path, and was affirm confidently, that those who have trodden under foot, and the birds of the air devoured it. And believed in God may be thoughtful of some fell on the rock; and as it grew up, it withered away, how to preside in honorable occupations. because it had no moisture. And some fell among thorns; and These things are good and profitable to the thorns grew with it and choked it. -
Sts Peter and Paul, 2010
‘Their proclamation has gone out into all the earth…’ The Feast of the Glorious Leaders of the Apostles, Peter and Paul By Hieromonk Irenei of the Brotherhood of St Ignatius, San Francisco As the Church comes to the end of her long Apostles’ Fast, she approaches a most unique Feast in her liturgical life: the Feast of the All-Praised and All-Glorious Leaders of the Holy Apostles, Sts Peter and Paul. Amongst the great multitude of saints that sing from heaven to the glory of God, these two Apostles stand in a unique and incomparable place. This place is marked out by the splendour of the phrases used to cry out to them in the divine services: ‘With what wreaths of praise shall we crown Peter and Paul?’1 ‘…you were an invincible team for the Trinity.’2 ‘Let us praise Peter and Paul, the two great stars of the Church; they shine brighter than the sun in the sky of faith.’3 The fast that has led us to this divine celebration is one of special intensity; and in a year such as the present, when the Apostles’ Fast is nearly the length of Great Lent itself, we are faced with the full emphasis the Holy Church puts upon this unique commemoration. The Church employs the fasts as periods and tools of preparation, calling us out of the sadly ‘normal’ state of our day-to-day lives, towards a life that is fully oriented around the celebration of, and participation in, true holiness. Our diets are restrained, our social activities curbed, our life of prayer and divine worship augmented, our attentiveness to almsgiving increased—all so that, through the grace of God who declared that ‘the Kingdom of Heaven belongs to those who take it by force’ (cf. -
University Microfilms
THE FABLIAUX AND THE NATURALISTIC TRADITION Item Type text; Dissertation-Reproduction (electronic) Authors Laughlin, Virginia Lillian, 1924- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 04/10/2021 05:00:45 Link to Item http://hdl.handle.net/10150/287924 INFORMATION TO USERS This dissertation was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. -
The Arthurian Legend in British Women's Writing, 1775–1845
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Online Research @ Cardiff Avalon Recovered: The Arthurian Legend in British Women’s Writing, 1775–1845 Katie Louise Garner B.A. (Cardiff); M.A. (Cardiff) A thesis submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy School of English, Communication and Philosophy Cardiff University September 2012 Declaration This work has not been submitted in substance for any other degree or award at this or any other university or place of learning, nor is being submitted concurrently in candidature for any degree or other award. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 1 This thesis is being submitted in partial fulfilment of the requirements for the degree of PhD. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. The views expressed are my own. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed ………………………………………… (candidate) Date………………………… STATEMENT 4: PREVIOUSLY APPROVED BAR ON ACCESS I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loans after expiry of a bar on access previously approved by the Academic Standards & Quality Committee. Signed ………………………………………… (candidate) Date………………………… Acknowledgements First thanks are due to my supervisors, Jane Moore and Becky Munford, for their unceasing assistance, intellectual generosity, and support throughout my doctoral studies. -
Valencia Spain
The Holy Grail of VALENCIA SPAIN This precious object has always been at the center of fantastic stories and novels like the legend of the Knights Document regarding the reception of the Holy Chalice in of the Round Table in the Cathedral of Valencia in 1437 England, the stories of Perceval in France and Text of the notation written by Parzival in Germany of the John Ribera in which he certifies that “till now the Holy Chalice John Paul II kisses Twelfth - Thirteenth century. is preserved in our Cathedral” the Holy Grail of Valencia This genre was used by Wagner in a Christian-esoteric perspective and at the end of the twentieth century The Holy Chalice of Valencia the fantastic novels of B. Cornwell favored the birth of the editorial trend still alive today. Route traveled by the Holy Chalice The Last Supper. Juan de Juarez. Prado Museum (Madrid) Cathedral of Valencia he Holy Grail of Valencia is the chalice used According to the account of Arculo, a French portions: the inverted upper part of a cornelian by Jesus in his Last Supper with the bishop who lived in the Holy Land in 720 a. C., chalice constitutes the base, the stem is enriched Apostles to consecrate and offer the the Church of the Holy Sepulcher in Jerusalem by precious stones and the upper part is a cup, Eucharistic wine, that is his blood, but it has also was preserving the chalice in which the Lord also of cornelian. These parts are attributed to been identified as the cup in which Joseph of himself consecrated his own blood. -
The Lost Genre of Medieval Spanish Literature
THE LOST GENRE OF MEDIEVAL SPANISH LITERATURE Hispanists have frequent occasion to refer to the loss of much medieval literatura, and to recognize that the extant texts are not necessarily typical. There is no Hispanic equivalent of R. M. Wilson's The Lost Literatura of Medieval England1, but a similar, though less extensive, work could undoubtedly be compiled for Spanish, and Ramón Menéndez Pidal showed us how evidence for the contení, and sometimes the actual words, of lost epics could be discovered by cióse attention to chronicles and ballads. The study of literature which no longer survives has obvious dangers, and the concentration of Hispanists on lost epic and lost drama has oc- casionally gone further than the evidence justifies, leading to detailed accounts of poems or traditions, which, in all probability, never existed: for example, the supposed epic on King Rodrigo and the fall of Spain to the Moors, and the allegedly flourishing tradition of Castilian drama between the Auto de los reyes magos and Gómez Manrique. Nevertheless, many lost works can be clearly identified and set within the pattern of literary history. The study of lost literature can produce important modifications in that pattern, but changes of equal importance may result from a reassessment of extant works. There is a growing realization that medieval literature has been very unevenly studied, and the contrast between widespread interest in a few works and almost universal neglect of many others is especially acute in Spanish2. I propose to deal here with a particularly striking example of that neglect, which has been carried to the point where the existence of an important genre is overlooked. -
Did Jesus Marry Mary Magdalene? : a Study on the Function of the Christian Jargon in Dan Brown’S the Da Vinci Code
DID JESUS MARRY MARY MAGDALENE? : A STUDY ON THE FUNCTION OF THE CHRISTIAN JARGON IN DAN BROWN’S THE DA VINCI CODE AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements For the Degree of Sarjana Sastra English Letters By ELISABETH GRACE OKTAVIANI Student Number: 024214002 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2006 i TALENT IS 1% INSPIRATION AND 99% HARD WORKING (THOMAS ALVA EDISON) iv ACKNOWLEDGEMENTS I realize that I cannot reach such a progress this far without the helps of many people around me. First of all, I would like to thank my advisor, Adventina Putranti, S.S. for giving me some of her precious and comprehensive knowledge and for her supportive recommendation that I can manage my thesis well. I really appreciate what she had given to me from the beginning of my thesis. I would also like to thank my co- advisor, Johanes Harris Hermansyah Setiajid, S.S, M.Hum. for his precious suggestion. I have to mention Mr. Krisno because he has lent me his The Da Vinci Code. Here I will not forget to give my deep gratitude, love and honor for my beloved parents, who have given their big support, blessing, and wonderful love to me from the very beginning, that I know I could never reach this stage without their prayer. Personally, I could also manage this thesis because of the supportive and wonderful friendship from my brother Ferry, my lovely twins Titin and Olive, my big sister Diah and also not to forget Swesti. -
The Holy Grail of Valencia, Spain
The Holy Grail of VALENCIA SPAIN This precious object has always been at the center of extraordinary stories and novels like the legend of the Document regarding the reception of the Holy Chalice in Knights of the Round Table the Cathedral of Valencia in 1437 in England, the stories of Perceval in France, and Text of the notation written by Parzival in Germany of the John Ribera in which he certifies that “till now the Holy Chalice John Paul II kisses twelfth and thirteenth is preserved in our Cathedral” the Holy Grail of Valencia century. This genre was used by Wagner in a Christian- esoteric perspective and at the end of the twentieth The Holy Chalice of Valencia century the fantastic novels of B. Cornwell favored the birth of the editorial trend still alive today. Route traveled by the Holy Chalice The Last Supper. Juan de Juarez. Prado Museum (Madrid) Cathedral of Valencia he Holy Grail of Valencia is the Chalice According to the account of Arculo, a French portions: the inverted upper part of a Cornelian used by Jesus in His Last Supper with the bishop who lived in the Holy Land in 720 A.D, chalice constitutes the base, the stem is enriched apostles to consecrate and offer the Eucharistic the Chalice in which the Lord Himself by precious stones and the upper part is a cup, wine that is His Blood, but it has also been iden- consecrated His own Blood was preserved in also of Cornelian. These parts are attributed to tified as the cup in which Joseph of Arimathea the Church of the Holy Sepulcher in Jerusalem. -
Doing Nothing with Words Or the Power of Medieval Poetry
Doing nothing with words or the power of medieval poetry The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Greene, Virginie. 2015. Doing nothing with words or the power of medieval poetry. Harvard English Colloquium, Harvard University, October 29, 2015. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:30778728 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Open Access Policy Articles, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#OAP doing nothing with words or the power of medieval poetry (Harvard English Colloquium, October 29, 2015) This paper is the continuation of a paper I gave last summer at the Université Rennes 2, at a colloquium organized by the groupe phi, which is a group of research in literature. The colloquium was titled “Pouvoir, puissance, force de la littérature: de l’energeia à l’empowerment” and my paper was about “courage” in two medieval poems Les vers de la mort by Hélinand de Froidmont and Les Congés by Jean Bodel. I was I think the only medievalist there, the majority of the participants being specialists of modern and contemporary literature. Most of my paper though was about these two medieval poems and poets, but I ended with reflexions on Austin and the notions of illocutionary and perlocutionary strength. Tonight, I will do the reverse, starting with the notions of performativity, locution, illocution, and perlocution in Austin’s slim corpus of texts (1 book and about 10 articles), and then moving backward to the Middle Ages, to look at these notions from a different angle.