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IO E TE” Von Niccolò Ammaniti ICH UND DU( I O E T E ) Ein Film von Bernardo Bertolucci Nach dem Roman “IO E TE” von Niccolò Ammaniti Cannes 2012 („Out Of Competition“) International Film Festival Rotterdam 2013 Film des Jahres, Nastro d’Argento-Preis Im Verleih von: KOOL Filmdistribution Belfortstraße 37, 79098 Freiburg Presse: Ludwig Ammann - 0761 26763 0179 - 1109211 Download der Bilder, Presseheft, EPK & APK: (demnächst) SYNOPSIS Lorenzo nimmt sich eine Auszeit. Olivia auch… Lorenzo steht mit seinen Mitschülern nicht auf bestem Fuß. Auf dem Weg zum Skikurs macht er kehrt und Büchern und einer Ameisenkolonie. Doch mitten in der Nacht wecken ihn Schritte: Eine junge Frau, seine Halbschwester Olivia, die schon vor Jahren ausgezogen ist, sucht nach ihren Sachen. Nun braucht sie seine Hilfe Nach vielen Jahren Schweigen ein neuer Film von Bernardo Bertolucci (DER LETZTE TANGO IN PARIS, LITTLE BHUDDA, DER LETZTE KAISER). Zum Rollstuhl verurteilt, kehrt er nach seinen großen historischen Ausstattungsdramen und TRÄUMER (2003) zurück zu einer kleinen, intimen Geschichte, der Wiederannäherung zweier Geschwister und den ersten Schritten junger Menschen ins eigene Leben! „Zweifellos eines der schönsten Werke in seinem Oeuvre, das tief berührt durch eine neue Zartheit, Subtilität und die Ernsthaftigkeit der Inszenierung!“ LES INROCKS „Jacopo Olmo Antinori, ein mediterraner Malcolm McDowell, ist ideal als Lorenzo: ein bisschen bizarr und sehr ergreifend!“ LE MONDE „Der Höhepunkt zu David Bowies RAGAZZO SOLO hat mich zu Tränen gerührt!“ HUFFINGTON POST „Wo ndet man heute das Kino Italiens? In einem Keller, bei Bertolucci! Es ist eine Katakombe des Kinos, darin seine Laterna Magica mit einer geheimnisvollen prä-neorealistischen Schönheit, einem Jungen wie aus Pasolini und mit abgelegten Dingen eine Parallelwelt zu Leben erweckt!“ LA REPUBBLICA BERNARDO BERTOLUCC I ÜBER ICH UND DU Für mich ist dieser Film eine Rückkehr ins Leben. Ich habe die letzten zehn Jahre in einer Art Erstarrung gelebt. Die Unbeweglichkeit des Rollstuhls ließ mich glauben, meine Zeit als Filmemacher sei vorüber. einer anderen Position heraus zu machen: sitzend statt stehend. Nach ICH UND DU bin ich wieder im Rennen und bereit, den nächsten Film zu drehen. Vor zwei Jahren überreichte mir Niccolo Ammaniti seine Erzählung IO E TE frisch aus der Druckerei. Es ist 30 Jahre her, dass ich auf Italienisch gedreht habe. Ich sehnte mich danach, in einem meiner Filme Italienisch zu hören, von italienischen Schauspielern gesprochen, in Italien gedreht. Als ich die ersten Seiten las, sprang ein Funke über. Natürlich musste die Erzählung in einigen Punkten abgeändert werden, daher wollte ich, dass Ammaniti zusammen mit Umberto Contarello und Francesca Marciano an dem Drehbuch mitschrieb. Aber die größten Unterschiede zum Roman ergaben sich erst beim Dreh. Das ist die Magie des Kinos! Kellerraums in eine Art „Klaustrophilie“ zu verwandeln: die Liebe zur Beschränkung auf einen geschlos- senen Raum. Bei den Dreharbeiten trug ich dafür Sorge, dass dieser eine Keller in jeder Szene anders aussehen würde, verwandelt durch den Jungen, Lorenzo, und das Licht, seine Magie. Der Raum sollte sich immer wieder anders anfühlen, so dass man im Verlauf der Geschichte immer neues darin sieht. In diesem Keller haben die beiden Figuren ihr Unbewusstes betreten, unser Unbewusstes, das Unbewuss- te aller, die an dem Film mitgewirkt haben. Das Casting für Lorenzo und Olivia hat zwei Monate gedauert. Ich habe so gut wie jede italienische her, dass ich Heranwachsende so nah kennengelernt habe. Ich konnte mir das Gesicht von Lorenzo nicht vorstellen. Aber es gab keine Zweifel mehr, als ich die großen Augen von Jacopo Olmo sah, seine Haare wie Robert Smith in THE CURE, das kleine Gesicht das mich etwas an den jungen Malcolm McDowell erinnerte, aber seltsamerweise auch an eine Pasolini-Figur. ICH UND DU handelt von den Sehnsüchten, Enttäuschungen, Kämpfen und Träumen zweier junger Menschen. Ich glaube, viele meiner Filme haben sich mit der Jugend und ihren ganz eigenen emotionalen Zuständen beschäftigt, von DIE TRÄUMER und GEFÜHL UND VERFÜHRUNG bis sogar 1900, DER LETZTE KAISER und LITTLE BUDDHA. Ich bin nun über 70 Jahre alt und bin immer noch fasziniert von jungen Charakteren und der Herausforderung, ihre Vitalität und Neugier einzufangen. Ich habe Jacopo Olmo dabei zugesehen, wie er in den zehnwöchigen Dreharbeiten vor der Kamera erwach- sen wurde! Vielleicht bin ich ein Spätentwickler? RAGAZZO SOLO, RAGAZZA SOLA hörte ich vor sehr vielen Jahren im Radio, als ich mit durch die Straßen von Los Angeles fuhr. David Bowie singt "Ground Control to Major Tom" auf Italienisch und versucht den Akzent zu unterdrücken! Den Text hat der wunderbare Lyriker Mogol geschrieben: Dimmi ragazzo solo dove vai, Perche' tanto dolore? Hai perduto senza dubbio un grande amore… Sag mir, einsamer Junge, wohin gehst du? Warum all die Schmerzen? Du hast bestimmt eine große Liebe verloren… Der Sciene-Fiction Song aus SPACE ODDITY wird zu einem italienischen Liebeslied! Es ist, als sei RAGAZZO SOLO eigens für ICH UND DU geschrieben. Die Musik schat auf dem Höhepunkt einen einzigartigen Moment, in dem alles möglich ist... JACOPO OLMO ANTINORI in der Rolle des LORENZO Jacopo Olmo Antinori wurde 1997 in Rom geboren. Seit 2007 steht er auf der Bühne und spielte in Shake- speares EIN WINTERMÄRCHEN, Brechts DER GUTE MENSCH VON SEZUAN und PLUTUS von Aristophanes. Lorenzo ist seine erste Filmrolle. Listening to him I wondered if he was really only 14 years old like he said. From that moment on, he continued to open up. He was a kid but also a born actor, remarkably capable of comprehending direction. Only in the midst of his 14 years, but I’ve met few actors as professional as him. BERNARDO BERTOLUCCI TEA FALCO in der Rolle der OLIVIA points of view. We would never argue.” I ended up putting that line in the movie. She’s really a very special girl. BERNARDO BERTOLUCCI BERNARDO BERTOLUCCI Son of poet Attilio Bertolucci, Bernardo Bertolucci was born in Parma on March 16th, 1941. His family moved to Rome and Bernardo attended the College of Liberal Arts. In 1961, he served as Pier Paolo Pasolini’s first assistant director for Accattone. Bertolucci made his directorial debut with La commare secca (The Grim Reaper), based on a subject by Pasolini. In 1964, he directed Prima della rivoluzione (Before the Revolution), a personal essay with which he begins to develop the subject of existential and political ambiguity which will continue in his movies in the ‘70s. The scandalous Last Tango in Paris marked the beginning of an enormous success which will continue with the historical epics Novecento (1900) and The Last Emperor, winner of nine Academy Awards. In the ‘90s, he returned to shoot in Italy with Stealing Beauty and Besieged. In 2003 he directed The Dreamers, a nostalgic return to 1968 Paris. Shortly after The Dreamers, severe back pain and several operations, rehabilitations and relapses prevented Bertolucci following through on any film. Every project, some very ambitious with big international casts, had to be shelved due to his medical condition. Io e Te (Me and You) is Bertolucci’s first feature in 10 years, his first feature in Italian in 30 years. Bertolucci recently received a special Cannes Palme d’Or d’Honneur, a Venice Golden Lion for Lifetime Achievement, and full retrospectives at London’s BFI and New York’s MOMA. FILMOGRAPHY 1957 La Teleferica (The Cable) short 1958 La Morte del Maiale (Death of a Pig) short 1962 La Commare Secca (The Grim Reaper) 1964 Prima della Rivoluzione (Before the Revolution) 1966 La Via del Petrolio (Oil) documentary 1966 Il Canale (Canal) documentary 1968 Partner 1969 “Agonia” from omnibus film Amore e Rabbia (Love and Anger) 1970 Strategia del Ragno (The Spider’s Stratagem) 1970 Il Conformista (The Conformist) 1971 I Poveri Muoiono Prima/La Salute Malata (The Poor Die First/Health is Sick) documentary 1972 Last Tango in Paris 1976 Novecento (1900) 1979 Luna 1981 La Tragedia di un Uomo Ridicolo (Tragedy of a Ridiculous Man) 1984 L’Addio a Enrico Berlinguer documentary 1985 Cartolina dalla Cina documentary 1987 The Last Emperor 1989 “Bologna” episode in omnibus film 12 registi per 12 città (12 Directors, 12 Cities) 1990 The Sheltering Sky 1993 Little Buddha 1996 Stealing Beauty 1999 Besieged 2002 “Histoire d’eaux” (“History of Water”) episode of omnibus film Ten Minutes Older: The Cello 2003 The Dreamers 2012 Io e Te (Me and You) MAIN CAST Lorenzo Jacopo Olmo Antinori Olivia Tea Falco Arianna (Mutter) Sonia Bergamasco Großmutter Veronica Lazar Ferdinando Tommaso Ragno Psychologe Pippo Delbono MAIN CREW Regie Bernardo Bertolucci Buch Niccolò Ammaniti, Umberto Contarello, Francesca Marciano, Bernardo Bertolucci nach dem Roman “IO E TE” von Niccolò Ammaniti Bildregie Fabio Cianchetti Schnitt Jacopo Quadri Szenenbild Jean Rabasse Kostüme Metka Kosak Originalmusik Franco Piersanti Ton Remo Ugolinelli, Alessandro Palmerini Regieassistenz Barbara Melega Italien 2012, 97 Minuten „Eigentlich war ich begierig darauf, neue Techniken auszuprobieren, die sich in meiner zehnjährigen Abwesenheit entwickelt haben. Ich dachte sogar daran, ICH UND DU in 3D zu drehen. Wir haben einige Testaufnahmen in Cinecittà gemacht. Aber der ganze Prozess ist zu langsam für mich. Bei mir entwickelt sich eine Einstellung aus der anderen und führt zur nächsten… Ich habe keine Zeit für das mühselige Herumbewegen der beiden 3D-Kameras oder den Aufwand, einfach nur die Linsen zu wechseln. Vielleicht in ein paar Jahren… Dann dachte ich daran, den Film digital zu drehen. Aber diese unkontrollierbare Schärfe war für mich unerträglich. Ich hatte bis dahin gar nicht verstanden, wie viel nostalgischer Impressionismus im 35mm-Prozess steckt, und so habe ich mich entschlossen, mit guten alten Zelluloid („pellicola“) weiterzuarbeiten!“ BERNARDO BERTOLUCCI KOOL FILMDISTRIBUTION Belfortstraße 37 | 79098 Freiburg Tel: +49 (0) 761 208 8177 Fax: +49 (0) 761 208 8369.
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